{"title":"\u00c9missions","emissions":[{"title":"Humus Vivendi","subtitle":"Museo Hermann Hesse, day two","colour":null,"path":"humusvivendi2","texte":"

Umpa Lumpen \u2014 Humus Vivendi, day two
\nwith Jos\u00e9 Gsell, Aya Metwalli & a conversation with Marcel Henry
\nRecorded in Museo Hermann Hesse Montagnola, July 2025 \/ 01:21:14
\nHosted by Andrea Marioni and Marko Miladinovi\u0107
\nVisual by Studio Vanieli \/ Lumpen Station production
\nSupported by Oertli-Stiftung, Landis & Gyr Stiftung, Ville de Bienne, SWISSLOS\/Culture Canton de Berne<\/span><\/p>","desc":"Umpa Lumpen \u2014 Humus Vivendi, day two with Jos\u00e9 Gsell, Aya Metwalli & a conversation with Marcel Henry Recorded in Museo Hermann Hesse Montagnola, July 2025 \/ 01:21:14 Hosted by Andrea Marioni and Marko Miladinovi\u0107 Visual by Studio Vanieli \/ Lumpen Station production Supported by Oertli-Stiftung, Landis & Gyr Stiftung, Ville de Bienne, SWISSLOS\/Culture Canton de Berne","date":"08\/04\/2026","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1500\/ls_humusvivendi_covers_day2_corr.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1500\/ls_humusvivendi_covers_day2_corr.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1500\/ls_humusvivendi_covers_day2_corr.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1500\/2_humus_vivendi_hesse.mp3","duration":4885}],"duration":"81:25","format":null,"format_path":null,"format_id":null,"sub_format":null,"sub_format_path":null,"sub_format_id":null},{"title":"Humus Vivendi","subtitle":"Museo Hermann Hesse, day one","colour":"#f704b0","path":"humusvivendi1","texte":"

Umpa Lumpen \u2014 Humus Vivendi, day one
\nwith Till Langschied, Elodie Olson-Coons, Mercure Martini, Corinne Isabelle Rinaldis
\nRecorded in Museo Hermann Hesse Montagnola, July 2025 \/ 01:35:20
\nHosted by Andrea Marioni and Marko Miladinovi\u0107
\nVisual by Studio Vanieli \/ Lumpen Station production
\nSupported by Oertli-Stiftung, Landis & Gyr Stiftung, Ville de Bienne, SWISSLOS\/Culture Canton de Berne<\/span><\/p>","desc":"Umpa Lumpen \u2014 Humus Vivendi, day one with Till Langschied, Elodie Olson-Coons, Mercure Martini, Corinne Isabelle Rinaldis Recorded in Museo Hermann Hesse Montagnola, July 2025 \/ 01:35:20 Hosted by Andrea Marioni and Marko Miladinovi\u0107 Visual by Studio Vanieli \/ Lumpen Station production Supported by Oertli-Stiftung, Landis & Gyr Stiftung, Ville de Bienne, SWISSLOS\/Culture Canton de Berne","date":"08\/04\/2026","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1499\/ls_humusvivendi_covers_day1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1499\/ls_humusvivendi_covers_day1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1499\/ls_humusvivendi_covers_day1.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1499\/1_humus_vivendi_hesse.mp3","duration":5734}],"duration":"95:34","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166},{"title":"Parlez-vous c\u00e9ramique ?","subtitle":"Bertrand Mazeirat","colour":"#74c8ff","path":"pvc5","texte":"

Bertrand Mazeirat<\/p>\n\n

Bertrand Mazeirat, directeur du Mus\u00e9e Ariana depuis ao\u00fbt 2025, vous livre sa vision de l\u2019institution, ainsi que ses projets d\u2019avenir. Comment apporter de la nouveaut\u00e9 tout en respectant l\u2019h\u00e9ritage de l\u2019Ariana\u00a0? Qu\u2019est-ce qui l\u2019anime au quotidien dans son m\u00e9tier\u00a0? D\u00e9couvrez les souhaits, les r\u00e9flexions et interrogations d\u2019un directeur de mus\u00e9e\u00a0!<\/p>\n\n

Lumpen Embassy \u2014 Parlez-vous c\u00e9ramique\u2009? Bertrand Mazeirat
\nEnregistr\u00e9 au Mus\u00e9e Ariana, Gen\u00e8ve, 2026 \/ 00:32:30
\nConcept et m\u00e9diation\u2009: Manon Weber
\nCo-production Mus\u00e9e Ariana et Lumpen Station
\nVisuel par Studio Vanieli<\/p>","desc":"Bertrand Mazeirat Bertrand Mazeirat, directeur du Mus\u00e9e Ariana depuis ao\u00fbt 2025, vous livre sa vision de l\u2019institution, ainsi que ses projets d\u2019avenir. Comment apporter de la nouveaut\u00e9 tout en respectant l\u2019h\u00e9ritage de l\u2019Ariana\u00a0? Qu\u2019est-ce qui l\u2019anime au quotidien dans son m\u00e9tier\u00a0? D\u00e9couvrez les souhaits, les r\u00e9flexions et interrogations d\u2019un directeur de mus\u00e9e\u00a0! Lumpen Embassy \u2014 Parlez-vous c\u00e9ramique\u2009? Bertrand Mazeirat Enregistr\u00e9 au Mus\u00e9e Ariana, Gen\u00e8ve, 2026 \/ 00:32:30 Concept et m\u00e9diation\u2009: Manon Weber Co-production Mus\u00e9e Ariana et Lumpen Station Visuel par Studio Vanieli","date":"25\/03\/2026","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1498\/ls_museeariana_podcastcover_mazeirat.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1498\/ls_museeariana_podcastcover_mazeirat.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1498\/ls_museeariana_podcastcover_mazeirat.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1498\/bertrand_mixagefinal_2.mp3","duration":3900}],"duration":"65:00","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114,"sub_format":"Mus\u00e9e Ariana - Parlez-vous c\u00e9ramique ?","sub_format_path":"mapvc","sub_format_id":1493},{"title":"Parlez-vous c\u00e9ramique ?","subtitle":"Solal Faucherre","colour":"#74c8ff","path":"pvc4","texte":"

Solal Faucherre: L\u2019artiste curieux<\/span><\/p>\n\n

Solal Faucherre, jeune artiste, nous partage son regard sur les objets du mus\u00e9e. Curieux et cr\u00e9atif, Solal aime cr\u00e9er des dessins et des objets insolites. Dans cet \u00e9pisode, il d\u00e9voile son go\u00fbt pour les \u00ab\u00a0assiettes de grand-m\u00e8re\u00a0\u00bb et d\u2019autres curiosit\u00e9s.<\/p>\n\n

Lumpen Embassy \u2014 Parlez-vous c\u00e9ramique\u2009? Solal Faucherre
\nEnregistr\u00e9 au Mus\u00e9e Ariana, Gen\u00e8ve, 2025 \/ 00:32:48
\nConcept et m\u00e9diation\u2009: Manon Weber
\nCo-production Mus\u00e9e Ariana et Lumpen Station
\nVisuel par Studio Vanieli<\/p>","desc":"Solal Faucherre: L\u2019artiste curieux Solal Faucherre, jeune artiste, nous partage son regard sur les objets du mus\u00e9e. Curieux et cr\u00e9atif, Solal aime cr\u00e9er des dessins et des objets insolites. Dans cet \u00e9pisode, il d\u00e9voile son go\u00fbt pour les \u00ab\u00a0assiettes de grand-m\u00e8re\u00a0\u00bb et d\u2019autres curiosit\u00e9s. Lumpen Embassy \u2014 Parlez-vous c\u00e9ramique\u2009? Solal Faucherre Enregistr\u00e9 au Mus\u00e9e Ariana, Gen\u00e8ve, 2025 \/ 00:32:48 Concept et m\u00e9diation\u2009: Manon Weber Co-production Mus\u00e9e Ariana et Lumpen Station Visuel par Studio Vanieli","date":"17\/11\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1496\/ls_museeariana_podcastcover_faucherre.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1496\/ls_museeariana_podcastcover_faucherre.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1496\/ls_museeariana_podcastcover_faucherre.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1496\/solal_mixage_final.mp3","duration":1968}],"duration":"32:48","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114,"sub_format":"Mus\u00e9e Ariana - Parlez-vous c\u00e9ramique ?","sub_format_path":"mapvc","sub_format_id":1493},{"title":"Parlez-vous c\u00e9ramique ?","subtitle":"Suzanne Monney","colour":"#74c8ff","path":"pvc3","texte":"

Suzanne Monney: \u00a0L\u2019art de gu\u00e9rir<\/span><\/p>\n\n

L\u2019art et la beaut\u00e9 peuvent jouer un r\u00f4le crucial sur notre bien-\u00eatre mental et physique. Cela, Suzanne Monney l\u2019a tr\u00e8s vite senti en peignant et en fa\u00e7onnant. Nous vous invitons \u00e0 d\u00e9couvrir les bienfaits de la cr\u00e9ation artistique \u00e0 travers le t\u00e9moignage d\u2019une femme lumineuse et r\u00e9siliente.<\/p>\n\n

Lumpen Embassy \u2014 Parlez-vous c\u00e9ramique\u2009? Suzanne Monney
\nEnregistr\u00e9 au Mus\u00e9e Ariana, Gen\u00e8ve, 2025 \/ 00:27:59
\nConcept et m\u00e9diation\u2009: Manon Weber
\nCo-production Mus\u00e9e Ariana et Lumpen Station
\nVisuel par Studio Vanieli<\/p>","desc":"Suzanne Monney: \u00a0L\u2019art de gu\u00e9rir L\u2019art et la beaut\u00e9 peuvent jouer un r\u00f4le crucial sur notre bien-\u00eatre mental et physique. Cela, Suzanne Monney l\u2019a tr\u00e8s vite senti en peignant et en fa\u00e7onnant. Nous vous invitons \u00e0 d\u00e9couvrir les bienfaits de la cr\u00e9ation artistique \u00e0 travers le t\u00e9moignage d\u2019une femme lumineuse et r\u00e9siliente. Lumpen Embassy \u2014 Parlez-vous c\u00e9ramique\u2009? Suzanne Monney Enregistr\u00e9 au Mus\u00e9e Ariana, Gen\u00e8ve, 2025 \/ 00:27:59 Concept et m\u00e9diation\u2009: Manon Weber Co-production Mus\u00e9e Ariana et Lumpen Station Visuel par Studio Vanieli","date":"17\/11\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1495\/ls_museeariana_podcastcover_monney.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1495\/ls_museeariana_podcastcover_monney.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1495\/ls_museeariana_podcastcover_monney.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1495\/suzanne_final_2.mp3","duration":1679}],"duration":"27:59","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114,"sub_format":"Mus\u00e9e Ariana - Parlez-vous c\u00e9ramique ?","sub_format_path":"mapvc","sub_format_id":1493},{"title":"Parlez-vous c\u00e9ramique ?","subtitle":"Sabrina Ojeda","colour":"#74c8ff","path":"pvc2","texte":"

Sabrina Ojeda: Entre ciel et terre<\/span>
\n\u00a0<\/p>\n\n

Avez-vous d\u00e9j\u00e0 fait le lien entre le Big Bang et votre tasse \u00e0 caf\u00e9\u00a0? Dans cet \u00e9pisode, Sabrina Ojeda, \u00e9tudiante en g\u00e9ologie \u00e0 l\u2019Universit\u00e9 de Gen\u00e8ve nous emm\u00e8ne dans le monde vaste de la mati\u00e8re, des \u00e9toiles et de l\u2019argile. On apprend que la g\u00e9ologie et la c\u00e9ramique sont particuli\u00e8rement li\u00e9es.<\/p>\n\n

Lumpen Embassy \u2014 Parlez-vous c\u00e9ramique\u2009? Sabrina Ojeda
\nEnregistr\u00e9 au Mus\u00e9e Ariana, Gen\u00e8ve, 2025 \/ 00:39:44
\nConcept et m\u00e9diation\u2009: Manon Weber
\nCo-production Mus\u00e9e Ariana et Lumpen Station
\nVisuel par Studio Vanieli<\/p>","desc":"Sabrina Ojeda: Entre ciel et terre \u00a0 Avez-vous d\u00e9j\u00e0 fait le lien entre le Big Bang et votre tasse \u00e0 caf\u00e9\u00a0? Dans cet \u00e9pisode, Sabrina Ojeda, \u00e9tudiante en g\u00e9ologie \u00e0 l\u2019Universit\u00e9 de Gen\u00e8ve nous emm\u00e8ne dans le monde vaste de la mati\u00e8re, des \u00e9toiles et de l\u2019argile. On apprend que la g\u00e9ologie et la c\u00e9ramique sont particuli\u00e8rement li\u00e9es. Lumpen Embassy \u2014 Parlez-vous c\u00e9ramique\u2009? Sabrina Ojeda Enregistr\u00e9 au Mus\u00e9e Ariana, Gen\u00e8ve, 2025 \/ 00:39:44 Concept et m\u00e9diation\u2009: Manon Weber Co-production Mus\u00e9e Ariana et Lumpen Station Visuel par Studio Vanieli","date":"17\/11\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1494\/ls_museeariana_podcastcover_ojeda.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1494\/ls_museeariana_podcastcover_ojeda.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1494\/ls_museeariana_podcastcover_ojeda.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1494\/sabrina_2_mixage_final.mp3","duration":3527}],"duration":"58:47","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114,"sub_format":"Mus\u00e9e Ariana - Parlez-vous c\u00e9ramique ?","sub_format_path":"mapvc","sub_format_id":1493},{"title":"Parlez-vous c\u00e9ramique ?","subtitle":"Julie Barretta","colour":"#74c8ff","path":"pvc1","texte":"

Julie Barretta: La po\u00e9sie des odeurs<\/span><\/p>\n\n

L\u2019argile, peut-elle \u00eatre uniquement associ\u00e9e au sens du toucher\u00a0? Dans cet \u00e9pisode, nous vous invitons \u00e0 d\u00e9couvrir le monde subtil des odeurs gr\u00e2ce \u00e0 Julie Barretta, parfumeuse. Nous dresserons \u00e9galement de curieux liens entre l\u2019architecture, la cuisine et la philosophie.<\/p>\n\n

Lumpen Embassy \u2014 Parlez-vous c\u00e9ramique\u2009? Julie Barretta
\nEnregistr\u00e9 au Mus\u00e9e Ariana, Gen\u00e8ve, 2025 \/ 00:34:00
\nConcept et m\u00e9diation\u2009: Manon Weber
\nCo-production Mus\u00e9e Ariana et Lumpen Station
\nVisuel par Studio Vanieli<\/p>","desc":"Julie Barretta: La po\u00e9sie des odeurs L\u2019argile, peut-elle \u00eatre uniquement associ\u00e9e au sens du toucher\u00a0? Dans cet \u00e9pisode, nous vous invitons \u00e0 d\u00e9couvrir le monde subtil des odeurs gr\u00e2ce \u00e0 Julie Barretta, parfumeuse. Nous dresserons \u00e9galement de curieux liens entre l\u2019architecture, la cuisine et la philosophie. Lumpen Embassy \u2014 Parlez-vous c\u00e9ramique\u2009? Julie Barretta Enregistr\u00e9 au Mus\u00e9e Ariana, Gen\u00e8ve, 2025 \/ 00:34:00 Concept et m\u00e9diation\u2009: Manon Weber Co-production Mus\u00e9e Ariana et Lumpen Station Visuel par Studio Vanieli","date":"17\/11\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1492\/ls_museeariana_podcastcover_barrettajpg.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1492\/ls_museeariana_podcastcover_barrettajpg.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1492\/ls_museeariana_podcastcover_barrettajpg.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1492\/julie_mixage_final_2.mp3","duration":2040}],"duration":"34:00","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114,"sub_format":"Mus\u00e9e Ariana - Parlez-vous c\u00e9ramique ?","sub_format_path":"mapvc","sub_format_id":1493},{"title":"Venezia parlata","subtitle":"Capitano vaporetto","colour":"#0e59ec","path":"veneziaparlatavaporetto","texte":"

Biosonica \u2014 Venezia Parlata, Capitano vaporetto
\nRecorded in Venezia, September 2024 \/ 00:49:29
\nWith Michele Perini, interviewed by Andrea Marioni
\nVisual by Studio Vanieli
\nLumpen Station production
\nSupported by Swisslos \u2013 Culture Canton de Berne
\nVenezia Parlata was created during Pro Helvetia residency in Palazzo Trevisan in 2024<\/span><\/p>","desc":"Biosonica \u2014 Venezia Parlata, Capitano vaporetto Recorded in Venezia, September 2024 \/ 00:49:29 With Michele Perini, interviewed by Andrea Marioni Visual by Studio Vanieli Lumpen Station production Supported by Swisslos \u2013 Culture Canton de Berne Venezia Parlata was created during Pro Helvetia residency in Palazzo Trevisan in 2024","date":"28\/10\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1487\/ls_veneziaparlata_covers_vaporetto.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1487\/ls_veneziaparlata_covers_vaporetto.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1487\/ls_veneziaparlata_covers_vaporetto.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1487\/voicescapes_vaporetto_2024.mp3","duration":2975}],"duration":"49:35","format":"BIOSONICA","format_path":"biosonica","format_id":1484,"sub_format":"Venezia Parlata","sub_format_path":"veneziaparlata","sub_format_id":1486},{"title":"Venezia Parlata","subtitle":"storia di un gondoliere","colour":"#0e59ec","path":"veneziaparlatastoriadiungondoliere","texte":"

Biosonica \u2014 Venezia Parlata, Storia di un gondoliere
\nRecorded in Bocciofila San Sebastiano, Venezia, September 2024 \/ 00:30:41
\nInterview by Andrea Marioni
\nVisual by Studio Vanieli
\nLumpen Station production
\nSupported by Swisslos \u2013 Culture Canton de Berne<\/span>
\n
\n\u00a0<\/p>","desc":"Biosonica \u2014 Venezia Parlata, Storia di un gondoliere Recorded in Bocciofila San Sebastiano, Venezia, September 2024 \/ 00:30:41 Interview by Andrea Marioni Visual by Studio Vanieli Lumpen Station production Supported by Swisslos \u2013 Culture Canton de Berne \u00a0","date":"28\/10\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1489\/ls_veneziaparlata_covers_gondoliere.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1489\/ls_veneziaparlata_covers_gondoliere.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1489\/ls_veneziaparlata_covers_gondoliere.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1489\/voicescapes_venice_gondoliere_2024.mp3","duration":1845}],"duration":"30:45","format":"BIOSONICA","format_path":"biosonica","format_id":1484,"sub_format":"Venezia Parlata","sub_format_path":"veneziaparlata","sub_format_id":1486},{"title":"Venezia Parlata","subtitle":"Genesi di una gondola, con Crea, il Re del Remo","colour":"#0e59ec","path":"veneziaparlataredelremo","texte":"

Biosonica \u2014 Venezia Parlata, Genesi di una gondola, con Crea, il Re del Remo
\nRecorded in Cantiere Crea, Giudecca, September 2024 \/ 00:17:31
\nWith Gianfranco Vianello \u201cCrea\u201d, interviewed by Andrea Marioni
\nVisual by Studio Vanieli
\nLumpen Station production
\nSupported by Swisslos \u2013 Culture Canton de Berne
\nVenezia Parlata was created during Pro Helvetia residency in Palazzo Trevisan in 2024<\/span><\/p>","desc":"Biosonica \u2014 Venezia Parlata, Genesi di una gondola, con Crea, il Re del Remo Recorded in Cantiere Crea, Giudecca, September 2024 \/ 00:17:31 With Gianfranco Vianello \u201cCrea\u201d, interviewed by Andrea Marioni Visual by Studio Vanieli Lumpen Station production Supported by Swisslos \u2013 Culture Canton de Berne Venezia Parlata was created during Pro Helvetia residency in Palazzo Trevisan in 2024","date":"28\/10\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1488\/ls_veneziaparlata_covers_redelremo.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1488\/ls_veneziaparlata_covers_redelremo.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1488\/ls_veneziaparlata_covers_redelremo.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1488\/voicescapes_venice_redelremo_2024.mp3","duration":1053}],"duration":"17:33","format":"BIOSONICA","format_path":"biosonica","format_id":1484,"sub_format":"Venezia Parlata","sub_format_path":"veneziaparlata","sub_format_id":1486},{"title":"Venezia Parlata","subtitle":"A conversation with Guerreiro do Divino Amor & Andrea Bellini","colour":"#0e59ec","path":"veneziaparlataguerreirobellini","texte":"

Biosonica \u2014 Venezia Parlata, a conversation with Guerreiro do Divino Amor & Andrea Bellini
\nRecorded in la Biennale Venezia, September 2024 \/ 00:36:25
\nInterviewed by Andrea Marioni
\nBackground image based on \u201cThe Altar of Gudruna\u201d, collage by Guerreiro do Divino Amor, excerpt for the work \u201cThe Miracle of Helvetia\u201d, 2023
\nVisual by Studio Vanieli
\nLumpen Station production
\nSupported by Swisslos \u2013 Culture Canton de Berne
\nVenezia Parlata was created during Pro Helvetia residency in Palazzo Trevisan in 2024<\/span><\/p>","desc":"Biosonica \u2014 Venezia Parlata, a conversation with Guerreiro do Divino Amor & Andrea Bellini Recorded in la Biennale Venezia, September 2024 \/ 00:36:25 Interviewed by Andrea Marioni Background image based on \u201cThe Altar of Gudruna\u201d, collage by Guerreiro do Divino Amor, excerpt for the work \u201cThe Miracle of Helvetia\u201d, 2023 Visual by Studio Vanieli Lumpen Station production Supported by Swisslos \u2013 Culture Canton de Berne Venezia Parlata was created during Pro Helvetia residency in Palazzo Trevisan in 2024","date":"28\/10\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1490\/ls_veneziaparlata_covers_divinoamor.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1490\/ls_veneziaparlata_covers_divinoamor.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1490\/ls_veneziaparlata_covers_divinoamor.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1490\/lsu_swisspavillon_venice_2024.mp3","duration":2189}],"duration":"36:29","format":"BIOSONICA","format_path":"biosonica","format_id":1484,"sub_format":"Venezia Parlata","sub_format_path":"veneziaparlata","sub_format_id":1486},{"title":"Venezia Parlata","subtitle":"Radio Gonzola, Circolo 3 agosto","colour":"#0e59ec","path":"veneziaparlatacircolo3agosto","texte":"

Biosonica \u2014 Venezia Parlata, Circolo 3 Agosto, Radio Gonzola
\nRecorded in Circolo 3 Agosto, Venezia, May 2025 \/ 01:38:11
\nHosted by Andrea Marioni
\nVisual by Studio Vanieli
\nLumpen Station production
\nSupported by Ville de Bienne, Swisslos \u2013 Culture Canton de Berne
\nVenezia Parlata was created during Pro Helvetia residency in Palazzo Trevisan in 2024<\/span><\/p>","desc":"Biosonica \u2014 Venezia Parlata, Circolo 3 Agosto, Radio Gonzola Recorded in Circolo 3 Agosto, Venezia, May 2025 \/ 01:38:11 Hosted by Andrea Marioni Visual by Studio Vanieli Lumpen Station production Supported by Ville de Bienne, Swisslos \u2013 Culture Canton de Berne Venezia Parlata was created during Pro Helvetia residency in Palazzo Trevisan in 2024","date":"28\/10\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1491\/ls_veneziaparlata_covers_circolo3agosto.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1491\/ls_veneziaparlata_covers_circolo3agosto.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1491\/ls_veneziaparlata_covers_circolo3agosto.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1491\/voicescapes_radiogonzola_2025.mp3","duration":6114}],"duration":"101:54","format":"BIOSONICA","format_path":"biosonica","format_id":1484,"sub_format":"Venezia Parlata","sub_format_path":"veneziaparlata","sub_format_id":1486},{"title":"Venezia Parlata","subtitle":"VOICESCAPE","colour":"#0e59ec","path":"veneziaparlata","texte":"

Biosonica \u2014 Venezia Parlata, Voicescape
\nRecorded in Venezia, September 2024 \/ 00:51:39
\nVisual by Studio Vanieli
\nLumpen Station production
\nSupported by Swisslos \u2013 Culture Canton de Berne
\nVenezia Parlata was created during Pro Helvetia residency in Palazzo Trevisan in 2024<\/span><\/p>","desc":"Biosonica \u2014 Venezia Parlata, Voicescape Recorded in Venezia, September 2024 \/ 00:51:39 Visual by Studio Vanieli Lumpen Station production Supported by Swisslos \u2013 Culture Canton de Berne Venezia Parlata was created during Pro Helvetia residency in Palazzo Trevisan in 2024","date":"28\/10\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1485\/ls_veneziaparlata_covers_voicescape.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1485\/ls_veneziaparlata_covers_voicescape.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1485\/ls_veneziaparlata_covers_voicescape.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1485\/voicescapes_venice_2024.mp3","duration":3105}],"duration":"51:45","format":"BIOSONICA","format_path":"biosonica","format_id":1484,"sub_format":"Venezia Parlata","sub_format_path":"veneziaparlata","sub_format_id":1486},{"title":"Galerie V\u00e9rit\u00e9 : Artist Talk","subtitle":"Jutta Galizia & Chiara Vancheri","colour":"#f214c4","path":"galerie-verite-artist-talk","texte":"

Lumpen Universit\u00e4t, Galerie V\u00e9rit\u00e9 : Artist Talk, Jutta Galizia & Chiara Vancheri
\nRecorded on 12.4.25 in Galerie Verit\u00e9, Biel\/Bienne \/ 00:52:48
\nFrom the exhibition OVERKILL with Jutta Galizia & Chiara Vancheri, curated by Tomas und Flurina Gutmann
\nPicture by Galerie V\u00e9rit\u00e9 \/ Visual by Studio Vanieli<\/span><\/p>","desc":"Lumpen Universit\u00e4t, Galerie V\u00e9rit\u00e9 : Artist Talk, Jutta Galizia & Chiara Vancheri Recorded on 12.4.25 in Galerie Verit\u00e9, Biel\/Bienne \/ 00:52:48 From the exhibition OVERKILL with Jutta Galizia & Chiara Vancheri, curated by Tomas und Flurina Gutmann Picture by Galerie V\u00e9rit\u00e9 \/ Visual by Studio Vanieli","date":"14\/09\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1483\/ls_podcasts_130825.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1483\/ls_podcasts_130825.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1483\/ls_podcasts_130825.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1483\/lsu_galerie_verite_2025.mp3","duration":3175}],"duration":"52:55","format":"LUMPEN UNIVERSIT\u00c4T","format_path":"lumpenuniversitat","format_id":1156},{"title":"OHH - Elegy for the Age of Spasm","subtitle":"ALY-X & Gotgha","colour":"#05b2d8","path":"ohh-elegy-for-the-age-of-spasm","texte":"

Associates curators is hosting :
\nOtter Holding Hands by Ambra Viviani, Giulietta
\nOHH, season 3, Loving in Between 2025\u00a0
\nArtists: ALY-X & Gotgha
\nTitle: Elegy for the Age of Spasm
\nco-production: Giulietta and Lumpen Station
\nsupports: Pro Helvetia, FSRC - SWISSPERFORM\u00a0<\/span><\/p>\n\n

\u201cTurning and turning in the widening gyre\u00a0
\nThe falcon cannot hear the falconer;\u00a0
\nThings fall apart; the centre cannot hold;
\nMere anarchy is loosed upon the world,\u00a0
\nThe blood-dimmed tide is loosed, and everywhere
\n\u00a0The ceremony of innocence is drowned\u201d<\/p>\n\n

\u00a0William Butler Yeats, \u201cThe Second Coming,\u201d 1919<\/p>\n\n

This piece is a sonification of the final moments of Joan of Arc\u2019s here-and-now existence, as portrayed in The Passion of Joan of Arc (1928).
\nIt follows the procession leading her to the stake, and her appeal to God for safe passage \u2014 free from suffering.
\nThe call expressed in this piece is not directed toward God \u2014 and yet, it calls out nonetheless.
\nCalling into the void. Calling the unknown.
\nDeath \u2014 one of the most mysterious transitions, whether into non-existence or into one of the afterlives proposed by various religions.
\nA passage, nevertheless.
\nThis unknown is often aesthetically framed by culture.
\nGraveyards, for instance, not only offer a resting place for the dead; they also provide a frame for the unknown that death embodies \u2014 soothing, perhaps, in the sense that death lies beyond experience.
\nAesthetically, this piece borrows from black metal \u2014 a genre that often revolves around death, giving it shape, sound, and landscape.<\/p>\n\n

This musical work is a sonic framing of that unknown.<\/p>\n\n

BIO
\nALY-X, the solo moniker of artist Aleyna G\u00fcnay.
\nShe works with sound, sculpture, installation, performance, and writing, and critically examines power and control, exploring how these forces shape and influence systems and individuals.
\nSince starting her project ALY-X in Paris in 2018, where she collaborated with artists from the scene, she has performed at venues such as LUFF, cave12, Palace, and Karmen Camina in Switzerland and Europe. Her recent exhibition was shown at CAN Centre d\u2019art Neuch\u00e2tel as part of Plattform 25.
\nALY-X is a reflection of perpetual violence. Her new project, Malrine, emerged to shed light on that violence. She combined both projects on this record, alongside Gotgha.<\/p>\n\n

Gotgha\u00a0(aka Luc H\u00e4fliger, they\/them) is a Zurich-based composer, performer, and sound artist.Their practice revolves around the question of how we can recode space through sonic experience.
\nThrough the lens of noise, they explore sonic and performative states in which the boundaries between control and ecstasy become fluid. Their works seamlessly weave together composition and improvisation.
\nThey are a founding member of doxa shroti, a collective that organizes monthly guerrilla concerts in underpasses\u2014acts of listening and community-building within Zurich\u2019s experimental music scene. As a collaborator, Gotgha regularly performs and composes alongside Joseph Baan, maintaining an ongoing dialogue with Baan\u2019s performance and visual arts practice. They also work closely with Margaretha J\u00fcngling, creating sonic environments for her multisensory performances. Gotgha\u2019s work has been presented in both national and international contexts, including les Urbaines, Drifts Festival Helsinki, Kunsthalle Z\u00fcrich, Kunsthalle Baselland, Tanzhaus Z\u00fcrich, ZKM Karlsruhe, LAC Lugano Arte e Cultura, and various performances in Yogyakarta and Taipei.<\/p>","desc":"Associates curators is hosting : Otter Holding Hands by Ambra Viviani, Giulietta OHH, season 3, Loving in Between 2025\u00a0 Artists: ALY-X & Gotgha Title: Elegy for the Age of Spasm co-production: Giulietta and Lumpen Station supports: Pro Helvetia, FSRC - SWISSPERFORM\u00a0 \u201cTurning and turning in the widening gyre\u00a0 The falcon cannot hear the falconer;\u00a0 Things fall apart; the centre cannot hold; Mere anarchy is loosed upon the world,\u00a0 The blood-dimmed tide is loosed, and everywhere \u00a0The ceremony of innocence is drowned\u201d \u00a0William Butler Yeats, \u201cThe Second Coming,\u201d 1919 This piece is a sonification of the final moments of Joan of Arc\u2019s here-and-now existence, as portrayed in The Passion of Joan of Arc (1928). It follows the procession leading her to the stake, and her appeal to God for safe passage \u2014 free from suffering. The call expressed in this piece is not directed toward God \u2014 and yet, it calls out nonetheless. Calling into the void. Calling the unknown. Death \u2014 one of the most mysterious transitions, whether into non-existence or into one of the afterlives proposed by various religions. A passage, nevertheless. This unknown is often aesthetically framed by culture. Graveyards, for instance, not only offer a resting place for the dead; they also provide a frame for the unknown that death embodies \u2014 soothing, perhaps, in the sense that death lies beyond experience. Aesthetically, this piece borrows from black metal \u2014 a genre that often revolves around death, giving it shape, sound, and landscape. This musical work is a sonic framing of that unknown. BIO ALY-X, the solo moniker of artist Aleyna G\u00fcnay. She works with sound, sculpture, installation, performance, and writing, and critically examines power and control, exploring how these forces shape and influence systems and individuals. Since starting her project ALY-X in Paris in 2018, where she collaborated with artists from the scene, she has performed at venues such as LUFF, cave12, Palace, and Karmen Camina in Switzerland and Europe. Her recent exhibition was shown at CAN Centre d\u2019art Neuch\u00e2tel as part of Plattform 25. ALY-X is a reflection of perpetual violence. Her new project, Malrine, emerged to shed light on that violence. She combined both projects on this record, alongside Gotgha. Gotgha\u00a0(aka Luc H\u00e4fliger, they\/them) is a Zurich-based composer, performer, and sound artist.Their practice revolves around the question of how we can recode space through sonic experience. Through the lens of noise, they explore sonic and performative states in which the boundaries between control and ecstasy become fluid. Their works seamlessly weave together composition and improvisation. They are a founding member of doxa shroti, a collective that organizes monthly guerrilla concerts in underpasses\u2014acts of listening and community-building within Zurich\u2019s experimental music scene. As a collaborator, Gotgha regularly performs and composes alongside Joseph Baan, maintaining an ongoing dialogue with Baan\u2019s performance and visual arts practice. They also work closely with Margaretha J\u00fcngling, creating sonic environments for her multisensory performances. Gotgha\u2019s work has been presented in both national and international contexts, including les Urbaines, Drifts Festival Helsinki, Kunsthalle Z\u00fcrich, Kunsthalle Baselland, Tanzhaus Z\u00fcrich, ZKM Karlsruhe, LAC Lugano Arte e Cultura, and various performances in Yogyakarta and Taipei.","date":"08\/09\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1482\/ohh_5_radio.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1482\/ohh_5_radio.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1482\/ohh_5_radio.1200x1200.jpg","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1482\/ohh-lib-ep5.mp3","duration":1276}],"duration":"21:16","format":"ASSOCIATES","format_path":"associates","format_id":1269,"sub_format":"OTTERS HOLDING HANDS","sub_format_path":"otters-holding-hands","sub_format_id":1275},{"title":"A conversation with","subtitle":"Emanuele Braga","colour":"#f214c4","path":"aconversationwitheb","texte":"

Lumpen Universit\u00e4t, a conversation with Emanuele Braga
\nRecorded in Aprile 2025 in Spazio L\u2019Ove, Lugano\/ 01:09:10
\nInterviewed by Andrea Marioni \/ Special thanks to Eleonora Tedesco
\nVisual by Studio Vanieli \/ Lumpen Station production<\/span><\/p>","desc":"Lumpen Universit\u00e4t, a conversation with Emanuele Braga Recorded in Aprile 2025 in Spazio L\u2019Ove, Lugano\/ 01:09:10 Interviewed by Andrea Marioni \/ Special thanks to Eleonora Tedesco Visual by Studio Vanieli \/ Lumpen Station production","date":"27\/07\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1481\/ls_emanuelebraga.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1481\/ls_emanuelebraga.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1481\/ls_emanuelebraga.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1481\/lsu_emanuele_braga.mp3","duration":4159}],"duration":"69:19","format":"LUMPEN UNIVERSIT\u00c4T","format_path":"lumpenuniversitat","format_id":1156},{"title":"OHH - Mourning wind, we couldn\u2019t hold for long enough","subtitle":"Thy Truong & Jasper Simeon Mehler","colour":"#05b2d8","path":"ohh-mourning-wind-we-couldnt-hold-for-long-enough","texte":"

Associates curators is hosting :
\nOtter Holding Hands by Ambra Viviani, Giulietta
\nOHH, season 3, Loving in Between 2025\u00a0
\nArtists: Thy Truong & Jasper Simeon Mehler
\nTitle: Mourning wind, we couldn\u2019t hold for long enough
\nco-production: Giulietta and Lumpen Station
\nsupports: Pro Helvetia, FSRC - SWISSPERFORM\u00a0<\/span><\/p>\n\n

Love is life and living is loving. loving inbetween shows us capsules of isolated loves. bubbles of caught emotions, when sincere meaning of love was unintentionally expressed, a let out and release of matters from our body without the curation of our mind and the control of our lived experience. \u2018mourning wind, we couldn\u2019t hold for long enough\u2019\u00a0<\/em>incapsulates various complex glimpses of true emotions within gripped feelings and unconscious experiencing.
\nwith \u2018mourning wind, we couldn\u2019t hold for long enough<\/em>\u2019 we ache for the out-bursts of cries without knowing the tears.<\/p>","desc":"Associates curators is hosting : Otter Holding Hands by Ambra Viviani, Giulietta OHH, season 3, Loving in Between 2025\u00a0 Artists: Thy Truong & Jasper Simeon Mehler Title: Mourning wind, we couldn\u2019t hold for long enough co-production: Giulietta and Lumpen Station supports: Pro Helvetia, FSRC - SWISSPERFORM\u00a0 Love is life and living is loving. loving inbetween shows us capsules of isolated loves. bubbles of caught emotions, when sincere meaning of love was unintentionally expressed, a let out and release of matters from our body without the curation of our mind and the control of our lived experience. \u2018mourning wind, we couldn\u2019t hold for long enough\u2019\u00a0incapsulates various complex glimpses of true emotions within gripped feelings and unconscious experiencing. with \u2018mourning wind, we couldn\u2019t hold for long enough\u2019 we ache for the out-bursts of cries without knowing the tears.","date":"08\/07\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1479\/ohh_3_radio.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1479\/ohh_3_radio.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1479\/ohh_3_radio.1200x1200.jpg","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1479\/ohh-lib-ep3.mp3","duration":1554}],"duration":"25:54","format":"ASSOCIATES","format_path":"associates","format_id":1269,"sub_format":"OTTERS HOLDING HANDS","sub_format_path":"otters-holding-hands","sub_format_id":1275},{"title":"OHH - IN BETWEEN VIBRATION-S","subtitle":"Elena Matamoro & Iago Fern\u00e1ndez","colour":"#05b2d8","path":"ohh-in-between-vibration-s","texte":"

Associates curators is hosting :
\nOtter Holding Hands by Ambra Viviani, Giulietta
\nOHH, season 3, Loving in Between 2025\u00a0<\/em>
\nArtists: Elena Matamoro &\u00a0Iago Ferna\u0301ndez
\nTitle: IN BETWEEN VIBRATION-S
\nco-production: Giulietta and Lumpen Station
\nsupports: Pro Helvetia, FSRC - SWISSPERFORM\u00a0<\/span><\/p>\n\n

Vibration that exists in sound related to the degradation in color and Nature\u00a0
\nThe experience that we want to talk about through our sound composition is the space in between vibrating waves, where the in-between\u00a0sound,\u00a0<\/em>its waves or vibrations are found in different intensities in color, relating the space that sound occupies (and the fading of such) to the degradation of color that exists from one color to another. We also can find this \u201cin betweenness\u201d in Nature when the Wind talks and whistles their numerous symphonies
\nThe sound is divided into three movements and we interacted with self recordings from the wind, an harmonica played by the wind, a piano, its sounding board, a flugelhorn and a drum set.<\/p>\n\n

BIOs
\nElena Matamoro<\/em>
\nElena Jones, is a multidisciplinary artist and composer from Vigo, Galicia (1997).She studied Fine Arts in Pontevedra and in Lisbon. After her studies was recognised as one of the winners of Novos Valores, this made her live in The Hague for two years and produce different projects collaborating with different musicians she met along the way. After this she could do her Masters in Art Gender and Nature at HGK, FHNW, Basel, where she is still living and working. She did different Art Residencies in Iceland and Mexico, developing different specific projects for each place. She focuses in sound even though her works always have a visual base, where nature and theoretical music, imagination, and poetry come along and have their own way of existence in the investigation that she has been following for at least seven years, called, \u2018The look that listens\u2019<\/p>\n\n

Iago Fernandez<\/em>
\nIago Ferna\u0301ndez is a drummer who plays and composes as if he were writing
\npoetry. He studied the Masters in Basel and won the FOCUS programme finishing his studies in 2023. Ferna\u0301ndez explores his inner self and deals with the essence of his psyche. A balancing act between sun and ocean, light and dark. His spectrum ranges from jazz music to Radiohead, from classical music to popular music from Brazil, Portugal and Galicia, recorded on six albums with collaborators such as Mark Turner, Yumi
\nIto, Joris Roelofs, Reinier Elizarde \"El Negro\u0301n\", Enrique Oliver and Andre\u0301 Fernandes, among others. He has performed with artists such as Avishai Cohen (trumpet), Lionel Loueke, Perico Sambeat, Jesse van Ruller, Jorge Rossy, Steve Nelson and many others. Ferna\u0301ndez can also be heard on more than 50
\nalbums.<\/p>","desc":"Associates curators is hosting : Otter Holding Hands by Ambra Viviani, Giulietta OHH, season 3, Loving in Between 2025\u00a0 Artists: Elena Matamoro &\u00a0Iago Ferna\u0301ndez Title: IN BETWEEN VIBRATION-S co-production: Giulietta and Lumpen Station supports: Pro Helvetia, FSRC - SWISSPERFORM\u00a0 Vibration that exists in sound related to the degradation in color and Nature\u00a0 The experience that we want to talk about through our sound composition is the space in between vibrating waves, where the in-between\u00a0sound,\u00a0its waves or vibrations are found in different intensities in color, relating the space that sound occupies (and the fading of such) to the degradation of color that exists from one color to another. We also can find this \u201cin betweenness\u201d in Nature when the Wind talks and whistles their numerous symphonies The sound is divided into three movements and we interacted with self recordings from the wind, an harmonica played by the wind, a piano, its sounding board, a flugelhorn and a drum set. BIOs Elena Matamoro Elena Jones, is a multidisciplinary artist and composer from Vigo, Galicia (1997).She studied Fine Arts in Pontevedra and in Lisbon. After her studies was recognised as one of the winners of Novos Valores, this made her live in The Hague for two years and produce different projects collaborating with different musicians she met along the way. After this she could do her Masters in Art Gender and Nature at HGK, FHNW, Basel, where she is still living and working. She did different Art Residencies in Iceland and Mexico, developing different specific projects for each place. She focuses in sound even though her works always have a visual base, where nature and theoretical music, imagination, and poetry come along and have their own way of existence in the investigation that she has been following for at least seven years, called, \u2018The look that listens\u2019 Iago Fernandez Iago Ferna\u0301ndez is a drummer who plays and composes as if he were writing poetry. He studied the Masters in Basel and won the FOCUS programme finishing his studies in 2023. Ferna\u0301ndez explores his inner self and deals with the essence of his psyche. A balancing act between sun and ocean, light and dark. His spectrum ranges from jazz music to Radiohead, from classical music to popular music from Brazil, Portugal and Galicia, recorded on six albums with collaborators such as Mark Turner, Yumi Ito, Joris Roelofs, Reinier Elizarde \"El Negro\u0301n\", Enrique Oliver and Andre\u0301 Fernandes, among others. He has performed with artists such as Avishai Cohen (trumpet), Lionel Loueke, Perico Sambeat, Jesse van Ruller, Jorge Rossy, Steve Nelson and many others. Ferna\u0301ndez can also be heard on more than 50 albums.","date":"08\/07\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1480\/ohh_4_radio.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1480\/ohh_4_radio.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1480\/ohh_4_radio.1200x1200.jpg","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1480\/ohh-lib-ep4.mp3","duration":0}],"duration":"00:00","format":"ASSOCIATES","format_path":"associates","format_id":1269,"sub_format":"OTTERS HOLDING HANDS","sub_format_path":"otters-holding-hands","sub_format_id":1275},{"title":"Lumpen Station goes to Videoex","subtitle":"","colour":null,"path":"lumpen-station-goes-to-videoex","texte":"

Lumpen Station goes to Videoex<\/span>
\nwith Bettina Stehli, Greg de Cuir Jr, Marcus Jack
\nRecorded on 22.05.25 in Videoex Festival, Zurich \/ 01:54:07
\nHost : Andrea Marioni \/ Curator : Olga Popova\u00a0\u00a0
\nCo-production Lumpen Station and Videoex
\nVisual\u2009 by Studio Vanieli\u00a0<\/p>","desc":"Lumpen Station goes to Videoex with Bettina Stehli, Greg de Cuir Jr, Marcus Jack Recorded on 22.05.25 in Videoex Festival, Zurich \/ 01:54:07 Host : Andrea Marioni \/ Curator : Olga Popova\u00a0\u00a0 Co-production Lumpen Station and Videoex Visual\u2009 by Studio Vanieli\u00a0","date":"14\/06\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1478\/ls_videoex-1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1478\/ls_videoex-1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1478\/ls_videoex-1.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1478\/live_at_videoex_220525.mp3","duration":6862}],"duration":"114:22","format":null,"format_path":null,"format_id":null,"sub_format":null,"sub_format_path":null,"sub_format_id":null},{"title":"Contemplative Frequencies","subtitle":"Naara Bahler and Eric R\u00fceger","colour":"#07aedd","path":"contemplative-frequencies","texte":"

Contemplative Frequencies - Naara Bahler and Eric R\u00fceger<\/span>
\nRecorded on 24.05.25 in Photoforum Pasquart, within Naara Bahler\u2019s exhibition \u201cOlvidamos c\u00f3mo contemplar la madre tierra?\u201d in Biel\/Bienne Festival of photography \/ 00:29:27
\nCo-production Lumpen Station, Photoforum Pasquart, Naara Bahler and Eric R\u00fceger
\nVisual\u2009 by Studio Vanieli\u00a0
\nIntroduction by Andrea Marioni, the sound piece starts at 10:40<\/p>","desc":"Contemplative Frequencies - Naara Bahler and Eric R\u00fceger Recorded on 24.05.25 in Photoforum Pasquart, within Naara Bahler\u2019s exhibition \u201cOlvidamos c\u00f3mo contemplar la madre tierra?\u201d in Biel\/Bienne Festival of photography \/ 00:29:27 Co-production Lumpen Station, Photoforum Pasquart, Naara Bahler and Eric R\u00fceger Visual\u2009 by Studio Vanieli\u00a0 Introduction by Andrea Marioni, the sound piece starts at 10:40","date":"14\/06\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1477\/ls_contemplativefrequencies-1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1477\/ls_contemplativefrequencies-1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1477\/ls_contemplativefrequencies-1.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1477\/contemplative_frequencies_240525.mp3","duration":1771}],"duration":"29:31","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114},{"title":"OHH - You... made the burrow bloom","subtitle":"by Nearest pond","colour":"#05b2d8","path":"ohh-nearestpond","texte":"

Associates curators is hosting :
\nOtter Holding Hands by Ambra Viviani, Giulietta
\nOHH, season 3, Loving in Between 2025\u00a0
\nco-production: Giulietta and Lumpen Station
\nsupports: Pro Helvetia, FSRC, SWISSPERFORM<\/p>\n\n

Nearest pond - You... made the burrow bloom<\/em><\/p>\n\n

Encounter in a cave. Encounter in a field. Encounter through a window. Encounter in an ear. Half-encounter. Harvest encounter. Encounter cut short. Encounter in the dark. Encounter in a grove. Shaggy encounter. Recorded encounter. Repeated encounter. Encounter under a paw. Encounter in a hole. Holy encounter. Jolly encounter. Encounter in your head. Encounter anyway. One-way encounter. Waiting for an encounter. Smell of an encounter. Encounter in a nook. The seeds of the present encounters are planted while the past encounters are painted in panic.<\/p>\n\n

Nearest pond\u00a0is a collective entity. Through a variety of forms, including installation, sculpture, sound, and image, their practice explores multiple agencies and space-times that unsettle human perspectives, using speculative narration as a main tool.<\/p>","desc":"Associates curators is hosting : Otter Holding Hands by Ambra Viviani, Giulietta OHH, season 3, Loving in Between 2025\u00a0 co-production: Giulietta and Lumpen Station supports: Pro Helvetia, FSRC, SWISSPERFORM Nearest pond - You... made the burrow bloom Encounter in a cave. Encounter in a field. Encounter through a window. Encounter in an ear. Half-encounter. Harvest encounter. Encounter cut short. Encounter in the dark. Encounter in a grove. Shaggy encounter. Recorded encounter. Repeated encounter. Encounter under a paw. Encounter in a hole. Holy encounter. Jolly encounter. Encounter in your head. Encounter anyway. One-way encounter. Waiting for an encounter. Smell of an encounter. Encounter in a nook. The seeds of the present encounters are planted while the past encounters are painted in panic. Nearest pond\u00a0is a collective entity. Through a variety of forms, including installation, sculpture, sound, and image, their practice explores multiple agencies and space-times that unsettle human perspectives, using speculative narration as a main tool.","date":"30\/05\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1476\/ambra12.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1476\/ambra12.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1476\/ambra12.1200x1200.jpg","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1476\/ohh-lib-ep2.mp3","duration":0}],"duration":"00:00","format":"ASSOCIATES","format_path":"associates","format_id":1269,"sub_format":"OTTERS HOLDING HANDS","sub_format_path":"otters-holding-hands","sub_format_id":1275},{"title":"Gingilli e accrocchi","subtitle":"by Rosaemaria","colour":"#f0ff00","path":"gingillieaccrocchi","texte":"

Made in KBCB, extra live, Rosaemaria - Gingilli e accrocchi
\nRecorded on 23.05.24 in Kunsthaus Biel Centre d\u2019art Bienne
\nVictoria Pham & Francesca Sproccati
\n00:52:19 \/ Co-production Lumpen Station and KBCB \/ Visual\u2009\u00a0by Studio Vanieli\u00a0<\/span><\/p>","desc":"Made in KBCB, extra live, Rosaemaria - Gingilli e accrocchi Recorded on 23.05.24 in Kunsthaus Biel Centre d\u2019art Bienne Victoria Pham & Francesca Sproccati 00:52:19 \/ Co-production Lumpen Station and KBCB \/ Visual\u2009\u00a0by Studio Vanieli\u00a0","date":"30\/05\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1475\/ls_kbcb_rosaemaria.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1475\/ls_kbcb_rosaemaria.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1475\/ls_kbcb_rosaemaria.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1475\/gingilli_accrocchi_rosaemaria_lv_230524_copy_2.mp3","duration":3146}],"duration":"52:26","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Exra Live","sub_format_path":"exralivekbcb","sub_format_id":1457},{"title":"Bettybossyclimbers","subtitle":"by Andrea Marinelli","colour":"#f0ff00","path":"bettybossyclimbers","texte":"

Made in KBCB, extra live, Andrea Marinelli \u2013 BettyBossiClimbers
\nRecorded on 30.05.24 in Kunsthaus Biel Centre d\u2019art Bienne
\nAndrea Marinelli\u2009: live electronics \/ Aheadacheaday: live electronics
\n00:31:23 \/ Co-production Lumpen Station and KBCB \/ Visual\u2009\u00a0by Studio Vanieli\u00a0<\/span><\/p>","desc":"Made in KBCB, extra live, Andrea Marinelli \u2013 BettyBossiClimbers Recorded on 30.05.24 in Kunsthaus Biel Centre d\u2019art Bienne Andrea Marinelli\u2009: live electronics \/ Aheadacheaday: live electronics 00:31:23 \/ Co-production Lumpen Station and KBCB \/ Visual\u2009\u00a0by Studio Vanieli\u00a0","date":"30\/05\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1474\/ls_kbcb_marinelli.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1474\/ls_kbcb_marinelli.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1474\/ls_kbcb_marinelli.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1474\/bettybossiclimbers.mp3","duration":1887}],"duration":"31:27","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Exra Live","sub_format_path":"exralivekbcb","sub_format_id":1457},{"title":"PANCH","subtitle":"performances on air","colour":"#f0ff00","path":"panch1","texte":"

Made in KBCB, PANCH - Performance on air<\/span>
\nRecorded on 06.10.24 in Kunsthaus Biel Centre d\u2019art Bienne \/ Hosted by Andrea Marioni Performers\u2009: Leo Bachmann, Zoe Dowlen, Bettina Filacanavo, Noah Joel Huber
\nSpeakers: Judith Huber, Maricruz Pe\u00f1aloza, Ivan R\u00f6\u00f6sli, Ursula Scherrer
\n01:09:52 \/ Production Lumpen Station and KBCB \/ Visual\u2009\u00a0by Studio Vanieli\u00a0<\/p>","desc":"Made in KBCB, PANCH - Performance on air Recorded on 06.10.24 in Kunsthaus Biel Centre d\u2019art Bienne \/ Hosted by Andrea Marioni Performers\u2009: Leo Bachmann, Zoe Dowlen, Bettina Filacanavo, Noah Joel Huber Speakers: Judith Huber, Maricruz Pe\u00f1aloza, Ivan R\u00f6\u00f6sli, Ursula Scherrer 01:09:52 \/ Production Lumpen Station and KBCB \/ Visual\u2009\u00a0by Studio Vanieli\u00a0","date":"21\/05\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1468\/ls_kbcb_panch.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1468\/ls_kbcb_panch.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1468\/ls_kbcb_panch.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1468\/panch_inkbcb.mp3","duration":4201}],"duration":"70:01","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Exra Live","sub_format_path":"exralivekbcb","sub_format_id":1457},{"title":"Manuel Engel","subtitle":"Piano improvisations at KBCB","colour":"#f0ff00","path":"manuelengelkbcb","texte":"

Made in KBCB, Piano improvisations at KBCB - Manuel Engel<\/span>
\nRecorded in june 2024 in Kunsthaus Biel Centre d\u2019art Bienne, improvisations created on a Burger & Jacobi piano adorned by Nathalie Du Pasquier
\n01:09:42 \/ Production Lumpen Station and KBCB \/ Visual\u2009\u00a0by Studio Vanieli\u00a0<\/p>","desc":"Made in KBCB, Piano improvisations at KBCB - Manuel Engel Recorded in june 2024 in Kunsthaus Biel Centre d\u2019art Bienne, improvisations created on a Burger & Jacobi piano adorned by Nathalie Du Pasquier 01:09:42 \/ Production Lumpen Station and KBCB \/ Visual\u2009\u00a0by Studio Vanieli\u00a0","date":"21\/05\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1469\/ls_kbcb_engel.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1469\/ls_kbcb_engel.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1469\/ls_kbcb_engel.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1469\/engel1.mp3","duration":1438}],"duration":"23:58","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Exra Live","sub_format_path":"exralivekbcb","sub_format_id":1457},{"title":"HB9KBCB","subtitle":"part 2","colour":"#f0ff00","path":"hb9kbcb2","texte":"

Made in KBCB, HB9KBCB, part two<\/span>
\nRecorded on 08.12.24 in Kunsthaus Biel Centre d\u2019art Bienne, with the precious help of Biel\u2019s amateur radio association
\n01:38:09 \/ Production Lumpen Station and KBCB \/ Visual\u2009\u00a0by Studio Vanieli\u00a0<\/p>","desc":"Made in KBCB, HB9KBCB, part two Recorded on 08.12.24 in Kunsthaus Biel Centre d\u2019art Bienne, with the precious help of Biel\u2019s amateur radio association 01:38:09 \/ Production Lumpen Station and KBCB \/ Visual\u2009\u00a0by Studio Vanieli\u00a0","date":"21\/05\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1471\/ls_kbcb_hb9kbcb_part2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1471\/ls_kbcb_hb9kbcb_part2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1471\/ls_kbcb_hb9kbcb_part2.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1471\/hb9kbcb_two.mp3","duration":5902}],"duration":"98:22","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Exra Live","sub_format_path":"exralivekbcb","sub_format_id":1457},{"title":"HB9KBCB","subtitle":"part 1","colour":"#f0ff00","path":"hb9kbcb1","texte":"

Made in KBCB, HB9KBCB, part one<\/span>
\nRecorded on 07.12.24 in Kunsthaus Biel Centre d\u2019art Bienne, with the precious help of Biel\u2019s amateur radio association
\n02:02:21 \/ Production Lumpen Station and KBCB \/ Visual\u2009\u00a0by Studio Vanieli\u00a0<\/p>","desc":"Made in KBCB, HB9KBCB, part one Recorded on 07.12.24 in Kunsthaus Biel Centre d\u2019art Bienne, with the precious help of Biel\u2019s amateur radio association 02:02:21 \/ Production Lumpen Station and KBCB \/ Visual\u2009\u00a0by Studio Vanieli\u00a0","date":"21\/05\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1470\/ls_kbcb_hb9kbcb_part1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1470\/ls_kbcb_hb9kbcb_part1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1470\/ls_kbcb_hb9kbcb_part1.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1470\/hb8kbcb_one.mp3","duration":7357}],"duration":"122:37","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Exra Live","sub_format_path":"exralivekbcb","sub_format_id":1457},{"title":"OHH - The way you almost said it","subtitle":"by Peilian Li and C\u00e9sar Axel","colour":"#05b2d8","path":"ohh-the-way-you-almost-said-it","texte":"

Associates curators is hosting :
\nOtter Holding Hands by Ambra Viviani, Giulietta
\nOHH, season 3, Loving in Between 2025\u00a0<\/em>
\nArtists: Peilian Li and C\u00e9sar Axel
\nTitle: \u201cThe way you almost said it\u201d
\nco-production: Giulietta and Lumpen Station
\nsupports: Pro Helvetia, FSRC - Swiss perform\u00a0<\/span><\/p>\n\n

Description of the sound piece:
\n\u201cFragments of music rebuilt from memories of Chunking Express and
\nLost in Translation
\nA dialogue between characters
\nSome are obsessed over pineapple cans
\nSome struggle with taking good photographs
\nSome are flirting with optimism
\nSome just want to be left alone\u2026
\nHere is a new story:
\nThe love was narrated in an unfamiliar language, written on a paper
\nfolded into a paper plane, flew through a tunnel, then down it went,
\nlanding somewhere in between.<\/em>\u00a0\u201c<\/p>\n\n


\nPeilian Li (Emma Bucks) and C\u00e9sar Axel
\nare artists living and working in Vevey, Switzerland.
\nTheir collaborations move through memory, distance, and
\ndisappearance, using sound, image, language, and poetic drift.
\nIndividually, Peilian works with sculpture, AI, and narrative, utilizing
\npersonal archives and quiet research into soft, shifting forms.
\nC\u00e9sar Axel works with digital memory, found and taken images, and
\neveryday objects, tracing the emotional life of things that fade.
\nThey move between languages, platforms, and moods.
\nThey let things leak, misalign, and gently overlap.
\nTogether, they make soft archives.<\/em><\/p>","desc":"Associates curators is hosting : Otter Holding Hands by Ambra Viviani, Giulietta OHH, season 3, Loving in Between 2025\u00a0 Artists: Peilian Li and C\u00e9sar Axel Title: \u201cThe way you almost said it\u201d co-production: Giulietta and Lumpen Station supports: Pro Helvetia, FSRC - Swiss perform\u00a0 Description of the sound piece: \u201cFragments of music rebuilt from memories of Chunking Express and Lost in Translation A dialogue between characters Some are obsessed over pineapple cans Some struggle with taking good photographs Some are flirting with optimism Some just want to be left alone\u2026 Here is a new story: The love was narrated in an unfamiliar language, written on a paper folded into a paper plane, flew through a tunnel, then down it went, landing somewhere in between.\u00a0\u201c Peilian Li (Emma Bucks) and C\u00e9sar Axel are artists living and working in Vevey, Switzerland. Their collaborations move through memory, distance, and disappearance, using sound, image, language, and poetic drift. Individually, Peilian works with sculpture, AI, and narrative, utilizing personal archives and quiet research into soft, shifting forms. C\u00e9sar Axel works with digital memory, found and taken images, and everyday objects, tracing the emotional life of things that fade. They move between languages, platforms, and moods. They let things leak, misalign, and gently overlap. Together, they make soft archives.","date":"12\/05\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1467\/ambra1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1467\/ambra1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1467\/ambra1.1200x1200.jpg","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1467\/ohh-lib-ep1.mp3","duration":2222}],"duration":"37:02","format":"ASSOCIATES","format_path":"associates","format_id":1269,"sub_format":"OTTERS HOLDING HANDS","sub_format_path":"otters-holding-hands","sub_format_id":1275},{"title":"Questions de mus\u00e9ologies et collections #3","subtitle":"avec Julien Berberat","colour":"#f0ff00","path":"questions-de-museologies-et-collections-3","texte":"

Questions de mus\u00e9ologie et collections #3
\nAvec Julien Berberat, conducteur Andrea Marioni
\nMADE IN KBCB, Extra Live, recorded in june 2024 at Studiolo Kunsthaus Biel Centre d'art Bienne\u00a0
\nVisuel par Studio Vanieli<\/span><\/p>\n\n

Cette micro s\u00e9rie d\u00e9di\u00e9e \u00e0 des questions de mus\u00e9ologie et collections d\u2019art se pr\u00e9sente sous la forme d\u2019une conversation avec le mus\u00e9ologue Julien Berberat.\u00a0Au cours des trois \u00e9pisodes s\u2019articule une prise panoramique sur les diff\u00e9rentes formes de mus\u00e9es et leur relation avec les pratiques artistiques du pass\u00e9 et contemporaines. Les \u00e9missions souhaitent partager avec les auditeur\u00b7trices des r\u00e9flexions et questionnements li\u00e9s \u00e0 l\u2019organisation des espaces d\u2019expositions,\u00a0 leur histoire ainsi que les perspectives d'avenir.<\/p>\n\n

JULIEN BERBERAT (1988, vit et travaille \u00e0 Bienne)
\nDipl\u00f4m\u00e9 de la Haute \u00c9cole d'art et de design de Gen\u00e8ve (HEAD) et de l'\u00c9cole cantonale d'art de Lausanne (ECAL), Julien Berberat m\u00e8ne depuis dix ans des projets comme artiste et critique. \"Artiste associ\u00e9\" \u00e0 L'L \u00e0 Bruxelles (lieu de recherche pour les jeunes artistes) de 2015 \u00e0 2018, il a particip\u00e9 \u00e0 plusieurs projets qui mettent en jeu la recherche comme expression artistique, notamment lors du programme Soma-Summer \u00e0 Mexico City ou pour \"l'Usage du Terrain\" proposition \u00e9volutive dirig\u00e9e par les artistes et critiques Remy H\u00e9ritier et L\u00e9a Bosshard aux laboratoires d'Aubervilliers, en banlieue parisienne.
\nEngag\u00e9 sur les questions de mise en valeur du patrimoine, il a collabor\u00e9 comme m\u00e9diateur culturel avec la Biblioth\u00e8que cantonale jurassienne de 2017 \u00e0 2022 ainsi que pour l'Office f\u00e9d\u00e9ral de la culture dans la section Mus\u00e9es et collections comme collaborateur scientifique depuis 2022.<\/p>\n\n

Credits image:
\nP.A.M. Vue de studio, Francfort, Weltkulturen Museum, Weltkulturen Labor, photographies de Wolfgang Gu\u0308nzel.
\nSource : Trading Style, catalogue d\u2019exposition, Frankfurt am Main, Weltkulturen Museum, 8 novembre 2012-31 ao\u00fbt 2013, sous la direction de Cl\u00e9mentine Deliss et Teimaz Shahverdi,
\nBielefeld : Kerber Verlag, 2013, pp. 238-239.<\/p>","desc":"Questions de mus\u00e9ologie et collections #3 Avec Julien Berberat, conducteur Andrea Marioni MADE IN KBCB, Extra Live, recorded in june 2024 at Studiolo Kunsthaus Biel Centre d'art Bienne\u00a0 Visuel par Studio Vanieli Cette micro s\u00e9rie d\u00e9di\u00e9e \u00e0 des questions de mus\u00e9ologie et collections d\u2019art se pr\u00e9sente sous la forme d\u2019une conversation avec le mus\u00e9ologue Julien Berberat.\u00a0Au cours des trois \u00e9pisodes s\u2019articule une prise panoramique sur les diff\u00e9rentes formes de mus\u00e9es et leur relation avec les pratiques artistiques du pass\u00e9 et contemporaines. Les \u00e9missions souhaitent partager avec les auditeur\u00b7trices des r\u00e9flexions et questionnements li\u00e9s \u00e0 l\u2019organisation des espaces d\u2019expositions,\u00a0 leur histoire ainsi que les perspectives d'avenir. JULIEN BERBERAT (1988, vit et travaille \u00e0 Bienne) Dipl\u00f4m\u00e9 de la Haute \u00c9cole d'art et de design de Gen\u00e8ve (HEAD) et de l'\u00c9cole cantonale d'art de Lausanne (ECAL), Julien Berberat m\u00e8ne depuis dix ans des projets comme artiste et critique. \"Artiste associ\u00e9\" \u00e0 L'L \u00e0 Bruxelles (lieu de recherche pour les jeunes artistes) de 2015 \u00e0 2018, il a particip\u00e9 \u00e0 plusieurs projets qui mettent en jeu la recherche comme expression artistique, notamment lors du programme Soma-Summer \u00e0 Mexico City ou pour \"l'Usage du Terrain\" proposition \u00e9volutive dirig\u00e9e par les artistes et critiques Remy H\u00e9ritier et L\u00e9a Bosshard aux laboratoires d'Aubervilliers, en banlieue parisienne. Engag\u00e9 sur les questions de mise en valeur du patrimoine, il a collabor\u00e9 comme m\u00e9diateur culturel avec la Biblioth\u00e8que cantonale jurassienne de 2017 \u00e0 2022 ainsi que pour l'Office f\u00e9d\u00e9ral de la culture dans la section Mus\u00e9es et collections comme collaborateur scientifique depuis 2022. Credits image: P.A.M. Vue de studio, Francfort, Weltkulturen Museum, Weltkulturen Labor, photographies de Wolfgang Gu\u0308nzel. Source : Trading Style, catalogue d\u2019exposition, Frankfurt am Main, Weltkulturen Museum, 8 novembre 2012-31 ao\u00fbt 2013, sous la direction de Cl\u00e9mentine Deliss et Teimaz Shahverdi, Bielefeld : Kerber Verlag, 2013, pp. 238-239.","date":"02\/05\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1464\/ls_kbcb_julienberberat_3.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1464\/ls_kbcb_julienberberat_3.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1464\/ls_kbcb_julienberberat_3.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1464\/cnvrstn_berberat3.mp3","duration":4191}],"duration":"69:51","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Exra Live","sub_format_path":"exralivekbcb","sub_format_id":1457},{"title":"Questions de mus\u00e9ologie et collections #2","subtitle":"avec Julien Berberat","colour":"#f0ff00","path":"questions-de-museologie-et-collections-2","texte":"

Questions de mus\u00e9ologie et collections #2
\nAvec Julien Berberat, conducteur Andrea Marioni
\nMADE IN KBCB, Extra Live, recorded in june 2024 at Studiolo Kunsthaus Biel Centre d'art Bienne\u00a0
\nVisuel par Studio Vanieli<\/span><\/p>\n\n

Cette micro s\u00e9rie d\u00e9di\u00e9e \u00e0 des questions de mus\u00e9ologie et collections d\u2019art se pr\u00e9sente sous la forme d\u2019une conversation avec le mus\u00e9ologue Julien Berberat.\u00a0Au cours des trois \u00e9pisodes s\u2019articule une prise panoramique sur les diff\u00e9rentes formes de mus\u00e9es et leur relation avec les pratiques artistiques du pass\u00e9 et contemporaines. Les \u00e9missions souhaitent partager avec les auditeur\u00b7trices des r\u00e9flexions et questionnements li\u00e9s \u00e0 l\u2019organisation des espaces d\u2019expositions,\u00a0 leur histoire ainsi que les perspectives d'avenir.<\/p>\n\n

JULIEN BERBERAT (1988, vit et travaille \u00e0 Bienne)
\nDipl\u00f4m\u00e9 de la Haute \u00c9cole d'art et de design de Gen\u00e8ve (HEAD) et de l'\u00c9cole cantonale d'art de Lausanne (ECAL), Julien Berberat m\u00e8ne depuis dix ans des projets comme artiste et critique. \"Artiste associ\u00e9\" \u00e0 L'L \u00e0 Bruxelles (lieu de recherche pour les jeunes artistes) de 2015 \u00e0 2018, il a particip\u00e9 \u00e0 plusieurs projets qui mettent en jeu la recherche comme expression artistique, notamment lors du programme Soma-Summer \u00e0 Mexico City ou pour \"l'Usage du Terrain\" proposition \u00e9volutive dirig\u00e9e par les artistes et critiques Remy H\u00e9ritier et L\u00e9a Bosshard aux laboratoires d'Aubervilliers, en banlieue parisienne.
\nEngag\u00e9 sur les questions de mise en valeur du patrimoine, il a collabor\u00e9 comme m\u00e9diateur culturel avec la Biblioth\u00e8que cantonale jurassienne de 2017 \u00e0 2022 ainsi que pour l'Office f\u00e9d\u00e9ral de la culture dans la section Mus\u00e9es et collections comme collaborateur scientifique depuis 2022.<\/p>\n\n

Credits images:
\nJakob Lena Knebl, installation sur une statue d\u2019Eros . l\u2019arc [s.n.], (IIe\u00a0si\u00e8cle), (2021), installation, Gen\u00e8ve, Mus\u00e9e d\u2019art et d\u2019histoire.
\nSource : Marcher sur l\u2019eau, catalogue d\u2019exposition, Gen\u00e8ve, Mus\u00e9e d\u2019art et d\u2019histoire, 28 janvier-27 juin 2021, sous la direction de Marc-Olivier Wahler, Dijon : Les Presses du r\u00e9el, 2021, p. 236.
\n\u00a0<\/p>","desc":"Questions de mus\u00e9ologie et collections #2 Avec Julien Berberat, conducteur Andrea Marioni MADE IN KBCB, Extra Live, recorded in june 2024 at Studiolo Kunsthaus Biel Centre d'art Bienne\u00a0 Visuel par Studio Vanieli Cette micro s\u00e9rie d\u00e9di\u00e9e \u00e0 des questions de mus\u00e9ologie et collections d\u2019art se pr\u00e9sente sous la forme d\u2019une conversation avec le mus\u00e9ologue Julien Berberat.\u00a0Au cours des trois \u00e9pisodes s\u2019articule une prise panoramique sur les diff\u00e9rentes formes de mus\u00e9es et leur relation avec les pratiques artistiques du pass\u00e9 et contemporaines. Les \u00e9missions souhaitent partager avec les auditeur\u00b7trices des r\u00e9flexions et questionnements li\u00e9s \u00e0 l\u2019organisation des espaces d\u2019expositions,\u00a0 leur histoire ainsi que les perspectives d'avenir. JULIEN BERBERAT (1988, vit et travaille \u00e0 Bienne) Dipl\u00f4m\u00e9 de la Haute \u00c9cole d'art et de design de Gen\u00e8ve (HEAD) et de l'\u00c9cole cantonale d'art de Lausanne (ECAL), Julien Berberat m\u00e8ne depuis dix ans des projets comme artiste et critique. \"Artiste associ\u00e9\" \u00e0 L'L \u00e0 Bruxelles (lieu de recherche pour les jeunes artistes) de 2015 \u00e0 2018, il a particip\u00e9 \u00e0 plusieurs projets qui mettent en jeu la recherche comme expression artistique, notamment lors du programme Soma-Summer \u00e0 Mexico City ou pour \"l'Usage du Terrain\" proposition \u00e9volutive dirig\u00e9e par les artistes et critiques Remy H\u00e9ritier et L\u00e9a Bosshard aux laboratoires d'Aubervilliers, en banlieue parisienne. Engag\u00e9 sur les questions de mise en valeur du patrimoine, il a collabor\u00e9 comme m\u00e9diateur culturel avec la Biblioth\u00e8que cantonale jurassienne de 2017 \u00e0 2022 ainsi que pour l'Office f\u00e9d\u00e9ral de la culture dans la section Mus\u00e9es et collections comme collaborateur scientifique depuis 2022. Credits images: Jakob Lena Knebl, installation sur une statue d\u2019Eros . l\u2019arc [s.n.], (IIe\u00a0si\u00e8cle), (2021), installation, Gen\u00e8ve, Mus\u00e9e d\u2019art et d\u2019histoire. Source : Marcher sur l\u2019eau, catalogue d\u2019exposition, Gen\u00e8ve, Mus\u00e9e d\u2019art et d\u2019histoire, 28 janvier-27 juin 2021, sous la direction de Marc-Olivier Wahler, Dijon : Les Presses du r\u00e9el, 2021, p. 236. \u00a0","date":"02\/05\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1463\/ls_kbcb_julienberberat_2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1463\/ls_kbcb_julienberberat_2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1463\/ls_kbcb_julienberberat_2.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1463\/cnvrstn_berberat2.mp3","duration":4879}],"duration":"81:19","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Exra Live","sub_format_path":"exralivekbcb","sub_format_id":1457},{"title":"Questions de mus\u00e9ologie et collections #1","subtitle":"avec Julien Berberat","colour":"#f0ff00","path":"museologie1","texte":"

Questions de mus\u00e9ologie et collections #1
\nAvec Julien Berberat, conducteur Andrea Marioni
\nMADE IN KBCB, Extra Live, recorded in june 2024 at Studiolo Kunsthaus Biel Centre d'art Bienne\u00a0
\nVisuel par Studio Vanieli<\/span>
\n
\nCette micro s\u00e9rie d\u00e9di\u00e9e \u00e0 des questions de mus\u00e9ologie et collections d\u2019art se pr\u00e9sente sous la forme d\u2019une conversation avec le mus\u00e9ologue Julien Berberat.\u00a0Au cours des trois \u00e9pisodes s\u2019articule une prise panoramique sur les diff\u00e9rentes formes de mus\u00e9es et leur relation avec les pratiques artistiques du pass\u00e9 et contemporaines. Les \u00e9missions souhaitent partager avec les auditeur\u00b7trices des r\u00e9flexions et questionnements li\u00e9s \u00e0 l\u2019organisation des espaces d\u2019expositions,\u00a0 leur histoire ainsi que les perspectives d'avenir.<\/p>\n\n

JULIEN BERBERAT (1988, vit et travaille \u00e0 Bienne)
\nDipl\u00f4m\u00e9 de la Haute \u00c9cole d'art et de design de Gen\u00e8ve (HEAD) et de l'\u00c9cole cantonale d'art de Lausanne (ECAL), Julien Berberat m\u00e8ne depuis dix ans des projets comme artiste et critique. \"Artiste associ\u00e9\" \u00e0 L'L \u00e0 Bruxelles (lieu de recherche pour les jeunes artistes) de 2015 \u00e0 2018, il a particip\u00e9 \u00e0 plusieurs projets qui mettent en jeu la recherche comme expression artistique, notamment lors du programme Soma-Summer \u00e0 Mexico City ou pour \"l'Usage du Terrain\" proposition \u00e9volutive dirig\u00e9e par les artistes et critiques Remy H\u00e9ritier et L\u00e9a Bosshard aux laboratoires d'Aubervilliers, en banlieue parisienne.
\nEngag\u00e9 sur les questions de mise en valeur du patrimoine, il a collabor\u00e9 comme m\u00e9diateur culturel avec la Biblioth\u00e8que cantonale jurassienne de 2017 \u00e0 2022 ainsi que pour l'Office f\u00e9d\u00e9ral de la culture dans la section Mus\u00e9es et collections comme collaborateur scientifique depuis 2022.<\/p>\n\n

Credits image:
\nAllan Kapprow, Environnement. Situations. Spaces, 1961, performance et installation, New-York, Martha Jackson Gallerie,
\nSource : Photographie de Ken Heyman, in : ARTFORUM, Vol. 48, n\u00b04, d\u00e9cembre 2009, San Francisco : Artforum, 2009.<\/p>","desc":"Questions de mus\u00e9ologie et collections #1 Avec Julien Berberat, conducteur Andrea Marioni MADE IN KBCB, Extra Live, recorded in june 2024 at Studiolo Kunsthaus Biel Centre d'art Bienne\u00a0 Visuel par Studio Vanieli Cette micro s\u00e9rie d\u00e9di\u00e9e \u00e0 des questions de mus\u00e9ologie et collections d\u2019art se pr\u00e9sente sous la forme d\u2019une conversation avec le mus\u00e9ologue Julien Berberat.\u00a0Au cours des trois \u00e9pisodes s\u2019articule une prise panoramique sur les diff\u00e9rentes formes de mus\u00e9es et leur relation avec les pratiques artistiques du pass\u00e9 et contemporaines. Les \u00e9missions souhaitent partager avec les auditeur\u00b7trices des r\u00e9flexions et questionnements li\u00e9s \u00e0 l\u2019organisation des espaces d\u2019expositions,\u00a0 leur histoire ainsi que les perspectives d'avenir. JULIEN BERBERAT (1988, vit et travaille \u00e0 Bienne) Dipl\u00f4m\u00e9 de la Haute \u00c9cole d'art et de design de Gen\u00e8ve (HEAD) et de l'\u00c9cole cantonale d'art de Lausanne (ECAL), Julien Berberat m\u00e8ne depuis dix ans des projets comme artiste et critique. \"Artiste associ\u00e9\" \u00e0 L'L \u00e0 Bruxelles (lieu de recherche pour les jeunes artistes) de 2015 \u00e0 2018, il a particip\u00e9 \u00e0 plusieurs projets qui mettent en jeu la recherche comme expression artistique, notamment lors du programme Soma-Summer \u00e0 Mexico City ou pour \"l'Usage du Terrain\" proposition \u00e9volutive dirig\u00e9e par les artistes et critiques Remy H\u00e9ritier et L\u00e9a Bosshard aux laboratoires d'Aubervilliers, en banlieue parisienne. Engag\u00e9 sur les questions de mise en valeur du patrimoine, il a collabor\u00e9 comme m\u00e9diateur culturel avec la Biblioth\u00e8que cantonale jurassienne de 2017 \u00e0 2022 ainsi que pour l'Office f\u00e9d\u00e9ral de la culture dans la section Mus\u00e9es et collections comme collaborateur scientifique depuis 2022. Credits image: Allan Kapprow, Environnement. Situations. Spaces, 1961, performance et installation, New-York, Martha Jackson Gallerie, Source : Photographie de Ken Heyman, in : ARTFORUM, Vol. 48, n\u00b04, d\u00e9cembre 2009, San Francisco : Artforum, 2009.","date":"02\/05\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1462\/ls_kbcb_julienberberat_1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1462\/ls_kbcb_julienberberat_1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1462\/ls_kbcb_julienberberat_1.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1462\/cnvrstn_berberat1.mp3","duration":3933}],"duration":"65:33","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Exra Live","sub_format_path":"exralivekbcb","sub_format_id":1457},{"title":"Mikkusu SALADA","subtitle":"","colour":"#09f477","path":"mikkususalada","texte":"","desc":"","date":"18\/04\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1461\/ls_communitybuilding_claire_mikkususalada-1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1461\/ls_communitybuilding_claire_mikkususalada-1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1461\/ls_communitybuilding_claire_mikkususalada-1.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1461\/lumpenkbcb_mikkususalada.mp3","duration":3985}],"duration":"66:25","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Community Building","sub_format_path":"community-building","sub_format_id":1456},{"title":"lassunwieder","subtitle":"AVOIR the MAIKU","colour":"#09f477","path":"lassunwieder","texte":"","desc":"","date":"18\/04\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1460\/ls_communitybuilding_claire_lassunwieder-1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1460\/ls_communitybuilding_claire_lassunwieder-1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1460\/ls_communitybuilding_claire_lassunwieder-1.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1460\/lumpenkbcb_lassunswiederavoirthemaiku.mp3","duration":3160}],"duration":"52:40","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Community Building","sub_format_path":"community-building","sub_format_id":1456},{"title":"ATO5FUN","subtitle":"","colour":"#09f477","path":"ato5fun","texte":"","desc":"","date":"18\/04\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1459\/ls_communitybuilding_claire_ato5fun-1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1459\/ls_communitybuilding_claire_ato5fun-1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1459\/ls_communitybuilding_claire_ato5fun-1.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1459\/clairemegumi_kbcb1.mp3","duration":4827}],"duration":"80:27","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Community Building","sub_format_path":"community-building","sub_format_id":1456},{"title":"LOUD","subtitle":"Transmutation","colour":"#09f477","path":"loud3","texte":"","desc":"","date":"17\/04\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1458\/ls_wassili_transmutation.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1458\/ls_wassili_transmutation.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1458\/ls_wassili_transmutation.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1458\/transmutation_piece25min.mp3","duration":1515}],"duration":"25:15","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Community Building","sub_format_path":"community-building","sub_format_id":1456},{"title":"LOUD","subtitle":"Transition","colour":"#09f477","path":"loud2","texte":"","desc":"","date":"17\/04\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1455\/ls_wassili_transition.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1455\/ls_wassili_transition.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1455\/ls_wassili_transition.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1455\/transition_mixed-2.mp3","duration":5901}],"duration":"98:21","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Community Building","sub_format_path":"community-building","sub_format_id":1456},{"title":"LOUD","subtitle":"Mutation","colour":"#09f477","path":"loud1","texte":"","desc":"","date":"17\/04\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1454\/ls_wassili_mutation-1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1454\/ls_wassili_mutation-1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1454\/ls_wassili_mutation-1.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1454\/show_mutation_final.mp3","duration":5131}],"duration":"85:31","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Community Building","sub_format_path":"community-building","sub_format_id":1456},{"title":"Sara Strasser presents","subtitle":"kollektiv eigenklang","colour":"#f743c3","path":"sarastrasser2","texte":"

Audio Sprezzatura\u2009: Mastering Mistakes \u2013 Sara Strasser presents kollektiv eigenklang
\nRecorded on 01.12.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n02:12:33 \/ Curated by Andrea Marioni \/ Visual\u2009 by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM, Oertli-Stiftung<\/span><\/p>","desc":"Audio Sprezzatura\u2009: Mastering Mistakes \u2013 Sara Strasser presents kollektiv eigenklang Recorded on 01.12.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 02:12:33 \/ Curated by Andrea Marioni \/ Visual\u2009 by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM, Oertli-Stiftung","date":"12\/04\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1452\/ls_sprezzatura_podcasts_eigenklang.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1452\/ls_sprezzatura_podcasts_eigenklang.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1452\/ls_sprezzatura_podcasts_eigenklang.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1452\/sprzztr_collectifeingeklangt_kbcb24.mp3","duration":7971}],"duration":"132:51","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Audio Sprezzatura: Mastering Mistakes","sub_format_path":"audio-sprezzatura-mastering-mistakes","sub_format_id":1437},{"title":"Copy pasta","subtitle":"Emotional Support, part 2","colour":"#f743c3","path":"copypasta2","texte":"

Audio Sprezzatura\u2009: Mastering Mistakes - Emma Souharce and Aya Metwalli, Emotional Support, part 2
\nRecorded on 30.11.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n01:02:24 \/ Curated by Andrea Marioni \/ Visual\u2009by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM, Oertli-Stiftung<\/span><\/p>","desc":"Audio Sprezzatura\u2009: Mastering Mistakes - Emma Souharce and Aya Metwalli, Emotional Support, part 2 Recorded on 30.11.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 01:02:24 \/ Curated by Andrea Marioni \/ Visual\u2009by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM, Oertli-Stiftung","date":"11\/04\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1451\/ls_sprezzatura_podcasts_emma2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1451\/ls_sprezzatura_podcasts_emma2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1451\/ls_sprezzatura_podcasts_emma2.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1451\/sprzztr_copypasta_souharcemetwalli_kbcb24.mp3","duration":3752}],"duration":"62:32","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Audio Sprezzatura: Mastering Mistakes","sub_format_path":"audio-sprezzatura-mastering-mistakes","sub_format_id":1437},{"title":"Copy Pasta","subtitle":"Emotional Support, part 1","colour":"#f743c3","path":"copypasta","texte":"

Audio Sprezzatura\u2009: Mastering Mistakes - Emma Souharce, julie b. and Aya Metwalli, Emotional Support, part 1
\nRecorded on 28.11.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n01:00:49 \/ Curated by Andrea Marioni \/ Visual\u2009by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM, Oertli-Stiftung<\/span><\/p>","desc":"Audio Sprezzatura\u2009: Mastering Mistakes - Emma Souharce, julie b. and Aya Metwalli, Emotional Support, part 1 Recorded on 28.11.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 01:00:49 \/ Curated by Andrea Marioni \/ Visual\u2009by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM, Oertli-Stiftung","date":"11\/04\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1450\/ls_sprezzatura_podcasts_emma1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1450\/ls_sprezzatura_podcasts_emma1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1450\/ls_sprezzatura_podcasts_emma1.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1450\/sprzztr_copypasta_souharcemetwallibeispiel_kbcb24.mp3","duration":3657}],"duration":"60:57","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Audio Sprezzatura: Mastering Mistakes","sub_format_path":"audio-sprezzatura-mastering-mistakes","sub_format_id":1437},{"title":"Olga Kokcharova and Laurent G\u00fcdel","subtitle":"SOLO \/ MUTE \/ PAN - tape release","colour":"#f743c3","path":"kokcharovagudel","texte":"

Audio Sprezzatura\u2009: Mastering Mistakes - Olga Kokcharova and Laurent G\u00fcdel, SOLO \/ MUTE \/ PAN - tape release,
\nRecorded on 24.11.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n01:04:58 \/ Curated by Andrea Marioni \/ Visual\u2009 by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM, Oertli-Stiftung<\/span><\/p>","desc":"Audio Sprezzatura\u2009: Mastering Mistakes - Olga Kokcharova and Laurent G\u00fcdel, SOLO \/ MUTE \/ PAN - tape release, Recorded on 24.11.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 01:04:58 \/ Curated by Andrea Marioni \/ Visual\u2009 by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM, Oertli-Stiftung","date":"10\/04\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1453\/ls_sprezzatura_podcasts_gudel.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1453\/ls_sprezzatura_podcasts_gudel.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1453\/ls_sprezzatura_podcasts_gudel.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1453\/sprzztr_kokcharova_gudel_kbcb24.mp3","duration":4934}],"duration":"82:14","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Audio Sprezzatura: Mastering Mistakes","sub_format_path":"audio-sprezzatura-mastering-mistakes","sub_format_id":1437},{"title":"Sara Strasser presents","subtitle":"Jonathan Frigeri, Simon de Wildrfid","colour":"#f743c3","path":"sarastrasserpresents","texte":"

Audio Sprezzatura\u2009: Mastering Mistakes \u2013 Sara Strasser presents Jonathan Frigeri, Simon de Wildrfid
\nRecorded on 17.11.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n01:31:59\/ Curated by Andrea Marioni \/ Visual\u2009by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM, Oertli-Stiftung<\/span><\/p>","desc":"Audio Sprezzatura\u2009: Mastering Mistakes \u2013 Sara Strasser presents Jonathan Frigeri, Simon de Wildrfid Recorded on 17.11.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 01:31:59\/ Curated by Andrea Marioni \/ Visual\u2009by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM, Oertli-Stiftung","date":"09\/04\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1449\/ls_sprezzatura_podcasts_jonathansimon.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1449\/ls_sprezzatura_podcasts_jonathansimon.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1449\/ls_sprezzatura_podcasts_jonathansimon.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1449\/sprzztr_hawaywildrfid_kbcb24.mp3","duration":5531}],"duration":"92:11","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Audio Sprezzatura: Mastering Mistakes","sub_format_path":"audio-sprezzatura-mastering-mistakes","sub_format_id":1437},{"title":"R\u00e9ka Csisz\u00e9r","subtitle":"","colour":"#f743c3","path":"rekacsiszer","texte":"

Audio Sprezzatura\u2009: Mastering Mistakes - R\u00e9ka Csisz\u00e9r
\nRecorded on 21.11.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n00:47:02 \/ Curated by Andrea Marioni \/ Visual\u2009by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM, Oertli-Stiftung<\/span><\/p>","desc":"Audio Sprezzatura\u2009: Mastering Mistakes - R\u00e9ka Csisz\u00e9r Recorded on 21.11.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 00:47:02 \/ Curated by Andrea Marioni \/ Visual\u2009by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM, Oertli-Stiftung","date":"08\/04\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1448\/ls_sprezzatura_podcasts_reka.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1448\/ls_sprezzatura_podcasts_reka.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1448\/ls_sprezzatura_podcasts_reka.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1448\/sprzztr_reka_kbcb24.mp3","duration":2828}],"duration":"47:08","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Audio Sprezzatura: Mastering Mistakes","sub_format_path":"audio-sprezzatura-mastering-mistakes","sub_format_id":1437},{"title":"Christof Steinmann","subtitle":"Der Ton (The Sound)","colour":"#f743c3","path":"christof-steinmann","texte":"

Audio Sprezzatura\u2009: Mastering Mistakes - Christof Steinmann, Der Ton (The Sound)
\nRecorded on 16.11.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n00:46:32 \/ Curated by Andrea Marioni \/ Visual\u2009by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM, Oertli-Stiftung<\/span><\/p>","desc":"Audio Sprezzatura\u2009: Mastering Mistakes - Christof Steinmann, Der Ton (The Sound) Recorded on 16.11.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 00:46:32 \/ Curated by Andrea Marioni \/ Visual\u2009by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM, Oertli-Stiftung","date":"08\/04\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1447\/ls_sprezzatura_podcasts_steinmann.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1447\/ls_sprezzatura_podcasts_steinmann.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1447\/ls_sprezzatura_podcasts_steinmann.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1447\/sprzztr_christofsteinmann_kbcb24.mp3","duration":2798}],"duration":"46:38","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Audio Sprezzatura: Mastering Mistakes","sub_format_path":"audio-sprezzatura-mastering-mistakes","sub_format_id":1437},{"title":"Eva Zornio and J\u00e9r\u00e9my Chevalier","subtitle":"Spirale N\u00e9vrose","colour":"#f743c3","path":"zorniochevalier","texte":"

Audio Sprezzatura\u2009: Mastering Mistakes - Spirale N\u00e9vrose : Eva Zornio and J\u00e9r\u00e9my Chevalier
\nRecorded on 14.11.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n00:45:09 \/ Curated by Andrea Marioni \/ Visual\u2009by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM, Oertli-Stiftung<\/span><\/p>","desc":"Audio Sprezzatura\u2009: Mastering Mistakes - Spirale N\u00e9vrose : Eva Zornio and J\u00e9r\u00e9my Chevalier Recorded on 14.11.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 00:45:09 \/ Curated by Andrea Marioni \/ Visual\u2009by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM, Oertli-Stiftung","date":"07\/04\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1446\/ls_sprezzatura_podcasts_spriralenevrose.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1446\/ls_sprezzatura_podcasts_spriralenevrose.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1446\/ls_sprezzatura_podcasts_spriralenevrose.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1446\/sprzztr_spiralenevrose_kbcb24.mp3","duration":2715}],"duration":"45:15","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Audio Sprezzatura: Mastering Mistakes","sub_format_path":"audio-sprezzatura-mastering-mistakes","sub_format_id":1437},{"title":"Andrea Marioni","subtitle":"Notes de lecture","colour":null,"path":"amarioni","texte":"

Audio Sprezzatura\u2009: Mastering Mistakes - Andrea Marioni, Notes de lectures
\nRecorded on 14.11.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n00:32:42 \/ Visual\u2009 by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM, Oertli-Stiftung<\/span><\/p>","desc":"Audio Sprezzatura\u2009: Mastering Mistakes - Andrea Marioni, Notes de lectures Recorded on 14.11.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 00:32:42 \/ Visual\u2009 by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM, Oertli-Stiftung","date":"06\/04\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1445\/ls_sprezzatura_podcasts_andreamarioni.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1445\/ls_sprezzatura_podcasts_andreamarioni.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1445\/ls_sprezzatura_podcasts_andreamarioni.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1445\/sprzztr_marioni_kbcb24.mp3","duration":1966}],"duration":"32:46","format":null,"format_path":null,"format_id":null,"sub_format":null,"sub_format_path":null,"sub_format_id":null},{"title":"Felix St\u00f6ckle and Maria Vallentin","subtitle":"Voices of Sculptures - tape release","colour":null,"path":"stocklevallentin","texte":"

Audio Sprezzatura\u2009: Mastering Mistakes - Felix St\u00f6ckle and Maria Vallentin, Voices of Sculptures - tape release
\nRecorded on 10.11.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n00:48:34 \/ Curated by Andrea Marioni \/ Visual\u2009 by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM, Oertli-Stiftung<\/span><\/p>","desc":"Audio Sprezzatura\u2009: Mastering Mistakes - Felix St\u00f6ckle and Maria Vallentin, Voices of Sculptures - tape release Recorded on 10.11.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 00:48:34 \/ Curated by Andrea Marioni \/ Visual\u2009 by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM, Oertli-Stiftung","date":"05\/04\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1444\/ls_sprezzatura_podcasts_felixmaria.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1444\/ls_sprezzatura_podcasts_felixmaria.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1444\/ls_sprezzatura_podcasts_felixmaria.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1444\/sprzztr_voicesofsculptures_kbcb24.mp3","duration":2921}],"duration":"48:41","format":null,"format_path":null,"format_id":null,"sub_format":null,"sub_format_path":null,"sub_format_id":null},{"title":"SAVE MY SKIN","subtitle":"","colour":"#f743c3","path":"save-my-skin","texte":"

Audio Sprezzatura\u2009: Mastering Mistakes - SAVE MY SKIN
\nRecorded on 09.11.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n00:56:26 \/ Curated by Andrea Marioni \/ Visual\u2009by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM, Oertli-Stiftung<\/span><\/p>","desc":"Audio Sprezzatura\u2009: Mastering Mistakes - SAVE MY SKIN Recorded on 09.11.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 00:56:26 \/ Curated by Andrea Marioni \/ Visual\u2009by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM, Oertli-Stiftung","date":"04\/04\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1443\/ls_sprezzatura_podcasts_savemyskin.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1443\/ls_sprezzatura_podcasts_savemyskin.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1443\/ls_sprezzatura_podcasts_savemyskin.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1443\/sprzztr_savemyskin_kbcb24.mp3","duration":3393}],"duration":"56:33","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Audio Sprezzatura: Mastering Mistakes","sub_format_path":"audio-sprezzatura-mastering-mistakes","sub_format_id":1437},{"title":"Carrots Tapes System","subtitle":"G.Early and Kit Mineral","colour":"#f743c3","path":"carrots-tapes-system","texte":"

Audio Sprezzatura\u2009: Mastering Mistakes - Carrots Tapes System : G.Early and Kit Mineral, Le Rose Sono Rosse
\nRecorded on 07.11.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n00:56:43 \/ Curated by Andrea Marioni \/ Visual\u2009 by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM, Oertli-Stiftung<\/span><\/p>","desc":"Audio Sprezzatura\u2009: Mastering Mistakes - Carrots Tapes System : G.Early and Kit Mineral, Le Rose Sono Rosse Recorded on 07.11.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 00:56:43 \/ Curated by Andrea Marioni \/ Visual\u2009 by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM, Oertli-Stiftung","date":"03\/04\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1442\/ls_sprezzatura_podcasts_carrotstapes.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1442\/ls_sprezzatura_podcasts_carrotstapes.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1442\/ls_sprezzatura_podcasts_carrotstapes.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1442\/sprzztr_carrotstapes_kbcb24.mp3","duration":3410}],"duration":"56:50","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Audio Sprezzatura: Mastering Mistakes","sub_format_path":"audio-sprezzatura-mastering-mistakes","sub_format_id":1437},{"title":"Victor Sala presents","subtitle":"Laetitia Khiara, Margaux Huber","colour":"#f743c3","path":"victorlaetitiamargaux","texte":"

Audio Sprezzatura\u2009: Mastering Mistakes \u2013 Victor Sala presents Laetitia Khiara, Margaux Huber
\nRecorded on 02.11.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n01:10:33 \/ Curated by Andrea Marioni \/ Visual\u2009by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM, Oertli-Stiftung<\/span><\/p>","desc":"Audio Sprezzatura\u2009: Mastering Mistakes \u2013 Victor Sala presents Laetitia Khiara, Margaux Huber Recorded on 02.11.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 01:10:33 \/ Curated by Andrea Marioni \/ Visual\u2009by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM, Oertli-Stiftung","date":"02\/04\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1441\/ls_sprezzatura_podcasts_khiarahuber.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1441\/ls_sprezzatura_podcasts_khiarahuber.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1441\/ls_sprezzatura_podcasts_khiarahuber.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1441\/sprzztr_huberkhiara_kbcb24.mp3","duration":4243}],"duration":"70:43","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Audio Sprezzatura: Mastering Mistakes","sub_format_path":"audio-sprezzatura-mastering-mistakes","sub_format_id":1437},{"title":"Nicola Genovese","subtitle":"Ecco la primavera and others pseudo-medieval matters","colour":"#f743c3","path":"nicolagenovese","texte":"

Audio Sprezzatura\u2009: Mastering Mistakes - Nicola Genovese, Ecco la primavera and other pseudo-medieval matters
\nRecorded on 31.10.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n00:33:17\/ Curated by Andrea Marioni \/ Visual by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM, Oertli-Stiftung<\/span><\/p>","desc":"Audio Sprezzatura\u2009: Mastering Mistakes - Nicola Genovese, Ecco la primavera and other pseudo-medieval matters Recorded on 31.10.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 00:33:17\/ Curated by Andrea Marioni \/ Visual by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM, Oertli-Stiftung","date":"02\/04\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1440\/ls_sprezzatura_podcasts_genovese.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1440\/ls_sprezzatura_podcasts_genovese.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1440\/ls_sprezzatura_podcasts_genovese.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1440\/sprzztr_genovesen_kbcb24.mp3","duration":2001}],"duration":"33:21","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Audio Sprezzatura: Mastering Mistakes","sub_format_path":"audio-sprezzatura-mastering-mistakes","sub_format_id":1437},{"title":"Airbios","subtitle":"Arrogance of the derisory","colour":"#f743c3","path":"airbios","texte":"

Audio Sprezzatura\u2009: Mastering Mistakes - Airbios, Arrogance of the derisory
\nRecorded on 27.10.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n00:44:54 \/ Curated by Andrea Marioni \/ Visual by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM, Oertli-Stiftung<\/span><\/p>","desc":"Audio Sprezzatura\u2009: Mastering Mistakes - Airbios, Arrogance of the derisory Recorded on 27.10.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 00:44:54 \/ Curated by Andrea Marioni \/ Visual by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM, Oertli-Stiftung","date":"01\/04\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1439\/ls_sprezzatura_podcasts_airbios.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1439\/ls_sprezzatura_podcasts_airbios.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1439\/ls_sprezzatura_podcasts_airbios.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1439\/sprzztr_airbios_kbcb24.mp3","duration":2700}],"duration":"45:00","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Audio Sprezzatura: Mastering Mistakes","sub_format_path":"audio-sprezzatura-mastering-mistakes","sub_format_id":1437},{"title":"activeRat","subtitle":"Rodent Frequencies: activeRat's Sonic Labyrinth","colour":"#f743c3","path":"activerat","texte":"

Audio Sprezzatura\u2009: Mastering Mistakes activeRat - Rodent Frequencies\u2009: activeRat\u2019s Sonic Labyrinth
\nRecorded on 24.10.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n\u00a001:45:35 \/ Curated by Andrea Marioni \/ Visual by Studio Vanieli
\nCo-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM, Oertli-Stiftung<\/span><\/p>","desc":"Audio Sprezzatura\u2009: Mastering Mistakes activeRat - Rodent Frequencies\u2009: activeRat\u2019s Sonic Labyrinth Recorded on 24.10.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo \u00a001:45:35 \/ Curated by Andrea Marioni \/ Visual by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM, Oertli-Stiftung","date":"01\/04\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1438\/ls_sprezzatura_podcasts_activerat.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1438\/ls_sprezzatura_podcasts_activerat.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1438\/ls_sprezzatura_podcasts_activerat.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1438\/sprzztr_activerat_kbcb24.mp3","duration":6349}],"duration":"105:49","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Audio Sprezzatura: Mastering Mistakes","sub_format_path":"audio-sprezzatura-mastering-mistakes","sub_format_id":1437},{"title":"A conversation with","subtitle":"Bernard Blist\u00e8ne","colour":"#ee1ca7","path":"aconversationwithbernardblistene","texte":"

A conversation with Bernard Blist\u00e8ne
\nMade in KBCB<\/span>
\nRecorded on 08.11.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n01:09:39 \/ Interviewed by Andrea Marioni \/ Visual by Studio Vanieli
\nCo-production Lumpen Station and KBCB<\/p>","desc":"A conversation with Bernard Blist\u00e8ne Made in KBCB Recorded on 08.11.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 01:09:39 \/ Interviewed by Andrea Marioni \/ Visual by Studio Vanieli Co-production Lumpen Station and KBCB","date":"19\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1435\/ls_kbcb_interviews_bernardblistene.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1435\/ls_kbcb_interviews_bernardblistene.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1435\/ls_kbcb_interviews_bernardblistene.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1435\/bernardblistene_intrw_kbcb.mp3","duration":4188}],"duration":"69:48","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"A conversation with","sub_format_path":"aconversationwithkbcb","sub_format_id":1436},{"title":"A conversation with","subtitle":"Olivier Mosset","colour":"#ee1ca7","path":"aconversationwitholiviermosset","texte":"

A conversation with Olivier Mosset
\nMade in KBCB
\nRecorded on 14.09.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n01:03:30 \/ Interviewed by Andrea Marioni \/ Visual\u2009by Studio Vanieli
\nCo-production Lumpen Station and KBCB<\/p>","desc":"A conversation with Olivier Mosset Made in KBCB Recorded on 14.09.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 01:03:30 \/ Interviewed by Andrea Marioni \/ Visual\u2009by Studio Vanieli Co-production Lumpen Station and KBCB","date":"18\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1432\/ls_kbcb_interviews_oliviermosset.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1432\/ls_kbcb_interviews_oliviermosset.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1432\/ls_kbcb_interviews_oliviermosset.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1432\/oliviermosset_intrw_kbcb.mp3","duration":3819}],"duration":"63:39","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"A conversation with","sub_format_path":"aconversationwithkbcb","sub_format_id":1436},{"title":"A conversation with","subtitle":"Nathalie Du Pasquier","colour":"#ee1ca7","path":"aconversationwithnathaliedupasquier","texte":"

A conversation with Nathalie Du Pasquier
\nMade in KBCB<\/span>
\nRecorded on 14.09.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n00:55:55 \/ Interviewed by Andrea Marioni \/ Visual\u2009by Studio Vanieli
\nCo-production Lumpen Station and KBCB<\/p>","desc":"A conversation with Nathalie Du Pasquier Made in KBCB Recorded on 14.09.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 00:55:55 \/ Interviewed by Andrea Marioni \/ Visual\u2009by Studio Vanieli Co-production Lumpen Station and KBCB","date":"18\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1434\/ls_kbcb_interviews_nathaliedupasquier.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1434\/ls_kbcb_interviews_nathaliedupasquier.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1434\/ls_kbcb_interviews_nathaliedupasquier.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1434\/nathaliedupasquier_intrw_kbcb.mp3","duration":3363}],"duration":"56:03","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"A conversation with","sub_format_path":"aconversationwithkbcb","sub_format_id":1436},{"title":"A conversation with","subtitle":"Kwik & Kwak","colour":"#ee1ca7","path":"aconversationwithkwikkwak","texte":"

A conversation with Kwik & Kwak : Jos de Gruyter & Harald Thys
\nMade in KBCB<\/span>
\nRecorded on 14.09.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n01:05:13 \/ Interviewed by Andrea Marioni \/ Visual by Studio Vanieli
\nCo-production Lumpen Station and KBCB<\/p>","desc":"A conversation with Kwik & Kwak : Jos de Gruyter & Harald Thys Made in KBCB Recorded on 14.09.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 01:05:13 \/ Interviewed by Andrea Marioni \/ Visual by Studio Vanieli Co-production Lumpen Station and KBCB","date":"18\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1433\/ls_kbcb_interviewskwiketkwak.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1433\/ls_kbcb_interviewskwiketkwak.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1433\/ls_kbcb_interviewskwiketkwak.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1433\/kwikkwak_intrw_kbcb.mp3","duration":3922}],"duration":"65:22","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"A conversation with","sub_format_path":"aconversationwithkbcb","sub_format_id":1436},{"title":"A conversation with","subtitle":"Jim Shaw","colour":"#ee1ca7","path":"aconversationwithjimshaw","texte":"

A conversation with Jim Shaw
\nMade in KBCB<\/span>
\nRecorded on 08.06.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n01:53:21 \/ Interviewed by Andrea Marioni \/ Visual\u2009by Studio Vanieli
\nCo-production Lumpen Station and KBCB<\/p>","desc":"A conversation with Jim Shaw Made in KBCB Recorded on 08.06.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 01:53:21 \/ Interviewed by Andrea Marioni \/ Visual\u2009by Studio Vanieli Co-production Lumpen Station and KBCB","date":"17\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1430\/ls_kbcb_interviews_jimshaw.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1430\/ls_kbcb_interviews_jimshaw.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1430\/ls_kbcb_interviews_jimshaw.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1430\/jimshaw_intrw_kbcb.mp3","duration":6816}],"duration":"113:36","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"A conversation with","sub_format_path":"aconversationwithkbcb","sub_format_id":1436},{"title":"A conversation with","subtitle":"Anne-Claire Schmitz","colour":"#ee1ca7","path":"aconversationwithaneclaireschmitz","texte":"

A conversation with Anne-Claire Schmitz
\nMade in KBCB,
\nRecorded on 08.06.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n00:51:11 \/ Interviewed by Andrea Marioni \/ Visual by Studio Vanieli
\nCo-production Lumpen Station and KBCB<\/p>","desc":"A conversation with Anne-Claire Schmitz Made in KBCB, Recorded on 08.06.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 00:51:11 \/ Interviewed by Andrea Marioni \/ Visual by Studio Vanieli Co-production Lumpen Station and KBCB","date":"17\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1431\/ls_kbcb_anneclaireschmitz.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1431\/ls_kbcb_anneclaireschmitz.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1431\/ls_kbcb_anneclaireschmitz.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1431\/anneclaireschmitz_intrw_kbcb.mp3","duration":3105}],"duration":"51:45","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"A conversation with","sub_format_path":"aconversationwithkbcb","sub_format_id":1436},{"title":"SOUNDGATE Zagreb","subtitle":"radio happening","colour":"#e50a0a","path":"soundgatezagreblive","texte":"

SOUNDGATE Zagreb
\nradio happening\u00a0<\/p>\n\n

Recorded in Istituto Italiano di Cultura di Zagabria,16.05.24 \/ 03:09:09
\nWith Claire Megumi, Roberta Bisogno, Marko Miladinovi\u0107,<\/em> Beatrice Beispiel, Stela Mikulin, <\/em>\u017deljko Beljan, Sonja Lebo\u0161
\nHost: Andrea Marioni \/ Visual: Studio Vanieli
\nLumpen Station production, with the support of Landis & Gyr Stiftung, Embassy of Switzerland in Croatia, Istituto Italiano di Cultura di Zagabria<\/p>","desc":"SOUNDGATE Zagreb radio happening\u00a0 Recorded in Istituto Italiano di Cultura di Zagabria,16.05.24 \/ 03:09:09 With Claire Megumi, Roberta Bisogno, Marko Miladinovi\u0107, Beatrice Beispiel, Stela Mikulin, \u017deljko Beljan, Sonja Lebo\u0161 Host: Andrea Marioni \/ Visual: Studio Vanieli Lumpen Station production, with the support of Landis & Gyr Stiftung, Embassy of Switzerland in Croatia, Istituto Italiano di Cultura di Zagabria","date":"09\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1425\/ls_soundgate_podcasts_2024_zagreb.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1425\/ls_soundgate_podcasts_2024_zagreb.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1425\/ls_soundgate_podcasts_2024_zagreb.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1425\/iic_zagreb_live_sndgt.mp3","duration":11375}],"duration":"189:35","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SOUNDGATE","sub_format_path":"soundgate","sub_format_id":1308},{"title":"SOUNDGATE Zagreb","subtitle":"Tresnjevka-Ponikve","colour":"#e50a0a","path":"soundgatesoundwork1","texte":"

Soundgate, \u017deljko Beljan, Tre\u0161njevka \u2013 Ponikve
\nMay 2024 \/ 01:36:31
\nTonmeister\u00a0: Vedran Rao Brle\u010di\u0107
\nVisual: Studio Vanieli
\nLumpen Station production, with the support of Landis & Gyr Stiftung<\/p>","desc":"Soundgate, \u017deljko Beljan, Tre\u0161njevka \u2013 Ponikve May 2024 \/ 01:36:31 Tonmeister\u00a0: Vedran Rao Brle\u010di\u0107 Visual: Studio Vanieli Lumpen Station production, with the support of Landis & Gyr Stiftung","date":"09\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1426\/ls_soundgate_podcasts_2024_zeljko.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1426\/ls_soundgate_podcasts_2024_zeljko.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1426\/ls_soundgate_podcasts_2024_zeljko.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1426\/tekma_tresnjevka_zagreb_sndgt.mp3","duration":5795}],"duration":"96:35","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SOUNDGATE","sub_format_path":"soundgate","sub_format_id":1308},{"title":"SOUNDGATE Zagreb","subtitle":"Radical Dialogue","colour":"#e50a0a","path":"soundgateradicalconversation","texte":"

SOUNDGATE Zagreb\u00a0
\n
\nSoundgate, Stela Mikulin, Radical dialogue
\nMay 2024 \/ 00:15:18
\nVisual: Studio Vanieli
\nLumpen Station production, with the support of Landis & Gyr Stiftung<\/p>","desc":"SOUNDGATE Zagreb\u00a0 Soundgate, Stela Mikulin, Radical dialogue May 2024 \/ 00:15:18 Visual: Studio Vanieli Lumpen Station production, with the support of Landis & Gyr Stiftung","date":"09\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1427\/ls_soundgate_podcasts_2024_stela.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1427\/ls_soundgate_podcasts_2024_stela.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1427\/ls_soundgate_podcasts_2024_stela.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1427\/radicaldialogue_zagreb_sndgt.mp3","duration":1843}],"duration":"30:43","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SOUNDGATE","sub_format_path":"soundgate","sub_format_id":1308},{"title":"SOUNDGATE Zagreb","subtitle":"Esausta","colour":"#e50a0a","path":"soundgateesausta","texte":"

SOUNDGATE Zagreb
\n
\nSoundgate, Roberta Bisogno, Esauasta
\nMay 2024 \/ 00:25:00
\nText and voice: Roberta Bisogno \/ Music: Marko Miladinovi\u0107, Roberta Bisogno
\nSound producer: Marko Miladinovi\u0107
\nVisual: Studio Vanieli
\nLumpen Station production, with the support of Landis & Gyr Stiftung<\/p>","desc":"SOUNDGATE Zagreb Soundgate, Roberta Bisogno, Esauasta May 2024 \/ 00:25:00 Text and voice: Roberta Bisogno \/ Music: Marko Miladinovi\u0107, Roberta Bisogno Sound producer: Marko Miladinovi\u0107 Visual: Studio Vanieli Lumpen Station production, with the support of Landis & Gyr Stiftung","date":"09\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1428\/ls_soundgate_podcasts_2024_roberta.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1428\/ls_soundgate_podcasts_2024_roberta.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1428\/ls_soundgate_podcasts_2024_roberta.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1428\/robertamarkoesausssst_sndgt.mp3","duration":1507}],"duration":"25:07","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SOUNDGATE","sub_format_path":"soundgate","sub_format_id":1308},{"title":"SOUNDGATE Belgrade","subtitle":"Balkan no alterna, vol. 2","colour":"#e50a0a","path":"soundgateplay2","texte":"

SOUNDGATE Belgrade<\/p>\n\n

Soundgate, Pinter from radio Krov - Balkan no alterna vol. 2
\nMay 2024 \/ 02:00:13
\nVisual: Studio Vanieli
\nLumpen Station production, with the support of Landis & Gyr Stiftung<\/p>","desc":"SOUNDGATE Belgrade Soundgate, Pinter from radio Krov - Balkan no alterna vol. 2 May 2024 \/ 02:00:13 Visual: Studio Vanieli Lumpen Station production, with the support of Landis & Gyr Stiftung","date":"08\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1422\/ls_soundgate_podcasts_2024_pinter2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1422\/ls_soundgate_podcasts_2024_pinter2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1422\/ls_soundgate_podcasts_2024_pinter2.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1422\/lumpen_station_2__playlist_-_final.mp3","duration":7219}],"duration":"120:19","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SOUNDGATE","sub_format_path":"soundgate","sub_format_id":1308},{"title":"SOUNDGATE Belgrade","subtitle":"Balkan no alterna, vol. 1","colour":"#e50a0a","path":"soundgateplay1","texte":"

SOUNDGATE Belgrade\u00a0
\n
\nSoundgate, Pinter from radio Krov, Balkan no alterna vol. 1
\nMay 2024 \/ 02:01:46
\nVisual: Studio Vanieli
\nLumpen Station production, with the support of Landis & Gyr Stiftung<\/p>","desc":"SOUNDGATE Belgrade\u00a0 Soundgate, Pinter from radio Krov, Balkan no alterna vol. 1 May 2024 \/ 02:01:46 Visual: Studio Vanieli Lumpen Station production, with the support of Landis & Gyr Stiftung","date":"08\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1421\/ls_soundgate_podcasts_2024_pinter1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1421\/ls_soundgate_podcasts_2024_pinter1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1421\/ls_soundgate_podcasts_2024_pinter1.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1421\/lumpen_station_1__playlist_final.mp3","duration":7312}],"duration":"121:52","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SOUNDGATE","sub_format_path":"soundgate","sub_format_id":1308},{"title":"SOUNDGATE Belgrade","subtitle":"Paradajz Radio live jam session","colour":"#e50a0a","path":"soundgateparadajz","texte":"

SOUNDGATE Belgrade<\/p>\n\n


\nSoundgate, Paradajz Radio live jam session
\nRecorded in Paradajz Radio, 10.05.24 \/ 01:32:43
\nWith Kota Davudova, Daniel Izmaylov, Anton Mikhailov, Eugen Piankov, Nu Simakina
\nHost: Andrea Marioni \/ Visual: Studio Vanieli
\nLumpen Station production, with the support of Landis & Gyr Stiftung<\/p>","desc":"SOUNDGATE Belgrade Soundgate, Paradajz Radio live jam session Recorded in Paradajz Radio, 10.05.24 \/ 01:32:43 With Kota Davudova, Daniel Izmaylov, Anton Mikhailov, Eugen Piankov, Nu Simakina Host: Andrea Marioni \/ Visual: Studio Vanieli Lumpen Station production, with the support of Landis & Gyr Stiftung","date":"08\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1424\/ls_soundgate_podcasts_2024_paradajz.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1424\/ls_soundgate_podcasts_2024_paradajz.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1424\/ls_soundgate_podcasts_2024_paradajz.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1424\/paradaje_belgrade_100524.mp3","duration":5575}],"duration":"92:55","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SOUNDGATE","sub_format_path":"soundgate","sub_format_id":1308},{"title":"SOUNDGATE Belgrade","subtitle":"\u017dega: the general plan","colour":"#e50a0a","path":"soundgateextra2","texte":"

SOUNDGATE Belgrade<\/p>\n\n

Soundgate, Mia \u0106uk, \u017dega: the general plan
\nMay 2024 \/ 00:29:42
\nConcept and field recording: Mia \u0106uk \/ Piano, sound editing: Milo\u0161 Vukovi\u0107
\nArchival material: \"General plan of Belgrade\", Belgrade Chronicles, produced by TV Beograd, 1972. \"Vrelina u Beogradu\" RTS Trezor, 2012, 2015.
\nLumpen Station production, with the support of Landis & Gyr Stiftung<\/p>","desc":"SOUNDGATE Belgrade Soundgate, Mia \u0106uk, \u017dega: the general plan May 2024 \/ 00:29:42 Concept and field recording: Mia \u0106uk \/ Piano, sound editing: Milo\u0161 Vukovi\u0107 Archival material: \"General plan of Belgrade\", Belgrade Chronicles, produced by TV Beograd, 1972. \"Vrelina u Beogradu\" RTS Trezor, 2012, 2015. Lumpen Station production, with the support of Landis & Gyr Stiftung","date":"08\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1423\/ls_soundgate_podcasts_2024_mia.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1423\/ls_soundgate_podcasts_2024_mia.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1423\/ls_soundgate_podcasts_2024_mia.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1423\/zega_beo_sndgt.mp3","duration":1786}],"duration":"29:46","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SOUNDGATE","sub_format_path":"soundgate","sub_format_id":1308},{"title":"SOUNDGATE Belgrade","subtitle":"Untitled","colour":"#e50a0a","path":"soundgatebelgradeextra","texte":"

SOUNDGATE Belgrade<\/span><\/p>\n\n

Soundgate, Luka Strika, untitled project
\nMay 2024 \/ 01:52:04
\nVisual: Studio Vanieli
\nLumpen Station production, with the support of Landis & Gyr Stiftung<\/p>","desc":"SOUNDGATE Belgrade Soundgate, Luka Strika, untitled project May 2024 \/ 01:52:04 Visual: Studio Vanieli Lumpen Station production, with the support of Landis & Gyr Stiftung","date":"08\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1420\/ls_soundgate_podcasts_2024_lukastrika.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1420\/ls_soundgate_podcasts_2024_lukastrika.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1420\/ls_soundgate_podcasts_2024_lukastrika.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1420\/lustr_letter_beo_sndgt.mp3","duration":0}],"duration":"00:00","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SOUNDGATE","sub_format_path":"soundgate","sub_format_id":1308},{"title":"SOUNDGATE Belgrade vol. 3","subtitle":"Live at Krov","colour":null,"path":"soundgate-belgrade-vol-3","texte":"

Soundgate, Belgrade vol. 3
\nLive at Krov\u00a0<\/p>\n\n

Recorded in DC Krov, 09.05.24 \/ 02:25:26
\nWith Nenad Pinter, Kapetan Kokan
\nHost: Andrea Marioni \/ Visual: Studio Vanieli
\nLumpen Station production, with the support of Landis & Gyr Stiftung, Embassy of Switzerland in the Republic of Serbia and to Montenegro<\/p>","desc":"Soundgate, Belgrade vol. 3 Live at Krov\u00a0 Recorded in DC Krov, 09.05.24 \/ 02:25:26 With Nenad Pinter, Kapetan Kokan Host: Andrea Marioni \/ Visual: Studio Vanieli Lumpen Station production, with the support of Landis & Gyr Stiftung, Embassy of Switzerland in the Republic of Serbia and to Montenegro","date":"07\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1419\/ls_soundgate_podcasts_2024_belgrade3.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1419\/ls_soundgate_podcasts_2024_belgrade3.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1419\/ls_soundgate_podcasts_2024_belgrade3.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1419\/krov_beo_live_p3_sndgt.mp3","duration":8725}],"duration":"145:25","format":null,"format_path":null,"format_id":null,"sub_format":null,"sub_format_path":null,"sub_format_id":null},{"title":"SOUNDGATE Belgrade vol. 2","subtitle":"Live at Krov","colour":"#e50a0a","path":"soundgate-belgrade-vol-2","texte":"

Soundgate, Belgrade vol. 2
\nLive at Krov\u00a0<\/span><\/p>\n\n

Recorded in DC Krov, 09.05.24 \/ 02:09:57
\nWith Nenad Pinter, Kapetan Kokan
\nHost: Andrea Marioni \/ Visual: Studio Vanieli
\nLumpen Station production, with the support of Landis & Gyr Stiftung, Embassy of Switzerland in the Republic of Serbia and to Montenegro<\/p>","desc":"Soundgate, Belgrade vol. 2 Live at Krov\u00a0 Recorded in DC Krov, 09.05.24 \/ 02:09:57 With Nenad Pinter, Kapetan Kokan Host: Andrea Marioni \/ Visual: Studio Vanieli Lumpen Station production, with the support of Landis & Gyr Stiftung, Embassy of Switzerland in the Republic of Serbia and to Montenegro","date":"07\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1418\/ls_soundgate_podcasts_2024_belgrade2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1418\/ls_soundgate_podcasts_2024_belgrade2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1418\/ls_soundgate_podcasts_2024_belgrade2.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1418\/krov_beo_live_p2_sndgt.mp3","duration":7814}],"duration":"130:14","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SOUNDGATE","sub_format_path":"soundgate","sub_format_id":1308},{"title":"SOUNDGATE Belgrade vol. 1","subtitle":"Live at Krov","colour":"#e50a0a","path":"soundgate-belgrade-vol-1","texte":"

Soundgate, Belgrade vol. 1
\nLive at Krov\u00a0<\/span><\/p>\n\n

Recorded in DC Krov, 09.05.24 \/ 03:17.01<\/p>\n\n

With Claire Megumi, Marko Miladinovi\u0107<\/em>, Giorgia Piffaretti, An\u0111ela \u0110oki\u0107<\/em>
\nHost: Andrea Marioni \/ Visual: Studio Vanieli
\nLumpen Station production, with the support of Landis & Gyr Stiftung, Embassy of Switzerland in the Republic of Serbia and to Montenegro<\/p>","desc":"Soundgate, Belgrade vol. 1 Live at Krov\u00a0 Recorded in DC Krov, 09.05.24 \/ 03:17.01 With Claire Megumi, Marko Miladinovi\u0107, Giorgia Piffaretti, An\u0111ela \u0110oki\u0107 Host: Andrea Marioni \/ Visual: Studio Vanieli Lumpen Station production, with the support of Landis & Gyr Stiftung, Embassy of Switzerland in the Republic of Serbia and to Montenegro","date":"07\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1417\/ls_soundgate_podcasts_2024_belgrade1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1417\/ls_soundgate_podcasts_2024_belgrade1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1417\/ls_soundgate_podcasts_2024_belgrade1.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1417\/krov_beo_live_p1_sndgt.mp3","duration":11848}],"duration":"197:28","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SOUNDGATE","sub_format_path":"soundgate","sub_format_id":1308},{"title":"SOUNDGATE Skopje","subtitle":"Live at Partizan print","colour":"#e50a0a","path":"soundgatepartizanprint","texte":"

SOUNDGATE Skopje
\nLive at Partizan Print\u00a0<\/span><\/p>\n\n

Recorded in Partizan Print, 03.05.24 \/ 02:40:42
\nWith Biljana Dimitrova, Jelena Belikj, Vladimir Muratovski, Vera Roos, Laura Gillette, Milosh Stojanovikj
\nHost: Andrea Marioni \/ Visual: Studio Vanieli
\nLumpen Station production, with the support of Landis & Gyr Stiftung<\/p>","desc":"SOUNDGATE Skopje Live at Partizan Print\u00a0 Recorded in Partizan Print, 03.05.24 \/ 02:40:42 With Biljana Dimitrova, Jelena Belikj, Vladimir Muratovski, Vera Roos, Laura Gillette, Milosh Stojanovikj Host: Andrea Marioni \/ Visual: Studio Vanieli Lumpen Station production, with the support of Landis & Gyr Stiftung","date":"06\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1414\/ls_soundgate_podcasts_2024_skopje.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1414\/ls_soundgate_podcasts_2024_skopje.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1414\/ls_soundgate_podcasts_2024_skopje.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1414\/partizanprint_skopje_live_sndgt.mp3","duration":9650}],"duration":"160:50","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SOUNDGATE","sub_format_path":"soundgate","sub_format_id":1308},{"title":"SOUNDGATE Skopje","subtitle":"YUGO New Wave","colour":null,"path":"soundgateelektrokutura","texte":"

Soundgate Skopje
\nElectro Kultura, YUGO New Wave<\/span><\/p>\n\n

May 2024 \/ 01:53:35
\nVisual: Studio Vanieli
\nLumpen Station production, with the support of Landis & Gyr Stiftung<\/p>","desc":"Soundgate Skopje Electro Kultura, YUGO New Wave May 2024 \/ 01:53:35 Visual: Studio Vanieli Lumpen Station production, with the support of Landis & Gyr Stiftung","date":"06\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1415\/ls_soundgate_podcasts_2024_electrokultura.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1415\/ls_soundgate_podcasts_2024_electrokultura.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1415\/ls_soundgate_podcasts_2024_electrokultura.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1415\/yugonewwavemix_skopje_sndgt.mp3","duration":6814}],"duration":"113:34","format":null,"format_path":null,"format_id":null,"sub_format":null,"sub_format_path":null,"sub_format_id":null},{"title":"SOUNDGATE Skopje","subtitle":"Between two pages, gently","colour":"#e50a0a","path":"soundgatebetweentwopages","texte":"

Soundgate, Darko Aleksovski, Between Two Pages, Gently
\nRecorded during a workshop in February 2024 at SCS Centar-Jadro
\nSkopje \/ With Gracija Atanasovska, Marija Boshkovska, Kalia Dimitrova, Simona Mancheva, Ivana Smilevska, Milena Slivoska, and Monika Stojanovska\u00a3
\nMay 2024 \/ 00:29:37
\nVisual: Studio Vanieli
\nLumpen Station production, with the support of Landis & Gyr Stiftung<\/p>","desc":"Soundgate, Darko Aleksovski, Between Two Pages, Gently Recorded during a workshop in February 2024 at SCS Centar-Jadro Skopje \/ With Gracija Atanasovska, Marija Boshkovska, Kalia Dimitrova, Simona Mancheva, Ivana Smilevska, Milena Slivoska, and Monika Stojanovska\u00a3 May 2024 \/ 00:29:37 Visual: Studio Vanieli Lumpen Station production, with the support of Landis & Gyr Stiftung","date":"06\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1416\/ls_soundgate_podcasts_2024_darko.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1416\/ls_soundgate_podcasts_2024_darko.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1416\/ls_soundgate_podcasts_2024_darko.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1416\/beetweentwopages_sndgt_skopje.mp3","duration":1781}],"duration":"29:41","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SOUNDGATE","sub_format_path":"soundgate","sub_format_id":1308},{"title":"SOUNDGATE Sarajevo","subtitle":"Poezija, jel kapijate?","colour":"#e50a0a","path":"soundgatepoetry","texte":"

Soundgate Sarajevo\u00a0
\nHana, Dejan, Faruk i D\u017eeneta - Poezija, jel kapijate?<\/span><\/p>\n\n


\nMay 2024 \/ 01:14:50
\nVisual: Studio Vanieli
\nLumpen Station production, with the support of Landis & Gyr Stiftung<\/p>","desc":"Soundgate Sarajevo\u00a0 Hana, Dejan, Faruk i D\u017eeneta - Poezija, jel kapijate? May 2024 \/ 01:14:50 Visual: Studio Vanieli Lumpen Station production, with the support of Landis & Gyr Stiftung","date":"05\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1412\/ls_soundgate_podcasts_2024_poets.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1412\/ls_soundgate_podcasts_2024_poets.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1412\/ls_soundgate_podcasts_2024_poets.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1412\/sarajevo_poets_sndgt.mp3","duration":4490}],"duration":"74:50","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SOUNDGATE","sub_format_path":"soundgate","sub_format_id":1308},{"title":"SOUNDGATE Sarajevo","subtitle":"New Wave of Bosnia","colour":null,"path":"soundgatenewwave","texte":"

SOUNDGATE Sarajevo\u00a0
\nSanin Ba\u0161i\u0107, New Wave of Bosnia<\/span><\/p>\n\n

May 2024 \/ 1:58:22
\nVisual: Studio Vanieli
\nLumpen Station production, with the support of Landis & Gyr Stiftung<\/p>","desc":"SOUNDGATE Sarajevo\u00a0 Sanin Ba\u0161i\u0107, New Wave of Bosnia May 2024 \/ 1:58:22 Visual: Studio Vanieli Lumpen Station production, with the support of Landis & Gyr Stiftung","date":"05\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1413\/ls_soundgate_podcasts_2024_sanin1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1413\/ls_soundgate_podcasts_2024_sanin1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1413\/ls_soundgate_podcasts_2024_sanin1.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1413\/bosnia_soundscapeone_sarajevo_sndgt.mp3","duration":7113}],"duration":"118:33","format":null,"format_path":null,"format_id":null,"sub_format":null,"sub_format_path":null,"sub_format_id":null},{"title":"SOUNDGATE Sarajevo","subtitle":"Live at DKC","colour":"#e50a0a","path":"soundgate","texte":"

SARAJEVO - Live at DKC<\/p>\n\n

Recorded in DKC Sarajevo, 25.04.24 \/ 2:39:04
\nWith Sanin Ba\u0161i\u0107, Hana Zeba, D\u017eeneta Zaklan, Astigma
\nHost: Andrea Marioni \/ Visual: Studio Vanieli
\nLumpen Station production, with the support of Landis & Gyr Stiftung<\/p>","desc":"SARAJEVO - Live at DKC Recorded in DKC Sarajevo, 25.04.24 \/ 2:39:04 With Sanin Ba\u0161i\u0107, Hana Zeba, D\u017eeneta Zaklan, Astigma Host: Andrea Marioni \/ Visual: Studio Vanieli Lumpen Station production, with the support of Landis & Gyr Stiftung","date":"05\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1411\/ls_soundgate_podcasts_2024_sarajevo.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1411\/ls_soundgate_podcasts_2024_sarajevo.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1411\/ls_soundgate_podcasts_2024_sarajevo.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1411\/dkc_sarejevo_live_sndgt.mp3","duration":9565}],"duration":"159:25","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SOUNDGATE","sub_format_path":"soundgate","sub_format_id":1308},{"title":"Blablabliblabiu #4","subtitle":"La F\u00eate \u00e0 Bruit","colour":"#1aee0c","path":"blablabliblabiu4","texte":"

La F\u00eate \u00e0 Bruit, BLABLABLIBLABIU day 4
\nWith Davorka Begovi\u0107, Nora Vetter, Xavier Charles
\nRecorded on 01.09.24 at la F\u00eate \u00e0 Bruit, Terrain Gurzelen, Bienne
\n01:31:52 \/ Hosted by Andrea Marioni \/ Artwork by Brutus Graph \/ Graphic design by Studio Vanieli
\nCo-production Lumpen Station and la F\u00eate \u00e0 Bruit
\nSupported by FRSC, SWISSPERFORM<\/p>","desc":"La F\u00eate \u00e0 Bruit, BLABLABLIBLABIU day 4 With Davorka Begovi\u0107, Nora Vetter, Xavier Charles Recorded on 01.09.24 at la F\u00eate \u00e0 Bruit, Terrain Gurzelen, Bienne 01:31:52 \/ Hosted by Andrea Marioni \/ Artwork by Brutus Graph \/ Graphic design by Studio Vanieli Co-production Lumpen Station and la F\u00eate \u00e0 Bruit Supported by FRSC, SWISSPERFORM","date":"03\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1410\/ls_feteabruit_podcasts_day4.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1410\/ls_feteabruit_podcasts_day4.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1410\/ls_feteabruit_podcasts_day4.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1410\/blablabliblabiu_day4.mp3","duration":5525}],"duration":"92:05","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114,"sub_format":"La F\u00eate \u00e0 Bruit","sub_format_path":"la-fete-a-bruit","sub_format_id":1399},{"title":"Blablabliblabiu #3","subtitle":"La F\u00eate \u00e0 Bruit","colour":"#1aee0c","path":"blablabliblabiu3","texte":"

La F\u00eate \u00e0 Bruit, BLABLABLIBLABIU day 3
\nWith Jason Kahn, Andrej Mir\u010dev, Zoran Pateli\u0107, Ute Wassermann
\nRecorded on 31.08.24 at la F\u00eate \u00e0 Bruit, Terrain Gurzelen, Bienne
\n01:32:00 \/ Hosted by Andrea Marioni \/ Artwork by Brutus Graph \/ Graphic design by Studio Vanieli
\nCo-production Lumpen Station and la F\u00eate \u00e0 Bruit
\nSupported by FRSC, SWISSPERFORM<\/p>","desc":"La F\u00eate \u00e0 Bruit, BLABLABLIBLABIU day 3 With Jason Kahn, Andrej Mir\u010dev, Zoran Pateli\u0107, Ute Wassermann Recorded on 31.08.24 at la F\u00eate \u00e0 Bruit, Terrain Gurzelen, Bienne 01:32:00 \/ Hosted by Andrea Marioni \/ Artwork by Brutus Graph \/ Graphic design by Studio Vanieli Co-production Lumpen Station and la F\u00eate \u00e0 Bruit Supported by FRSC, SWISSPERFORM","date":"03\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1409\/ls_feteabruit_podcasts_day3.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1409\/ls_feteabruit_podcasts_day3.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1409\/ls_feteabruit_podcasts_day3.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1409\/blablabliblabiu_day3.mp3","duration":5532}],"duration":"92:12","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114,"sub_format":"La F\u00eate \u00e0 Bruit","sub_format_path":"la-fete-a-bruit","sub_format_id":1399},{"title":"Blablabliblabiu #2","subtitle":"La F\u00eate \u00e0 Bruit","colour":"#1aee0c","path":"blablabliblabiu2","texte":"

La F\u00eate \u00e0 Bruit, BLABLABLIBLABIU day 2
\nWith Antoine Lang, Action Intermittence
\nRecorded on 30.08.24 at la F\u00eate \u00e0 Bruit, Terrain Gurzelen, Bienne
\n01:32:20 \/ Hosted by Andrea Marioni \/ Artwork by Brutus Graph \/ Graphic design by Studio Vanieli
\nCo-production Lumpen Station and la F\u00eate \u00e0 Bruit
\nSupported by FRSC, SWISSPERFORM<\/p>","desc":"La F\u00eate \u00e0 Bruit, BLABLABLIBLABIU day 2 With Antoine Lang, Action Intermittence Recorded on 30.08.24 at la F\u00eate \u00e0 Bruit, Terrain Gurzelen, Bienne 01:32:20 \/ Hosted by Andrea Marioni \/ Artwork by Brutus Graph \/ Graphic design by Studio Vanieli Co-production Lumpen Station and la F\u00eate \u00e0 Bruit Supported by FRSC, SWISSPERFORM","date":"03\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1408\/ls_feteabruit_podcasts_day2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1408\/ls_feteabruit_podcasts_day2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1408\/ls_feteabruit_podcasts_day2.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1408\/blablabliblabiu_day2.mp3","duration":5552}],"duration":"92:32","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114,"sub_format":"La F\u00eate \u00e0 Bruit","sub_format_path":"la-fete-a-bruit","sub_format_id":1399},{"title":"Blablabliblabiu #1","subtitle":"La F\u00eate \u00e0 Bruit","colour":"#1aee0c","path":"blablabliblabiu-1","texte":"

La F\u00eate \u00e0 Bruit, BLABLABLIBLABIU day 1
\nWith Marina Tantanozi, Ivar Roban Kri\u017ei\u0107, Frantz Loriot, Gaudenz Badrutt, Jonas Kocher, Borka Stoji\u0107
\nRecorded on 29.08.24 at la F\u00eate \u00e0 Bruit, Terrain Gurzelen, Bienne
\n01:33:30 \/ Hosted by Andrea Marioni \/ Artwork by Brutus Graph \/ Graphic design by Studio Vanieli
\nCo-production Lumpen Station and la F\u00eate \u00e0 Bruit
\nSupported by FRSC, SWISSPERFORM<\/p>","desc":"La F\u00eate \u00e0 Bruit, BLABLABLIBLABIU day 1 With Marina Tantanozi, Ivar Roban Kri\u017ei\u0107, Frantz Loriot, Gaudenz Badrutt, Jonas Kocher, Borka Stoji\u0107 Recorded on 29.08.24 at la F\u00eate \u00e0 Bruit, Terrain Gurzelen, Bienne 01:33:30 \/ Hosted by Andrea Marioni \/ Artwork by Brutus Graph \/ Graphic design by Studio Vanieli Co-production Lumpen Station and la F\u00eate \u00e0 Bruit Supported by FRSC, SWISSPERFORM","date":"03\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1407\/ls_feteabruit_podcasts_day1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1407\/ls_feteabruit_podcasts_day1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1407\/ls_feteabruit_podcasts_day1.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1407\/blablabliblabiu_day1.mp3","duration":5622}],"duration":"93:42","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114,"sub_format":"La F\u00eate \u00e0 Bruit","sub_format_path":"la-fete-a-bruit","sub_format_id":1399},{"title":"Pardomanzia #8","subtitle":"","colour":"#f7db04","path":"pardomanzia8","texte":"

Pardomanzia, day 8<\/span>
\nWith Roberta Bisogno, DJ Real Madrid, Bernet Branca, collettivo Grinfie
\nRecorded on 16.08.24 at BaseCamp, Locarno Film Festival
\n01:43:35 \/ Hosted by Andrea Marioni \/ Visual by Studio Vanieli
\nCo-production Lumpen Station and BaseCamp
\nSupported by FRSC, SWISSPERFORM, BaseCamp<\/p>","desc":"Pardomanzia, day 8 With Roberta Bisogno, DJ Real Madrid, Bernet Branca, collettivo Grinfie Recorded on 16.08.24 at BaseCamp, Locarno Film Festival 01:43:35 \/ Hosted by Andrea Marioni \/ Visual by Studio Vanieli Co-production Lumpen Station and BaseCamp Supported by FRSC, SWISSPERFORM, BaseCamp","date":"02\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1406\/ls_pardomanzia_day8.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1406\/ls_pardomanzia_day8.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1406\/ls_pardomanzia_day8.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1406\/pardomanzia_8.mp3","duration":6229}],"duration":"103:49","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114,"sub_format":"Pardomanzia","sub_format_path":"pardomanzia","sub_format_id":1398},{"title":"Pardomanzia #7","subtitle":"","colour":"#f7db04","path":"pardomanzia7","texte":"

Pardomanzia, day 7<\/span>
\nWith Alice Bachman, Shari Delorian, Marko Miladinovi\u0107, Nicolas Sch\u00e4rer, Delia Yenisser, Marina Reith, Elias Unterfraunern, Aljoscha Lorentz, Mike R\u00fcb, Roberta Bisogno
\nRecorded on 15.08.24 at BaseCamp, Locarno Film Festival
\n02:01:03 \/ Hosted by Andrea Marioni \/ Visual by Studio Vanieli
\nCo-production Lumpen Station and BaseCamp
\nSupported by FRSC, SWISSPERFORM, BaseCamp<\/p>","desc":"Pardomanzia, day 7 With Alice Bachman, Shari Delorian, Marko Miladinovi\u0107, Nicolas Sch\u00e4rer, Delia Yenisser, Marina Reith, Elias Unterfraunern, Aljoscha Lorentz, Mike R\u00fcb, Roberta Bisogno Recorded on 15.08.24 at BaseCamp, Locarno Film Festival 02:01:03 \/ Hosted by Andrea Marioni \/ Visual by Studio Vanieli Co-production Lumpen Station and BaseCamp Supported by FRSC, SWISSPERFORM, BaseCamp","date":"02\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1405\/ls_pardomanzia_day7.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1405\/ls_pardomanzia_day7.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1405\/ls_pardomanzia_day7.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1405\/pardomanzia_7.mp3","duration":7279}],"duration":"121:19","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114,"sub_format":"Pardomanzia","sub_format_path":"pardomanzia","sub_format_id":1398},{"title":"Pardomanzia #6","subtitle":"","colour":"#f7db04","path":"pardomanzia6","texte":"

Pardomanzia, day 6<\/span>
\nWith MTFMKR, Samuel Bereuther, Sofia Faid, Roberta Bisogno, Morena La Barba
\nRecorded on 14.08.24 at BaseCamp, Locarno Film Festival
\n01:55:06 \/ Hosted by Andrea Marioni \/ Visual by Studio Vanieli
\nCo-production Lumpen Station and BaseCamp
\nSupported by FRSC, SWISSPERFORM, BaseCamp<\/p>","desc":"Pardomanzia, day 6 With MTFMKR, Samuel Bereuther, Sofia Faid, Roberta Bisogno, Morena La Barba Recorded on 14.08.24 at BaseCamp, Locarno Film Festival 01:55:06 \/ Hosted by Andrea Marioni \/ Visual by Studio Vanieli Co-production Lumpen Station and BaseCamp Supported by FRSC, SWISSPERFORM, BaseCamp","date":"02\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1404\/ls_pardomanzia_day6-1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1404\/ls_pardomanzia_day6-1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1404\/ls_pardomanzia_day6-1.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1404\/pardomanzia_6.mp3","duration":6922}],"duration":"115:22","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114,"sub_format":"Pardomanzia","sub_format_path":"pardomanzia","sub_format_id":1398},{"title":"Pardomanzia #5","subtitle":"","colour":"#f7db04","path":"pardomanzia5","texte":"

Pardomanzia, day 5<\/span>
\nWith HAUSVRAU, Noah Stolz, Roberta Bisogno, Marko Miladinovi\u0107
\nRecorded on 12.08.24 at BaseCamp, Locarno Film Festival
\n01:54:05 \/ Hosted by Andrea Marioni \/ Visual by Studio Vanieli
\nCo-production Lumpen Station and BaseCamp
\nSupported by FRSC, SWISSPERFORM, BaseCamp<\/p>","desc":"Pardomanzia, day 5 With HAUSVRAU, Noah Stolz, Roberta Bisogno, Marko Miladinovi\u0107 Recorded on 12.08.24 at BaseCamp, Locarno Film Festival 01:54:05 \/ Hosted by Andrea Marioni \/ Visual by Studio Vanieli Co-production Lumpen Station and BaseCamp Supported by FRSC, SWISSPERFORM, BaseCamp","date":"02\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1403\/ls_pardomanzia_day5.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1403\/ls_pardomanzia_day5.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1403\/ls_pardomanzia_day5.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1403\/pardomanzia_5.mp3","duration":6860}],"duration":"114:20","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114,"sub_format":"Pardomanzia","sub_format_path":"pardomanzia","sub_format_id":1398},{"title":"Pardomanzia #4","subtitle":"","colour":"#f7db04","path":"pardomanzia4","texte":"

Pardomanzia, day 4<\/span>
\nWith OBSIDIAN, Dario De Luca, Francesca Cantagalli, Carolina Cantagalli Remo Bitzi, Marko Miladinovi\u0107
\nRecorded on 11.08.24 at BaseCamp, Locarno Film Festival
\n02:04:23 \/ Hosted by Andrea Marioni \/ Visual by Studio Vanieli
\nCo-production Lumpen Station and BaseCamp
\nSupported by FRSC, SWISSPERFORM, BaseCamp<\/p>","desc":"Pardomanzia, day 4 With OBSIDIAN, Dario De Luca, Francesca Cantagalli, Carolina Cantagalli Remo Bitzi, Marko Miladinovi\u0107 Recorded on 11.08.24 at BaseCamp, Locarno Film Festival 02:04:23 \/ Hosted by Andrea Marioni \/ Visual by Studio Vanieli Co-production Lumpen Station and BaseCamp Supported by FRSC, SWISSPERFORM, BaseCamp","date":"02\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1402\/ls_pardomanzia_day4.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1402\/ls_pardomanzia_day4.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1402\/ls_pardomanzia_day4.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1402\/pardomanzia_4.mp3","duration":7480}],"duration":"124:40","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114,"sub_format":"Pardomanzia","sub_format_path":"pardomanzia","sub_format_id":1398},{"title":"Pardomanzia #3","subtitle":"","colour":"#f7db04","path":"pardomanzia3","texte":"

Pardomanzia, day 3<\/span>
\nWith Zamo Mkhwanazi, Bone Choene, Kgopiso Tibe
\nRecorded on 10.08.24 at BaseCamp, Locarno Film Festival
\n01:36:58 \/ Hosted by Andrea Marioni \/ Visual by Studio Vanieli
\nCo-production Lumpen Station and BaseCamp
\nSupported by FRSC, SWISSPERFORM, BaseCamp<\/p>","desc":"Pardomanzia, day 3 With Zamo Mkhwanazi, Bone Choene, Kgopiso Tibe Recorded on 10.08.24 at BaseCamp, Locarno Film Festival 01:36:58 \/ Hosted by Andrea Marioni \/ Visual by Studio Vanieli Co-production Lumpen Station and BaseCamp Supported by FRSC, SWISSPERFORM, BaseCamp","date":"02\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1401\/ls_pardomanzia_day3.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1401\/ls_pardomanzia_day3.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1401\/ls_pardomanzia_day3.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1401\/pardomanzia_3.mp3","duration":5831}],"duration":"97:11","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114,"sub_format":"Pardomanzia","sub_format_path":"pardomanzia","sub_format_id":1398},{"title":"Pardomanzia #2","subtitle":"","colour":"#f7db04","path":"pardomanzia2","texte":"

Pardomanzia, day 2<\/span>
\nWith Jan Steinbach, Marko Miladinovi\u0107
\nRecorded on 09.08.24 at BaseCamp, Locarno Film Festival
\n01:37:17 \/ Hosted by Andrea Marioni \/ Visual by Studio Vanieli
\nCo-production Lumpen Station and BaseCamp
\nSupported by FRSC, SWISSPERFORM, BaseCamp<\/p>","desc":"Pardomanzia, day 2 With Jan Steinbach, Marko Miladinovi\u0107 Recorded on 09.08.24 at BaseCamp, Locarno Film Festival 01:37:17 \/ Hosted by Andrea Marioni \/ Visual by Studio Vanieli Co-production Lumpen Station and BaseCamp Supported by FRSC, SWISSPERFORM, BaseCamp","date":"02\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1400\/ls_pardomanzia_day2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1400\/ls_pardomanzia_day2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1400\/ls_pardomanzia_day2.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1400\/pardomanzia_2.mp3","duration":5849}],"duration":"97:29","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114,"sub_format":"Pardomanzia","sub_format_path":"pardomanzia","sub_format_id":1398},{"title":"Pardomanzia #1","subtitle":"","colour":"#f7db04","path":"pardomanzia1","texte":"

Pardomanzia, day 1<\/span>
\nWith Christian Ferretti, Marco J\u00e4ggli, Jody Agus
\nRecorded on 08.08.24 at BaseCamp, Locarno Film Festival
\n01:41:45 \/ Hosted by Andrea Marioni \/ Visual by Studio Vanieli
\nCo-production Lumpen Station and BaseCamp
\nSupported by FRSC, SWISSPERFORM, BaseCamp<\/p>","desc":"Pardomanzia, day 1 With Christian Ferretti, Marco J\u00e4ggli, Jody Agus Recorded on 08.08.24 at BaseCamp, Locarno Film Festival 01:41:45 \/ Hosted by Andrea Marioni \/ Visual by Studio Vanieli Co-production Lumpen Station and BaseCamp Supported by FRSC, SWISSPERFORM, BaseCamp","date":"02\/03\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1397\/ls_pardomanzia_day1-1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1397\/ls_pardomanzia_day1-1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1397\/ls_pardomanzia_day1-1.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1397\/pardomanzia_1.mp3","duration":6119}],"duration":"101:59","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114,"sub_format":"Pardomanzia","sub_format_path":"pardomanzia","sub_format_id":1398},{"title":"Somewhere in between A and Z","subtitle":"X Schneeberger, Boni Joi and Jamika Ajalon","colour":"#50b6e3","path":"swibazforkk","texte":"

Somewhere in Between A and Z, Fork Burke presents\u2009: X Schneeberger, Boni Joi and Jamika Ajalon
\nRecorded on 20.07.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo<\/span>
\n01:08:57 \/ Curated by Andrea Marioni \/ Visual by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM<\/p>","desc":"Somewhere in Between A and Z, Fork Burke presents\u2009: X Schneeberger, Boni Joi and Jamika Ajalon Recorded on 20.07.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 01:08:57 \/ Curated by Andrea Marioni \/ Visual by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM","date":"20\/02\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1396\/ls_somewhere_podcasts_fork2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1396\/ls_somewhere_podcasts_fork2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1396\/ls_somewhere_podcasts_fork2.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1396\/forkandfriends_swiaz_spknw.mp3","duration":4146}],"duration":"69:06","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Somewhere in between A-Z","sub_format_path":"swibaz","sub_format_id":1380},{"title":"Somewhere in between A and Z","subtitle":"Till Langschied","colour":"#50b6e3","path":"swibaztl","texte":"

Somewhere in between A and Z, Till Langschied<\/span>
\nRecorded on 20.06.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n01:16:27 \/ Curated by Andrea Marioni \/ Visual\u2009by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM<\/p>","desc":"Somewhere in between A and Z, Till Langschied Recorded on 20.06.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 01:16:27 \/ Curated by Andrea Marioni \/ Visual\u2009by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM","date":"12\/02\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1382\/ls_somewhere_podcasts_till.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1382\/ls_somewhere_podcasts_till.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1382\/ls_somewhere_podcasts_till.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1382\/tilllangschied_swiaz_spknw_kbcb.mp3","duration":4598}],"duration":"76:38","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Somewhere in between A-Z","sub_format_path":"swibaz","sub_format_id":1380},{"title":"Somewhere in between A and Z","subtitle":"Roger F\u00e4hndrich","colour":null,"path":"swibazrf","texte":"

Somewhere in between A and Z, Roger F\u00e4hndrich, Twisted Lamentations<\/em><\/span>
\nwith the help and contribution from Diana Duta, Rea Dubach, Zo\u00eb Binetti, Milena Patag\u00f4nia,Lisa Kokwenda Schweiger and Emilio Saura Jim\u00e9nez, Christine Hasler, Ernestyna Orlowska, Enrico Floriddia, Zo\u00eb De Luca Legge, & The Structure
\nRecorded on 18.07.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n00:58:57 \/ Curated by Andrea Marioni \/ Visual by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM<\/p>","desc":"Somewhere in between A and Z, Roger F\u00e4hndrich, Twisted Lamentations with the help and contribution from Diana Duta, Rea Dubach, Zo\u00eb Binetti, Milena Patag\u00f4nia,Lisa Kokwenda Schweiger and Emilio Saura Jim\u00e9nez, Christine Hasler, Ernestyna Orlowska, Enrico Floriddia, Zo\u00eb De Luca Legge, & The Structure Recorded on 18.07.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 00:58:57 \/ Curated by Andrea Marioni \/ Visual by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM","date":"12\/02\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1391\/ls_somewhere_podcasts_rogerfahndrich.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1391\/ls_somewhere_podcasts_rogerfahndrich.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1391\/ls_somewhere_podcasts_rogerfahndrich.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1391\/rogerfahndrich_swiaz_spknw.mp3","duration":3545}],"duration":"59:05","format":null,"format_path":null,"format_id":null,"sub_format":null,"sub_format_path":null,"sub_format_id":null},{"title":"Somewhere in between A and Z","subtitle":"Pascale Grau and Claudia Grimm","colour":"#50b6e3","path":"swibazpgcg","texte":"

Somewhere in between A and Z, Pascale Grau and Claudia Grimm<\/span>
\nRecorded on 21.07.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n00:54:11 \/ Curated by Andrea Marioni \/ Visual by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM<\/p>","desc":"Somewhere in between A and Z, Pascale Grau and Claudia Grimm Recorded on 21.07.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 00:54:11 \/ Curated by Andrea Marioni \/ Visual by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM","date":"12\/02\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1392\/ls_somewhere_podcasts_pascaleclaudia.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1392\/ls_somewhere_podcasts_pascaleclaudia.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1392\/ls_somewhere_podcasts_pascaleclaudia.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1392\/pgraucgrimm_swiaz_spknw.mp3","duration":3258}],"duration":"54:18","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Somewhere in between A-Z","sub_format_path":"swibaz","sub_format_id":1380},{"title":"Somewhere in between A and Z","subtitle":"Marko Miladinovi\u0107","colour":null,"path":"swibazmmila","texte":"

Somewhere in between A and Z, Marko Miladinovi\u0107, A wants B in unexpected ways<\/em><\/span>
\nRecorded on 28.07.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n00:43:48 \/ Curated by Andrea Marioni \/ Visual by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM, Fondo Swissloss Cantone Ticino\u00a0<\/p>","desc":"Somewhere in between A and Z, Marko Miladinovi\u0107, A wants B in unexpected ways Recorded on 28.07.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 00:43:48 \/ Curated by Andrea Marioni \/ Visual by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM, Fondo Swissloss Cantone Ticino\u00a0","date":"12\/02\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1395\/ls_somewhere_podcasts_markomiladinovic.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1395\/ls_somewhere_podcasts_markomiladinovic.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1395\/ls_somewhere_podcasts_markomiladinovic.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1395\/markomiladinovic_swiaz_spknw.mp3","duration":2634}],"duration":"43:54","format":null,"format_path":null,"format_id":null,"sub_format":null,"sub_format_path":null,"sub_format_id":null},{"title":"Somewhere in between A and Z","subtitle":"Monika Metallika SPU","colour":"#50b6e3","path":"swibazmm","texte":"

Somewhere in Between A and Z, Monika Metallika SPU<\/span>
\nRecorded on 08.06.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n01:54:35 \/ Curated by Andrea Marioni \/ Visual\u2009by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM<\/p>","desc":"Somewhere in Between A and Z, Monika Metallika SPU Recorded on 08.06.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 01:54:35 \/ Curated by Andrea Marioni \/ Visual\u2009by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM","date":"12\/02\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1379\/ls_somewhere_podcasts_monika.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1379\/ls_somewhere_podcasts_monika.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1379\/ls_somewhere_podcasts_monika.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1379\/monikalive080624.mp3","duration":6891}],"duration":"114:51","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Somewhere in between A-Z","sub_format_path":"swibaz","sub_format_id":1380},{"title":"Somewhere in between A and Z","subtitle":"Mathilde Aubineau and Paul Courlet","colour":"#50b6e3","path":"swibazmapc","texte":"

Somewhere in between A and Z, Mathilde Aubineau and Paul Courlet, Facettes incantatoires<\/em><\/span>
\nRecorded on 29.06.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n00:44:10 \/ Curated by Andrea Marioni \/ Visual by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM<\/p>","desc":"Somewhere in between A and Z, Mathilde Aubineau and Paul Courlet, Facettes incantatoires Recorded on 29.06.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 00:44:10 \/ Curated by Andrea Marioni \/ Visual by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM","date":"12\/02\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1385\/ls_somewhere_podcasts_mathildepaul.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1385\/ls_somewhere_podcasts_mathildepaul.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1385\/ls_somewhere_podcasts_mathildepaul.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1385\/pcourlet_mabineau_swiaz_spknw_kbcb.mp3","duration":2656}],"duration":"44:16","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Somewhere in between A-Z","sub_format_path":"swibaz","sub_format_id":1380},{"title":"Somewhere in between A and Z","subtitle":"laptopradi\u00f8","colour":"#50b6e3","path":"swibazlaptop","texte":"

Somewhere in between A and Z, Laurent Schmid, Bruno Schaub and Sara da Silva Santos\u2009: laptopradi\u00f8, Quasar Quanta<\/em><\/span>
\nwith a contribution from Claire Megumi
\nRecorded on 13.07.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n01:06:41 \/ Curated by Andrea Marioni \/ Visual by Studio Vanieli\u00a0
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM<\/p>","desc":"Somewhere in between A and Z, Laurent Schmid, Bruno Schaub and Sara da Silva Santos\u2009: laptopradi\u00f8, Quasar Quanta with a contribution from Claire Megumi Recorded on 13.07.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 01:06:41 \/ Curated by Andrea Marioni \/ Visual by Studio Vanieli\u00a0 Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM","date":"12\/02\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1389\/ls_somewhere_podcasts_laptopradio.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1389\/ls_somewhere_podcasts_laptopradio.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1389\/ls_somewhere_podcasts_laptopradio.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1389\/laptopradio_swiaz_spknw.mp3","duration":4010}],"duration":"66:50","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Somewhere in between A-Z","sub_format_path":"swibaz","sub_format_id":1380},{"title":"Somewhere in between A and Z","subtitle":"collectif mot de passe","colour":"#50b6e3","path":"swibazkl","texte":"

Somewhere in between A and Z, Katia Leonelli\u2009: collectif mot de passe<\/span>
\nRecorded on 14.07.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n00:53:35 \/ Curated by Andrea Marioni \/ Visual by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM<\/p>","desc":"Somewhere in between A and Z, Katia Leonelli\u2009: collectif mot de passe Recorded on 14.07.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 00:53:35 \/ Curated by Andrea Marioni \/ Visual by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM","date":"12\/02\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1390\/ls_somewhere_podcasts_motdepasse.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1390\/ls_somewhere_podcasts_motdepasse.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1390\/ls_somewhere_podcasts_motdepasse.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1390\/katialeonelli_swiaz_spknw.mp3","duration":3222}],"duration":"53:42","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Somewhere in between A-Z","sub_format_path":"swibaz","sub_format_id":1380},{"title":"Somewhere in between A and Z","subtitle":"Solid Betschart, Jason Stoneking and Malik Crumpler","colour":"#50b6e3","path":"swibazfork2","texte":"

Somewhere in Between A and Z, Fork Burke presents\u2009: Solid Betschart, Jason Stoneking and Malik Crumpler
\nRecorded on 13.06.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n01:26:17 \/ Curated by Andrea Marioni \/ Visual\u2009by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM<\/p>","desc":"Somewhere in Between A and Z, Fork Burke presents\u2009: Solid Betschart, Jason Stoneking and Malik Crumpler Recorded on 13.06.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 01:26:17 \/ Curated by Andrea Marioni \/ Visual\u2009by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM","date":"12\/02\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1429\/ls_somewhere_podcasts_covers_fork1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1429\/ls_somewhere_podcasts_covers_fork1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1429\/ls_somewhere_podcasts_covers_fork1.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1429\/fork240613.mp3","duration":4751}],"duration":"79:11","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Somewhere in between A-Z","sub_format_path":"swibaz","sub_format_id":1380},{"title":"Somewhere in between A and Z","subtitle":"Francesca Boemia","colour":"#50b6e3","path":"swibazfb","texte":"

Somewhere in between A and Z, Francesca Boemia<\/span>
\nRecorded on 27.06.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n00:40:16 \/ Curated by Andrea Marioni \/ Visual by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM<\/p>","desc":"Somewhere in between A and Z, Francesca Boemia Recorded on 27.06.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 00:40:16 \/ Curated by Andrea Marioni \/ Visual by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM","date":"12\/02\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1384\/ls_somewhere_podcasts_francescaboemia.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1384\/ls_somewhere_podcasts_francescaboemia.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1384\/ls_somewhere_podcasts_francescaboemia.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1384\/francescaboemia_swiaz_spknw_kbcb.mp3","duration":2422}],"duration":"40:22","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Somewhere in between A-Z","sub_format_path":"swibaz","sub_format_id":1380},{"title":"Somewhere in between A and Z","subtitle":"Elodie Olson-Coons","colour":"#50b6e3","path":"swibazeoc","texte":"

Somewhere in between A and Z, Elodie Olson-Coons<\/span>
\nRecorded on 27.07.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n00:37:50 \/ Curated by Andrea Marioni \/ Visual by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM<\/p>","desc":"Somewhere in between A and Z, Elodie Olson-Coons Recorded on 27.07.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 00:37:50 \/ Curated by Andrea Marioni \/ Visual by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM","date":"12\/02\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1394\/ls_somewhere_podcasts_elodieolsoncoons.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1394\/ls_somewhere_podcasts_elodieolsoncoons.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1394\/ls_somewhere_podcasts_elodieolsoncoons.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1394\/elodieolson.mp3","duration":2824}],"duration":"47:04","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Somewhere in between A-Z","sub_format_path":"swibaz","sub_format_id":1380},{"title":"Somewhere in between A and Z","subtitle":"Like","colour":"#50b6e3","path":"swibazddfc","texte":"

Somewhere in between A and Z, Diana Duta and Florence Cats\u2009: Like<\/span>
\nRecorded on 25.07.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n00:58:40 \/ Curated by Andrea Marioni \/ Visual by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM<\/p>","desc":"Somewhere in between A and Z, Diana Duta and Florence Cats\u2009: Like Recorded on 25.07.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 00:58:40 \/ Curated by Andrea Marioni \/ Visual by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM","date":"12\/02\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1393\/ls_somewhere_podcasts_dianaflorence.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1393\/ls_somewhere_podcasts_dianaflorence.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1393\/ls_somewhere_podcasts_dianaflorence.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1393\/dianaduta_florencecats_swiaz_spknw.mp3","duration":3528}],"duration":"58:48","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Somewhere in between A-Z","sub_format_path":"swibaz","sub_format_id":1380},{"title":"Somewhere in between A and Z","subtitle":"Beth Dillon","colour":"#50b6e3","path":"swibazbd","texte":"

Somewhere in between A and Z, Beth Dillon, Bleeder Breeder Bitch<\/em><\/span>
\nRecorded on 04.07.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n00:33:26 \/ Curated by Andrea Marioni \/ Visual by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM<\/p>","desc":"Somewhere in between A and Z, Beth Dillon, Bleeder Breeder Bitch Recorded on 04.07.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 00:33:26 \/ Curated by Andrea Marioni \/ Visual by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM","date":"12\/02\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1388\/ls_somewhere_podcasts_bethdillon.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1388\/ls_somewhere_podcasts_bethdillon.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1388\/ls_somewhere_podcasts_bethdillon.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1388\/bethdillon_swiaz_spknw.mp3","duration":2010}],"duration":"33:30","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Somewhere in between A-Z","sub_format_path":"swibaz","sub_format_id":1380},{"title":"Somewhere in between A and Z","subtitle":"Veau Biche Ours x Gamin de Talus","colour":"#50b6e3","path":"swibazar","texte":"

Somewhere in between A and Z, Antoine Rubin and Jonathan Humair : Veau Biche Ours x Gamin de Talus<\/span>
\nRecorded on 15.06.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n00:31:58 \/ Curated by Andrea Marioni \/ Visual\u2009by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM<\/p>","desc":"Somewhere in between A and Z, Antoine Rubin and Jonathan Humair : Veau Biche Ours x Gamin de Talus Recorded on 15.06.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 00:31:58 \/ Curated by Andrea Marioni \/ Visual\u2009by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM","date":"12\/02\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1381\/ls_somewhere_podcasts_veaubicheours.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1381\/ls_somewhere_podcasts_veaubicheours.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1381\/ls_somewhere_podcasts_veaubicheours.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1381\/rubinedit_swiaz_spknw.mp3","duration":1923}],"duration":"32:03","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Somewhere in between A-Z","sub_format_path":"swibaz","sub_format_id":1380},{"title":"Somewhere in between A and Z","subtitle":"Andrea Marioni","colour":"#50b6e3","path":"swibazam","texte":"

Somewhere in between A and Z, Andrea Marioni, Scrollor Mundi\u00a0<\/em><\/span>
\nRecorded on 30.06.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n00:47:55 \/ Visual by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM<\/p>","desc":"Somewhere in between A and Z, Andrea Marioni, Scrollor Mundi\u00a0 Recorded on 30.06.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 00:47:55 \/ Visual by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM","date":"12\/02\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1386\/ls_somewhere_podcasts_andreamarioni.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1386\/ls_somewhere_podcasts_andreamarioni.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1386\/ls_somewhere_podcasts_andreamarioni.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1386\/amarioni_swiaz_spknw_kbcb.mp3","duration":2882}],"duration":"48:02","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Somewhere in between A-Z","sub_format_path":"swibaz","sub_format_id":1380},{"title":"Somewhere in between A and Z","subtitle":"Sonja Lebo\u0161","colour":"#50b6e3","path":"swibaz","texte":"

Somewhere in between A and Z, Sonja Lebo\u0161, The Fairing<\/em><\/span>
\nRecorded on 11.07.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n00:36:43 \/ Curated by Andrea Marioni \/ Visual by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM, City of Zagreb\u00a0<\/p>","desc":"Somewhere in between A and Z, Sonja Lebo\u0161, The Fairing Recorded on 11.07.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 00:36:43 \/ Curated by Andrea Marioni \/ Visual by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM, City of Zagreb\u00a0","date":"12\/02\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1387\/ls_somewhere_podcasts_sonjalebos.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1387\/ls_somewhere_podcasts_sonjalebos.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1387\/ls_somewhere_podcasts_sonjalebos.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1387\/sonjalebos_swiaz_spknw.mp3","duration":2208}],"duration":"36:48","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Somewhere in between A-Z","sub_format_path":"swibaz","sub_format_id":1380},{"title":"Somewhere in between A and Z","subtitle":"Charles Pennequin","colour":"#50b6e3","path":"somewhere-in-between-a-and-z","texte":"

Somewhere in between A and Z, Charles Pennequin<\/span>
\nRecorded on 22.06.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\n00:51:14 \/ Curated by Andrea Marioni \/Visual by Studio Vanieli
\nCo-production Lumpen Station & KBCB
\nSupported by FSRC, SWISSPERFORM<\/p>","desc":"Somewhere in between A and Z, Charles Pennequin Recorded on 22.06.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo 00:51:14 \/ Curated by Andrea Marioni \/Visual by Studio Vanieli Co-production Lumpen Station & KBCB Supported by FSRC, SWISSPERFORM","date":"12\/02\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1383\/ls_somewhere_podcasts_charlespennequin.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1383\/ls_somewhere_podcasts_charlespennequin.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1383\/ls_somewhere_podcasts_charlespennequin.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1383\/charlespennequin_swiaz_spknw.mp3","duration":3081}],"duration":"51:21","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Somewhere in between A-Z","sub_format_path":"swibaz","sub_format_id":1380},{"title":"EXTRA LIVE","subtitle":"Matias Aguayo","colour":"#28d33a","path":"livemaguayo","texte":"

Made in KBCB
\nExtra live - Matias Aguayo
\nLive performance recorded on 23.05.24 in Kunsthaus Biel Centre d'art Bienne
\nInvited by Sara Strasser \/ Duration 00:59:44
\nVisual by Studio Vanieli<\/p>\n\n

Produced by Lumpen Station - asso. Let it happening\u00a0
\n\u00a0<\/p>","desc":"Made in KBCB Extra live - Matias Aguayo Live performance recorded on 23.05.24 in Kunsthaus Biel Centre d'art Bienne Invited by Sara Strasser \/ Duration 00:59:44 Visual by Studio Vanieli Produced by Lumpen Station - asso. Let it happening\u00a0 \u00a0","date":"06\/02\/2025","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1378\/ls_kbcb_podcast_matiasaguayo.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1378\/ls_kbcb_podcast_matiasaguayo.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1378\/ls_kbcb_podcast_matiasaguayo.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1378\/aguayo_sndw_kbcb.mp3","duration":3592}],"duration":"59:52","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355},{"title":"OHH - Seasons","subtitle":"by LazyBackHome","colour":"#05b2d8","path":"ohh-seasons","texte":"

Seasons by LazyBackHome
\nOtters Holding Hands - curated by Ambra Viviani\u00a0
\nA Strange New Kind of Inbetween Thing, episode 4<\/span><\/p>\n\n

Co-production: Lumpen Station, Kunsthaus Biel Centre d'art Bienne, Giulietta
\nThis project is part of\u00a0Community Building, s<\/em>upported by FSRC, SWISSPERFORM, Pro Helvetia and Kanton Appenzell Ausserrhoden<\/span><\/p>\n\n

LazyBackHome\u00a0is a visual artist and director currently working in China. She holds a Master\u2018s degree from the London College of Communication, University of the Arts London. Her work explores the relationship between media, authority, and the individual within the context of internet society. She uses fairy tales, myths, and fables as the basis of her narratives, presenting and questioning contemporary social issues through video and performance. She has been shortlisted for The Wrong Digital Art Biennale, and her works have been exhibited at venues such as the OTA Fine Arts Gallery in Tokyo, Ars Electronica \u201dYami-Ichi,\u201c Shanghai K11, and the Venice Arsenale.<\/p>\n\n

\u201cSeasons<\/em>\u201d<\/em>\u00a0is a radio drama that explores human existence in the age of social media.
\nAdapted from the artist\u2019s experimental film, it is divided into four chapters\u2014Spring, Summer, Autumn,<\/em>\u00a0and\u00a0Winter<\/em>\u2014representing\u00a0The Wanderer's Guide<\/em>,\u00a0The Ship of Fools<\/em>,\u00a0Alice in Wonderland<\/em>, and\u00a0The Green Factory<\/em>.
\n
\nUsing fictional texts as narratives, this drama explores the survival challenges faced by marginalized people in our rapidly evolving media age. It brings attention to homeless people cast aside by technology, \u201cfools\u201d excluded from mainstream acceptance, and women held hostage by societal expectations. Their personal stories offer a glimpse into possible futures for humanity.<\/p>\n\n

Co-Production: GUAN, Juice, Joya<\/p>","desc":"Seasons by LazyBackHome Otters Holding Hands - curated by Ambra Viviani\u00a0 A Strange New Kind of Inbetween Thing, episode 4 Co-production: Lumpen Station, Kunsthaus Biel Centre d'art Bienne, Giulietta This project is part of\u00a0Community Building, supported by FSRC, SWISSPERFORM, Pro Helvetia and Kanton Appenzell Ausserrhoden LazyBackHome\u00a0is a visual artist and director currently working in China. She holds a Master\u2018s degree from the London College of Communication, University of the Arts London. Her work explores the relationship between media, authority, and the individual within the context of internet society. She uses fairy tales, myths, and fables as the basis of her narratives, presenting and questioning contemporary social issues through video and performance. She has been shortlisted for The Wrong Digital Art Biennale, and her works have been exhibited at venues such as the OTA Fine Arts Gallery in Tokyo, Ars Electronica \u201dYami-Ichi,\u201c Shanghai K11, and the Venice Arsenale. \u201cSeasons\u201d\u00a0is a radio drama that explores human existence in the age of social media. Adapted from the artist\u2019s experimental film, it is divided into four chapters\u2014Spring, Summer, Autumn,\u00a0and\u00a0Winter\u2014representing\u00a0The Wanderer's Guide,\u00a0The Ship of Fools,\u00a0Alice in Wonderland, and\u00a0The Green Factory. Using fictional texts as narratives, this drama explores the survival challenges faced by marginalized people in our rapidly evolving media age. It brings attention to homeless people cast aside by technology, \u201cfools\u201d excluded from mainstream acceptance, and women held hostage by societal expectations. Their personal stories offer a glimpse into possible futures for humanity. Co-Production: GUAN, Juice, Joya","date":"03\/12\/2024","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1375\/ooh-lumpen-template-inbetween_last.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1375\/ooh-lumpen-template-inbetween_last.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1375\/ooh-lumpen-template-inbetween_last.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1375\/otters_holding_hands_-_a_strange_new_kind_of_inbetween_thing_-_lazybackhome.mp3","duration":2071}],"duration":"34:31","format":"ASSOCIATES","format_path":"associates","format_id":1269,"sub_format":"OTTERS HOLDING HANDS","sub_format_path":"otters-holding-hands","sub_format_id":1275},{"title":"OHH - Fives Takes","subtitle":"by Eleonora Luccarini","colour":"#05b2d8","path":"ohh-fives-takes","texte":"

Five Takes by Eleonora Luccarini
\nOtters Holding Hands - curated by Ambra Viviani\u00a0
\nA Strange New Kind of Inbetween Thing, episode 5\u00a0<\/span><\/p>\n\n

Co-production: Lumpen Station, Kunsthaus Biel Centre d'art Bienne, Giulietta
\nThis project is part of\u00a0Community Building, s<\/em>upported by FSRC, SWISSPERFORM, Pro Helvetia and Kanton Appenzell Ausserrhoden<\/span><\/p>\n\n

The audio track includes five recordings of the poem Il corpo standard\/The standard body, written by Eleonora Luccarini and performed by singer Valentina Chirico in different styles of operatic singing.<\/p>\n\n

These five recordings belong to the preliminary research material that will constitute part of the soundtrack of Eleonora Luccarini\u2019s next film work THE CONTEST, currently in production.<\/p>\n\n

The film deepens Luccarini\u2019s relationship with her alter ego Milkdromeda and acts as a metaphor for the inner conflict between hope and nihilism as perspectives on the future, questioning the role of poetic language and storytelling in the process of individual accountability and female self-awareness practices.<\/p>\n\n

Eleonora Luccarini (Bologna, 1993) lives and works in Amsterdam and Bologna. Her research is interdisciplinary, systemic and focused on the performative potential of language. She studied at the Academy of Fine Arts in Bologna, Universit\u00e0 IUAV di Venezia and Sandberg Institute in Amsterdam. Recent exhibitions include: MACTE, Termoli (2024); MACRO, Roma (2022 - ongoing); Baleno International, Roma (solo show, 2022); Fondazione smART, Roma (solo show, 2022); Istituto Svizzero, Milano (2021), Manifattura Tabacchi, Firenze (2021); Fondazione Sandretto Re Rebaudengo, Torino (2021) and Quadriennale di Roma (2020). In 2021 she also took part in the residency project Nuovo Forno del Pane at MAMbo Museum in Bologna. She is the winner of Pini Art Prize 2021-2022 at Fondazione Adolfo Pini in Milano and ClubGAMec Prize 2023. Her work is part of public and private collections such as GAMec, Bergamo.<\/p>\n\n

Images\u2019 captions
\n1) THE CONTEST - Storyboard study #1, installation view, Cripta747, Torino IT, 2023, photo
\nSebastiano Pellion Di Persano, courtesy the artist and Cripta747
\n2) THE CONTEST - Storyboard study #2, installation view, Cripta747, Torino IT, 2023, photo
\nSebastiano Pellion Di Persano, courtesy the artist and Cripta74<\/p>","desc":"Five Takes by Eleonora Luccarini Otters Holding Hands - curated by Ambra Viviani\u00a0 A Strange New Kind of Inbetween Thing, episode 5\u00a0 Co-production: Lumpen Station, Kunsthaus Biel Centre d'art Bienne, Giulietta This project is part of\u00a0Community Building, supported by FSRC, SWISSPERFORM, Pro Helvetia and Kanton Appenzell Ausserrhoden The audio track includes five recordings of the poem Il corpo standard\/The standard body, written by Eleonora Luccarini and performed by singer Valentina Chirico in different styles of operatic singing. These five recordings belong to the preliminary research material that will constitute part of the soundtrack of Eleonora Luccarini\u2019s next film work THE CONTEST, currently in production. The film deepens Luccarini\u2019s relationship with her alter ego Milkdromeda and acts as a metaphor for the inner conflict between hope and nihilism as perspectives on the future, questioning the role of poetic language and storytelling in the process of individual accountability and female self-awareness practices. Eleonora Luccarini (Bologna, 1993) lives and works in Amsterdam and Bologna. Her research is interdisciplinary, systemic and focused on the performative potential of language. She studied at the Academy of Fine Arts in Bologna, Universit\u00e0 IUAV di Venezia and Sandberg Institute in Amsterdam. Recent exhibitions include: MACTE, Termoli (2024); MACRO, Roma (2022 - ongoing); Baleno International, Roma (solo show, 2022); Fondazione smART, Roma (solo show, 2022); Istituto Svizzero, Milano (2021), Manifattura Tabacchi, Firenze (2021); Fondazione Sandretto Re Rebaudengo, Torino (2021) and Quadriennale di Roma (2020). In 2021 she also took part in the residency project Nuovo Forno del Pane at MAMbo Museum in Bologna. She is the winner of Pini Art Prize 2021-2022 at Fondazione Adolfo Pini in Milano and ClubGAMec Prize 2023. Her work is part of public and private collections such as GAMec, Bergamo. Images\u2019 captions 1) THE CONTEST - Storyboard study #1, installation view, Cripta747, Torino IT, 2023, photo Sebastiano Pellion Di Persano, courtesy the artist and Cripta747 2) THE CONTEST - Storyboard study #2, installation view, Cripta747, Torino IT, 2023, photo Sebastiano Pellion Di Persano, courtesy the artist and Cripta74","date":"03\/12\/2024","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1376\/ooh-lumpen-inbetween-eleonora-last-1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1376\/ooh-lumpen-inbetween-eleonora-last-1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1376\/ooh-lumpen-inbetween-eleonora-last-1.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1376\/ohh_-_asnkit_-_ep_5_-_eleonora_luccarini.mp3","duration":1439}],"duration":"23:59","format":"ASSOCIATES","format_path":"associates","format_id":1269,"sub_format":"OTTERS HOLDING HANDS","sub_format_path":"otters-holding-hands","sub_format_id":1275},{"title":"OHH - Just like the mysteries of air","subtitle":"by L\u00e9na Lewis-King","colour":"#05b2d8","path":"ohhjustlikethemysteriesofair","texte":"

Just like the mysteries of air by L\u00e9na Lewis-King\u00a0
\nOtters Holding Hands - curated by Ambra Viviani\u00a0
\nA Strange New Kind of Inbetween Thing, episode 3\u00a0<\/span><\/p>\n\n

Co-production: Lumpen Station, Kunsthaus Biel Centre d'art Bienne, Giulietta
\nThis project is part of Community Building, s<\/em>upported by FSRC, SWISSPERFORM, Pro Helvetia and Kanton Appenzell Ausserrhoden\u00a0<\/span><\/p>\n\n

\"Just like the mysteries of air\" is an audio journey in fragments on the in-between metaphysics of air, the invisible fullness: beginning with a phone call, a travel along the coast of the Puglian Adriatic, Luce Irigary\u2019s Forgetting of Air, dusts in the studio, the disappearing Countess, all from our lungs to your ears.<\/p>\n\n

L\u00e9na Lewis-King (London, 1999) is an artist filmmaker whose work explores intersections between systems of production, feminist post-humanist theory, phenomena of experience, ecologies, and technologies. She studied Film at Kingston University in London and received support from Channel 4's Random Acts program, in partnership with ICA London, to launch her film career. Integrating methodologies from various disciplines such as animation, lens-based media, and writing, L\u00e9na's artistic process is a fusion of diverse influences.<\/p>\n\n

Her work, framed through a feminist lens, delves into the mystical and spiritual dimensions of lived experiences. Through mediums including film, moving image, photography, painting, digital drawing, and installation, she contemplates the profound impacts of techno-capitalist acceleration on the ephemeral essence of life.<\/p>\n\n

Written by L\u00e9na Lewis-King<\/p>\n\n

Vocal contributions from\u00a0
\nL\u00e9na Lewis-King
\nSigne and Lu\u00edsa\u00a0
\nCarlos Anguera Jover
\nTereza Havadejov\u00e1
\nDacia Maraini
\nLuce Irigari
\n+ Thanks to Federico Pozuelo\u00a0<\/p>","desc":"Just like the mysteries of air by L\u00e9na Lewis-King\u00a0 Otters Holding Hands - curated by Ambra Viviani\u00a0 A Strange New Kind of Inbetween Thing, episode 3\u00a0 Co-production: Lumpen Station, Kunsthaus Biel Centre d'art Bienne, Giulietta This project is part of Community Building, supported by FSRC, SWISSPERFORM, Pro Helvetia and Kanton Appenzell Ausserrhoden\u00a0 \"Just like the mysteries of air\" is an audio journey in fragments on the in-between metaphysics of air, the invisible fullness: beginning with a phone call, a travel along the coast of the Puglian Adriatic, Luce Irigary\u2019s Forgetting of Air, dusts in the studio, the disappearing Countess, all from our lungs to your ears. L\u00e9na Lewis-King (London, 1999) is an artist filmmaker whose work explores intersections between systems of production, feminist post-humanist theory, phenomena of experience, ecologies, and technologies. She studied Film at Kingston University in London and received support from Channel 4's Random Acts program, in partnership with ICA London, to launch her film career. Integrating methodologies from various disciplines such as animation, lens-based media, and writing, L\u00e9na's artistic process is a fusion of diverse influences. Her work, framed through a feminist lens, delves into the mystical and spiritual dimensions of lived experiences. Through mediums including film, moving image, photography, painting, digital drawing, and installation, she contemplates the profound impacts of techno-capitalist acceleration on the ephemeral essence of life. Written by L\u00e9na Lewis-King Vocal contributions from\u00a0 L\u00e9na Lewis-King Signe and Lu\u00edsa\u00a0 Carlos Anguera Jover Tereza Havadejov\u00e1 Dacia Maraini Luce Irigari + Thanks to Federico Pozuelo\u00a0","date":"09\/10\/2024","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1374\/ooh-lumpen-template-inbetween_lena_last.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1374\/ooh-lumpen-template-inbetween_lena_last.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1374\/ooh-lumpen-template-inbetween_lena_last.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1374\/ohh-lene_lewis-king.mp3","duration":2249}],"duration":"37:29","format":"ASSOCIATES","format_path":"associates","format_id":1269,"sub_format":"OTTERS HOLDING HANDS","sub_format_path":"otters-holding-hands","sub_format_id":1275},{"title":"OHH - While the walls come tumbling down","subtitle":"by Maria Mayland","colour":"#05b2d8","path":"ohh-while-the-walls-come-tumbling-down","texte":"

While the walls come tumbling down by Maria Mayland\u00a0<\/span>
\nOtters Holding Hands - curated by Ambra Viviani\u00a0
\nA Strange New Kind of Inbetween Thing, episode 2<\/span><\/p>\n\n

Co-production: Lumpen Station, Kunsthaus Biel Centre d'art Bienne, Giulietta
\nThis project is part of Community Building, s<\/em>upported by FSRC, SWISSPERFORM, Pro Helvetia and Kanton Appenzell Ausserrhoden<\/span><\/p>\n\n

For the past year, I have been recording conversations with other trans artists and writers through an Internet platform in preparation for a film project. In this audio piece, authors Maxi Wallenhorst and Kuku Schrapnell talk about the complex relation between work and identity, and the cis gaze framing it. \"Field\" recordings from my day-to-day life protrude.<\/p>\n\n

About the artist :
\nMaria Mayland (*1988) is a visual artist and filmmaker. She obtained her MFA from Basel\u2019s Art Institute, taught by Chus Mart\u00ednez, and took part in KKH Stockholm's postgraduate program Philosophy in the Context of Art, taught by Peter Osborne.
\nHer short film works have been shown in various contexts across Europe. Screenings include International Short Film Festival Oberhausen, European Media Art Festival Osnabr\u00fcck, IDFA Amsterdam, Hamburg International Short Film Festival, transmediale, Edinburgh Film Festival and Sharjah Film Platform.
\nShe won the German Short Film Award in 2022, the EMAF-Media Art Award of the German film critics association (VdFK) in 2021, and the 3sat Emerging Talent Prize at Oberhausen International Short Film Festival 2024.\u00a0<\/p>","desc":"While the walls come tumbling down by Maria Mayland\u00a0 Otters Holding Hands - curated by Ambra Viviani\u00a0 A Strange New Kind of Inbetween Thing, episode 2 Co-production: Lumpen Station, Kunsthaus Biel Centre d'art Bienne, Giulietta This project is part of Community Building, supported by FSRC, SWISSPERFORM, Pro Helvetia and Kanton Appenzell Ausserrhoden For the past year, I have been recording conversations with other trans artists and writers through an Internet platform in preparation for a film project. In this audio piece, authors Maxi Wallenhorst and Kuku Schrapnell talk about the complex relation between work and identity, and the cis gaze framing it. \"Field\" recordings from my day-to-day life protrude. About the artist : Maria Mayland (*1988) is a visual artist and filmmaker. She obtained her MFA from Basel\u2019s Art Institute, taught by Chus Mart\u00ednez, and took part in KKH Stockholm's postgraduate program Philosophy in the Context of Art, taught by Peter Osborne. Her short film works have been shown in various contexts across Europe. Screenings include International Short Film Festival Oberhausen, European Media Art Festival Osnabr\u00fcck, IDFA Amsterdam, Hamburg International Short Film Festival, transmediale, Edinburgh Film Festival and Sharjah Film Platform. She won the German Short Film Award in 2022, the EMAF-Media Art Award of the German film critics association (VdFK) in 2021, and the 3sat Emerging Talent Prize at Oberhausen International Short Film Festival 2024.\u00a0","date":"11\/09\/2024","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1373\/ooh-lumpen-template-inbetween_marian_last.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1373\/ooh-lumpen-template-inbetween_marian_last.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1373\/ooh-lumpen-template-inbetween_marian_last.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1373\/otters_holding_hands_-_a_strange_new_kind_of_inbetween_thing_-_marian.mp3","duration":1344}],"duration":"22:24","format":"ASSOCIATES","format_path":"associates","format_id":1269,"sub_format":"OTTERS HOLDING HANDS","sub_format_path":"otters-holding-hands","sub_format_id":1275},{"title":"OHH - Nota vocale a due foci","subtitle":"by Francesca Boemia","colour":"#05b2d8","path":"ohh-nota-vocale-a-due-foci","texte":"

Nota vocale a due foci by Francesca Boemia
\nOtters Holding Hands - curated by Ambra Viviani\u00a0
\nA Strange New Kind of Inbetween Thing, episode 1<\/span><\/p>\n\n

Co-production: Lumpen Station, Kunsthaus Biel Centre d'art Bienne, Giulietta
\nThis project is part of Community Building, s<\/em>upported by FSRC, SWISSPERFORM, Pro Helvetia and Kanton Appenzell Ausserrhoden<\/span><\/p>\n\n

Francesca\u00a0Boemia\u00a0is a writer and translator person working between Naples, Tomsk,\u00a0and wherever synesthesia takes her.<\/p>\n\n

She is into computational linguistics, programming, transfeminism (but who isn't?), antiputin Russia (well, someone isn't), throat singing (alas, mostly throat and little singing), interactive fiction, the south of Italy (or mostly is the south that's into her, she's just trying to escape it), Elena Schwarz, karma fixing, the future of the plot, the language of the \u043f\u043b\u043e\u0442\u044c and a lot of other things she would explain if she weren't such an iconoclast.
\nShe once heard two rivers cunninging beach other and giving birth to a bipolar star. Here she tries to report it.<\/p>","desc":"Nota vocale a due foci by Francesca Boemia Otters Holding Hands - curated by Ambra Viviani\u00a0 A Strange New Kind of Inbetween Thing, episode 1 Co-production: Lumpen Station, Kunsthaus Biel Centre d'art Bienne, Giulietta This project is part of Community Building, supported by FSRC, SWISSPERFORM, Pro Helvetia and Kanton Appenzell Ausserrhoden Francesca\u00a0Boemia\u00a0is a writer and translator person working between Naples, Tomsk,\u00a0and wherever synesthesia takes her. She is into computational linguistics, programming, transfeminism (but who isn't?), antiputin Russia (well, someone isn't), throat singing (alas, mostly throat and little singing), interactive fiction, the south of Italy (or mostly is the south that's into her, she's just trying to escape it), Elena Schwarz, karma fixing, the future of the plot, the language of the \u043f\u043b\u043e\u0442\u044c and a lot of other things she would explain if she weren't such an iconoclast. She once heard two rivers cunninging beach other and giving birth to a bipolar star. Here she tries to report it.","date":"26\/06\/2024","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1372\/ooh-francesca_boemia_last.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1372\/ooh-francesca_boemia_last.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1372\/ooh-francesca_boemia_last.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1372\/otters_holding_hands_-_a_strange_new_kind_of_inbetween_thing.mp3","duration":1779}],"duration":"29:39","format":"ASSOCIATES","format_path":"associates","format_id":1269,"sub_format":"OTTERS HOLDING HANDS","sub_format_path":"otters-holding-hands","sub_format_id":1275},{"title":"A conversation with","subtitle":"Tom Marioni","colour":"#ee1ca7","path":"aconversationwithtm","texte":"

A conversation with Tom Marioni
\nRecorded on 25.03.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\nHost\u2009: Andrea Marioni \/ Guest\u2009: Tom Marioni \/ Duration\u2009: 01:04:58
\nVisual\u2009: Studio Vanieli \/ Photo\u2009: Courtesy of Tom Marioni \/ Co-production Lumpen Station & KBCB<\/p>","desc":"A conversation with Tom Marioni Recorded on 25.03.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo Host\u2009: Andrea Marioni \/ Guest\u2009: Tom Marioni \/ Duration\u2009: 01:04:58 Visual\u2009: Studio Vanieli \/ Photo\u2009: Courtesy of Tom Marioni \/ Co-production Lumpen Station & KBCB","date":"17\/04\/2024","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1367\/ls_kbcb_podcast_tommarioni.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1367\/ls_kbcb_podcast_tommarioni.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1367\/ls_kbcb_podcast_tommarioni.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1367\/edit1.mp3","duration":3901}],"duration":"65:01","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"A conversation with","sub_format_path":"aconversationwithkbcb","sub_format_id":1436},{"title":"Seijo and her soul","subtitle":"by Karen Werner","colour":"#4cf00c","path":"seijoandhersoul","texte":"

Lumpen Connexions
\nSeijo and her soul, Karen Wener
\n2023 \/ 16:47 \/ Image created by Amy Franceschini\u00a0
\nCo-production Lumpen Station and Karen Werner<\/p>\n\n

Seijo and her soul is an ancient ghost story, likely of Chinese origin. I encountered the story while studying Zen Buddhism. The story of Seijo and her soul is included in Zen koan training intended\u00a0to deepen practice. Seijo and her Soul is a rare koan with a female protagonist. The story is of a woman who has to choose between her love and her home, chooses love and then separates from her soul. At the end of the story, Seijo encounters her soul again and we are asked: which is the real Seijo? This telling for Lumpen Station is woven into the FM radio spectrum, interference and distances between.\u00a0<\/p>\n\n

Karen Werner is an artist and sociologist creating radio\u00a0 performances and stories for broadcast and narrowcast. She makes conceptual, experimental radio stations of various scales and forms including SkottegatenFM, Radio Multe 93.8FM and an unnamed shadow\/ jamming station and is a member of the international feminist group, Shortwave Collective. Karen lives in Bergen, Norway, where she is an Artistic Research Fellow at at the Faculty of Art, Music and Design, University of Bergen.\u00a0<\/p>","desc":"Lumpen Connexions Seijo and her soul, Karen Wener 2023 \/ 16:47 \/ Image created by Amy Franceschini\u00a0 Co-production Lumpen Station and Karen Werner Seijo and her soul is an ancient ghost story, likely of Chinese origin. I encountered the story while studying Zen Buddhism. The story of Seijo and her soul is included in Zen koan training intended\u00a0to deepen practice. Seijo and her Soul is a rare koan with a female protagonist. The story is of a woman who has to choose between her love and her home, chooses love and then separates from her soul. At the end of the story, Seijo encounters her soul again and we are asked: which is the real Seijo? This telling for Lumpen Station is woven into the FM radio spectrum, interference and distances between.\u00a0 Karen Werner is an artist and sociologist creating radio\u00a0 performances and stories for broadcast and narrowcast. She makes conceptual, experimental radio stations of various scales and forms including SkottegatenFM, Radio Multe 93.8FM and an unnamed shadow\/ jamming station and is a member of the international feminist group, Shortwave Collective. Karen lives in Bergen, Norway, where she is an Artistic Research Fellow at at the Faculty of Art, Music and Design, University of Bergen.\u00a0","date":"10\/04\/2024","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1366\/ls_karen_podcast_2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1366\/ls_karen_podcast_2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1366\/ls_karen_podcast_2.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1366\/karenwerner_seijoandhersoul_lumpenstation.mp3","duration":1008}],"duration":"16:48","format":"LUMPEN CONNEXIONS","format_path":"lumpen-connexions","format_id":1177},{"title":"LOUD - Intro","subtitle":"by Wassili Widmer","colour":"#09f477","path":"loudintroww","texte":"","desc":"","date":"10\/04\/2024","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1370\/thumbnail_loud_intro_rightformat_2_corrected.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1370\/thumbnail_loud_intro_rightformat_2_corrected.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1370\/thumbnail_loud_intro_rightformat_2_corrected.1200x1200.jpg","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1370\/intro_mixed.mp3","duration":4209}],"duration":"70:09","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"Community Building","sub_format_path":"community-building","sub_format_id":1456},{"title":"OHH - Where do I want to be tonight?","subtitle":"By Daniele Formica","colour":"#05b2d8","path":"ohhwheredoiwanttobetonight","texte":"

OHH - Where do I want to be tonight? by Daniele Formica
\ncurated by Ambra Viviani - Associates
\nco-production: Lumpen Station\u00a0<\/p>\n\n\n\n

Daniele Formica's work comes from the impulse to internalize and repurpose the universe to its people. Combining cross-disciplinary knowledge and everyday banality, he composes a repertoire of linguistic revelations, schizophrenic theories, and poetic claims.\u00a0
\n_____________\u200b\u200b\u200b<\/em>\u200b<\/p>\n\n

I recorded myself reading aloud \u201cWhere do I want to be tonight?\u201d. This is one of the texts I am writing these days. If you are interested in more of them, please contact me at\u00a0danieleformica96@gmail.com<\/a>. Happy 2024 everyone!<\/p>","desc":"OHH - Where do I want to be tonight? by Daniele Formica curated by Ambra Viviani - Associates co-production: Lumpen Station\u00a0 Daniele Formica's work comes from the impulse to internalize and repurpose the universe to its people. Combining cross-disciplinary knowledge and everyday banality, he composes a repertoire of linguistic revelations, schizophrenic theories, and poetic claims.\u00a0 _____________\u200b\u200b\u200b\u200b I recorded myself reading aloud \u201cWhere do I want to be tonight?\u201d. This is one of the texts I am writing these days. If you are interested in more of them, please contact me at\u00a0danieleformica96@gmail.com. Happy 2024 everyone!","date":"09\/04\/2024","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1365\/ooh-daniele_formica.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1365\/ooh-daniele_formica.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1365\/ooh-daniele_formica.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1365\/otters_holding_hands_-_daniele_formica.mp3","duration":1577}],"duration":"26:17","format":"ASSOCIATES","format_path":"associates","format_id":1269,"sub_format":"OTTERS HOLDING HANDS","sub_format_path":"otters-holding-hands","sub_format_id":1275},{"title":"Like a telepath","subtitle":"by Diana Duta & Florence Cats","colour":"#4cf00c","path":"likeatelepath","texte":"

Lumpen Connexions:\u00a0
\nLIKE A TELEPATH, by Diana Duta & Florence Cats
\nin collaboration with\u00a0http:\/\/jaaambes.be<\/a>
\nHosted by Lumpen Station, production Jaambes\u00a0
\nSupported by Flanders, State of the Art<\/p>\n\n

\u2018Like a telepath\u2019 pieces together a week-long journey of remote recordings. \u2018Emitting\u2019 and \u2018receiving\u2019 from a small island and from a city simultaneously, in order to mimick a radio device. To do this, we would start the recording of our parallel transmissions at the same moment in time, using the distance between us as a space to connect. What you hear is a photograph of a thought, a long, windy line tracing a series of synchronous compositions. Cover a moment, remain standing, crumpling paper in your hands. A phone rings \u2013 s in the past.
\nBrussels \u2013 L\u2019\u00cele-d\u2019Yeu, May 2023
\n
\nDiana Duta\u00a0is a Romanian-born, Brussels based artist working with sound in hypnotic ways, with a background in art and socio-cultural linguistics. Her work focuses on concepts of mimesis, translation and echoic memory, with an ear on our relationship to the non-human, embodied sound and the act of listening. She makes music performances (as DIAN), works for radio, sound installations and collaborative translation projects.
\nHer project\u00a0Jambes\u00a0<\/em>founded in 2019 is a recording studio commissioning new work by artists experimenting with sound and the voice. Quille podcast is an limb branching out from Jambes that collects interviews with sound practitioners.
\nhttp:\/\/dianaduta.com<\/a><\/p>\n\n

Florence Cats\u00a0is a visual & sound artist and acupuncturist from Brussels who uses theremin, light, water, color and energies. Her \u2018transparent music\u2019 tunes in to space and ambient silence, and is inspired by natural radio. She has curated of a series of exhibitions around water, signs, transmutations, and is the co-author of several books including \u2018Lavori in corso\u2019 (primitive press, 2020). She released \u2018Ys\u2019 on edi\u00e7oes CN in 2022 and \u2018correspondances\u2019 on frissons in 2021. She was also a member of The Asocial Telepathic Ensemble (corvo records, 2022) and often collaborates with other musicians and artists, such as Brandon LaBelle, Clara Levy, Bogdana Dima, Mauricio Amarante, Joseph Charroy.
\nhttps:\/\/florence-cats.com\/<\/a><\/p>","desc":"Lumpen Connexions:\u00a0 LIKE A TELEPATH, by Diana Duta & Florence Cats in collaboration with\u00a0http:\/\/jaaambes.be Hosted by Lumpen Station, production Jaambes\u00a0 Supported by Flanders, State of the Art \u2018Like a telepath\u2019 pieces together a week-long journey of remote recordings. \u2018Emitting\u2019 and \u2018receiving\u2019 from a small island and from a city simultaneously, in order to mimick a radio device. To do this, we would start the recording of our parallel transmissions at the same moment in time, using the distance between us as a space to connect. What you hear is a photograph of a thought, a long, windy line tracing a series of synchronous compositions. Cover a moment, remain standing, crumpling paper in your hands. A phone rings \u2013 s in the past. Brussels \u2013 L\u2019\u00cele-d\u2019Yeu, May 2023 Diana Duta\u00a0is a Romanian-born, Brussels based artist working with sound in hypnotic ways, with a background in art and socio-cultural linguistics. Her work focuses on concepts of mimesis, translation and echoic memory, with an ear on our relationship to the non-human, embodied sound and the act of listening. She makes music performances (as DIAN), works for radio, sound installations and collaborative translation projects. Her project\u00a0Jambes\u00a0founded in 2019 is a recording studio commissioning new work by artists experimenting with sound and the voice. Quille podcast is an limb branching out from Jambes that collects interviews with sound practitioners. http:\/\/dianaduta.com Florence Cats\u00a0is a visual & sound artist and acupuncturist from Brussels who uses theremin, light, water, color and energies. Her \u2018transparent music\u2019 tunes in to space and ambient silence, and is inspired by natural radio. She has curated of a series of exhibitions around water, signs, transmutations, and is the co-author of several books including \u2018Lavori in corso\u2019 (primitive press, 2020). She released \u2018Ys\u2019 on edi\u00e7oes CN in 2022 and \u2018correspondances\u2019 on frissons in 2021. She was also a member of The Asocial Telepathic Ensemble (corvo records, 2022) and often collaborates with other musicians and artists, such as Brandon LaBelle, Clara Levy, Bogdana Dima, Mauricio Amarante, Joseph Charroy. https:\/\/florence-cats.com\/","date":"09\/04\/2024","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1364\/likeatelepath-lumpen-5.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1364\/likeatelepath-lumpen-5.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1364\/likeatelepath-lumpen-5.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1364\/like_a_telepath.mp3","duration":3053}],"duration":"50:53","format":"LUMPEN CONNEXIONS","format_path":"lumpen-connexions","format_id":1177},{"title":"A conversation with:","subtitle":"Pascal Lopinat","colour":"#ee1ca7","path":"aconversationwithlopinat","texte":"

A conversation with : Pascal Lopinat\u00a0
\nenregistrement de l'\u00e9mission du 21.03.24 diffus\u00e9e depuis le Kunsthaus Biel Centre d'art Bienne - Le Studiolo\u00a0
\nProduction: Lumpen Station - KBCB<\/p>\n\n

Pendant une conversation le percussionniste et multi-instrumentiste Pascal Lopinat partage son parcours, ses processus de cr\u00e9ation et ses diff\u00e9rentes collaborations avec des artistes de plusieurs disciplines.\u00a0
\nCette \u00e9mission fait partie du cycle de focus sur la sc\u00e8ne biennoise qui s'articule par plusieurs \u00e9missions tout au long de la r\u00e9sidence de Lumpen Station au KBCB.\u00a0<\/p>","desc":"A conversation with : Pascal Lopinat\u00a0 enregistrement de l'\u00e9mission du 21.03.24 diffus\u00e9e depuis le Kunsthaus Biel Centre d'art Bienne - Le Studiolo\u00a0 Production: Lumpen Station - KBCB Pendant une conversation le percussionniste et multi-instrumentiste Pascal Lopinat partage son parcours, ses processus de cr\u00e9ation et ses diff\u00e9rentes collaborations avec des artistes de plusieurs disciplines.\u00a0 Cette \u00e9mission fait partie du cycle de focus sur la sc\u00e8ne biennoise qui s'articule par plusieurs \u00e9missions tout au long de la r\u00e9sidence de Lumpen Station au KBCB.\u00a0","date":"27\/03\/2024","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1363\/ls_kbcb_podcast_pascallopinat.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1363\/ls_kbcb_podcast_pascallopinat.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1363\/ls_kbcb_podcast_pascallopinat.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1363\/pascal_lopinat_kbcb.mp3","duration":5643}],"duration":"94:03","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"A conversation with","sub_format_path":"aconversationwithkbcb","sub_format_id":1436},{"title":"A conversation with :","subtitle":"Emilio Nasser","colour":"#ee1ca7","path":"a-conversation-with","texte":"

A conversation with : Emlio Nasser
\nrecorded in Kunsthaus Biel Centre d'art Bienne - le Studiolo, 21.03.24
\nproduction: Lumpen Station - KBCB
\nInterview made during the Shipwreck of Dream, exhibition in Photoforum Pasquart\u00a0<\/p>\n\n

A conversation with is a series of talks with artist about their early works, how they start their practice, how they face career and their current projet.\u00a0<\/p>","desc":"A conversation with : Emlio Nasser recorded in Kunsthaus Biel Centre d'art Bienne - le Studiolo, 21.03.24 production: Lumpen Station - KBCB Interview made during the Shipwreck of Dream, exhibition in Photoforum Pasquart\u00a0 A conversation with is a series of talks with artist about their early works, how they start their practice, how they face career and their current projet.\u00a0","date":"27\/03\/2024","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1362\/ls_kbcb_podcast_emilionasser.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1362\/ls_kbcb_podcast_emilionasser.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1362\/ls_kbcb_podcast_emilionasser.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1362\/emilionasser_conversation.mp3","duration":3751}],"duration":"62:31","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"A conversation with","sub_format_path":"aconversationwithkbcb","sub_format_id":1436},{"title":"CREPA: Matthieu Hardouin","subtitle":"Composition, cr\u00e9ation sonore","colour":"#edfb07","path":"crepa-matthieu-hardouin","texte":"

CREPA 8 : Matthieu Hardouin
\nSujet\u00a0: Composition, cr\u00e9ation sonore
\nco-production: Lumpen Station, Copy Pasta\u00a0<\/p>\n\n

La huiti\u00e8me session du CREPA accueille le musicien-chanteur-guitariste-compositeur-performeur-graphiste et r\u00e9alisateur-pr\u00e9sentateur de programmes t\u00e9l\u00e9visuels Matthieu Hardouin. En 4 jours, Matthieu a r\u00e9alis\u00e9 une cr\u00e9ation cin\u00e9mato-sonore in-situ dans les environs du plateau de Retord, \u00e0 Chantemerle, o\u00f9 s\u2019est d\u00e9plac\u00e9 le CREPA. Mais avant de vous faire \u00e9couter le r\u00e9sultat de cette rencontre, Matthieu et moi avons \u00e9chang\u00e9 quelques mots autour du processus de composition. La discussion a eu lieu dans une vieille voiture dont je vous laisse le plaisir d\u2019appr\u00e9cier l\u2019environnement sonore. Bonne \u00e9coute !<\/p>","desc":"CREPA 8 : Matthieu Hardouin Sujet\u00a0: Composition, cr\u00e9ation sonore co-production: Lumpen Station, Copy Pasta\u00a0 La huiti\u00e8me session du CREPA accueille le musicien-chanteur-guitariste-compositeur-performeur-graphiste et r\u00e9alisateur-pr\u00e9sentateur de programmes t\u00e9l\u00e9visuels Matthieu Hardouin. En 4 jours, Matthieu a r\u00e9alis\u00e9 une cr\u00e9ation cin\u00e9mato-sonore in-situ dans les environs du plateau de Retord, \u00e0 Chantemerle, o\u00f9 s\u2019est d\u00e9plac\u00e9 le CREPA. Mais avant de vous faire \u00e9couter le r\u00e9sultat de cette rencontre, Matthieu et moi avons \u00e9chang\u00e9 quelques mots autour du processus de composition. La discussion a eu lieu dans une vieille voiture dont je vous laisse le plaisir d\u2019appr\u00e9cier l\u2019environnement sonore. Bonne \u00e9coute !","date":"23\/03\/2024","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1360\/crepa-s8-matthieu.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1360\/crepa-s8-matthieu.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1360\/crepa-s8-matthieu.1200x1200.webp","ratio":98,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1360\/crepa8-matthieu_hardouin.mp3","duration":2739}],"duration":"45:39","format":"ASSOCIATES","format_path":"associates","format_id":1269,"sub_format":"CREPA","sub_format_path":"crepa","sub_format_id":1150},{"title":"CREPA : Gr\u00e9gory Chapuisat","subtitle":"torr\u00e9faction maison, pain sans petrissage","colour":"#edfb07","path":"crepa-gregory-chapuisat","texte":"

CREPA 7b : Gr\u00e9gory Chapuisat
\nSujet : torr\u00e9faction maison, pain sans petrissage
\nCo-production: Lumpen Station, Copy Pasta<\/p>\n\n

Nous initions la saison 2022 du CREPA avec une septi\u00e8me session tellement foisonnante que nous la publions en 2 \u00e9pisodes. Dans cette deuxi\u00e8me partie, l\u2019artiste plasticien Gr\u00e9gory Chapuisat, connu - entre autres - pour son amour du bois et des champignons - nous offre ici un tour d\u2019horizon de sa nouvelle passion : le caf\u00e9. Torr\u00e9faction, cupping et mouture sont abord\u00e9s au d\u00e9tour de d\u00e9gustations en groupe o\u00f9 l\u2019on entend la vie collective qui bourdonne et o\u00f9 l\u2019on teste \u00e9galement une recette de pain sans p\u00e9trissage et sans glucides. Une nouvelle saison du CREPA riche en moments partag\u00e9s qui ont pu voir le jour grace \u00e0 l\u2019accueil chaleureux du collectif Chantemerle et \u00e0 la mise \u00e0 disposition de leur atelier. Merci infiniment et bonne \u00e9coute !<\/p>","desc":"CREPA 7b : Gr\u00e9gory Chapuisat Sujet : torr\u00e9faction maison, pain sans petrissage Co-production: Lumpen Station, Copy Pasta Nous initions la saison 2022 du CREPA avec une septi\u00e8me session tellement foisonnante que nous la publions en 2 \u00e9pisodes. Dans cette deuxi\u00e8me partie, l\u2019artiste plasticien Gr\u00e9gory Chapuisat, connu - entre autres - pour son amour du bois et des champignons - nous offre ici un tour d\u2019horizon de sa nouvelle passion : le caf\u00e9. Torr\u00e9faction, cupping et mouture sont abord\u00e9s au d\u00e9tour de d\u00e9gustations en groupe o\u00f9 l\u2019on entend la vie collective qui bourdonne et o\u00f9 l\u2019on teste \u00e9galement une recette de pain sans p\u00e9trissage et sans glucides. Une nouvelle saison du CREPA riche en moments partag\u00e9s qui ont pu voir le jour grace \u00e0 l\u2019accueil chaleureux du collectif Chantemerle et \u00e0 la mise \u00e0 disposition de leur atelier. Merci infiniment et bonne \u00e9coute !","date":"23\/03\/2024","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1359\/crepa-s7-gregory_chapuisat.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1359\/crepa-s7-gregory_chapuisat.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1359\/crepa-s7-gregory_chapuisat.1200x1200.webp","ratio":98,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1359\/crepa7b-gregorychapuisat.mp3","duration":3701}],"duration":"61:41","format":"ASSOCIATES","format_path":"associates","format_id":1269,"sub_format":"CREPA","sub_format_path":"crepa","sub_format_id":1150},{"title":"CREPA: Eleonora Polato & Antoine L\u00e4ng","subtitle":"Exp\u00e9rimentations culinaires, myc\u00e9lium, guimbarde","colour":"#edfb07","path":"crepa-eleonora-polato-antoine-lang","texte":"

CREPA 9 : Eleonora Polato et Antoine Lang
\nSujet : Exp\u00e9rimentations culinaires, myc\u00e9lium, guimbarde
\nco-production: Lumpen Station, Copy Pasta\u00a0<\/p>\n\n


\nCette neuvi\u00e8me session du CREPA donne \u00e0 entendre une documentation sonore presque exhaustive des 3 jours de partage offerts par Eleonora Polato et Antoine L\u00e4ng au milieu d\u2019une joyeuse cohorte de gens. Eleonora se d\u00e9finie comme artisane sonore, technicienne et monteuse son, amatrice de champignons et laborantine \u00e9parpill\u00e9e. Antoine est vocaliste exp\u00e9rimentateur, compositeur, \u00e9galement amateur de champignons et autres formes organiques de comestibilit\u00e9s.
\nLes 45 prochaines minutes sont une oeuvre toute collective de passage de micro, de r\u00e9alisation de gnocchis \u00e0 15 paires de mains, d\u2019\u00e9lipses sonores sautant d\u2019un atelier myc\u00e9lium \u00e0 un orchestre de guimbardes o\u00f9 l\u2019on sent toute la g\u00e9n\u00e9rosit\u00e9 derri\u00e8re ces quelques jours pass\u00e9s ensemble. On commence tout de suite avec une recette un peu particuli\u00e8re que je vous laisse appr\u00e9cier. Bonne \u00e9coute !<\/p>","desc":"CREPA 9 : Eleonora Polato et Antoine Lang Sujet : Exp\u00e9rimentations culinaires, myc\u00e9lium, guimbarde co-production: Lumpen Station, Copy Pasta\u00a0 Cette neuvi\u00e8me session du CREPA donne \u00e0 entendre une documentation sonore presque exhaustive des 3 jours de partage offerts par Eleonora Polato et Antoine L\u00e4ng au milieu d\u2019une joyeuse cohorte de gens. Eleonora se d\u00e9finie comme artisane sonore, technicienne et monteuse son, amatrice de champignons et laborantine \u00e9parpill\u00e9e. Antoine est vocaliste exp\u00e9rimentateur, compositeur, \u00e9galement amateur de champignons et autres formes organiques de comestibilit\u00e9s. Les 45 prochaines minutes sont une oeuvre toute collective de passage de micro, de r\u00e9alisation de gnocchis \u00e0 15 paires de mains, d\u2019\u00e9lipses sonores sautant d\u2019un atelier myc\u00e9lium \u00e0 un orchestre de guimbardes o\u00f9 l\u2019on sent toute la g\u00e9n\u00e9rosit\u00e9 derri\u00e8re ces quelques jours pass\u00e9s ensemble. On commence tout de suite avec une recette un peu particuli\u00e8re que je vous laisse appr\u00e9cier. Bonne \u00e9coute !","date":"23\/03\/2024","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1361\/crepa-s9-antoineeleo.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1361\/crepa-s9-antoineeleo.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1361\/crepa-s9-antoineeleo.1200x1200.webp","ratio":98,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1361\/crepa9-antoine-eleo.mp3","duration":2820}],"duration":"47:00","format":"ASSOCIATES","format_path":"associates","format_id":1269,"sub_format":"CREPA","sub_format_path":"crepa","sub_format_id":1150},{"title":"Prologue d'une visite d'expositions","subtitle":"avec Debbie Alagen, Sveta Mordovskaya et Paolo Baggi","colour":"#ee1ca7","path":"prologue-dune-visite-dexpositions","texte":"

Prologue d\u2019une visite d\u2019expositions
\nDebbie Alagen - Complex, Sveta Mordovskaya- Costume, curation\u2009: Paolo Baggi
\nRecorded on 14.03.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\nCoordination and animation\u2009: Andrea Marioni \/ Duration\u2009: 01:39:09 \/ Visual\u2009: Studio Vanieli
\nCo-production Lumpen Station & KBCB<\/p>\n\n

En pr\u00e9lude \u00e0 la visite des expositions Complex de Debbie Alagen et Costume de Sveta Mordovskaya, le curateur Paolo Baggi pr\u00e9sente bri\u00e8vement les artistes, leurs pratiques et les inspirations \u00e0 la bases des expositions. Ce prologue de visite d'expositions invite les futur\u00b7es visiteur\u00b7euses \u00e0 s'immerger dans deux esth\u00e9tiques singuli\u00e8res et qui offre une exp\u00e9rience stimulante dans l'espace d'exposition du Kunsthaus Biel Centre d'art Bienne<\/p>","desc":"Prologue d\u2019une visite d\u2019expositions Debbie Alagen - Complex, Sveta Mordovskaya- Costume, curation\u2009: Paolo Baggi Recorded on 14.03.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo Coordination and animation\u2009: Andrea Marioni \/ Duration\u2009: 01:39:09 \/ Visual\u2009: Studio Vanieli Co-production Lumpen Station & KBCB En pr\u00e9lude \u00e0 la visite des expositions Complex de Debbie Alagen et Costume de Sveta Mordovskaya, le curateur Paolo Baggi pr\u00e9sente bri\u00e8vement les artistes, leurs pratiques et les inspirations \u00e0 la bases des expositions. Ce prologue de visite d'expositions invite les futur\u00b7es visiteur\u00b7euses \u00e0 s'immerger dans deux esth\u00e9tiques singuli\u00e8res et qui offre une exp\u00e9rience stimulante dans l'espace d'exposition du Kunsthaus Biel Centre d'art Bienne","date":"20\/03\/2024","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1357\/ls_kbcb_podcast_prologuevisite_2-1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1357\/ls_kbcb_podcast_prologuevisite_2-1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1357\/ls_kbcb_podcast_prologuevisite_2-1.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1357\/pb_sm_da_intvw_140324.mp3","duration":2519}],"duration":"41:59","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"A conversation with","sub_format_path":"aconversationwithkbcb","sub_format_id":1436},{"title":"NOBODY'S","subtitle":"sensory tales","colour":"#28d33a","path":"nobodys","texte":"

Nodoby's sensory tales
\ndiffus\u00e9 au Kunsthaus Biel Centre d'art Bienne - le Studiolo le 29.02.24\u00a0
\nproduction Lumpen Station - KBCB<\/p>\n\n

Nobody\u2019s sensory tales, propose une exp\u00e9rience sonore dans un format libre avec la participation anonyme d\u2019intervenants refl\u00e9tant certains aspects des b\u00e9n\u00e9fices de n\u2019\u00eatre personne. S\u2019extraire sporadiquement de nos r\u00f4les soci\u00e9taux, de n\u2019\u00eatre personne, devient parfois une n\u00e9cessit\u00e9, une bouff\u00e9e de libert\u00e9 et un moyen de se retrouver.\u00a0<\/p>\n\n

Les r\u00e9cits s\u2019entrem\u00ealent et offre un terreau propice au surgissement de voix d\u2019exp\u00e9riences v\u00e9cues, \u00e0 des r\u00e9flexions et introspections pouvant faire \u00e9cho \u00e0 nos imaginaires et peut-\u00eatre m\u00eame, \u00e0 nos propres v\u00e9cus de n\u2019\u00eatre personne, ou pas.\u00a0<\/p>\n\n

\u00ab\u00a0Vous vivez dans l\u2019illusion et l\u2019apparence des choses. Il y a une r\u00e9alit\u00e9 mais vous ne la reconnaissez pas. Quand vous la r\u00e9alisez, vous voyez que vous n\u2019\u00eates rien. Et n\u2019\u00e9tant rien, vous \u00eates tout. Voil\u00e0.<\/em>\u00a0\u00bb<\/em>\u00a0Kalou Rinpoch\u00e9, Jack kornfield (2000), Apr\u00e8s l\u2019extase la lessive.<\/p>","desc":"Nodoby's sensory tales diffus\u00e9 au Kunsthaus Biel Centre d'art Bienne - le Studiolo le 29.02.24\u00a0 production Lumpen Station - KBCB Nobody\u2019s sensory tales, propose une exp\u00e9rience sonore dans un format libre avec la participation anonyme d\u2019intervenants refl\u00e9tant certains aspects des b\u00e9n\u00e9fices de n\u2019\u00eatre personne. S\u2019extraire sporadiquement de nos r\u00f4les soci\u00e9taux, de n\u2019\u00eatre personne, devient parfois une n\u00e9cessit\u00e9, une bouff\u00e9e de libert\u00e9 et un moyen de se retrouver.\u00a0 Les r\u00e9cits s\u2019entrem\u00ealent et offre un terreau propice au surgissement de voix d\u2019exp\u00e9riences v\u00e9cues, \u00e0 des r\u00e9flexions et introspections pouvant faire \u00e9cho \u00e0 nos imaginaires et peut-\u00eatre m\u00eame, \u00e0 nos propres v\u00e9cus de n\u2019\u00eatre personne, ou pas.\u00a0 \u00ab\u00a0Vous vivez dans l\u2019illusion et l\u2019apparence des choses. Il y a une r\u00e9alit\u00e9 mais vous ne la reconnaissez pas. Quand vous la r\u00e9alisez, vous voyez que vous n\u2019\u00eates rien. Et n\u2019\u00e9tant rien, vous \u00eates tout. Voil\u00e0.\u00a0\u00bb\u00a0Kalou Rinpoch\u00e9, Jack kornfield (2000), Apr\u00e8s l\u2019extase la lessive.","date":"20\/03\/2024","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1356\/nobodys_-_sensory_tales.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1356\/nobodys_-_sensory_tales.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1356\/nobodys_-_sensory_tales.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1356\/lives_nobodysensorytales_kbcb_290224.mp3","duration":3002}],"duration":"50:02","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355},{"title":"A conversation with","subtitle":"Stephen Felton","colour":"#ee1ca7","path":"conversationwithstephenfelton","texte":"

A conversation with Stephen Felton
\nRecorded on 29.02.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo
\nHost\u2009: Andrea Marioni \/ Guest\u2009: Stephen Felton \/ Duration\u2009: 00:53:18
\nVisual\u2009: Studio Vanieli \/ Pictures of Stephen Felton\u2019s artworks
\nCo-production Lumpen Station & KBCB<\/p>\n\n

Stephen Felton presented in\u00a0Kunsthaus Biel Centre d\u2019art Bienne the painting series\u00a0Bugaboo Voodoo made in a few weeks of work on site. This recording is a conversation with Andrea Marioni about Stephen Felton's practice, influences and his relationship with the act of painting.\u00a0<\/p>","desc":"A conversation with Stephen Felton Recorded on 29.02.24 in Kunsthaus Biel Centre d\u2019art Bienne, le Studiolo Host\u2009: Andrea Marioni \/ Guest\u2009: Stephen Felton \/ Duration\u2009: 00:53:18 Visual\u2009: Studio Vanieli \/ Pictures of Stephen Felton\u2019s artworks Co-production Lumpen Station & KBCB Stephen Felton presented in\u00a0Kunsthaus Biel Centre d\u2019art Bienne the painting series\u00a0Bugaboo Voodoo made in a few weeks of work on site. This recording is a conversation with Andrea Marioni about Stephen Felton's practice, influences and his relationship with the act of painting.\u00a0","date":"20\/03\/2024","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1358\/ls_kbcb_podcasts_stephenfelton-1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1358\/ls_kbcb_podcasts_stephenfelton-1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1358\/ls_kbcb_podcasts_stephenfelton-1.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1358\/stephenfelton1b.mp3","duration":3198}],"duration":"53:18","format":"MADE IN KBCB","format_path":"made-in-kbcb","format_id":1355,"sub_format":"A conversation with","sub_format_path":"aconversationwithkbcb","sub_format_id":1436},{"title":"Monuments of shadows","subtitle":"by Grant Jurius","colour":"#4cf00c","path":"monumentsofshadows","texte":"

Monuments Of Shadows by Grant Jurius
\nLumpen connexions, co-production Lumpen Station and Grant Jurius, \u00a9 2023<\/span><\/p>\n\n

Description:<\/p>\n\n

Monuments Of Shadows\u00a0, in relation to ongoing\u00a0working theme:\u00a0Animal Skin\u00a0by Grant Jurius is a work that utilizes\u00a0samples\u00a0and found sonic material for a compositional piece that wonders about\u00a0utopian ideas vs dystopian realities\u00a0as a result of those ideas.\u00a0<\/em>The work is presented as a\u00a0stream of consciousness\u00a0+ abstraction\u00a0to consider constructive & destructive ideas\u00a0 implemented through the use of symbolism, architecture, design, advertisement, news media, sculpture, art & historical monuments<\/em><\/p>\n\n

The Animal Skin series looks at space and its surfaces as a living organism. Breathing, communicating, living with experiences that records the narratives that occur within them. The artist looks to monumental landmarks implemented by both man and nature. Posing questions to the values we place in monuments, architecture, design and its effects on nature and vice versa.\u00a0\u00a0<\/em><\/p>","desc":"Monuments Of Shadows by Grant Jurius Lumpen connexions, co-production Lumpen Station and Grant Jurius, \u00a9 2023 Description: Monuments Of Shadows\u00a0, in relation to ongoing\u00a0working theme:\u00a0Animal Skin\u00a0by Grant Jurius is a work that utilizes\u00a0samples\u00a0and found sonic material for a compositional piece that wonders about\u00a0utopian ideas vs dystopian realities\u00a0as a result of those ideas.\u00a0The work is presented as a\u00a0stream of consciousness\u00a0+ abstraction\u00a0to consider constructive & destructive ideas\u00a0 implemented through the use of symbolism, architecture, design, advertisement, news media, sculpture, art & historical monuments The Animal Skin series looks at space and its surfaces as a living organism. Breathing, communicating, living with experiences that records the narratives that occur within them. The artist looks to monumental landmarks implemented by both man and nature. Posing questions to the values we place in monuments, architecture, design and its effects on nature and vice versa.\u00a0\u00a0","date":"18\/12\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1348\/mos_lumpenstationdef.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1348\/mos_lumpenstationdef.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1348\/mos_lumpenstationdef.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1348\/mouments_of_shadows.mp3","duration":1510}],"duration":"25:10","format":"LUMPEN CONNEXIONS","format_path":"lumpen-connexions","format_id":1177},{"title":"Anche niente \u00e8 qualcosa","subtitle":"by Naama Freedman","colour":"#4cf00c","path":"anchenienteequalcosa","texte":"

\"Anche niente \u00e8 qualcosa\" Naama Freedman, with Giulio Tiberi
\nco-production Lumpen Station, november 2023\u00a0<\/span><\/p>\n\n

Anche niente \u00e8 qualcosa<\/em>\u00a0is an existential\u00a0reflection, corresponding to the artist's state of mind at the\u00a0time of recording. Inspired by a passage in\u00a0\"Se questo \u00e8 un uomo<\/em>\" by Primo Levi, the sound piece combines\u00a0vocal and found object samples set over a layered but minimal musical soundscape. Manipulated excerpts from \"Seinfeld<\/em>\" accentuate the\u00a0duality of joy and grief\u00a0in the human condition as explored by Levi.<\/p>\n\n

Narration: Giulio Tiberi<\/p>\n\n

Supported by Ville de Bienne and Swisslos Kultur Kanton Bern<\/p>","desc":"\"Anche niente \u00e8 qualcosa\" Naama Freedman, with Giulio Tiberi co-production Lumpen Station, november 2023\u00a0 Anche niente \u00e8 qualcosa\u00a0is an existential\u00a0reflection, corresponding to the artist's state of mind at the\u00a0time of recording. Inspired by a passage in\u00a0\"Se questo \u00e8 un uomo\" by Primo Levi, the sound piece combines\u00a0vocal and found object samples set over a layered but minimal musical soundscape. Manipulated excerpts from \"Seinfeld\" accentuate the\u00a0duality of joy and grief\u00a0in the human condition as explored by Levi. Narration: Giulio Tiberi Supported by Ville de Bienne and Swisslos Kultur Kanton Bern","date":"01\/12\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1345\/naama_freedman_lumpen.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1345\/naama_freedman_lumpen.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1345\/naama_freedman_lumpen.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1345\/lumpen_sound_piece_anche_niente_e_qualcosa.mp3","duration":921}],"duration":"15:21","format":"LUMPEN CONNEXIONS","format_path":"lumpen-connexions","format_id":1177},{"title":"OHH - Eine sch\u00f6ne Pizza","subtitle":"by Natalie Portman","colour":"#05b2d8","path":"ohh-eine-schone-pizza","texte":"

Natalie Portman is an artist collective founded in 2017, working between Z\u00fcrich and Basel.
\nOtters holding hands is curated by Ambra Viviani and co-production Lumpen Station
Eine sch\u00f6ne Pizza<\/em>\u00a0by Natalie Portman\u00a0<\/span>
\n\u00a0<\/p>\n\n

\"A donkey a very small donkey came out of the wall and it was ssuchhh a small donkey so so small such a small horse yes and also a big horse and such a small donkey and the big horse at the small donkey and I find donkeys delicious I want to eat them. Now I have horses in my mouth in my muzzle look, plenty- do you realize I ate them? They say \u201ehelp\u201c and I break them with my sharp teeth.\"<\/p>\n\n

Eine sch\u00f6ne Pizza<\/em>\u00a0is a stream of stories and thoughts recounted by Abbe. It features additional drums by R\u00e9mi Larpin.\u00a0<\/p>\n\n

Supported by Ville de Bienne and Swisslos Kultur Kanton Bern<\/p>","desc":"Natalie Portman is an artist collective founded in 2017, working between Z\u00fcrich and Basel. Otters holding hands is curated by Ambra Viviani and co-production Lumpen StationEine sch\u00f6ne Pizza\u00a0by Natalie Portman\u00a0 \u00a0 \"A donkey a very small donkey came out of the wall and it was ssuchhh a small donkey so so small such a small horse yes and also a big horse and such a small donkey and the big horse at the small donkey and I find donkeys delicious I want to eat them. Now I have horses in my mouth in my muzzle look, plenty- do you realize I ate them? They say \u201ehelp\u201c and I break them with my sharp teeth.\" Eine sch\u00f6ne Pizza\u00a0is a stream of stories and thoughts recounted by Abbe. It features additional drums by R\u00e9mi Larpin.\u00a0 Supported by Ville de Bienne and Swisslos Kultur Kanton Bern","date":"23\/11\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1344\/ooh-natalie_portman-cover.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1344\/ooh-natalie_portman-cover.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1344\/ooh-natalie_portman-cover.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1344\/otters_holding_hands-natalie_portman-pizza.mp3","duration":1039}],"duration":"17:19","format":"ASSOCIATES","format_path":"associates","format_id":1269,"sub_format":"OTTERS HOLDING HANDS","sub_format_path":"otters-holding-hands","sub_format_id":1275},{"title":"Performance Reihe Neu-Oerlikon, vol. 1","subtitle":"With Maricruz Pe\u00f1aloza & Mahir Hrnjic","colour":"#16d866","path":"performance-reihe-neu-oerlikon-vol-1","texte":"

Performance Reihe Neu-Oerlikon, archives vol. 1<\/p>\n\n

Recorded in Oerliker Park, Z\u00fcrich,\u00a0 15.09.23 \/ Duration 01:45:27
\nWith Maricruz Pe\u00f1aloza \/ Hosts\u2009: Andrea Marioni and Mahir Hrnjic \/ Visual\u2009: Studio Vanieli
\n\u00a9 Partnership Lumpen Station with Performance Reihe Neu-Oerlikon
\nRadio content supported by Ville de Bienne, S\u00fcdKulturFonds, Landis & Gyr Stiftung,
\nFSRC and SWISSPERFORM<\/p>","desc":"Performance Reihe Neu-Oerlikon, archives vol. 1 Recorded in Oerliker Park, Z\u00fcrich,\u00a0 15.09.23 \/ Duration 01:45:27 With Maricruz Pe\u00f1aloza \/ Hosts\u2009: Andrea Marioni and Mahir Hrnjic \/ Visual\u2009: Studio Vanieli \u00a9 Partnership Lumpen Station with Performance Reihe Neu-Oerlikon Radio content supported by Ville de Bienne, S\u00fcdKulturFonds, Landis & Gyr Stiftung, FSRC and SWISSPERFORM","date":"10\/11\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1339\/ls_performanceoerlikon_podcasts1-1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1339\/ls_performanceoerlikon_podcasts1-1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1339\/ls_performanceoerlikon_podcasts1-1.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1339\/jour1.mp3","duration":6332}],"duration":"105:32","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"Performance Reihe Neu-Oerlikon - live radio","sub_format_path":"performance-reihe-neu-oerlikon-live-radio","sub_format_id":1338},{"title":"Somewhere in between A-Z","subtitle":"Rotterdam poetry scene","colour":"#f704b0","path":"somewhere-in-between-a-z","texte":"

Somewhere between A-Z<\/em> is the title of an unfeatured film from Jean-Luc Godard that was meant to explore poetry, language and the quest of sense using the letter sof the alphabets. Lumpen Station took this unused title in order to explore poetry practices and to seek what can be discovered between A and Z.
\nRadio format \u00a9 Lumpen Station\u00a0<\/p>\n\n

Lumpen Station team met Marko Boninsegna during a research trip in Belgrade and discovered his practice during a radio show in Footnote Centre. During this short encounter, a certain curiosity was awaken for Rotterdam poetry scene, composed by people from different social profiles and not necessarily coming from academic background. Somehow, Rotterdam poetry scene is a street art, composing word-pictures of the city always mixed with peculiar gazes and inner states of mind.<\/p>\n\n

Recorded in Rotterdam, 26.11.23 with Mark Boninsegna, Peer Hommel, Amber Rahantoknam and Dani\u00ebl Dee.<\/p>\n\n

Supported by Ville de Bienne<\/p>","desc":"Somewhere between A-Z is the title of an unfeatured film from Jean-Luc Godard that was meant to explore poetry, language and the quest of sense using the letter sof the alphabets. Lumpen Station took this unused title in order to explore poetry practices and to seek what can be discovered between A and Z. Radio format \u00a9 Lumpen Station\u00a0 Lumpen Station team met Marko Boninsegna during a research trip in Belgrade and discovered his practice during a radio show in Footnote Centre. During this short encounter, a certain curiosity was awaken for Rotterdam poetry scene, composed by people from different social profiles and not necessarily coming from academic background. Somehow, Rotterdam poetry scene is a street art, composing word-pictures of the city always mixed with peculiar gazes and inner states of mind. Recorded in Rotterdam, 26.11.23 with Mark Boninsegna, Peer Hommel, Amber Rahantoknam and Dani\u00ebl Dee. Supported by Ville de Bienne","date":"09\/11\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1346\/ls_somewhereinbetween_rotterdam_podcast.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1346\/ls_somewhereinbetween_rotterdam_podcast.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1346\/ls_somewhereinbetween_rotterdam_podcast.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1346\/betweenaz_rotterdam_edit.mp3","duration":7625}],"duration":"127:05","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166},{"title":"Performance Reihe Neu-Oerlikon vol. 2","subtitle":"With Sophie Germanier, Sara Koller","colour":"#16d866","path":"performance-reihe-neu-oerlikon-vol-2","texte":"

Performance Reihe Neu-Oerlikon, archives vol. 2
\nRecorded in Oerliker Park, Z\u00fcrich,\u00a0 16.09.23 \/ Duration 01:26:57
\nWith Sophie Germanier, Sara Koller \/ Hosts\u2009: Andrea Marioni \/ Visual\u2009: Studio Vanieli
\n\u00a9 Partnership Lumpen Station with Performance Reihe Neu-Oerlikon
\nRadio content supported by Ville de Bienne, S\u00fcdKulturFonds, Landis & Gyr Stiftung,
\nFSRC and SWISSPERFORM<\/p>","desc":"Performance Reihe Neu-Oerlikon, archives vol. 2 Recorded in Oerliker Park, Z\u00fcrich,\u00a0 16.09.23 \/ Duration 01:26:57 With Sophie Germanier, Sara Koller \/ Hosts\u2009: Andrea Marioni \/ Visual\u2009: Studio Vanieli \u00a9 Partnership Lumpen Station with Performance Reihe Neu-Oerlikon Radio content supported by Ville de Bienne, S\u00fcdKulturFonds, Landis & Gyr Stiftung, FSRC and SWISSPERFORM","date":"09\/11\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1340\/ls_performanceoerlikon_podcasts2-1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1340\/ls_performanceoerlikon_podcasts2-1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1340\/ls_performanceoerlikon_podcasts2-1.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1340\/part1edit.mp3","duration":5221}],"duration":"87:01","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"Performance Reihe Neu-Oerlikon - live radio","sub_format_path":"performance-reihe-neu-oerlikon-live-radio","sub_format_id":1338},{"title":"Performance Reihe Neu-Oerlikon, vol. 3","subtitle":"With Ivana Mirchevska","colour":"#16d866","path":"reihevol3","texte":"

Performance Reihe Neu-Oerlikon, archives vol. 3
\nRecorded in Oerliker Park, Z\u00fcrich,\u00a0 16.09.23 \/ Duration 41:53
\nWith Ivana Mirchevska \/ Hosts\u2009: Andrea Marioni \/ Visual\u2009: Studio Vanieli
\n\u00a9 Partnership Lumpen Station with Performance Reihe Neu-Oerlikon
\nRadio content supported by Ville de Bienne, S\u00fcdKulturFonds, Landis & Gyr Stiftung,
\nFSRC and SWISSPERFORM<\/p>","desc":"Performance Reihe Neu-Oerlikon, archives vol. 3 Recorded in Oerliker Park, Z\u00fcrich,\u00a0 16.09.23 \/ Duration 41:53 With Ivana Mirchevska \/ Hosts\u2009: Andrea Marioni \/ Visual\u2009: Studio Vanieli \u00a9 Partnership Lumpen Station with Performance Reihe Neu-Oerlikon Radio content supported by Ville de Bienne, S\u00fcdKulturFonds, Landis & Gyr Stiftung, FSRC and SWISSPERFORM","date":"08\/11\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1341\/ls_performanceoerlikon_podcasts3-1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1341\/ls_performanceoerlikon_podcasts3-1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1341\/ls_performanceoerlikon_podcasts3-1.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1341\/ivanainterview.mp3","duration":2515}],"duration":"41:55","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"Performance Reihe Neu-Oerlikon - live radio","sub_format_path":"performance-reihe-neu-oerlikon-live-radio","sub_format_id":1338},{"title":"Performance Reihe Neu-Oerlikon, vol. 4","subtitle":"With members of Red De Tamboreras de Suiza","colour":"#16d866","path":"reihevol4","texte":"

Performance Reihe Neu-Oerlikon, archives vol. 4
\nRecorded in Oerliker Park, Z\u00fcrich,\u00a0 16.09.23 \/ Duration 36:56 \/ With members of
\nRed De Tamboreras de Suiza \/ Hosts\u2009: Andrea Marioni \/ Visual\u2009: Studio Vanieli
\n\u00a9 Partnership Lumpen Station with Performance Reihe Neu-Oerlikon
\nRadio content supported by Ville de Bienne, S\u00fcdKulturFonds, Landis & Gyr Stiftung,
\nFSRC and SWISSPERFORM<\/p>","desc":"Performance Reihe Neu-Oerlikon, archives vol. 4 Recorded in Oerliker Park, Z\u00fcrich,\u00a0 16.09.23 \/ Duration 36:56 \/ With members of Red De Tamboreras de Suiza \/ Hosts\u2009: Andrea Marioni \/ Visual\u2009: Studio Vanieli \u00a9 Partnership Lumpen Station with Performance Reihe Neu-Oerlikon Radio content supported by Ville de Bienne, S\u00fcdKulturFonds, Landis & Gyr Stiftung, FSRC and SWISSPERFORM","date":"07\/11\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1342\/ls_performanceoerlikon_podcasts4-1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1342\/ls_performanceoerlikon_podcasts4-1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1342\/ls_performanceoerlikon_podcasts4-1.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1342\/tamboursedit.mp3","duration":2215}],"duration":"36:55","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"Performance Reihe Neu-Oerlikon - live radio","sub_format_path":"performance-reihe-neu-oerlikon-live-radio","sub_format_id":1338},{"title":"Performance Reihe Neu-Oerlikon, vol. 5","subtitle":"With Hristina Ivanovska and Zorica Zafirovska","colour":"#16d866","path":"performance-reihe-neu-oerlikon-vol-5","texte":"

Performance Reihe Neu-Oerlikon, archives vol. 5
\nRecorded in Oerliker Park, Z\u00fcrich,\u00a0 16.09.23 \/ Duration 54:03 \/ With Hristina Ivanovska
\nand Zorica Zafirovska \/ Hosts\u2009: Andrea Marioni \/ Visual\u2009: Studio Vanieli
\n\u00a9 Partnership Lumpen Station with Performance Reihe Neu-Oerlikon
\nRadio content supported by Ville de Bienne, S\u00fcdKulturFonds, Landis & Gyr Stiftung,
\nFSRC and SWISSPERFORM<\/p>","desc":"Performance Reihe Neu-Oerlikon, archives vol. 5 Recorded in Oerliker Park, Z\u00fcrich,\u00a0 16.09.23 \/ Duration 54:03 \/ With Hristina Ivanovska and Zorica Zafirovska \/ Hosts\u2009: Andrea Marioni \/ Visual\u2009: Studio Vanieli \u00a9 Partnership Lumpen Station with Performance Reihe Neu-Oerlikon Radio content supported by Ville de Bienne, S\u00fcdKulturFonds, Landis & Gyr Stiftung, FSRC and SWISSPERFORM","date":"06\/11\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1343\/ls_performanceoerlikon_podcasts5-1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1343\/ls_performanceoerlikon_podcasts5-1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1343\/ls_performanceoerlikon_podcasts5-1.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1343\/lastpart.mp3","duration":3245}],"duration":"54:05","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"Performance Reihe Neu-Oerlikon - live radio","sub_format_path":"performance-reihe-neu-oerlikon-live-radio","sub_format_id":1338},{"title":"SOUNDGATE: SOUNDWORKS","subtitle":"with Darko Aleksovski","colour":"#e50a0a","path":"soundgatesoundworksda","texte":"

SOUNDGATE: soundworks with Darko Aleksovski\u00a0<\/p>\n\n

Love letters is the adaptation into a soundwork of an ongoing project by Macedonian artist Darko Aleksovski. In this soundworks three love letters are read by the actress Delphine Ayrton, the voice is floating in different soundscapes and leitmotivs.\u00a0<\/p>\n\n

SOUNDGATE is a programm of cultural exchange and mutual curiosity with art scenes of several cities in the Balkans and curated by Lumpen Station.\u00a0<\/p>\n\n

With the support of Ville de Bienne, S\u00fcdKulturFonds, Landis & Gyr Stiftung, FSRC and SWISSPERFORM<\/p>","desc":"SOUNDGATE: soundworks with Darko Aleksovski\u00a0 Love letters is the adaptation into a soundwork of an ongoing project by Macedonian artist Darko Aleksovski. In this soundworks three love letters are read by the actress Delphine Ayrton, the voice is floating in different soundscapes and leitmotivs.\u00a0 SOUNDGATE is a programm of cultural exchange and mutual curiosity with art scenes of several cities in the Balkans and curated by Lumpen Station.\u00a0 With the support of Ville de Bienne, S\u00fcdKulturFonds, Landis & Gyr Stiftung, FSRC and SWISSPERFORM","date":"02\/10\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1332\/ls_soundgate_podcasts_2_2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1332\/ls_soundgate_podcasts_2_2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1332\/ls_soundgate_podcasts_2_2.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1332\/darkoedit3.mp3","duration":1000}],"duration":"16:40","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SOUNDGATE","sub_format_path":"soundgate","sub_format_id":1308},{"title":"SOUNDGATE : ECHOES","subtitle":"from Macedonia 3, by Gjorgji Janevski","colour":"#e50a0a","path":"soundgateechoes3","texte":"

SOUNDGATE - Echoes from Macedonia 3, by Gjorgji Janevski<\/p>\n\n

Gjorgji Janevski is active in the musical scene of Skopje since decades and regularly shares his knowledge on the indipendent radio Kanal 103. For Lumpen Station, he composed a soundscape of the cultural scene and 2 playlists presenting Macedonian music from the last 20 years. Enjoy travelling with your ears !<\/p>\n\n

SOUNDGATE is a programm of cultural exchange and mutual curiosity with art scenes of several cities in the Balkans and curated by Lumpen Station.\u00a0<\/p>\n\n

With the support of Ville de Bienne, S\u00fcdKulturFonds, Landis & Gyr Stiftung, FSRC and SWISSPERFORM<\/p>","desc":"SOUNDGATE - Echoes from Macedonia 3, by Gjorgji Janevski Gjorgji Janevski is active in the musical scene of Skopje since decades and regularly shares his knowledge on the indipendent radio Kanal 103. For Lumpen Station, he composed a soundscape of the cultural scene and 2 playlists presenting Macedonian music from the last 20 years. Enjoy travelling with your ears ! SOUNDGATE is a programm of cultural exchange and mutual curiosity with art scenes of several cities in the Balkans and curated by Lumpen Station.\u00a0 With the support of Ville de Bienne, S\u00fcdKulturFonds, Landis & Gyr Stiftung, FSRC and SWISSPERFORM","date":"02\/10\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1335\/ls_soundgate_podcasts_2_5.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1335\/ls_soundgate_podcasts_2_5.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1335\/ls_soundgate_podcasts_2_5.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1335\/lumpen_playlist_2.mp3","duration":7638}],"duration":"127:18","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SOUNDGATE","sub_format_path":"soundgate","sub_format_id":1308},{"title":"SOUNDGATE : ECHOES","subtitle":"from Macedonia 2, by Gjorgji Janevski","colour":"#e50a0a","path":"soundgateechoes2","texte":"

SOUNDGATE - Echoes from Macedonia 2, by Gjorgji Janevski<\/p>\n\n

Gjorgji Janevski is active in the musical scene of Skopje since decades and regularly shares his knowledge on the indipendent radio Kanal 103. For Lumpen Station, he composed a soundscape of the cultural scene and 2 playlists presenting Macedonian music from the last 20 years. Enjoy travelling with your ears !<\/p>\n\n

SOUNDGATE is a programm of cultural exchange and mutual curiosity with art scenes of several cities in the Balkans and curated by Lumpen Station.\u00a0<\/p>\n\n

With the support of Ville de Bienne, S\u00fcdKulturFonds, Landis & Gyr Stiftung, FSRC and SWISSPERFORM<\/p>","desc":"SOUNDGATE - Echoes from Macedonia 2, by Gjorgji Janevski Gjorgji Janevski is active in the musical scene of Skopje since decades and regularly shares his knowledge on the indipendent radio Kanal 103. For Lumpen Station, he composed a soundscape of the cultural scene and 2 playlists presenting Macedonian music from the last 20 years. Enjoy travelling with your ears ! SOUNDGATE is a programm of cultural exchange and mutual curiosity with art scenes of several cities in the Balkans and curated by Lumpen Station.\u00a0 With the support of Ville de Bienne, S\u00fcdKulturFonds, Landis & Gyr Stiftung, FSRC and SWISSPERFORM","date":"02\/10\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1334\/ls_soundgate_podcasts_2_4.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1334\/ls_soundgate_podcasts_2_4.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1334\/ls_soundgate_podcasts_2_4.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1334\/lumpen_playlist_1.mp3","duration":7126}],"duration":"118:46","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SOUNDGATE","sub_format_path":"soundgate","sub_format_id":1308},{"title":"SOUNDGATE : ECHOES","subtitle":"from Macedonia 1, by Gjorgji Janevski","colour":"#e50a0a","path":"soundgateechoes1","texte":"

SOUNDGATE - Echoes from Macedonia 1, by Gjorgji Janevski<\/p>\n\n

Gjorgji Janevski is active in the musical scene of Skopje since decades and regularly shares his knowledge on the indipendent radio Kanal 103. For Lumpen Station, he composed a soundscape of the cultural scene and 2 playlists presenting Macedonian music from the last 20 years. Enjoy travelling with your ears !<\/p>\n\n

SOUNDGATE is a programm of cultural exchange and mutual curiosity with art scenes of several cities in the Balkans and curated by Lumpen Station.\u00a0<\/p>\n\n

With the support of Ville de Bienne, S\u00fcdKulturFonds, Landis & Gyr Stiftung, FSRC and SWISSPERFORM<\/p>","desc":"SOUNDGATE - Echoes from Macedonia 1, by Gjorgji Janevski Gjorgji Janevski is active in the musical scene of Skopje since decades and regularly shares his knowledge on the indipendent radio Kanal 103. For Lumpen Station, he composed a soundscape of the cultural scene and 2 playlists presenting Macedonian music from the last 20 years. Enjoy travelling with your ears ! SOUNDGATE is a programm of cultural exchange and mutual curiosity with art scenes of several cities in the Balkans and curated by Lumpen Station.\u00a0 With the support of Ville de Bienne, S\u00fcdKulturFonds, Landis & Gyr Stiftung, FSRC and SWISSPERFORM","date":"02\/10\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1333\/ls_soundgate_podcasts_2_3.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1333\/ls_soundgate_podcasts_2_3.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1333\/ls_soundgate_podcasts_2_3.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1333\/lumpen_skopje.mp3","duration":3668}],"duration":"61:08","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SOUNDGATE","sub_format_path":"soundgate","sub_format_id":1308},{"title":"SOUNDGATE: CULTURAL LANDSCAPES","subtitle":"Skopje by Artan Sadiku","colour":"#e50a0a","path":"soundgate-cultural-landscapes","texte":"

SOUNDGATE - Cultural landscapes: Skopjie by Artan Sadiku<\/p>\n\n

Artan Sadiku is an artivist and philosopher based in Skopje, Northern Macedonia. He offers here to the listeners a cultural landscape describing Skopje's\u00a0local art scene in the last 20 years.\u00a0<\/p>\n\n

SOUNDGATE is a programm of cultural exchange and mutual curiosity with art scenes of several cities in the Balkans and curated by Lumpen Station.\u00a0<\/p>\n\n

With the support of Ville de Bienne, S\u00fcdKulturFonds, Landis & Gyr Stiftung, FSRC and SWISSPERFORM<\/p>","desc":"SOUNDGATE - Cultural landscapes: Skopjie by Artan Sadiku Artan Sadiku is an artivist and philosopher based in Skopje, Northern Macedonia. He offers here to the listeners a cultural landscape describing Skopje's\u00a0local art scene in the last 20 years.\u00a0 SOUNDGATE is a programm of cultural exchange and mutual curiosity with art scenes of several cities in the Balkans and curated by Lumpen Station.\u00a0 With the support of Ville de Bienne, S\u00fcdKulturFonds, Landis & Gyr Stiftung, FSRC and SWISSPERFORM","date":"02\/10\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1331\/ls_soundgate_podcasts_2_1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1331\/ls_soundgate_podcasts_2_1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1331\/ls_soundgate_podcasts_2_1.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1331\/artan_sadiku_lumpenstation.mp3","duration":3056}],"duration":"50:56","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SOUNDGATE","sub_format_path":"soundgate","sub_format_id":1308},{"title":"THE OFFSCREENS","subtitle":"DAY: 9","colour":"#fff409","path":"theoffscreens9","texte":"

The Offscreens, day 9 \/ Recorded in BaseCamp PopUp, Locarno, 11.08.23<\/span><\/p>\n\n

01:55:07 \/ With Vivi, Delphine Ayrton, Aline Sch\u00fcpbach, George Louis Bartlett, Andrea Anner, Thibault Brevet \/ Host\u2009: Andrea Marioni
\nVisual\u2009: Studio Vanieli \/ Co production Lumpen Station, BaseCamp, Radio Gwen-FSRC \/ With the support of Ville de Bienne<\/p>","desc":"The Offscreens, day 9 \/ Recorded in BaseCamp PopUp, Locarno, 11.08.23 01:55:07 \/ With Vivi, Delphine Ayrton, Aline Sch\u00fcpbach, George Louis Bartlett, Andrea Anner, Thibault Brevet \/ Host\u2009: Andrea Marioni Visual\u2009: Studio Vanieli \/ Co production Lumpen Station, BaseCamp, Radio Gwen-FSRC \/ With the support of Ville de Bienne","date":"04\/09\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1329\/ls_locarno_podcasts9.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1329\/ls_locarno_podcasts9.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1329\/ls_locarno_podcasts9.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1329\/offscreens9.mp3","duration":6914}],"duration":"115:14","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"THE OFFSCREENS","sub_format_path":"the-offscreens","sub_format_id":1320},{"title":"THE OFFSCREENS","subtitle":"DAY: 8","colour":"#fff409","path":"theoffscreens8","texte":"

The Offscreens, day 8 \/ Recorded in BaseCamp PopUp, Locarno, 10.08.23<\/span><\/p>\n\n

03:03:53 \/ With Vivi, Delphine Ayrton, Aline Sch\u00fcpbach \/ Performance by Francesca Sproccati and concert by Nello Novela \/ Host\u2009: Andrea
\nMarioni \/ Visual\u2009: Studio Vanieli \/ Co production Lumpen Station,
\nBaseCamp, Radio Gwen-FSRC \/ With the support of Ville de Bienne<\/p>","desc":"The Offscreens, day 8 \/ Recorded in BaseCamp PopUp, Locarno, 10.08.23 03:03:53 \/ With Vivi, Delphine Ayrton, Aline Sch\u00fcpbach \/ Performance by Francesca Sproccati and concert by Nello Novela \/ Host\u2009: Andrea Marioni \/ Visual\u2009: Studio Vanieli \/ Co production Lumpen Station, BaseCamp, Radio Gwen-FSRC \/ With the support of Ville de Bienne","date":"04\/09\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1328\/ls_locarno_podcasts8-1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1328\/ls_locarno_podcasts8-1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1328\/ls_locarno_podcasts8-1.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1328\/offscreens8.mp3","duration":11044}],"duration":"184:04","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"THE OFFSCREENS","sub_format_path":"the-offscreens","sub_format_id":1320},{"title":"THE OFFSCREENS","subtitle":"DAY: 7","colour":"#fff409","path":"theoffscreens7","texte":"

The Offscreens, day 7 \/ Recorded in BaseCamp PopUp, Locarno, 09.08.23<\/span><\/p>\n\n

01:54:31 \/ With Vivi, Delphine Ayrton, Aline Sch\u00fcpbach, Branislava Chao,
\nCharles de Agustin, Paul Fritz \/ Host\u2009: Andrea Marioni \/ Visual\u2009: Studio
\nVanieli \/ Co production Lumpen Station, BaseCamp, Radio Gwen-FSRC With the support of Ville de Bienne<\/p>","desc":"The Offscreens, day 7 \/ Recorded in BaseCamp PopUp, Locarno, 09.08.23 01:54:31 \/ With Vivi, Delphine Ayrton, Aline Sch\u00fcpbach, Branislava Chao, Charles de Agustin, Paul Fritz \/ Host\u2009: Andrea Marioni \/ Visual\u2009: Studio Vanieli \/ Co production Lumpen Station, BaseCamp, Radio Gwen-FSRC With the support of Ville de Bienne","date":"04\/09\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1327\/ls_locarno_podcasts7.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1327\/ls_locarno_podcasts7.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1327\/ls_locarno_podcasts7.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1327\/offscreens7.mp3","duration":6878}],"duration":"114:38","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"THE OFFSCREENS","sub_format_path":"the-offscreens","sub_format_id":1320},{"title":"THE OFFSCREENS","subtitle":"DAY: 6","colour":"#fff409","path":"theoffscreens6","texte":"","desc":"","date":"04\/09\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1326\/ls_locarno_podcasts6.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1326\/ls_locarno_podcasts6.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1326\/ls_locarno_podcasts6.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1326\/offscreen6_2.mp3","duration":6820}],"duration":"113:40","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"THE OFFSCREENS","sub_format_path":"the-offscreens","sub_format_id":1320},{"title":"THE OFFSCREENS","subtitle":"DAY: 5","colour":"#fff409","path":"theoffscreens5","texte":"

The Offscreens, day 5 \/ Recorded in BaseCamp PopUp, Locarno, 07.08.23<\/span><\/p>\n\n

02:03:29 \/ With Claire Megumi Masset, Andrea Marinelli, Ruxandra
\nMitache, Marko Miladinovi\u0107, Rafael Dernbach, Jody Agus \/ Host\u2009: Andrea Marioni \/ Visual\u2009: Studio Vanieli \/ Co production Lumpen Station,
\nBaseCamp, Radio Gwen-FSRC \/ With the support of Ville de Bienne<\/p>","desc":"The Offscreens, day 5 \/ Recorded in BaseCamp PopUp, Locarno, 07.08.23 02:03:29 \/ With Claire Megumi Masset, Andrea Marinelli, Ruxandra Mitache, Marko Miladinovi\u0107, Rafael Dernbach, Jody Agus \/ Host\u2009: Andrea Marioni \/ Visual\u2009: Studio Vanieli \/ Co production Lumpen Station, BaseCamp, Radio Gwen-FSRC \/ With the support of Ville de Bienne","date":"04\/09\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1325\/ls_locarno_podcasts5.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1325\/ls_locarno_podcasts5.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1325\/ls_locarno_podcasts5.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1325\/offscreens5edit.mp3","duration":7417}],"duration":"123:37","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"THE OFFSCREENS","sub_format_path":"the-offscreens","sub_format_id":1320},{"title":"THE OFFSCREENS","subtitle":"DAY: 4","colour":"#fff409","path":"theoffscreens4","texte":"

The Offscreens, day 4 \/ Recorded in BaseCamp PopUp, Locarno, 06.08.23<\/span><\/p>\n\n

01:57:45 \/ With Claire Megumi Masset, Andrea Marinelli, Ruxandra
\nMitache, Marko Miladinovi\u0107, Hayat Aljowaily, Cl\u00e9ment Deneux \/ Host\u2009:
\nAndrea Marioni \/ Visual\u2009: Studio Vanieli \/ Co production Lumpen Station, BaseCamp, Radio Gwen-FSRC \/ With the support of Ville de Bienne<\/p>","desc":"The Offscreens, day 4 \/ Recorded in BaseCamp PopUp, Locarno, 06.08.23 01:57:45 \/ With Claire Megumi Masset, Andrea Marinelli, Ruxandra Mitache, Marko Miladinovi\u0107, Hayat Aljowaily, Cl\u00e9ment Deneux \/ Host\u2009: Andrea Marioni \/ Visual\u2009: Studio Vanieli \/ Co production Lumpen Station, BaseCamp, Radio Gwen-FSRC \/ With the support of Ville de Bienne","date":"04\/09\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1324\/ls_locarno_podcasts4.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1324\/ls_locarno_podcasts4.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1324\/ls_locarno_podcasts4.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1324\/offscreens4edit.mp3","duration":7073}],"duration":"117:53","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"THE OFFSCREENS","sub_format_path":"the-offscreens","sub_format_id":1320},{"title":"THE OFFSCREENS","subtitle":"DAY: 3","colour":"#fff409","path":"theoffscreens3","texte":"

The Offscreens, day 3 \/ Recorded in BaseCamp PopUp, Locarno, 05.08.23<\/span><\/p>\n\n

01:57:40 \/ With Lara Buffard, Fausta Joly, Alan Koprivec, Benjamin
\nLaabmayr, Barnab\u00e9 Masson \/ Host\u2009: Andrea Marioni \/ Visual\u2009: Studio Vanieli
\nCo production Lumpen Station, BaseCamp, Radio Gwen-FSRC \/ With the support of Ville de Bienne<\/p>","desc":"The Offscreens, day 3 \/ Recorded in BaseCamp PopUp, Locarno, 05.08.23 01:57:40 \/ With Lara Buffard, Fausta Joly, Alan Koprivec, Benjamin Laabmayr, Barnab\u00e9 Masson \/ Host\u2009: Andrea Marioni \/ Visual\u2009: Studio Vanieli Co production Lumpen Station, BaseCamp, Radio Gwen-FSRC \/ With the support of Ville de Bienne","date":"04\/09\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1323\/ls_locarno_podcasts3.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1323\/ls_locarno_podcasts3.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1323\/ls_locarno_podcasts3.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1323\/offscreens3edit.mp3","duration":7067}],"duration":"117:47","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"THE OFFSCREENS","sub_format_path":"the-offscreens","sub_format_id":1320},{"title":"THE OFFSCREENS","subtitle":"DAY: 2","colour":"#fff409","path":"theoffscreens2","texte":"

The Offscreens, day 2 \/ Recorded in BaseCamp PopUp, Locarno, 04.08.23<\/span><\/p>\n\n

01:50:22\/ With Lara Buffard, Fausta Joly, Cristian Ferretti,
\nKarla Hiraldo Voleau \/ Host\u2009: Andrea Marioni \/ Visual\u2009: Studio Vanieli
\nCo production Lumpen Station, BaseCamp, Radio Gwen-FSRC \/ With the support of Ville de Bienne<\/p>","desc":"The Offscreens, day 2 \/ Recorded in BaseCamp PopUp, Locarno, 04.08.23 01:50:22\/ With Lara Buffard, Fausta Joly, Cristian Ferretti, Karla Hiraldo Voleau \/ Host\u2009: Andrea Marioni \/ Visual\u2009: Studio Vanieli Co production Lumpen Station, BaseCamp, Radio Gwen-FSRC \/ With the support of Ville de Bienne","date":"04\/09\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1322\/ls_locarno_podcasts2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1322\/ls_locarno_podcasts2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1322\/ls_locarno_podcasts2.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1322\/offscreens2edit.mp3","duration":6629}],"duration":"110:29","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"THE OFFSCREENS","sub_format_path":"the-offscreens","sub_format_id":1320},{"title":"THE OFFSCREENS","subtitle":"DAY: 1","colour":"#fff409","path":"theoffscreens1","texte":"

The Offscreens, day 1 \/ Recorded in BaseCamp PopUp, Locarno, 03.08.23<\/span><\/p>\n\n

01:55:42 \/ With Lara Buffard, Fausta Joly, Cristian Ferretti, Jack Rush
\nHost\u2009: Andrea Marioni \/ Visual\u2009: Studio Vanieli
\nCo production Lumpen Station, BaseCamp, Radio Gwen-FSRC \/ With the support of Ville de Bienne<\/p>","desc":"The Offscreens, day 1 \/ Recorded in BaseCamp PopUp, Locarno, 03.08.23 01:55:42 \/ With Lara Buffard, Fausta Joly, Cristian Ferretti, Jack Rush Host\u2009: Andrea Marioni \/ Visual\u2009: Studio Vanieli Co production Lumpen Station, BaseCamp, Radio Gwen-FSRC \/ With the support of Ville de Bienne","date":"04\/09\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1321\/ls_locarno_podcasts1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1321\/ls_locarno_podcasts1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1321\/ls_locarno_podcasts1.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1321\/offscreens1edit.mp3","duration":6949}],"duration":"115:49","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"THE OFFSCREENS","sub_format_path":"the-offscreens","sub_format_id":1320},{"title":"Soundgate Belgrade","subtitle":"live from Footnote Centre","colour":"#e50a0a","path":"soundgate-belgrade","texte":"

Soundgate Belgrade
\nRecorded in Footnote Centre, 25.06.23
\n03:04:29<\/p>\n\n

With Mia \u0106uk, Mark Boninsegna, Fiona Glen, Luka Strika, D.A. Calf, Yannis Mihos, Marianna Karava, Nenad Pinter and sound contribution from Luka Toyboy<\/p>\n\n

Host\u2009: Andrea Marioni
\nVisual\u2009: Studio Vanieli
\n\u00a9 Lumpen Station, with the support of Ville de Bienne\u00a0and Kanton Bern<\/p>","desc":"Soundgate Belgrade Recorded in Footnote Centre, 25.06.23 03:04:29 With Mia \u0106uk, Mark Boninsegna, Fiona Glen, Luka Strika, D.A. Calf, Yannis Mihos, Marianna Karava, Nenad Pinter and sound contribution from Luka Toyboy Host\u2009: Andrea Marioni Visual\u2009: Studio Vanieli \u00a9 Lumpen Station, with the support of Ville de Bienne\u00a0and Kanton Bern","date":"01\/08\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1310\/ls_soundgate_belgrade_couleur.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1310\/ls_soundgate_belgrade_couleur.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1310\/ls_soundgate_belgrade_couleur.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1310\/belgrade.mp3","duration":11170}],"duration":"186:10","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SOUNDGATE","sub_format_path":"soundgate","sub_format_id":1308},{"title":"Soundgate Tetova","subtitle":"live from Social Cultural Space Tetova","colour":"#e50a0a","path":"soundgate-tetova","texte":"

Soundgate Tetova
\nRecorded in Social Cultural Space Tetova, 21.06.23
\n01:51:11<\/p>\n\n

With Zana Rechi, Kutakana Litte, Zorica Zdravkovikj, Armend Rexhepi, Florin Kahrimani<\/p>\n\n

Host\u2009: Andrea Marioni
\nVisual\u2009: Studio Vanieli
\n\u00a9 Lumpen Station, with the support of Ville de Bienne\u00a0and Kanton Bern<\/p>","desc":"Soundgate Tetova Recorded in Social Cultural Space Tetova, 21.06.23 01:51:11 With Zana Rechi, Kutakana Litte, Zorica Zdravkovikj, Armend Rexhepi, Florin Kahrimani Host\u2009: Andrea Marioni Visual\u2009: Studio Vanieli \u00a9 Lumpen Station, with the support of Ville de Bienne\u00a0and Kanton Bern","date":"31\/07\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1309\/ls_soundgate_tetova_couleur.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1309\/ls_soundgate_tetova_couleur.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1309\/ls_soundgate_tetova_couleur.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1309\/tetova.mp3","duration":6688}],"duration":"111:28","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SOUNDGATE","sub_format_path":"soundgate","sub_format_id":1308},{"title":"Soundgate Sarajevo","subtitle":"live from DKC Sarajevo","colour":"#e50a0a","path":"soundgate-sarajevo","texte":"

Soundgate Sarajevo
\nRecorded in DKC Sarajevo, 10.06.23
\n02:30:32<\/p>\n\n

With Mahir Hrnjic, Dejan Te\u0161i\u0107, Faruk \u0160ahat, Hana Zeba, D\u017eeneta Zaklan, Hana Kova\u010devi\u0107, Sanin Ba\u0161i\u0107, Benjamin \u201cShogun\u201d, DJ Nonyx and sound contribution from Mladen Risti\u0107<\/p>\n\n

Host\u2009: Andrea Marioni
\nVisual\u2009: Studio Vanieli
\n\u00a9 Lumpen Station, with the support of Ville de Bienne and Kanton Bern<\/p>","desc":"Soundgate Sarajevo Recorded in DKC Sarajevo, 10.06.23 02:30:32 With Mahir Hrnjic, Dejan Te\u0161i\u0107, Faruk \u0160ahat, Hana Zeba, D\u017eeneta Zaklan, Hana Kova\u010devi\u0107, Sanin Ba\u0161i\u0107, Benjamin \u201cShogun\u201d, DJ Nonyx and sound contribution from Mladen Risti\u0107 Host\u2009: Andrea Marioni Visual\u2009: Studio Vanieli \u00a9 Lumpen Station, with the support of Ville de Bienne and Kanton Bern","date":"31\/07\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1307\/ls_soundgate_sarajevo_couleur.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1307\/ls_soundgate_sarajevo_couleur.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1307\/ls_soundgate_sarajevo_couleur.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1307\/dkcsarajevo.mp3","duration":9075}],"duration":"151:15","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SOUNDGATE","sub_format_path":"soundgate","sub_format_id":1308},{"title":"OHH - Dolcissima","subtitle":"by Kevin","colour":"#05b2d8","path":"ohh-dolcissima","texte":"

Otters holding hands is curated by Ambra Viviani and co-production Lumpen Station
\nDolcissima by Kevin, is the third episode of this serie.\u00a0<\/span><\/p>\n\n

Presentation:\u00a0<\/em>
\nUnborn project, romantically nipped in the bud by a cruel caress slumbering in time.<\/p>\n\n

Kevin likes to go to the sea
\neven his friends,
\nhis family.

\nWho hates him
\nso much

\nto take him away from the sea

\nto bring him back
\nsadly
\nin the city

\n?<\/span><\/p>","desc":"Otters holding hands is curated by Ambra Viviani and co-production Lumpen Station Dolcissima by Kevin, is the third episode of this serie.\u00a0 Presentation:\u00a0 Unborn project, romantically nipped in the bud by a cruel caress slumbering in time. Kevin likes to go to the sea even his friends, his family. Who hates him so much to take him away from the sea to bring him back sadly in the city ?","date":"01\/07\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1304\/kevin_dolcissima_immagine.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1304\/kevin_dolcissima_immagine.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1304\/kevin_dolcissima_immagine.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1304\/otters_holding_hands_ep_3-001.mp3","duration":1386}],"duration":"23:06","format":"ASSOCIATES","format_path":"associates","format_id":1269,"sub_format":"OTTERS HOLDING HANDS","sub_format_path":"otters-holding-hands","sub_format_id":1275},{"title":"Lessons","subtitle":"by Rodrigo Toro Madrid","colour":"#4b06fd","path":"lessons","texte":"

Meet the residents - 2022-2023
\nRodrigo Toro Madrid : Lessons
\nEP2, co-produced by Lumpen Station, 2023\u00a0<\/span><\/p>\n\n

Made in its entirety from found tapes and old records with language exercises, L E S S O N S explores the different layers of comedy or tragedy in their situations, and their machine-like expressions.<\/p>","desc":"Meet the residents - 2022-2023 Rodrigo Toro Madrid : Lessons EP2, co-produced by Lumpen Station, 2023\u00a0 Made in its entirety from found tapes and old records with language exercises, L E S S O N S explores the different layers of comedy or tragedy in their situations, and their machine-like expressions.","date":"01\/07\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1303\/rodrigo_lessons.2000x2000.jpeg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1303\/rodrigo_lessons.1200x1200.jpeg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1303\/rodrigo_lessons.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1303\/lessons_-_rodrigo_toro_madrid.mp3","duration":1484}],"duration":"24:44","format":"MEET THE RESIDENTS","format_path":"meet-the-residents","format_id":1174,"sub_format":"LUMPEN RESIDENTS 2022-2023","sub_format_path":"lumpenresidents20222023","sub_format_id":1268},{"title":"Cervelli in tempesta - Beatrice Beispiel","subtitle":"Live from Spazio L'ove, Luganetto","colour":"#f704b0","path":"cervelliintempestabeatricebeispiel","texte":"

Cervelli in Tempesta - Beatrice Beispiel\u00a0
\nRecorded in Spazio L\u2019OVE, Luganetto, 28.05.23 \/ 00:38:43
\nTechnical support\u2009: Safe Port Production \/ Visual\u2009: Studio Vanieli
\nSupported by Ville de Bienne<\/p>","desc":"Cervelli in Tempesta - Beatrice Beispiel\u00a0 Recorded in Spazio L\u2019OVE, Luganetto, 28.05.23 \/ 00:38:43 Technical support\u2009: Safe Port Production \/ Visual\u2009: Studio Vanieli Supported by Ville de Bienne","date":"30\/06\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1377\/ls_cervelli_beatricebeispiel.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1377\/ls_cervelli_beatricebeispiel.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1377\/ls_cervelli_beatricebeispiel.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1377\/editlovebeatricebeispiel.mp3","duration":2325}],"duration":"38:45","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166},{"title":"Cervelli in Tempesta - Meta Marie Louise","subtitle":"live from Spazio L'OVE, Luganetto","colour":"#f704b0","path":"cervelli-in-tempesta-meta-marie-louise","texte":"

Cervelli in Tempesta, Meta Marie Louise
\nRecorded in Spazio L\u2019OVE, Luganetto, 28.05.23
\n00:46:46<\/p>\n\n

Technical support\u2009: Safe Port Production
\nVisual\u2009: Studio Vanieli
\nSupported by Ville de Bienne<\/p>","desc":"Cervelli in Tempesta, Meta Marie Louise Recorded in Spazio L\u2019OVE, Luganetto, 28.05.23 00:46:46 Technical support\u2009: Safe Port Production Visual\u2009: Studio Vanieli Supported by Ville de Bienne","date":"30\/06\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1311\/ls_cervelli_metamarielouise.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1311\/ls_cervelli_metamarielouise.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1311\/ls_cervelli_metamarielouise.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1311\/editlovemetamarielouise1.mp3","duration":2808}],"duration":"46:48","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166},{"title":"Cervelli in Tempesta - LSD","subtitle":"Live from Lido San Domenico","colour":"#f704b0","path":"cervelli-in-tempesta-lsd","texte":"

Cervelli in Tempesta, Live from LSD
\nRecorded in Lido San Domenico, Castagnola, 29.05.23
\n02:29:31<\/p>\n\n

With Radio Gwen team, Francesca Sproccati, Marko Miladinovic, Antoine Rubin, Nick Hofmann and Cristiano Zanoni \u201cla Crepa\u201d

\nHost\u2009: Andrea Marioni
\nTechnical support\u2009: Safe Port Production
\nVisual\u2009: Studio Vanieli<\/p>\n\n

Supported by Ville de Bienne<\/p>","desc":"Cervelli in Tempesta, Live from LSD Recorded in Lido San Domenico, Castagnola, 29.05.23 02:29:31 With Radio Gwen team, Francesca Sproccati, Marko Miladinovic, Antoine Rubin, Nick Hofmann and Cristiano Zanoni \u201cla Crepa\u201d Host\u2009: Andrea Marioni Technical support\u2009: Safe Port Production Visual\u2009: Studio Vanieli Supported by Ville de Bienne","date":"30\/06\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1312\/ls_cervelli_livefromlsd.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1312\/ls_cervelli_livefromlsd.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1312\/ls_cervelli_livefromlsd.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1312\/editlsd1.mp3","duration":8981}],"duration":"149:41","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166},{"title":"Studio Mood #3","subtitle":"at Lucas Herzig","colour":"#0ad0e3","path":"studiomood3","texte":"

Studio Mood #1 at Lucas Herzig\u00a0<\/p>\n\n

As art practices often require moments of solitude, mind trip, inner envision or simply to catch the wave, Lumpen Station asked artists to share their personal playlist while working in their studio. Above enlarging music knowledge, the intend here is to reveal a sort of original soundtrack in the backstage of art works. It's also a way for artists to moove from their usual sound zone and enter in colleagues mood, eventually to refresh their own approaches or at least explore atmospheres while working (or not).\u00a0<\/p>","desc":"Studio Mood #1 at Lucas Herzig\u00a0 As art practices often require moments of solitude, mind trip, inner envision or simply to catch the wave, Lumpen Station asked artists to share their personal playlist while working in their studio. Above enlarging music knowledge, the intend here is to reveal a sort of original soundtrack in the backstage of art works. It's also a way for artists to moove from their usual sound zone and enter in colleagues mood, eventually to refresh their own approaches or at least explore atmospheres while working (or not).\u00a0","date":"27\/05\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1295\/ls_studiomood_lucas.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1295\/ls_studiomood_lucas.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1295\/ls_studiomood_lucas.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1295\/1a_editlucas.mp3","duration":8314}],"duration":"138:34","format":"MUSIC DOES THE TALKING","format_path":"music-does-the-talking","format_id":1212},{"title":"Studio Mood #2","subtitle":"at Lisa Lurati","colour":"#0ad0e3","path":"studiomood2","texte":"

Studio Mood #2 at Lisa Lurati\u00a0<\/p>\n\n

As art practices often require moments of solitude, mind trip, inner envision or simply to catch the wave, Lumpen Station asked artists to share their personal playlist while working in their studio. Above enlarging music knowledge, the intend here is to reveal a sort of original soundtrack in the backstage of art works. It's also a way for artists to moove from their usual sound zone and enter in colleagues mood, eventually to refresh their own approaches or at least explore atmospheres while working (or not).\u00a0<\/p>","desc":"Studio Mood #2 at Lisa Lurati\u00a0 As art practices often require moments of solitude, mind trip, inner envision or simply to catch the wave, Lumpen Station asked artists to share their personal playlist while working in their studio. Above enlarging music knowledge, the intend here is to reveal a sort of original soundtrack in the backstage of art works. It's also a way for artists to moove from their usual sound zone and enter in colleagues mood, eventually to refresh their own approaches or at least explore atmospheres while working (or not).\u00a0","date":"27\/05\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1294\/ls_studiomood_lisa-1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1294\/ls_studiomood_lisa-1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1294\/ls_studiomood_lisa-1.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1294\/1a_lisaedit1.mp3","duration":6814}],"duration":"113:34","format":"MUSIC DOES THE TALKING","format_path":"music-does-the-talking","format_id":1212},{"title":"Studio Mood #1","subtitle":"at Franziska Baumgartner","colour":"#0ad0e3","path":"studiomood1","texte":"

Studio Mood #1 at Franziska Baumgartner<\/p>\n\n

As art practices often require moments of solitude, mind trip, inner envision or simply to catch the wave, Lumpen Station asked artists to share their personal playlist while working in their studio. Above enlarging music knowledge, the intend here is to reveal a sort of original soundtrack in the backstage of art works. It's also a way for artists to moove from their usual sound zone and enter in colleagues mood, eventually to refresh their own approaches or at least explore atmospheres while working (or not).\u00a0<\/p>","desc":"Studio Mood #1 at Franziska Baumgartner As art practices often require moments of solitude, mind trip, inner envision or simply to catch the wave, Lumpen Station asked artists to share their personal playlist while working in their studio. Above enlarging music knowledge, the intend here is to reveal a sort of original soundtrack in the backstage of art works. It's also a way for artists to moove from their usual sound zone and enter in colleagues mood, eventually to refresh their own approaches or at least explore atmospheres while working (or not).\u00a0","date":"27\/05\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1293\/ls_studiomood_franziska-1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1293\/ls_studiomood_franziska-1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1293\/ls_studiomood_franziska-1.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1293\/1a_franziskaedit2.mp3","duration":9252}],"duration":"154:12","format":"MUSIC DOES THE TALKING","format_path":"music-does-the-talking","format_id":1212},{"title":"selbstportrait in Musik #8","subtitle":"with Vera Trachsel & Beth Dillon","colour":"#0ad0e3","path":"selbstportrait8","texte":"

Selbstportrait in Musik #8 with Vera Trachsel and Beth Dillon\u00a0
\nrecorded in Atomic Caf\u00e9, Biel\/Bienne, 07.05.23<\/p>\n\n

Selbstportrait in Musik est une s\u00e9rie de diffusion radiophonique depuis l\u2019Atomic Caf\u00e9 \u00e0 Bienne pour donner la voix ou plut\u00f4t les platines \u00e0 des artistes de la r\u00e9gion biennoise pour partager \u00ab\u00a0le temps d\u2019un ap\u00e9ro\u00a0\u00bb un autoportrait en musique. Attention, les contenus sont hauts en interpr\u00e9tations crypt\u00e9es sur la personnalit\u00e9 de nos invit\u00e9\u00b7es\u00a0!\u00a0Contenu musical<\/em><\/p>","desc":"Selbstportrait in Musik #8 with Vera Trachsel and Beth Dillon\u00a0 recorded in Atomic Caf\u00e9, Biel\/Bienne, 07.05.23 Selbstportrait in Musik est une s\u00e9rie de diffusion radiophonique depuis l\u2019Atomic Caf\u00e9 \u00e0 Bienne pour donner la voix ou plut\u00f4t les platines \u00e0 des artistes de la r\u00e9gion biennoise pour partager \u00ab\u00a0le temps d\u2019un ap\u00e9ro\u00a0\u00bb un autoportrait en musique. Attention, les contenus sont hauts en interpr\u00e9tations crypt\u00e9es sur la personnalit\u00e9 de nos invit\u00e9\u00b7es\u00a0!\u00a0Contenu musical","date":"27\/05\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1292\/ls_selbsportrait_verabeth.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1292\/ls_selbsportrait_verabeth.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1292\/ls_selbsportrait_verabeth.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1292\/lumpen_station_-_vera_07_05_23_2h05m22s.mp3","duration":7522}],"duration":"125:22","format":"MUSIC DOES THE TALKING","format_path":"music-does-the-talking","format_id":1212},{"title":"selbstportrait in Musik #7","subtitle":"with Marie-Jo Voyame","colour":"#0ad0e3","path":"selbstportrait7","texte":"

Selbstportrait in Musik #7 with Marie-Jo Voyame\u00a0
\nrecorded in Atomic Caf\u00e9, Biel\/Bienne, 02.04.23<\/p>\n\n

Selbstportrait in Musik est une s\u00e9rie de diffusion radiophonique depuis l\u2019Atomic Caf\u00e9 \u00e0 Bienne pour donner la voix ou plut\u00f4t les platines \u00e0 des artistes de la r\u00e9gion biennoise pour partager \u00ab\u00a0le temps d\u2019un ap\u00e9ro\u00a0\u00bb un autoportrait en musique. Attention, les contenus sont hauts en interpr\u00e9tations crypt\u00e9es sur la personnalit\u00e9 de nos invit\u00e9\u00b7es\u00a0!\u00a0Contenu musical<\/em><\/p>","desc":"Selbstportrait in Musik #7 with Marie-Jo Voyame\u00a0 recorded in Atomic Caf\u00e9, Biel\/Bienne, 02.04.23 Selbstportrait in Musik est une s\u00e9rie de diffusion radiophonique depuis l\u2019Atomic Caf\u00e9 \u00e0 Bienne pour donner la voix ou plut\u00f4t les platines \u00e0 des artistes de la r\u00e9gion biennoise pour partager \u00ab\u00a0le temps d\u2019un ap\u00e9ro\u00a0\u00bb un autoportrait en musique. Attention, les contenus sont hauts en interpr\u00e9tations crypt\u00e9es sur la personnalit\u00e9 de nos invit\u00e9\u00b7es\u00a0!\u00a0Contenu musical","date":"27\/05\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1291\/ls_selbtsportrait_mariejo_podcast.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1291\/ls_selbtsportrait_mariejo_podcast.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1291\/ls_selbtsportrait_mariejo_podcast.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1291\/lumpen_station_-_marie_jo_2avril23_02h04m56s.mp3","duration":7504}],"duration":"125:04","format":"MUSIC DOES THE TALKING","format_path":"music-does-the-talking","format_id":1212},{"title":"Selbstportrait in Musik #6","subtitle":"with Andrea Marioni","colour":"#0ad0e3","path":"selbstportrait6","texte":"

Selbstportrait in Musik #6 with Andrea Marioni\u00a0
\nrecorded in Atomic Caf\u00e9, Biel\/Bienne, 05.03.23<\/p>\n\n

Selbstportrait in Musik est une s\u00e9rie de diffusion radiophonique depuis l\u2019Atomic Caf\u00e9 \u00e0 Bienne pour donner la voix ou plut\u00f4t les platines \u00e0 des artistes de la r\u00e9gion biennoise pour partager \u00ab\u00a0le temps d\u2019un ap\u00e9ro\u00a0\u00bb un autoportrait en musique. Attention, les contenus sont hauts en interpr\u00e9tations crypt\u00e9es sur la personnalit\u00e9 de nos invit\u00e9\u00b7es\u00a0!\u00a0Contenu musical<\/em><\/p>","desc":"Selbstportrait in Musik #6 with Andrea Marioni\u00a0 recorded in Atomic Caf\u00e9, Biel\/Bienne, 05.03.23 Selbstportrait in Musik est une s\u00e9rie de diffusion radiophonique depuis l\u2019Atomic Caf\u00e9 \u00e0 Bienne pour donner la voix ou plut\u00f4t les platines \u00e0 des artistes de la r\u00e9gion biennoise pour partager \u00ab\u00a0le temps d\u2019un ap\u00e9ro\u00a0\u00bb un autoportrait en musique. Attention, les contenus sont hauts en interpr\u00e9tations crypt\u00e9es sur la personnalit\u00e9 de nos invit\u00e9\u00b7es\u00a0!\u00a0Contenu musical","date":"27\/05\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1290\/ls_selbstportrait_andrea_podcast.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1290\/ls_selbstportrait_andrea_podcast.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1290\/ls_selbstportrait_andrea_podcast.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1290\/lumpen_station_-_andrea_5_mars_2h01m19s.mp3","duration":7285}],"duration":"121:25","format":"MUSIC DOES THE TALKING","format_path":"music-does-the-talking","format_id":1212},{"title":"Selbstportrait in Musik #5","subtitle":"with Josette Seydoux","colour":"#0ad0e3","path":"selbstportrait5","texte":"

Selbstportrait in Musik #5 with Josette Seydoux\u00a0
\nrecorded in Atomic Caf\u00e9, Biel\/Bienne, 11.12.22<\/p>\n\n

Selbstportrait in Musik est une s\u00e9rie de diffusion radiophonique depuis l\u2019Atomic Caf\u00e9 \u00e0 Bienne pour donner la voix ou plut\u00f4t les platines \u00e0 des artistes de la r\u00e9gion biennoise pour partager \u00ab\u00a0le temps d\u2019un ap\u00e9ro\u00a0\u00bb un autoportrait en musique. Attention, les contenus sont hauts en interpr\u00e9tations crypt\u00e9es sur la personnalit\u00e9 de nos invit\u00e9\u00b7es\u00a0!\u00a0Contenu musical<\/em><\/p>","desc":"Selbstportrait in Musik #5 with Josette Seydoux\u00a0 recorded in Atomic Caf\u00e9, Biel\/Bienne, 11.12.22 Selbstportrait in Musik est une s\u00e9rie de diffusion radiophonique depuis l\u2019Atomic Caf\u00e9 \u00e0 Bienne pour donner la voix ou plut\u00f4t les platines \u00e0 des artistes de la r\u00e9gion biennoise pour partager \u00ab\u00a0le temps d\u2019un ap\u00e9ro\u00a0\u00bb un autoportrait en musique. Attention, les contenus sont hauts en interpr\u00e9tations crypt\u00e9es sur la personnalit\u00e9 de nos invit\u00e9\u00b7es\u00a0!\u00a0Contenu musical","date":"27\/05\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1289\/ls_selbstportrait_josette_podcast.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1289\/ls_selbstportrait_josette_podcast.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1289\/ls_selbstportrait_josette_podcast.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1289\/11_decembre_-_josette_02h00m51s.mp3","duration":7258}],"duration":"120:58","format":"MUSIC DOES THE TALKING","format_path":"music-does-the-talking","format_id":1212},{"title":"Selbstportrait in Musik #4","subtitle":"with Thalles Piaget","colour":"#0ad0e3","path":"selbstportrait-in-musik-4","texte":"

Selbstportrait in Musik #4 with Thalles Piaget\u00a0
\nrecorded in Atomic Caf\u00e9, Biel\/Bienne, 06.11.22\u00a0<\/p>\n\n

Selbstportrait in Musik est une s\u00e9rie de diffusion radiophonique depuis l\u2019Atomic Caf\u00e9 \u00e0 Bienne pour donner la voix ou plut\u00f4t les platines \u00e0 des artistes de la r\u00e9gion biennoise pour partager \u00ab\u00a0le temps d\u2019un ap\u00e9ro\u00a0\u00bb un autoportrait en musique. Attention, les contenus sont hauts en interpr\u00e9tations crypt\u00e9es sur la personnalit\u00e9 de nos invit\u00e9\u00b7es\u00a0!\u00a0Contenu musical<\/em><\/p>\n\n\n\n\n\n


\n\u00a0<\/p>","desc":"Selbstportrait in Musik #4 with Thalles Piaget\u00a0 recorded in Atomic Caf\u00e9, Biel\/Bienne, 06.11.22\u00a0 Selbstportrait in Musik est une s\u00e9rie de diffusion radiophonique depuis l\u2019Atomic Caf\u00e9 \u00e0 Bienne pour donner la voix ou plut\u00f4t les platines \u00e0 des artistes de la r\u00e9gion biennoise pour partager \u00ab\u00a0le temps d\u2019un ap\u00e9ro\u00a0\u00bb un autoportrait en musique. Attention, les contenus sont hauts en interpr\u00e9tations crypt\u00e9es sur la personnalit\u00e9 de nos invit\u00e9\u00b7es\u00a0!\u00a0Contenu musical \u00a0","date":"27\/05\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1288\/ls_selbstportrait_thal_podcast.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1288\/ls_selbstportrait_thal_podcast.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1288\/ls_selbstportrait_thal_podcast.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1288\/thal_6_nov_02h01m06s.mp3","duration":7266}],"duration":"121:06","format":"MUSIC DOES THE TALKING","format_path":"music-does-the-talking","format_id":1212},{"title":"the incredible artist's career of...","subtitle":"introducing : Phil Kassel","colour":"#f704b0","path":"theincredibleartistscareerof","texte":"

The incredible artist's career of...\u00a0
\nIntroducing : Phil Kassel\u00a0
\nEP1, Lumpen Station production, \u00a9 2023<\/p>\n\n

The incredible artist's career of... is a workshop dedicated on experimental narratives and screenwriting technics. On this first episode, participants start the biography of an artist, find the name Phil Kassel after a round of dice and create original sequences describing art works and career evolution of this fictional character. The series made through workshops and group works aims to create a collective narrative where all participant contribute to render a moment of this incredible artist's career.\u00a0<\/p>\n\n

The first episode has been made during a workshop\u00a0in Lokal-int, Biel\/Bienne, in May 2023
\nIn the same location the episode has been live broadcasted during a public listening session the\u00a019.05.23<\/p>\n\n

Show runner: Andrea Marioni\u00a0
\nParticipants and soundwriters: Aline Sch\u00fcpbach, Ljubia Kohlbrenner, Meret Sch\u00fcpbach, Sonja Fuchs, Christof Steinmann<\/p>","desc":"The incredible artist's career of...\u00a0 Introducing : Phil Kassel\u00a0 EP1, Lumpen Station production, \u00a9 2023 The incredible artist's career of... is a workshop dedicated on experimental narratives and screenwriting technics. On this first episode, participants start the biography of an artist, find the name Phil Kassel after a round of dice and create original sequences describing art works and career evolution of this fictional character. The series made through workshops and group works aims to create a collective narrative where all participant contribute to render a moment of this incredible artist's career.\u00a0 The first episode has been made during a workshop\u00a0in Lokal-int, Biel\/Bienne, in May 2023 In the same location the episode has been live broadcasted during a public listening session the\u00a019.05.23 Show runner: Andrea Marioni\u00a0 Participants and soundwriters: Aline Sch\u00fcpbach, Ljubia Kohlbrenner, Meret Sch\u00fcpbach, Sonja Fuchs, Christof Steinmann","date":"20\/05\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1296\/ls_artistscareer_philkassel.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1296\/ls_artistscareer_philkassel.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1296\/ls_artistscareer_philkassel.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1296\/lumpen_station_-_local_int_18_05_23_35m15s.mp3","duration":2115}],"duration":"35:15","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166},{"title":"Qui\u00e9n hace tanta bulla","subtitle":"by Ale Hop & Ignacio Brice\u00f1o","colour":"#4cf00c","path":"quien-hace-tanta-bulla","texte":"

Qui\u00e9n hace tanta bulla, by Ale Hop & Ignacio Brice\u00f1o
\nco-production Lumpen Station, released in may 2023\u00a0<\/span><\/p>\n\n

Peruvian artists, Ale Hop & Ignacio Brice\u00f1o, join the celebrations for the 100th anniversary of the publication of Cesar\u00a0Vallejo's Trilce, one of the most innovative and influential works of poetry in the Spanish language, with the sound artwork\u00a0QUI\u00c9N HACE TANTA BULLA, an exploration of sound-staging poetry. \u00a0<\/p>\n\n

The radio piece\u00a0weaves together poems I (Qui\u00e9n hace tanta bulla\u2026), XLVII (Tengo ahora 70 soles peruanos\u2026), LXIX (Qu\u00e9 nos buscas, oh mar\u2026), XXXVI (Pugnamos insertarnos por un ojo de aguja\u2026), along with an interview of literature professor Ricardo Gonz\u00e1lez Vigil. \u00a0\u00a0\u00a0<\/p>\n\n

Vallejo's words on\u00a0new poetry<\/em>\u00a0- \"Often new voices can falter, yet as often the poem, without saying 'airplane', nonetheless conveys an airborne sensation in a way that is obscure and implicit, yet effective and humane\"-served as the compositional north for the piece.<\/p>\n\n

The artists read and re-read the poems, together with Gonzalez Vigil's commented edition of Trilce and \"Trilce \u2013 poema por poema\" by V\u00efctor Vich and Alexandra Hibbett. The hermetic and fractured language in Vallejo's poetry is conveyed by means of sound's artifice - layering, sampling, autotuning, and other\u00a0audio\u00a0techniques\u00a0used to resonate the emotion and meaning of his work.<\/p>\n\n

Trilce arose in the first decades of the 20th century in Peru, a time in which the model of modernity\u00a0\u2014a promise dismantled in Vallejo's poetry\u2014brought about new tensions and social conflicts, that remain unresolved and exacerbated today. While we recorded this piece, social upheaval rises in the country in the wake of its 200th independence anniversary.<\/p>\n\n

(Recorded at L'Abri studios in Geneva, thanks to the support from the Swiss Arts Council Pro Helvetia South America.)<\/p>","desc":"Qui\u00e9n hace tanta bulla, by Ale Hop & Ignacio Brice\u00f1o co-production Lumpen Station, released in may 2023\u00a0 Peruvian artists, Ale Hop & Ignacio Brice\u00f1o, join the celebrations for the 100th anniversary of the publication of Cesar\u00a0Vallejo's Trilce, one of the most innovative and influential works of poetry in the Spanish language, with the sound artwork\u00a0QUI\u00c9N HACE TANTA BULLA, an exploration of sound-staging poetry. \u00a0 The radio piece\u00a0weaves together poems I (Qui\u00e9n hace tanta bulla\u2026), XLVII (Tengo ahora 70 soles peruanos\u2026), LXIX (Qu\u00e9 nos buscas, oh mar\u2026), XXXVI (Pugnamos insertarnos por un ojo de aguja\u2026), along with an interview of literature professor Ricardo Gonz\u00e1lez Vigil. \u00a0\u00a0\u00a0 Vallejo's words on\u00a0new poetry\u00a0- \"Often new voices can falter, yet as often the poem, without saying 'airplane', nonetheless conveys an airborne sensation in a way that is obscure and implicit, yet effective and humane\"-served as the compositional north for the piece. The artists read and re-read the poems, together with Gonzalez Vigil's commented edition of Trilce and \"Trilce \u2013 poema por poema\" by V\u00efctor Vich and Alexandra Hibbett. The hermetic and fractured language in Vallejo's poetry is conveyed by means of sound's artifice - layering, sampling, autotuning, and other\u00a0audio\u00a0techniques\u00a0used to resonate the emotion and meaning of his work. Trilce arose in the first decades of the 20th century in Peru, a time in which the model of modernity\u00a0\u2014a promise dismantled in Vallejo's poetry\u2014brought about new tensions and social conflicts, that remain unresolved and exacerbated today. While we recorded this piece, social upheaval rises in the country in the wake of its 200th independence anniversary. (Recorded at L'Abri studios in Geneva, thanks to the support from the Swiss Arts Council Pro Helvetia South America.)","date":"02\/05\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1281\/imagen-vallejo.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1281\/imagen-vallejo.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1281\/imagen-vallejo.1200x1200.jpg","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1281\/alehop-ignaciobriceno--quien-hace-tanta-bulla.mp3","duration":1604}],"duration":"26:44","format":"LUMPEN CONNEXIONS","format_path":"lumpen-connexions","format_id":1177},{"title":"OHH - Unreliable object","subtitle":"by Federico Pozuelo","colour":"#05b2d8","path":"ohh-unreliable-object","texte":"

Otters holding hands is curated by Ambra Viviani and co-production Lumpen Station
\nUnreliable Object by Federico Pozuelo has been released in may 2023\u00a0<\/p>\n\n

\"Unreliable Object\u00a0<\/em>is a radio drama that explores our perception of reality through a story of love, contraband, and science fiction.\"<\/span><\/p>\n\n

Federico Pozuelo\u00a0is a visual artist who explores the construction of historical and cultural narratives through different languages. In his latest works, he reflects on the construction of historical events, the aestheticization of political violence, and the theatricalization of cultural narratives through cinema.<\/p>\n\n

_____________________________<\/p>\n\n

Unreliable Object by Federico Pozuelo
\nNarrated by Francesca Flora
\nOriginal soundtrack and sound design by Maria Virgin<\/p>\n\n

With a tracklist carefully selected by Arsider<\/p>\n\n

1. Dori Sorride -\u00a0Vasame<\/em>
\n2. Colla -\u00a0Vetri Rotti<\/em>
\n3. Marcangelo Malapianta -\u00a0Vorrei Sparire<\/em><\/p>\n\n

4. Devi Tensione -\u00a0Tanto Tempo\u00a0<\/em><\/p>\n\n

5. Detesta -\u00a0Shadow of the Axe<\/em><\/p>\n\n

6. Cagasotto Atavica -\u00a0Detto Male<\/em><\/p>\n\n

7. PantomimaXXX -\u00a0Sessanta\u00a0<\/em><\/p>\n\n

___________________________<\/p>\n\n

Francesca Flora\u00a0is a writer and performer deploying her voice and its machinic alterations to explore the affective and semiotic potentialities of poetic language in relation to political dynamics embedded in the everyday.\u00a0<\/p>\n\n

Maria Virgin\u00a0is a multidisciplinary artist that explores sound through different means. In his last works, he investigates the possibilities of applying experimental approaches to different media like cinema, popular music, and sound design. He founded Povera in 2017, a platform that hosts experimental culture in Turin.<\/p>\n\n

Arsider\u00a0is an informal network of the audio technology sector founded in 2010, producing systems for speech synthesis and man-machine interaction. from time to time it may be a radio broadcasting device, a propaganda hub, or an independent production center for the dissemination of critical thinking.<\/p>","desc":"Otters holding hands is curated by Ambra Viviani and co-production Lumpen Station Unreliable Object by Federico Pozuelo has been released in may 2023\u00a0 \"Unreliable Object\u00a0is a radio drama that explores our perception of reality through a story of love, contraband, and science fiction.\" Federico Pozuelo\u00a0is a visual artist who explores the construction of historical and cultural narratives through different languages. In his latest works, he reflects on the construction of historical events, the aestheticization of political violence, and the theatricalization of cultural narratives through cinema. _____________________________ Unreliable Object by Federico Pozuelo Narrated by Francesca Flora Original soundtrack and sound design by Maria Virgin With a tracklist carefully selected by Arsider 1. Dori Sorride -\u00a0Vasame 2. Colla -\u00a0Vetri Rotti 3. Marcangelo Malapianta -\u00a0Vorrei Sparire 4. Devi Tensione -\u00a0Tanto Tempo\u00a0 5. Detesta -\u00a0Shadow of the Axe 6. Cagasotto Atavica -\u00a0Detto Male 7. PantomimaXXX -\u00a0Sessanta\u00a0 ___________________________ Francesca Flora\u00a0is a writer and performer deploying her voice and its machinic alterations to explore the affective and semiotic potentialities of poetic language in relation to political dynamics embedded in the everyday.\u00a0 Maria Virgin\u00a0is a multidisciplinary artist that explores sound through different means. In his last works, he investigates the possibilities of applying experimental approaches to different media like cinema, popular music, and sound design. He founded Povera in 2017, a platform that hosts experimental culture in Turin. Arsider\u00a0is an informal network of the audio technology sector founded in 2010, producing systems for speech synthesis and man-machine interaction. from time to time it may be a radio broadcasting device, a propaganda hub, or an independent production center for the dissemination of critical thinking.","date":"02\/05\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1280\/ooh-federico_pozuelo-artwork.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1280\/ooh-federico_pozuelo-artwork.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1280\/ooh-federico_pozuelo-artwork.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1280\/otters_holding_hands_ep_2.mp3","duration":1916}],"duration":"31:56","format":"ASSOCIATES","format_path":"associates","format_id":1269,"sub_format":"OTTERS HOLDING HANDS","sub_format_path":"otters-holding-hands","sub_format_id":1275},{"title":"Migrants headbox","subtitle":"by Andrea Marinelli & Kratu","colour":"#4cf00c","path":"migrants-headbox","texte":"

Migrants headbox by\u00a0Andrea Marinelli & Kratu\u00a0
\nco-production Lumpen Station, released in may 2023\u00a0<\/span><\/p>\n\n

Vocal music flexes with more agility than any other at the change of eras, styles, ways of communication, movements. We offer here a brief mix of highly refined artists who destabilized the voice conception with a broad cultural spectrum from the ancestral music of the Greek migrants of the 19th century, to the rewritings of ancient music by Sainkho Namtchylak and Cathy Barberian to the crasis with electronics by Lucretia Dalt. Or rather, they dig the voice, they deepen it, resulting in an astonishing complexity alongside the simple magnetism of human wailing and all the sound of the body.
\nKratu [Serena Dibiase] and Andrea\u00a0Marinelli\u00a0are artists and performers both, with two eclectic researches that find a common genesis into voice, word and sound.<\/p>\n\n

https:\/\/kratu.bandcamp.com\/<\/a><\/p>\n\n

andreamarinelli.net<\/a><\/p>","desc":"Migrants headbox by\u00a0Andrea Marinelli & Kratu\u00a0 co-production Lumpen Station, released in may 2023\u00a0 Vocal music flexes with more agility than any other at the change of eras, styles, ways of communication, movements. We offer here a brief mix of highly refined artists who destabilized the voice conception with a broad cultural spectrum from the ancestral music of the Greek migrants of the 19th century, to the rewritings of ancient music by Sainkho Namtchylak and Cathy Barberian to the crasis with electronics by Lucretia Dalt. Or rather, they dig the voice, they deepen it, resulting in an astonishing complexity alongside the simple magnetism of human wailing and all the sound of the body. Kratu [Serena Dibiase] and Andrea\u00a0Marinelli\u00a0are artists and performers both, with two eclectic researches that find a common genesis into voice, word and sound. https:\/\/kratu.bandcamp.com\/ andreamarinelli.net","date":"02\/05\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1282\/kratu_marinelli_migrants_headboxx.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1282\/kratu_marinelli_migrants_headboxx.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1282\/kratu_marinelli_migrants_headboxx.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1282\/serena_dibiase_andrea_marinelli_lumpen.mp3","duration":976}],"duration":"16:16","format":"LUMPEN CONNEXIONS","format_path":"lumpen-connexions","format_id":1177},{"title":"Dangerous Dances and the meaning of the word slosh","subtitle":"by Megan Orsi","colour":"#4cf00c","path":"dangerous-dances-and-the-meaning-of-the-word-slosh","texte":"

Dangerous Dances and the meaning of the word slosh by Megan Orsi
\nco-production Lumpen Station, release in may 2023\u00a0<\/span><\/p>\n\n

Dangerous Dances and the meaning of the word slosh
\nDangerous Dances and the meaning of the word slosh is an ode to an ambivalent love for mosh pits.
\nIt's about the delicious pleasure of being shoved and pushed by strangers. A moment where clashing bodies and raw sounds are in sync.
\nA liminal space where pain, violence, playfulness and collectivity can maybe cohabit.<\/p>\n\n

A place where being soft and hard is welcome
\nA beautiful chaotic mess of sweaty and sometimes horny colliding beings In the Pit, bodies become fluid, liquid
\nDon\u2019t forget to pick them up if they fall though.
\n\u00ab Slosh \u00bb sounds a bit like \u00ab Mosh \u00bb doesn\u2019t it?<\/p>\n\n

Credits:<\/span>
\nVoices: Martian M. M\u00e4chler, Joshua Orsi, Megan Orsi<\/p>\n\n

Texts\/Film:
\n- Another State of Mind (1984) by Adam Small, Peter Stuart
\n- Pogo by Leila Bergougnoux (found in the fanzine Ventoline n\u00b04)
\n- The Punk Singer by Sini Handerson (2013)
\n- \u201cGimme Gimme This . . . Gimme Gimme That\u201d, Annihilation and Innovation in the Punk Rock Commons by Jos\u00e9 Esteban Mu\u00f1oz
\n- Foam of the Daze by Rose Higham-Stainton
\n- La face Camp des musiques extr\u00eames : Limp Wrist et la QueerRisation de l\u2019esth\u00e9tique punk hardcore by Louise Barri\u00e8re
\n-\u00a0Feeling Pain\/Making Kin in the Brooklyn Noise Music Scene by David Farrow<\/p>\n\n

- Recording of Show Me the Body concert in Fribourg - Recording of Deli Girls concert in Lausanne<\/p>\n\n

-\u00a0Debbie Harry explains the Pogo to the Americans<\/p>\n\n

- House basement sound rehearsal with Charlotte Mermoud
\n- The Mysticism of Mosh Pits, Or, The Mess of Sociality, Or, Have You Ever Seen Lightning Bolt Live? By Johanna Hedva<\/p>","desc":"Dangerous Dances and the meaning of the word slosh by Megan Orsi co-production Lumpen Station, release in may 2023\u00a0 Dangerous Dances and the meaning of the word slosh Dangerous Dances and the meaning of the word slosh is an ode to an ambivalent love for mosh pits. It's about the delicious pleasure of being shoved and pushed by strangers. A moment where clashing bodies and raw sounds are in sync. A liminal space where pain, violence, playfulness and collectivity can maybe cohabit. A place where being soft and hard is welcome A beautiful chaotic mess of sweaty and sometimes horny colliding beings In the Pit, bodies become fluid, liquid Don\u2019t forget to pick them up if they fall though. \u00ab Slosh \u00bb sounds a bit like \u00ab Mosh \u00bb doesn\u2019t it? Credits: Voices: Martian M. M\u00e4chler, Joshua Orsi, Megan Orsi Texts\/Film: - Another State of Mind (1984) by Adam Small, Peter Stuart - Pogo by Leila Bergougnoux (found in the fanzine Ventoline n\u00b04) - The Punk Singer by Sini Handerson (2013) - \u201cGimme Gimme This . . . Gimme Gimme That\u201d, Annihilation and Innovation in the Punk Rock Commons by Jos\u00e9 Esteban Mu\u00f1oz - Foam of the Daze by Rose Higham-Stainton - La face Camp des musiques extr\u00eames : Limp Wrist et la QueerRisation de l\u2019esth\u00e9tique punk hardcore by Louise Barri\u00e8re -\u00a0Feeling Pain\/Making Kin in the Brooklyn Noise Music Scene by David Farrow - Recording of Show Me the Body concert in Fribourg - Recording of Deli Girls concert in Lausanne -\u00a0Debbie Harry explains the Pogo to the Americans - House basement sound rehearsal with Charlotte Mermoud - The Mysticism of Mosh Pits, Or, The Mess of Sociality, Or, Have You Ever Seen Lightning Bolt Live? By Johanna Hedva","date":"02\/05\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1285\/lumpen_visuals_mosh2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1285\/lumpen_visuals_mosh2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1285\/lumpen_visuals_mosh2.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1285\/ddslosh_newversion23.mp3","duration":1528}],"duration":"25:28","format":"LUMPEN CONNEXIONS","format_path":"lumpen-connexions","format_id":1177},{"title":"Come se non ci fosse un domani","subtitle":"Day 2","colour":"#07aedd","path":"comesenoncifosseundomani2","texte":"

Come se non ci fosse un domani \u2013 live at Balabiott Museum during La Straordinaria
\n@lumpen station, recorded 25.03.23, podcast released in may 2023\u00a0<\/span><\/p>\n\n

Using the expression \"come se non ci fosse un domani\"\u00a0(\"like there isn\u2019t a tomorrow\")\u00a0as a starting point to ask artists to propose their relation with present and future. This archive renders the peculiar atmosphere in the Balabiott Museum during La Straordinaria in Lugano, goes through some chaos, live performances, interviews and as well presents works made by artists from India curated by Premjish Achari.<\/p>\n\n

Co-host: Rachele Monti\u00a0<\/p>\n\n

Artists invited:\u00a0Nadir Paltenghi, Ranjeeta River, Christof Steinmann, Premjish Achari, John Redhead<\/p>","desc":"Come se non ci fosse un domani \u2013 live at Balabiott Museum during La Straordinaria @lumpen station, recorded 25.03.23, podcast released in may 2023\u00a0 Using the expression \"come se non ci fosse un domani\"\u00a0(\"like there isn\u2019t a tomorrow\")\u00a0as a starting point to ask artists to propose their relation with present and future. This archive renders the peculiar atmosphere in the Balabiott Museum during La Straordinaria in Lugano, goes through some chaos, live performances, interviews and as well presents works made by artists from India curated by Premjish Achari. Co-host: Rachele Monti\u00a0 Artists invited:\u00a0Nadir Paltenghi, Ranjeeta River, Christof Steinmann, Premjish Achari, John Redhead","date":"02\/05\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1284\/ls_balabiott_day2_podcast.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1284\/ls_balabiott_day2_podcast.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1284\/ls_balabiott_day2_podcast.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1284\/day2edit.mp3","duration":7791}],"duration":"129:51","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114},{"title":"Come se non ci fosse un domani","subtitle":"Day 1","colour":"#07aedd","path":"comesenoncifosseundomani","texte":"

Come se non ci fosse un domani \u2013 live at Balabiott Museum during La Straordinaria<\/span>
@lumpen station, recorded 24.03.23, podcast released in may 2023\u00a0<\/span><\/p>\n\n

Using the expression \"come se non ci fosse un domani\"\u00a0(\"like there isn\u2019t a tomorrow\")\u00a0as a starting point to ask artists to propose their relation with present and future. This archive renders the peculiar atmosphere in the Balabiott Museum during La Straordinaria in Lugano, goes through some chaos, live performances, interviews and as well presents works made by artists from India curated by Premjish Achari.<\/p>\n\n

Artists invited: Ritaban Ghosh, Riccardo Lisi, Marko Miladinovic,\u00a0
\nNikita Maheshwary, Akshay Pathak, John Readhead\u00a0<\/p>","desc":"Come se non ci fosse un domani \u2013 live at Balabiott Museum during La Straordinaria@lumpen station, recorded 24.03.23, podcast released in may 2023\u00a0 Using the expression \"come se non ci fosse un domani\"\u00a0(\"like there isn\u2019t a tomorrow\")\u00a0as a starting point to ask artists to propose their relation with present and future. This archive renders the peculiar atmosphere in the Balabiott Museum during La Straordinaria in Lugano, goes through some chaos, live performances, interviews and as well presents works made by artists from India curated by Premjish Achari. Artists invited: Ritaban Ghosh, Riccardo Lisi, Marko Miladinovic,\u00a0 Nikita Maheshwary, Akshay Pathak, John Readhead\u00a0","date":"02\/05\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1283\/ls_balabiott_day1_podcast.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1283\/ls_balabiott_day1_podcast.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1283\/ls_balabiott_day1_podcast.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1283\/day1edit.mp3","duration":10889}],"duration":"181:29","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114},{"title":"OHH - Between pure rain and sea water","subtitle":"by Nora Berman","colour":"#05b2d8","path":"ohh-between-pure-rain-and-sea-water","texte":"

Otters holding Hands is a sound exhibition series curated by Ambra Viviani Lumpen station's associates curator
\nBetween pure rain and sea water, by Nora Berman, release in april 2023, co-production: Lumpen Station and Giulietta\u00a0<\/span><\/p>\n\n

\"The charismatic transmission of one\u2019s attainment to another through the mystical process of love and adoration.\"<\/p>\n\n

Nora Berman <\/span>is a Californian artist whose work seems to engage with notions of primal consciousness in a time and place (contemporary Los Angeles) that is informed by the Dark Web, conspiracy theory, religious hysteria, ecstatic lifestyle cults, paranoia, neurasthenic self-help, violence and saturation media.<\/p>","desc":"Otters holding Hands is a sound exhibition series curated by Ambra Viviani Lumpen station's associates curator Between pure rain and sea water, by Nora Berman, release in april 2023, co-production: Lumpen Station and Giulietta\u00a0 \"The charismatic transmission of one\u2019s attainment to another through the mystical process of love and adoration.\" Nora Berman is a Californian artist whose work seems to engage with notions of primal consciousness in a time and place (contemporary Los Angeles) that is informed by the Dark Web, conspiracy theory, religious hysteria, ecstatic lifestyle cults, paranoia, neurasthenic self-help, violence and saturation media.","date":"03\/04\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1276\/ooh-lumpen-nora-ep1def.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1276\/ooh-lumpen-nora-ep1def.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1276\/ooh-lumpen-nora-ep1def.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1276\/otters_holding_hands_ep_1_sigla2.mp3","duration":4443}],"duration":"74:03","format":"ASSOCIATES","format_path":"associates","format_id":1269,"sub_format":"OTTERS HOLDING HANDS","sub_format_path":"otters-holding-hands","sub_format_id":1275},{"title":"Une conversation avec : Jacques Fasel, EP:3","subtitle":"prisons, cavales, amiti\u00e9","colour":"#000000","path":"faselep3","texte":"

Une conversation avec Jacques Fasel, EP:3
\nenregistr\u00e9 en f\u00e9vrier 2014, interview d'Andrea Marioni, production @lumpenstation\u00a0<\/p>\n\n

L'activit\u00e9 r\u00e9volutionnaire en cours commence \u00e0 se confronter aux premi\u00e8res difficult\u00e9s, l'amiti\u00e9 reste une valeur centrale qui passe le mur de la prison et permet aussi d'organiser des \u00e9vasions...\u00a0<\/p>","desc":"Une conversation avec Jacques Fasel, EP:3 enregistr\u00e9 en f\u00e9vrier 2014, interview d'Andrea Marioni, production @lumpenstation\u00a0 L'activit\u00e9 r\u00e9volutionnaire en cours commence \u00e0 se confronter aux premi\u00e8res difficult\u00e9s, l'amiti\u00e9 reste une valeur centrale qui passe le mur de la prison et permet aussi d'organiser des \u00e9vasions...\u00a0","date":"03\/04\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1278\/coverspodcast2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1278\/coverspodcast2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1278\/coverspodcast2.1200x1200.webp","ratio":98,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1278\/ep3.mp3","duration":4367}],"duration":"72:47","format":"LUMPEN UNIVERSIT\u00c4T","format_path":"lumpenuniversitat","format_id":1156,"sub_format":"Conversation avec Jacques Fasel","sub_format_path":"jacquesfasel","sub_format_id":1225},{"title":"Cross line II","subtitle":"by Sara Lana","colour":"#4b06fd","path":"crossline2","texte":"

Artist in residence 2022-2023
Crosslines II by Sara Lana, co-production Lumpen Station\u00a0<\/span>
\nReleased in april 2023<\/p>\n\n

This second episode of Crosslines is a compilation of calls made to telephones, all over the world, that were answered by calls mysteriously pre-recorded. Some appear to be trivial conversations, others telephone services or even spam calls.<\/p>\n\n

Crosslines is a series of 3 sound works created from calls made to public telephones all over the world.
\nMultiple calls made to recipients hitherto unknown or even non-existent.
\nThe phones were found using maps with panoramic views of public spaces. The number of each phone was retrieved by crossing its coordinates identified on the route with information collected in the database of phone directories (yellow pages) of each country.<\/p>","desc":"Artist in residence 2022-2023Crosslines II by Sara Lana, co-production Lumpen Station\u00a0 Released in april 2023 This second episode of Crosslines is a compilation of calls made to telephones, all over the world, that were answered by calls mysteriously pre-recorded. Some appear to be trivial conversations, others telephone services or even spam calls. Crosslines is a series of 3 sound works created from calls made to public telephones all over the world. Multiple calls made to recipients hitherto unknown or even non-existent. The phones were found using maps with panoramic views of public spaces. The number of each phone was retrieved by crossing its coordinates identified on the route with information collected in the database of phone directories (yellow pages) of each country.","date":"03\/04\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1277\/crosslines2.2000x2000.png","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1277\/crosslines2.1200x1200.png","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1277\/crosslines2.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1277\/crosslines_2.mp3","duration":1566}],"duration":"26:06","format":"MEET THE RESIDENTS","format_path":"meet-the-residents","format_id":1174,"sub_format":"LUMPEN RESIDENTS 2022-2023","sub_format_path":"lumpenresidents20222023","sub_format_id":1268},{"title":"Fantasmagor EP.2","subtitle":"by Renato Grieco","colour":"#4b06fd","path":"fantasmagorep2","texte":"

Fantasmagor EP2, by Renato Grieco, released in february 2021<\/span>
\nMeet the residents host different artist to create a long terms collaboration with Lumpen Station
\nco-production Lumpen Station\u00a0<\/p>\n\n

Fantasmag\u00f3r is a media-archeological speculation about imaginary audio equipment. This second episode appears as a talk by two members of\u00a0Ritorna Digital<\/em>, a private company that provides audio simulation services for everything related to prosthetics and medical devices.<\/p>\n\n

voices: Vanessa Rossetto, Mark Vernon
\nadditional recordings: Andrea Kearney, Ruben Kearney White, Tom White
\nmoving furniture: Matthew P. Hopkins, Canedicoda
\nwhispers: Karen Constance, Sara Persico, Dylan Nyoukis<\/p>\n\n

room tone: Francesco Toninelli<\/p>","desc":"Fantasmagor EP2, by Renato Grieco, released in february 2021 Meet the residents host different artist to create a long terms collaboration with Lumpen Station co-production Lumpen Station\u00a0 Fantasmag\u00f3r is a media-archeological speculation about imaginary audio equipment. This second episode appears as a talk by two members of\u00a0Ritorna Digital, a private company that provides audio simulation services for everything related to prosthetics and medical devices. voices: Vanessa Rossetto, Mark Vernon additional recordings: Andrea Kearney, Ruben Kearney White, Tom White moving furniture: Matthew P. Hopkins, Canedicoda whispers: Karen Constance, Sara Persico, Dylan Nyoukis room tone: Francesco Toninelli","date":"03\/03\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1264\/fantasmagorep2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1264\/fantasmagorep2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1264\/fantasmagorep2.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1264\/fantasmagor_ep_2-002.mp3","duration":1800}],"duration":"30:00","format":"MEET THE RESIDENTS","format_path":"meet-the-residents","format_id":1174,"sub_format":"LUMPEN RESIDENTS 2022-2023","sub_format_path":"lumpenresidents20222023","sub_format_id":1268},{"title":"Echo chamber #3","subtitle":"by Wassili Widmer","colour":"#4b06fd","path":"echochamber3","texte":"

Echo chamber #3 by Wassili Widmer artist in residency 2022-2023, released february 2023
\nMeet the residents, co-production Lumpen Station\u00a0<\/p>\n\n

In the third episode of the Echo Chamber project, you can hear a spoken word performance recorded in an echo chamber. The three performers had a simple score that provided them with a framework for their actions. The two main elements were repetition and contradiction. None of the spoken words were written in advance, so everything that was said was expressed intuitively by the performers. As a result, the performance was said to have a quality of \"\u00e9criture automatique.\" This reflects the flow of everyday conversations and their momentum. The duration of the spoken word performance is about 47 minutes. It was recorded in one go and without edits.<\/em><\/p>\n\n

Echo Chamber deals with the theme of echo and its related elements in three chapters. First through a conversation, then through a critical reflection and finally through an artistic performance. Three different perspectives that open up only a fraction of the broad and fascinating subject of echo. Phenomena of sound, sociology and mythology come together in it and allow reflections on an auditory element of a world that is becoming more complex. Be it digital or not. The ancient Greek myth of the echo meets contemporary socio-political, digital phenomena of the echo chamber and is thereby rewritten, respectively reinterpreted. The past offers a way to read the overwhelming present and give it at least a little sense. While this does not lead to solutions, it does offer an understanding of the problems we face and creates an awareness of what we need to work on as a whole society. \u00a0<\/em><\/p>\n\n

That\u2019s it for me and this year then. Thanks a lot for the wonderful opportunity. It was interesting to develop an audio based work over such a long time and I feel like I\u2019ve reached quite a bit of depth in it. Furthermore I learned quite a bit on a technical level, for example how to record and edit voice. Obviously I still got a lot to learn and would probably need to buy a bit more expensive equipment to reach a new level of recording. Anyway, happy to hear some feedback from your side too on the whole thing and if the methodology made sense to you and what you think of the execution.\u00a0<\/p>","desc":"Echo chamber #3 by Wassili Widmer artist in residency 2022-2023, released february 2023 Meet the residents, co-production Lumpen Station\u00a0 In the third episode of the Echo Chamber project, you can hear a spoken word performance recorded in an echo chamber. The three performers had a simple score that provided them with a framework for their actions. The two main elements were repetition and contradiction. None of the spoken words were written in advance, so everything that was said was expressed intuitively by the performers. As a result, the performance was said to have a quality of \"\u00e9criture automatique.\" This reflects the flow of everyday conversations and their momentum. The duration of the spoken word performance is about 47 minutes. It was recorded in one go and without edits. Echo Chamber deals with the theme of echo and its related elements in three chapters. First through a conversation, then through a critical reflection and finally through an artistic performance. Three different perspectives that open up only a fraction of the broad and fascinating subject of echo. Phenomena of sound, sociology and mythology come together in it and allow reflections on an auditory element of a world that is becoming more complex. Be it digital or not. The ancient Greek myth of the echo meets contemporary socio-political, digital phenomena of the echo chamber and is thereby rewritten, respectively reinterpreted. The past offers a way to read the overwhelming present and give it at least a little sense. While this does not lead to solutions, it does offer an understanding of the problems we face and creates an awareness of what we need to work on as a whole society. \u00a0 That\u2019s it for me and this year then. Thanks a lot for the wonderful opportunity. It was interesting to develop an audio based work over such a long time and I feel like I\u2019ve reached quite a bit of depth in it. Furthermore I learned quite a bit on a technical level, for example how to record and edit voice. Obviously I still got a lot to learn and would probably need to buy a bit more expensive equipment to reach a new level of recording. Anyway, happy to hear some feedback from your side too on the whole thing and if the methodology made sense to you and what you think of the execution.\u00a0","date":"03\/03\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1266\/lumpenstation_flyer3-1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1266\/lumpenstation_flyer3-1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1266\/lumpenstation_flyer3-1.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1266\/echo_chamber_3_wassiliwidmer.mp3","duration":2882}],"duration":"48:02","format":"MEET THE RESIDENTS","format_path":"meet-the-residents","format_id":1174,"sub_format":"LUMPEN RESIDENTS 2022-2023","sub_format_path":"lumpenresidents20222023","sub_format_id":1268},{"title":"CREPA: Thomas K\u00f6ppel","subtitle":"Randonn\u00e9e ultra l\u00e9g\u00e8re","colour":"#edfb07","path":"crepathomaskoppel","texte":"

Emma Souharce artist in residence presents:
\nCREPA\u00a0\u00a0Centre de Recherche et d'Etudes en Pratiques Aventureuses
\nEP7 - Randon\u00e9e ultra l\u00e9g\u00e8re by Thomas K\u00f6ppel<\/span>
\nco-production Lumpen Station\u00a0<\/p>\n\n

Nous initions la saison 2 du CREPA avec une septi\u00e8me session tellement foisonnante que nous la publions en 2 \u00e9pisodes. Dans cette premi\u00e8re partie, nous \u00e9coutons Thomas K\u00f6ppel nous pr\u00e9senter le contenu du sac \u00e0 dos avec lequel il est venu \u00e0 pied jusqu\u2019au lieu du CREPA. Thomas K\u00f6ppel est artiste multiformes, amateur talentueux d\u2019\u00e9lectronique et de musique mais fait surtout parti du collectif de th\u00e9\u00e2tre contemporain \u2018ultra\u2019. Depuis plus d\u2019un an, Thomas se passionne pour ce que l\u2019on appelle la randonn\u00e9e ultra-l\u00e9g\u00e8re : de quel mat\u00e9riel minimum avons-nous besoin pour voyager en autonomie par la seule force de nos jambes ? Comment allier confort et l\u00e9g\u00e8ret\u00e9 ? Une \u00e9bauche de r\u00e9ponse se dessine \u00e0 mesure que s\u2019ouvre un sentier de questions nouvelles lors de cette conf\u00e9rence au CREPA. Bonne \u00e9coute !<\/p>","desc":"Emma Souharce artist in residence presents: CREPA\u00a0\u00a0Centre de Recherche et d'Etudes en Pratiques Aventureuses EP7 - Randon\u00e9e ultra l\u00e9g\u00e8re by Thomas K\u00f6ppel co-production Lumpen Station\u00a0 Nous initions la saison 2 du CREPA avec une septi\u00e8me session tellement foisonnante que nous la publions en 2 \u00e9pisodes. Dans cette premi\u00e8re partie, nous \u00e9coutons Thomas K\u00f6ppel nous pr\u00e9senter le contenu du sac \u00e0 dos avec lequel il est venu \u00e0 pied jusqu\u2019au lieu du CREPA. Thomas K\u00f6ppel est artiste multiformes, amateur talentueux d\u2019\u00e9lectronique et de musique mais fait surtout parti du collectif de th\u00e9\u00e2tre contemporain \u2018ultra\u2019. Depuis plus d\u2019un an, Thomas se passionne pour ce que l\u2019on appelle la randonn\u00e9e ultra-l\u00e9g\u00e8re : de quel mat\u00e9riel minimum avons-nous besoin pour voyager en autonomie par la seule force de nos jambes ? Comment allier confort et l\u00e9g\u00e8ret\u00e9 ? Une \u00e9bauche de r\u00e9ponse se dessine \u00e0 mesure que s\u2019ouvre un sentier de questions nouvelles lors de cette conf\u00e9rence au CREPA. Bonne \u00e9coute !","date":"03\/03\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1265\/crepa-s7-thomas_koppel.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1265\/crepa-s7-thomas_koppel.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1265\/crepa-s7-thomas_koppel.1200x1200.webp","ratio":98,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1265\/crepa7a-thomas-koppel.mp3","duration":4532}],"duration":"75:32","format":"ASSOCIATES","format_path":"associates","format_id":1269,"sub_format":"CREPA","sub_format_path":"crepa","sub_format_id":1150},{"title":"Une conversation avec: Jacques Fasel, EP:2","subtitle":"Radicalisation","colour":"#000000","path":"une-conversation-avec-jacques-fasel-ep-2","texte":"

Une conversation avec Jacques Fasel, EP:2<\/span>
\nenregistr\u00e9 en f\u00e9vrier 2014, interview d'Andrea Marioni, production @lumpenstation\u00a0<\/p>\n\n

Le sentiment de r\u00e9volte grandissant, Jacques \u00e9vite de faire l\u2019arm\u00e9e jusqu\u2019\u00e0 son emprisonnement pour d\u00e9sertion. C\u2019est derri\u00e8re les barreaux \u00e0 la prison de Bellechasse, qu\u2019il fera la rencontre de Daniel Bloch ,un objecteur de conscience enrag\u00e9 contre l\u2019arm\u00e9e et les contradictions de l\u2019aisance Suisse. Leur rencontre sera le d\u00e9tonateur pour le d\u00e9but d\u2019une activit\u00e9 de grand banditisme pens\u00e9e comme moyen de financement d\u2019une r\u00e9volution\u2026<\/p>","desc":"Une conversation avec Jacques Fasel, EP:2 enregistr\u00e9 en f\u00e9vrier 2014, interview d'Andrea Marioni, production @lumpenstation\u00a0 Le sentiment de r\u00e9volte grandissant, Jacques \u00e9vite de faire l\u2019arm\u00e9e jusqu\u2019\u00e0 son emprisonnement pour d\u00e9sertion. C\u2019est derri\u00e8re les barreaux \u00e0 la prison de Bellechasse, qu\u2019il fera la rencontre de Daniel Bloch ,un objecteur de conscience enrag\u00e9 contre l\u2019arm\u00e9e et les contradictions de l\u2019aisance Suisse. Leur rencontre sera le d\u00e9tonateur pour le d\u00e9but d\u2019une activit\u00e9 de grand banditisme pens\u00e9e comme moyen de financement d\u2019une r\u00e9volution\u2026","date":"01\/02\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1262\/coverspodcast2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1262\/coverspodcast2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1262\/coverspodcast2.1200x1200.webp","ratio":98,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1262\/ep2.mp3","duration":2778}],"duration":"46:18","format":"LUMPEN UNIVERSIT\u00c4T","format_path":"lumpenuniversitat","format_id":1156,"sub_format":"Conversation avec Jacques Fasel","sub_format_path":"jacquesfasel","sub_format_id":1225},{"title":"Stretching out","subtitle":"by Radna Rumping","colour":"#4cf00c","path":"stretchingout","texte":"

STRETCHING OUT, Radna Rumping
\nLumpen connexions, co-production Lumpen Station, release in january 2023\u00a0<\/p>\n\n

\u201cAfter stretching, it is possible to spring back into the original shape, like a rubber band, but in the meantime something has changed. There has been a shift.\u201d STRETCHING OUT is an audio essay by Radna Rumping. In this 30 minute long text, she invites a silence, looks at a record cover of Bootsy Collins, builds and releases tension in an archery club, waits until binaries start to quiver and encounters the work of Ren\u00e9e Green.\u00a0<\/p>\n\n

chapters:\u00a0
\n0. the part that is the end, and the beginning
\n1. two points
\n2. staring
\n3. training
\n4. stretchin\u2019 out in bootsy\u2019s rubber band
\n5. shift
\n6. begin again<\/p>\n\n

Acknowledgements: All samples and music excerpts in this piece are from (members of) Parliament-Funkadelic, focusing on their songs of the 1970s. Thanks to Prem Krishnamurthy for introducing me to archery, and to Ingmar Bruin for the (audio) support.\u00a0<\/p>\n\n


\nRadna Rumping\u00a0is an artist and curator based in Amsterdam. Her work is engaged with music culture, relationships, public space, communality and conditions of (in)visibility. Radio and sonic explorations have run like a thread through her practice - in 2015 she co-founded Ja Ja Ja Nee Nee Nee, an online radio platform dedicated to the arts.\u00a0<\/p>","desc":"STRETCHING OUT, Radna Rumping Lumpen connexions, co-production Lumpen Station, release in january 2023\u00a0 \u201cAfter stretching, it is possible to spring back into the original shape, like a rubber band, but in the meantime something has changed. There has been a shift.\u201d STRETCHING OUT is an audio essay by Radna Rumping. In this 30 minute long text, she invites a silence, looks at a record cover of Bootsy Collins, builds and releases tension in an archery club, waits until binaries start to quiver and encounters the work of Ren\u00e9e Green.\u00a0 chapters:\u00a0 0. the part that is the end, and the beginning 1. two points 2. staring 3. training 4. stretchin\u2019 out in bootsy\u2019s rubber band 5. shift 6. begin again Acknowledgements: All samples and music excerpts in this piece are from (members of) Parliament-Funkadelic, focusing on their songs of the 1970s. Thanks to Prem Krishnamurthy for introducing me to archery, and to Ingmar Bruin for the (audio) support.\u00a0 Radna Rumping\u00a0is an artist and curator based in Amsterdam. Her work is engaged with music culture, relationships, public space, communality and conditions of (in)visibility. Radio and sonic explorations have run like a thread through her practice - in 2015 she co-founded Ja Ja Ja Nee Nee Nee, an online radio platform dedicated to the arts.\u00a0","date":"01\/02\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1258\/ls_radna_podcast.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1258\/ls_radna_podcast.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1258\/ls_radna_podcast.1200x1200.jpg","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1258\/stretching_out_radna_rumping_lumpen_station_2022.mp3","duration":1815}],"duration":"30:15","format":"LUMPEN CONNEXIONS","format_path":"lumpen-connexions","format_id":1177},{"title":"His master's voice","subtitle":"by Rodrigo Toro Madrid","colour":"#4b06fd","path":"his-masters-voice","texte":"

\u00a0His master's voice,\u00a0Rodrigo Toro Madrid<\/span>
\nMeet the residents, @co-production Lumpen Station, january 2023\u00a0<\/p>\n\n

For the residency I propose a narrative divided in three chapters with sound elements that will involve experimentation with analog and mechanical recorded media: antique and modern gramophone records, handmade recordings, intervened record players, along with spoken word.
\nIn each chapter I\u2019ll narrate personal stories that will relate memories from me and my family and diverse sorts of machinery or technology present on them (either real or fictitious). My interest relays on the following premise: physical media distorts a little bit with each play, as well as our memories are always different. Travelling to the past through obsolete media opens gates to alternate lifes, provides different plots and summons unexpected spirits.<\/p>","desc":"\u00a0His master's voice,\u00a0Rodrigo Toro Madrid Meet the residents, @co-production Lumpen Station, january 2023\u00a0 For the residency I propose a narrative divided in three chapters with sound elements that will involve experimentation with analog and mechanical recorded media: antique and modern gramophone records, handmade recordings, intervened record players, along with spoken word. In each chapter I\u2019ll narrate personal stories that will relate memories from me and my family and diverse sorts of machinery or technology present on them (either real or fictitious). My interest relays on the following premise: physical media distorts a little bit with each play, as well as our memories are always different. Travelling to the past through obsolete media opens gates to alternate lifes, provides different plots and summons unexpected spirits.","date":"01\/02\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1260\/ls_rodrigo_2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1260\/ls_rodrigo_2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1260\/ls_rodrigo_2.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1260\/the_machine.mp3","duration":1492}],"duration":"24:52","format":"MEET THE RESIDENTS","format_path":"meet-the-residents","format_id":1174,"sub_format":"LUMPEN RESIDENTS 2022-2023","sub_format_path":"lumpenresidents20222023","sub_format_id":1268},{"title":"Bez ZuB","subtitle":"by Marko Miladinovic","colour":"#4cf00c","path":"bezzub","texte":"

BEZ ZUB, by Marko Miladinovic
\nLumpen connexions, january 2023, \u00a0\u00a9 co-production Lumpen Station\u00a0<\/p>\n\n

\u00a0BEZ ZUB contains jingles, sound-poetry and\u00a0canzonett\u0259. Composed of unreleased tracks,\u00a0forgotten sessions and superulteriori.
\n@miladinowitzsch is a swiss-italian-ex-jugoslavian-not-yet-european poet.\u00a0<\/p>\n\n

a\u2014\u2014\u2014\u2014\u2014\u2014\u2014
\n00.00 intro vxrp
\n00.41 pi\u00f9 s\u00ec no
\n02.03 subretta
\n04.37 amantini
\n05.16 ultimo sole
\n06.57 ha-te
\n09.00 che cosa ha a che fare con oggi
\nb\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014
\n11.40 tequila sexo nunca mas
\n13.40 vostra madre \u00e8 una gallina
\n16.36 sii tirann\u0259\u00a0ti tiferanno
\n18.56 ako bude bude (nisam mali mali)
\n22.48 outro area
\n25.00 w(r)a(u)t\u00b2<\/p>","desc":"BEZ ZUB, by Marko Miladinovic Lumpen connexions, january 2023, \u00a0\u00a9 co-production Lumpen Station\u00a0 \u00a0BEZ ZUB contains jingles, sound-poetry and\u00a0canzonett\u0259. Composed of unreleased tracks,\u00a0forgotten sessions and superulteriori. @miladinowitzsch is a swiss-italian-ex-jugoslavian-not-yet-european poet.\u00a0 a\u2014\u2014\u2014\u2014\u2014\u2014\u2014 00.00 intro vxrp 00.41 pi\u00f9 s\u00ec no 02.03 subretta 04.37 amantini 05.16 ultimo sole 06.57 ha-te 09.00 che cosa ha a che fare con oggi b\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014\u2014 11.40 tequila sexo nunca mas 13.40 vostra madre \u00e8 una gallina 16.36 sii tirann\u0259\u00a0ti tiferanno 18.56 ako bude bude (nisam mali mali) 22.48 outro area 25.00 w(r)a(u)t\u00b2","date":"01\/02\/2023","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1259\/lumpenstation_marko_20222.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1259\/lumpenstation_marko_20222.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1259\/lumpenstation_marko_20222.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1259\/andrea_def_bez_zub.mp3","duration":1647}],"duration":"27:27","format":"LUMPEN CONNEXIONS","format_path":"lumpen-connexions","format_id":1177},{"title":"Selbstportrait in Musik #3","subtitle":"with Jeanne Jacob","colour":"#0ad0e3","path":"selbstportraitinmusik3","texte":"

Selbstportrait in Musik #3 with Jeanne Jacob\u00a0
\nrecorded in Atomic Caf\u00e9, Biel\/Bienne, 09.10.22\u00a0<\/p>\n\n

Selbstportrait in Musik est une s\u00e9rie de diffusion radiophonique depuis l\u2019Atomic Caf\u00e9 \u00e0 Bienne pour donner la voix ou plut\u00f4t les platines \u00e0 des artistes de la r\u00e9gion biennoise pour partager \u00ab\u00a0le temps d\u2019un ap\u00e9ro\u00a0\u00bb un autoportrait en musique. Attention, les contenus sont hauts en interpr\u00e9tations crypt\u00e9es sur la personnalit\u00e9 de nos invit\u00e9\u00b7es\u00a0!\u00a0Contenu musical<\/em><\/p>","desc":"Selbstportrait in Musik #3 with Jeanne Jacob\u00a0 recorded in Atomic Caf\u00e9, Biel\/Bienne, 09.10.22\u00a0 Selbstportrait in Musik est une s\u00e9rie de diffusion radiophonique depuis l\u2019Atomic Caf\u00e9 \u00e0 Bienne pour donner la voix ou plut\u00f4t les platines \u00e0 des artistes de la r\u00e9gion biennoise pour partager \u00ab\u00a0le temps d\u2019un ap\u00e9ro\u00a0\u00bb un autoportrait en musique. Attention, les contenus sont hauts en interpr\u00e9tations crypt\u00e9es sur la personnalit\u00e9 de nos invit\u00e9\u00b7es\u00a0!\u00a0Contenu musical","date":"20\/12\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1256\/ls_selbsportrait_jeannejacob_podcast.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1256\/ls_selbsportrait_jeannejacob_podcast.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1256\/ls_selbsportrait_jeannejacob_podcast.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1256\/9oct22-jeanne-exp_2h05m18s.mp3","duration":7518}],"duration":"125:18","format":"MUSIC DOES THE TALKING","format_path":"music-does-the-talking","format_id":1212},{"title":"Lumpen Prize 2022","subtitle":"Godzilla Calling","colour":"#f704b0","path":"lumpen-prize-2022","texte":"

Lumpen Prize 2022 - Godzilla Calling\u00a0<\/span>
\nFor the first time, Lumpen Station organized a prize open to all participants who wanted to create a sound work on the theme \"Godzilla Calling\".<\/p>\n\n

All contributions have been presented during a public listening session at Caf\u00e9 Litt\u00e9raire on the 12.10.22. The particularity of Lumpen Prize is that the audience\u00a0 decided the winner by votation in real time during the ceremony. An external jury was present to suggest criterias of appreciations in order to improve audience votes.\u00a0
\nThe winner received 1000 CHF.\u00a0A \"Beautiful Looser\" prize have been created during the live radio to give a mention to a work which had high potential but didn't pass the vote selections.\u00a0<\/p>\n\n

Lumpen Prize Winner 2022 : Tizmz\u00a0
\nLumpen Prize \"Beautiful looser\": Giorgia Garzilli\u00a0<\/span><\/p>\n\n

Creditations of all participants, the list number is the order of how the works have been presented.
\nAll sound works without specific title will be metioned with \"Godzilla Calling\"<\/p>\n\n

01. Farah Mulla, Godzilla.illa.illa<\/span>
\nFarah Mulla is a multimedia artist based in Goa.\u00a0She uses sensorial interfaces in an attempt to\u00a0deploy a language that gives form to intangible and varied materials.\u00a0Her research and art practice\u00a0explores the space in between sensory thresholds, where harmony isn\u2019t present in the environment but fabricated by our cognition. Often investigating different media, she uses the human voice, field recordings and other modes of inquiries to explore aspects of our listening experience and the invisible agency of sound via multiple modes of perception.<\/p>\n\n

02. Andrea Marinelli, Godzilla Plumcake<\/span>
\nAndrea Marinelli is an artist, sculptor and musician. His work develops between tradition and digital. He records choirs, lullabies, people who speak in dialect, in unknown languages. He creates textures and compositions with these voices. His performances are collages, work benches for a collapsing Babel\u00a0<\/span><\/p>\n\n

03. Ambra Viviani, Cereal Killer<\/span>
\nMinne de Curtis\u00a0was messily cloned in 2016 from and by Ambra Viviani.\u00a0Cereal Killer\u00a0<\/em>was her last experiment with Renato Grieco.

04. Mathias Pfund, Godzilla Calling<\/span>
\nMathias Pfund (* 1992) vit et travaille entre Gen\u00e8ve et Bruxelles. Dipl\u00f4m\u00e9 (work.master) de la HEAD-Gen\u00e8ve en 2016\u00a0et titulaire d\u2019un Master en Histoire de l\u2019Art, facult\u00e9 des Lettres \u00e0 l\u2019universit\u00e9 de Gen\u00e8ve en 2019.\u00a0Sa pratique artistique recourt \u00e0 diverses strat\u00e9gies d'appropriation et compose des fictions exploitant la polys\u00e9mie et les ambigu\u00eft\u00e9s (narratives et formelles) d'artefacts sp\u00e9cifiques. Je m'int\u00e9resse particuli\u00e8rement \u00e0 la repr\u00e9sentation de l'art et aux diverses valeurs et id\u00e9ologies qui la sous-tendent, avec une sensibilit\u00e9 particuli\u00e8re \u00e0 l'art dans l'espace public. Les processus de copie et de reproduction jouent un r\u00f4le important dans mon travail, dont l'\u00e9chelle peut varier du presse-papiers \u00e0 la sculpture monumentale.<\/p>\n\n

05. Chris Frautschi, Godzilla Calling<\/span>
\nChri Frautschi gere l\u2019espace d\u2019art Lokal-int \u00e0 Bienne et essaie d'\u00eatre musicien dans le groupe Save My Skin Music.

06. Marcel Horni, Gozilla Calling<\/span>
\nIch bin 1982 geboren und seit einiger Zeit k\u00fcnstlerisch t\u00e4tig.
\nDabei geht es mir darum, wie ich die Welt sehe und lasse mich dabei oft von meinen Emotionen und Triggern leiten. Mit gefundenen Materialien, inspiriert von bereits bestehender Kunst, schaffe ich neue Werke.<\/p>\n\n

07.\u00a0Hannah Beilharz, Gold Like the sun\u00a0<\/span>
\nHannah Beilharz is a multidisciplinary artist and researcher currently working on ecological grief as a transformative process within the ongoing climate crisis.\u00a0\u2018Gold Like the Sun\u2019 is a grieving lament for the late stages of climate destruction, envisioning how we exist as bodies in this moment, voices together reaching, but failing to make sense of our own ending.\u00a0The work brings together multiple recordings and written reflections on our bodily relation to the world around us, seeking to dissolve the boundaries between ourselves and \u2018nature\u2019 through blurred sounds, creating song as water, song as voices, song as landscape.<\/p>\n\n

08. Markus Aebersold, Rettacs\u00a0<\/span>
\nMarkus Aebersold, *1988 in Herzogenbuchsee (CH),\u00a0lives and works in Basel, Switzerland.\u00a0Since 2016, Aebersold\u00a0is mainly\u00a0working\u00a0in Cooperation with Chris Handberg (*1989, Denmark), with whom he\u00a0forms\u00a0the Artist Duo Aebersold x Handberg.\u00a0In September 2022 he started his Master Studies in Sound Art at the HKB in Berne.<\/p>\n\n

09. Marie-lou, Godzilla got silly\u00a0<\/span>
\nMy name is marie-lou, i currently live in basel for my studies in scenography. I\u00a0like to record funny noises and edit them to beats - most of them are unfinished, but i also like that. I\u00a0also like poems and dishes with cheese.\u00a0<\/p>\n\n

10. Giorgia Garzilli, Besame Mucho Cut<\/span>
\nGiorgia Garzilli completed an MFA in Visual Arts (Work.Master) at HEAD-Gen\u00e8ve in 2018 and attended the Mountain School of Arts in Los Angeles in 2020. She lives and works in Naples.<\/p>\n\n

11. IDOS\u00d4IDOS, Godzilla Calling<\/span>
\nSound-radio activist.\u00a0Dedicated to the diasporic record and the creation of sound hyperlinks.\u00a0Especially interested in ancestral expressions, anthropology and the futurist and ethnomusicology of art, the healing power of sound and the free circulation of ideas.\u00a0<\/p>\n\n

12. <\/span><\/em>Ce Pams, Godzilla Calling<\/span>
\nAudiovisual and sound artist. Her sound research is spontaneous, experimental and explorative, rescuing the sound of everyday objects and disused materials, with an emphasis on natural elements such as wind and water as autonomous systems that interact with technological processes and human beings.<\/p>\n\n

13. Riccardo Lisi,\u00a0GodzillaMicioneCalling<\/span>
\nContemporary art curator and performer, living in a village on the ItalianSwiss border. Occasionally since 1998 he has been making audio sets in which he creates sound spaces composed of overlapping layers from different cultures and eras, often using radio and chance. Here one of his live sets (in an independent art space in Bologna): https:\/\/www.mixcloud.com\/Gelateriasognidighiaccio\/riccardo-lisi-live-set-at-gelateria-sogni-di-ghiaccio_tau-ceti\/<\/a><\/p>\n\n

14. Aaege, Godzilla BHZ<\/span>
\nFrench musician doing experimental music.
\nPlaying with sounds of life, with all that can be sounds.
\n\"Tout est bruit pour qui a peur \u00bb Sophocle<\/p>\n\n

15. Renato Grieco, God-zilla\u00a0<\/span>
\nLe Druid Guillaume is the MC and drummer of the Italian noise band Genital Warts. They have collaborated with\u00a0Abstral Compost, C_C, Dj 2Phast, Dj Die Soon, Walter Gross, Olivier Di Placido, Gaia Leandra, Grizzly Imploded and released records via\u00a0Subincision, Viande, Hail Ants.\u00a0<\/p>\n\n

16. Rafael Cunha da Silva, Godzilla<\/span>
\nMy name is Rafael Cunha da Silva, I am an artist based in Lausanne and I studied in HEAD Geneva.\u00a0I work with sculpture, painting, comics and I create links between these various mediums.\u00a0I use to integrate entertainment, pop-culture, food, and concept like \u00ab\u00a0playability in art\u00a0\u00bb like a leitmotiv. \u00a0Also, my work is as well \u00ab\u00a0fun\u00a0\u00bb than critical, so I try to implement these philosophy in my propositions.\u00a0\"Call of Narusawa-Hy\u014dketsu\u00a0\u00bb\u00a0is a sound based on a reinterpretation of the apparition of Godzilla. My proposition take place in an ice cave located in the Aokigahara forest in Japan.\u00a0I\u00a0imagined a sound who could possibly produce this creature in a dark, cold and full of story place. This creature is caused by humans, so I use my own voice to bring Godzilla into being.<\/p>\n\n

17.\u00a0Ruxandra Mitache, Godzilla Sound\u00a0<\/span>
\nI often compose sounds, and poetry for my video artworks.
\nTrained as a painter, I think my work will always have a particular plasticity.
\nMy practice is constantly expanding, but in my head I always paint.<\/p>\n\n

18.\u00a0Rati Baramadze, Contrast (Godzilla Calling)\u00a0<\/span>
\nThe sound of nature has been replaced by urban noise and has become so natural that we often do not even realize how much it affects us. Cars, factories, buildings or other urban sounds combine to transform into one big chaotic white noise and make us feel constant tension and stress. The resonators and audio manipulations used on the field recording expresses exactly how the chaos we create absorbs the sound of nature and transforms it into everyday noise. With urban development, the contrast between city noise and the sounds of nature increases, Its perception is even simpler when the contrast is momentary.\u00a0
\nRati Baramadze - self-taught electronic music artist, founder of the tape label \"UNHEARD\".<\/p>\n\n

19. Sonoso, Godzilla Calling<\/span>
\n\"When the members of Sonoso are not busy making love, breakfasting, cooking or feeding the monkeys, they produce all kinds of art. Sonoso embraces all media and their world is a moving mishmash of words, sounds and images. Sonoso was created by Seat Seanut B\u00f6nnenberger and Bamia Beanut Baref\"<\/p>\n\n

20. SumVivus, Godzilla Calling<\/span>
\nSumVivus, a solo artist, creates ripples through vocal soundwaves looped to create a choral ensemble of one. An ephemeral improvised or predefined ethereal expression of the space and time that she inhabits. An ever evolving experience creating honest intimacy with the moment.
\n\u00a0<\/p>\n\n

21. Tizmz, Exklusiv GODZILLA offizieller trailer 2022 official HD<\/span>
\nTizmz is a kind of human entity living in between Bienne and Neuch\u00e2tel.
\nThey were born in the last century.\u00a0This track ist their first collaboration.<\/p>\n\n

22. Wassili Widmer, Godzilla Calling\u00a0<\/span>
\nWassili \u00a0is a visual artist who explores the sphere between the performativity of the human being, especially through the body, and the representation it can assume. In their work they have repeatedly addressed the theme of the monster, in particular by considering it as a phenomenological construct that reflects contemporaneity. Monsters are collective symbolisms that create themselves similar to shadows to the body.<\/p>\n\n

23. T&T, Godzilla Groove<\/span>
\nT&T is da bomb!\u00a0A duo of explosive musicians that ignited in 2022.
\nThey brought back the King of the Monsters and turned it into the King of the Dancefloor.<\/p>","desc":"Lumpen Prize 2022 - Godzilla Calling\u00a0 For the first time, Lumpen Station organized a prize open to all participants who wanted to create a sound work on the theme \"Godzilla Calling\". All contributions have been presented during a public listening session at Caf\u00e9 Litt\u00e9raire on the 12.10.22. The particularity of Lumpen Prize is that the audience\u00a0 decided the winner by votation in real time during the ceremony. An external jury was present to suggest criterias of appreciations in order to improve audience votes.\u00a0 The winner received 1000 CHF.\u00a0A \"Beautiful Looser\" prize have been created during the live radio to give a mention to a work which had high potential but didn't pass the vote selections.\u00a0 Lumpen Prize Winner 2022 : Tizmz\u00a0 Lumpen Prize \"Beautiful looser\": Giorgia Garzilli\u00a0 Creditations of all participants, the list number is the order of how the works have been presented. All sound works without specific title will be metioned with \"Godzilla Calling\" 01. Farah Mulla, Godzilla.illa.illa Farah Mulla is a multimedia artist based in Goa.\u00a0She uses sensorial interfaces in an attempt to\u00a0deploy a language that gives form to intangible and varied materials.\u00a0Her research and art practice\u00a0explores the space in between sensory thresholds, where harmony isn\u2019t present in the environment but fabricated by our cognition. Often investigating different media, she uses the human voice, field recordings and other modes of inquiries to explore aspects of our listening experience and the invisible agency of sound via multiple modes of perception. 02. Andrea Marinelli, Godzilla Plumcake Andrea Marinelli is an artist, sculptor and musician. His work develops between tradition and digital. He records choirs, lullabies, people who speak in dialect, in unknown languages. He creates textures and compositions with these voices. His performances are collages, work benches for a collapsing Babel\u00a0 03. Ambra Viviani, Cereal Killer Minne de Curtis\u00a0was messily cloned in 2016 from and by Ambra Viviani.\u00a0Cereal Killer\u00a0was her last experiment with Renato Grieco.04. Mathias Pfund, Godzilla Calling Mathias Pfund (* 1992) vit et travaille entre Gen\u00e8ve et Bruxelles. Dipl\u00f4m\u00e9 (work.master) de la HEAD-Gen\u00e8ve en 2016\u00a0et titulaire d\u2019un Master en Histoire de l\u2019Art, facult\u00e9 des Lettres \u00e0 l\u2019universit\u00e9 de Gen\u00e8ve en 2019.\u00a0Sa pratique artistique recourt \u00e0 diverses strat\u00e9gies d'appropriation et compose des fictions exploitant la polys\u00e9mie et les ambigu\u00eft\u00e9s (narratives et formelles) d'artefacts sp\u00e9cifiques. Je m'int\u00e9resse particuli\u00e8rement \u00e0 la repr\u00e9sentation de l'art et aux diverses valeurs et id\u00e9ologies qui la sous-tendent, avec une sensibilit\u00e9 particuli\u00e8re \u00e0 l'art dans l'espace public. Les processus de copie et de reproduction jouent un r\u00f4le important dans mon travail, dont l'\u00e9chelle peut varier du presse-papiers \u00e0 la sculpture monumentale. 05. Chris Frautschi, Godzilla Calling Chri Frautschi gere l\u2019espace d\u2019art Lokal-int \u00e0 Bienne et essaie d'\u00eatre musicien dans le groupe Save My Skin Music.06. Marcel Horni, Gozilla Calling Ich bin 1982 geboren und seit einiger Zeit k\u00fcnstlerisch t\u00e4tig. Dabei geht es mir darum, wie ich die Welt sehe und lasse mich dabei oft von meinen Emotionen und Triggern leiten. Mit gefundenen Materialien, inspiriert von bereits bestehender Kunst, schaffe ich neue Werke. 07.\u00a0Hannah Beilharz, Gold Like the sun\u00a0 Hannah Beilharz is a multidisciplinary artist and researcher currently working on ecological grief as a transformative process within the ongoing climate crisis.\u00a0\u2018Gold Like the Sun\u2019 is a grieving lament for the late stages of climate destruction, envisioning how we exist as bodies in this moment, voices together reaching, but failing to make sense of our own ending.\u00a0The work brings together multiple recordings and written reflections on our bodily relation to the world around us, seeking to dissolve the boundaries between ourselves and \u2018nature\u2019 through blurred sounds, creating song as water, song as voices, song as landscape. 08. Markus Aebersold, Rettacs\u00a0 Markus Aebersold, *1988 in Herzogenbuchsee (CH),\u00a0lives and works in Basel, Switzerland.\u00a0Since 2016, Aebersold\u00a0is mainly\u00a0working\u00a0in Cooperation with Chris Handberg (*1989, Denmark), with whom he\u00a0forms\u00a0the Artist Duo Aebersold x Handberg.\u00a0In September 2022 he started his Master Studies in Sound Art at the HKB in Berne. 09. Marie-lou, Godzilla got silly\u00a0 My name is marie-lou, i currently live in basel for my studies in scenography. I\u00a0like to record funny noises and edit them to beats - most of them are unfinished, but i also like that. I\u00a0also like poems and dishes with cheese.\u00a0 10. Giorgia Garzilli, Besame Mucho Cut Giorgia Garzilli completed an MFA in Visual Arts (Work.Master) at HEAD-Gen\u00e8ve in 2018 and attended the Mountain School of Arts in Los Angeles in 2020. She lives and works in Naples. 11. IDOS\u00d4IDOS, Godzilla Calling Sound-radio activist.\u00a0Dedicated to the diasporic record and the creation of sound hyperlinks.\u00a0Especially interested in ancestral expressions, anthropology and the futurist and ethnomusicology of art, the healing power of sound and the free circulation of ideas.\u00a0 12. Ce Pams, Godzilla Calling Audiovisual and sound artist. Her sound research is spontaneous, experimental and explorative, rescuing the sound of everyday objects and disused materials, with an emphasis on natural elements such as wind and water as autonomous systems that interact with technological processes and human beings. 13. Riccardo Lisi,\u00a0GodzillaMicioneCalling Contemporary art curator and performer, living in a village on the ItalianSwiss border. Occasionally since 1998 he has been making audio sets in which he creates sound spaces composed of overlapping layers from different cultures and eras, often using radio and chance. Here one of his live sets (in an independent art space in Bologna): https:\/\/www.mixcloud.com\/Gelateriasognidighiaccio\/riccardo-lisi-live-set-at-gelateria-sogni-di-ghiaccio_tau-ceti\/ 14. Aaege, Godzilla BHZ French musician doing experimental music. Playing with sounds of life, with all that can be sounds. \"Tout est bruit pour qui a peur \u00bb Sophocle 15. Renato Grieco, God-zilla\u00a0 Le Druid Guillaume is the MC and drummer of the Italian noise band Genital Warts. They have collaborated with\u00a0Abstral Compost, C_C, Dj 2Phast, Dj Die Soon, Walter Gross, Olivier Di Placido, Gaia Leandra, Grizzly Imploded and released records via\u00a0Subincision, Viande, Hail Ants.\u00a0 16. Rafael Cunha da Silva, Godzilla My name is Rafael Cunha da Silva, I am an artist based in Lausanne and I studied in HEAD Geneva.\u00a0I work with sculpture, painting, comics and I create links between these various mediums.\u00a0I use to integrate entertainment, pop-culture, food, and concept like \u00ab\u00a0playability in art\u00a0\u00bb like a leitmotiv. \u00a0Also, my work is as well \u00ab\u00a0fun\u00a0\u00bb than critical, so I try to implement these philosophy in my propositions.\u00a0\"Call of Narusawa-Hy\u014dketsu\u00a0\u00bb\u00a0is a sound based on a reinterpretation of the apparition of Godzilla. My proposition take place in an ice cave located in the Aokigahara forest in Japan.\u00a0I\u00a0imagined a sound who could possibly produce this creature in a dark, cold and full of story place. This creature is caused by humans, so I use my own voice to bring Godzilla into being. 17.\u00a0Ruxandra Mitache, Godzilla Sound\u00a0 I often compose sounds, and poetry for my video artworks. Trained as a painter, I think my work will always have a particular plasticity. My practice is constantly expanding, but in my head I always paint. 18.\u00a0Rati Baramadze, Contrast (Godzilla Calling)\u00a0 The sound of nature has been replaced by urban noise and has become so natural that we often do not even realize how much it affects us. Cars, factories, buildings or other urban sounds combine to transform into one big chaotic white noise and make us feel constant tension and stress. The resonators and audio manipulations used on the field recording expresses exactly how the chaos we create absorbs the sound of nature and transforms it into everyday noise. With urban development, the contrast between city noise and the sounds of nature increases, Its perception is even simpler when the contrast is momentary.\u00a0 Rati Baramadze - self-taught electronic music artist, founder of the tape label \"UNHEARD\". 19. Sonoso, Godzilla Calling \"When the members of Sonoso are not busy making love, breakfasting, cooking or feeding the monkeys, they produce all kinds of art. Sonoso embraces all media and their world is a moving mishmash of words, sounds and images. Sonoso was created by Seat Seanut B\u00f6nnenberger and Bamia Beanut Baref\" 20. SumVivus, Godzilla Calling SumVivus, a solo artist, creates ripples through vocal soundwaves looped to create a choral ensemble of one. An ephemeral improvised or predefined ethereal expression of the space and time that she inhabits. An ever evolving experience creating honest intimacy with the moment. \u00a0 21. Tizmz, Exklusiv GODZILLA offizieller trailer 2022 official HD Tizmz is a kind of human entity living in between Bienne and Neuch\u00e2tel. They were born in the last century.\u00a0This track ist their first collaboration. 22. Wassili Widmer, Godzilla Calling\u00a0 Wassili \u00a0is a visual artist who explores the sphere between the performativity of the human being, especially through the body, and the representation it can assume. In their work they have repeatedly addressed the theme of the monster, in particular by considering it as a phenomenological construct that reflects contemporaneity. Monsters are collective symbolisms that create themselves similar to shadows to the body. 23. T&T, Godzilla Groove T&T is da bomb!\u00a0A duo of explosive musicians that ignited in 2022. They brought back the King of the Monsters and turned it into the King of the Dancefloor.","date":"20\/12\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1257\/ls_godzillacalling_podcast_lumpenprize.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1257\/ls_godzillacalling_podcast_lumpenprize.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1257\/ls_godzillacalling_podcast_lumpenprize.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1257\/godzilla_12_nov_sans_intro.mp3","duration":9730}],"duration":"162:10","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166},{"title":"Objet petit fergalicious","subtitle":"by Till Langschied","colour":"#4cf00c","path":"fergalicious","texte":"

objet petit Fergalicious
\nsound work composed by Till Langschied, co-production Lumpen Station<\/p>\n\n

LUMPEN CONNEXIONS is a room dedicated to host sound works by artist coming from different backgrounds and around the worlds.\u00a0\u00a0<\/p>\n\n

Is my life fergalicious enough? Is anyone's? What is it that I want and what is it that I believe to lack. Do I maybe want this lack?
\nUsing Fergie's infamous 2006 anthem as a jumping off point this audio work dances into an existential crisis that might not be solved by slow, melancholic twerking. Glitter-sprinkled pop-hit wisdom intertwines with amateurish psychoanalysis. It is Britney's return to Freud. To be listened to in pink hotpants that spell 'psychoanalyze me' on the butt with the 'anal' being bedazzled.<\/p>","desc":"objet petit Fergalicious sound work composed by Till Langschied, co-production Lumpen Station LUMPEN CONNEXIONS is a room dedicated to host sound works by artist coming from different backgrounds and around the worlds.\u00a0\u00a0 Is my life fergalicious enough? Is anyone's? What is it that I want and what is it that I believe to lack. Do I maybe want this lack? Using Fergie's infamous 2006 anthem as a jumping off point this audio work dances into an existential crisis that might not be solved by slow, melancholic twerking. Glitter-sprinkled pop-hit wisdom intertwines with amateurish psychoanalysis. It is Britney's return to Freud. To be listened to in pink hotpants that spell 'psychoanalyze me' on the butt with the 'anal' being bedazzled.","date":"20\/12\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1255\/till_lumpenstation_kopie.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1255\/till_lumpenstation_kopie.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1255\/till_lumpenstation_kopie.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1255\/tl_-_objet_petit_fergalicious_-_lumpentation_final.mp3","duration":1155}],"duration":"19:15","format":"LUMPEN CONNEXIONS","format_path":"lumpen-connexions","format_id":1177},{"title":"Animal Skin","subtitle":"by Grant Jurius","colour":"#4cf00c","path":"animalskin","texte":"

Animal Skin<\/span>
\nsound work composed by Grant Jurius, \u00a0co-production Lumpen station\u00a0<\/p>\n\n

LUMPEN CONNEXIONS is a room dedicated to host sound works by artist coming from different backgrounds and around the worlds.\u00a0<\/p>\n\n

Animal Skin is composed from field recordings collected during the artist's art residency program in Basel, Switzerland, July - September 2022. <\/em>Animal Skin is an ongoing project that includes a series of paintings and sonic compositions that focuses on texture, space, wall surfaces\u00a0+ natural environments.\u00a0<\/em><\/p>\n\n

The project looks at space and its surfaces as a living organism. Breathing, communicating, living with experiences that records the narratives that occur within them. The artist looks to monumental landmarks implemented by both man and nature. Posing questions to the values we place in monuments, architecture, design and its effects on nature and vice versa.\u00a0\u00a0<\/em><\/p>\n\n

*Grant improvises as layers the field recordings intuitively to evoke the feeling of traveling through the space explored. This conveys the sense of someone finding their way through the dark as they navigate the environment.<\/em><\/p>\n\n

By placing emphasis on the spaces that surround us we may hear back narratives lost and found through texture. The artist utilises space as a means of call and response similar to ancient ritual. Treating modern urbanised spaces as sacred places new values in them and thus opens the artist to these narratives\u00a0<\/em><\/p>","desc":"Animal Skin sound work composed by Grant Jurius, \u00a0co-production Lumpen station\u00a0 LUMPEN CONNEXIONS is a room dedicated to host sound works by artist coming from different backgrounds and around the worlds.\u00a0 Animal Skin is composed from field recordings collected during the artist's art residency program in Basel, Switzerland, July - September 2022. Animal Skin is an ongoing project that includes a series of paintings and sonic compositions that focuses on texture, space, wall surfaces\u00a0+ natural environments.\u00a0 The project looks at space and its surfaces as a living organism. Breathing, communicating, living with experiences that records the narratives that occur within them. The artist looks to monumental landmarks implemented by both man and nature. Posing questions to the values we place in monuments, architecture, design and its effects on nature and vice versa.\u00a0\u00a0 *Grant improvises as layers the field recordings intuitively to evoke the feeling of traveling through the space explored. This conveys the sense of someone finding their way through the dark as they navigate the environment. By placing emphasis on the spaces that surround us we may hear back narratives lost and found through texture. The artist utilises space as a means of call and response similar to ancient ritual. Treating modern urbanised spaces as sacred places new values in them and thus opens the artist to these narratives\u00a0","date":"20\/12\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1254\/ls_grant_podcast.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1254\/ls_grant_podcast.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1254\/ls_grant_podcast.1200x1200.jpg","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1254\/animal_skin_audio_new_edit_01_nov_22.mp3","duration":1107}],"duration":"18:27","format":"LUMPEN CONNEXIONS","format_path":"lumpen-connexions","format_id":1177},{"title":"Fermentation workshop","subtitle":"by Benoit Casot, Byungseo Yoo, Colin St. Mary","colour":"#4cf00c","path":"fermentationworkshop","texte":"

Fermentation workshop by Benoit Casot, Byungseo Yoo, Colin St. Mary
\nLumpen connexions, october 2022, co-production\u00a0<\/p>\n\n

Presentation :
\nFermentation workshop radio is a participatory audio program produced with Lumpenstation (https:\/\/lumpenstation.art\/<\/a>) by the Fermentation workshop collective, which is researching and practicing the commoning of art-institution through the concept and methodology of fermentation based on HEAD-GENEVE with the support of Utopiana (https:\/\/www.utopiana.art<\/a>)\u00a0This participatory program, which ferments the vegetables through the food rescue process and shares it with the participants, consists of storytelling of the food rescue and fermentation in an allegorical format, interviews with people who are engaged, and an empirical and practical audio recipe. This event shares fermented foods with the participants, and the participants share their own experiences and impressions related to fermentation while they are having collective dining.<\/p>\n\n

Detailed description:
\nFermentation workshop (ongoing project since 2021) is action research that takes place on-site at the art institution, HEAD-Geneve in particular.\u00a0<\/p>\n\n

The basic concept of the research was initiated from the idea of reappropriation of the resources that are given to art students. In most cases, art students produce physical and digital objects by using these resources. The objects which shall be called artworks flow into the (pre)art market. However, while only a few artworks are survived as it supposed to, the others are forgotten and left behind. And most cases these objects are thrown as garbage after the evaluation process. This action research investigates this process to shift it from the abusive capitalism-dead-end flow to common the resources of the art institution by methodologies of the fermentation.<\/p>\n\n

A spontaneous, non-explicit group of students organize visits to a supermarket near the HEAD-Geneve every Tuesday for food rescue. On Wednesday, La Soupe! Collective uses vegetables from the food rescue to cook an accessible lunch for students which cost 5 CHF. Leftover vegetables are subjected to Lacto-fermentation through the open workshops presented by the Fermentation Workshop.\u00a0<\/p>\n\n

The fermentation products produced through this workshop are distributed through the underground bio market temporarily installed at the institution (HEAD-Geneve) to raise emergency relief funds for students in financial difficulties.\u00a0<\/p>\n\n

The Fermentation workshop radio will be held at art Space Utopiana in Geneva deals with the collective run by students enrolled in HEAD-Geneve. In this program, which appropriates the grammar of a traditional radio program to try to read and speak critically about the current food and culture, the participants are invited in advance to share the food prepared by the collective and share their experiences and stories. The public conversations with the participants will be recorded and edited, merged with the existing recordings (storytelling on the food rescue, interviews with people who are engaged, original scores, etc.), and will be finally released through Lumpenstation in November 2022.<\/p>\n\n

Fermentation Workshop aims to create a platform to transmit the emotions, feelings, and knowledge by sharing the methodology and the concept of vegetable fermentation especially the methodologies that are oriented in the Asian region to create kinship and to remind ourselves as a being of biophilia and to create symbiogenesis, sympoiesis way of living and thinking and doing in the current systemic crisis.<\/p>","desc":"Fermentation workshop by Benoit Casot, Byungseo Yoo, Colin St. Mary Lumpen connexions, october 2022, co-production\u00a0 Presentation : Fermentation workshop radio is a participatory audio program produced with Lumpenstation (https:\/\/lumpenstation.art\/) by the Fermentation workshop collective, which is researching and practicing the commoning of art-institution through the concept and methodology of fermentation based on HEAD-GENEVE with the support of Utopiana (https:\/\/www.utopiana.art)\u00a0This participatory program, which ferments the vegetables through the food rescue process and shares it with the participants, consists of storytelling of the food rescue and fermentation in an allegorical format, interviews with people who are engaged, and an empirical and practical audio recipe. This event shares fermented foods with the participants, and the participants share their own experiences and impressions related to fermentation while they are having collective dining. Detailed description: Fermentation workshop (ongoing project since 2021) is action research that takes place on-site at the art institution, HEAD-Geneve in particular.\u00a0 The basic concept of the research was initiated from the idea of reappropriation of the resources that are given to art students. In most cases, art students produce physical and digital objects by using these resources. The objects which shall be called artworks flow into the (pre)art market. However, while only a few artworks are survived as it supposed to, the others are forgotten and left behind. And most cases these objects are thrown as garbage after the evaluation process. This action research investigates this process to shift it from the abusive capitalism-dead-end flow to common the resources of the art institution by methodologies of the fermentation. A spontaneous, non-explicit group of students organize visits to a supermarket near the HEAD-Geneve every Tuesday for food rescue. On Wednesday, La Soupe! Collective uses vegetables from the food rescue to cook an accessible lunch for students which cost 5 CHF. Leftover vegetables are subjected to Lacto-fermentation through the open workshops presented by the Fermentation Workshop.\u00a0 The fermentation products produced through this workshop are distributed through the underground bio market temporarily installed at the institution (HEAD-Geneve) to raise emergency relief funds for students in financial difficulties.\u00a0 The Fermentation workshop radio will be held at art Space Utopiana in Geneva deals with the collective run by students enrolled in HEAD-Geneve. In this program, which appropriates the grammar of a traditional radio program to try to read and speak critically about the current food and culture, the participants are invited in advance to share the food prepared by the collective and share their experiences and stories. The public conversations with the participants will be recorded and edited, merged with the existing recordings (storytelling on the food rescue, interviews with people who are engaged, original scores, etc.), and will be finally released through Lumpenstation in November 2022. Fermentation Workshop aims to create a platform to transmit the emotions, feelings, and knowledge by sharing the methodology and the concept of vegetable fermentation especially the methodologies that are oriented in the Asian region to create kinship and to remind ourselves as a being of biophilia and to create symbiogenesis, sympoiesis way of living and thinking and doing in the current systemic crisis.","date":"06\/11\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1249\/cover-work_-fermentation-workshop-radio--modified.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1249\/cover-work_-fermentation-workshop-radio--modified.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1249\/cover-work_-fermentation-workshop-radio--modified.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1249\/podcast1mixv2.mp3","duration":720}],"duration":"12:00","format":"LUMPEN CONNEXIONS","format_path":"lumpen-connexions","format_id":1177},{"title":"La variante Tony Morgan","subtitle":"avec Claude Hubert-Tatot","colour":"#f214c4","path":"tonymorgan","texte":"

We talk about art, La variante Tony Morgan, avec Claude Hubert-Tatot
\nentretien enregistr\u00e9 \u00e0 Gen\u00e8ve le 06.10.22<\/p>\n\n

\"Depuis son Angleterre natale, Tony Morgan n'a de cesse de bouger, autant sur le plan g\u00e9ographique que sur le plan formel. En effet, cet artiste touche \u00e0 tout saura traverser son \u00e9poque en s'essayant \u00e0 plusieurs pratiques artistiques, tout en se r\u00e9f\u00e9rant toujours \u00e0 la peinture. Claude Hubert-Tatot, responsable du TM Studio \u00e0 Gen\u00e8ve qui s'occupe des archives de Tony Morgan, \u00a0porte \u00e0 la lumi\u00e8re le temps d'un \u00e9change orale,un parcours d'artiste singulier qui a su se pr\u00e9occuper des pr\u00e9occupations de ses contemporains en proposant une variante personnelle\"<\/p>\n\n

Entretien par Andrea Marioni\u00a0
\nune production Lumpen Station, avec le soutien de la Ville de Bienne et Swisslos Kultur Kanton Bern, \u00a9lumpenstation\u00a0<\/p>\n\n

https:\/\/fr.wikipedia.org\/wiki\/Tony_Morgan_(artiste)<\/a><\/p>","desc":"We talk about art, La variante Tony Morgan, avec Claude Hubert-Tatot entretien enregistr\u00e9 \u00e0 Gen\u00e8ve le 06.10.22 \"Depuis son Angleterre natale, Tony Morgan n'a de cesse de bouger, autant sur le plan g\u00e9ographique que sur le plan formel. En effet, cet artiste touche \u00e0 tout saura traverser son \u00e9poque en s'essayant \u00e0 plusieurs pratiques artistiques, tout en se r\u00e9f\u00e9rant toujours \u00e0 la peinture. Claude Hubert-Tatot, responsable du TM Studio \u00e0 Gen\u00e8ve qui s'occupe des archives de Tony Morgan, \u00a0porte \u00e0 la lumi\u00e8re le temps d'un \u00e9change orale,un parcours d'artiste singulier qui a su se pr\u00e9occuper des pr\u00e9occupations de ses contemporains en proposant une variante personnelle\" Entretien par Andrea Marioni\u00a0 une production Lumpen Station, avec le soutien de la Ville de Bienne et Swisslos Kultur Kanton Bern, \u00a9lumpenstation\u00a0 https:\/\/fr.wikipedia.org\/wiki\/Tony_Morgan_(artiste)","date":"04\/11\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1246\/tonymorgancoverdef.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1246\/tonymorgancoverdef.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1246\/tonymorgancoverdef.1200x1200.webp","ratio":98,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1246\/tonymorganedit.mp3","duration":5476}],"duration":"91:16","format":"LUMPEN UNIVERSIT\u00c4T","format_path":"lumpenuniversitat","format_id":1156},{"title":"Nocturnal episodes","subtitle":"by Diane Barb\u00e9","colour":"#4cf00c","path":"nocturnalepisodes","texte":"

Nocturnal Episodes by Diane Barb\u00e9<\/span><\/em>
\nLumpen connexions, release in november 2022<\/p>\n\n

Nocturnal Episodes<\/em>\u00a0is a continuous exploration through several dreams that occurred to me in the summer 2022. As the western world picked up again on a post-Covid productivist frenzy, the need for slowness and respite arose through the restlessness. I wondered what dreams and what ideals we pursue as a society; what futures do we want to build together? what connexions do we attempt to weave with the sacred and with the horrible? how can musical practices, in playing and listening, help us find a way to focus on the crucial needs for healing, resilience, fairness? Weaving together spoken word, flute, field recordings and substractive synthesis, this piece explores the wide spectrum of imaginaries to create a type of cinema-with-no-images.\u00a0Nocturnal Episodes<\/em>\u00a0was created by Diane Barb\u00e9, sound artist, curator and researcher currently based in Berlin.<\/p>","desc":"Nocturnal Episodes by Diane Barb\u00e9 Lumpen connexions, release in november 2022 Nocturnal Episodes\u00a0is a continuous exploration through several dreams that occurred to me in the summer 2022. As the western world picked up again on a post-Covid productivist frenzy, the need for slowness and respite arose through the restlessness. I wondered what dreams and what ideals we pursue as a society; what futures do we want to build together? what connexions do we attempt to weave with the sacred and with the horrible? how can musical practices, in playing and listening, help us find a way to focus on the crucial needs for healing, resilience, fairness? Weaving together spoken word, flute, field recordings and substractive synthesis, this piece explores the wide spectrum of imaginaries to create a type of cinema-with-no-images.\u00a0Nocturnal Episodes\u00a0was created by Diane Barb\u00e9, sound artist, curator and researcher currently based in Berlin.","date":"04\/11\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1247\/nocturnal_episodes.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1247\/nocturnal_episodes.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1247\/nocturnal_episodes.1200x1200.jpg","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1247\/diane_barbe_-_nocturnal_episode_-_for_lumpen_radio.mp3","duration":1736}],"duration":"28:56","format":"LUMPEN CONNEXIONS","format_path":"lumpen-connexions","format_id":1177},{"title":"I love you leave me alone","subtitle":"by More Dovrat","colour":"#4cf00c","path":"iloveyouleavemealone","texte":"

I love u leave me alone - an ode to a mother by Mor Dovrat\u00a0<\/span>
\nLumpen connexions, release in november 2022\u00a0<\/em><\/p>\n\n

A symphony of daily banal anticlimactic sounds turning into an enchanting rhythmic-entropic sound installation.\u00a0
\nLullabies, pumping milk, cleaning dishes, saying \u201cno\u201d, screaming \u201cno\u201d\u2026\u00a0.\u00a0<\/em><\/p>\n\n

Routine transposes into a sacred pattern of pulses\u00a0and sounds.\u00a0Dark thoughts float and are channeled into an awkward regaton schlager\u00a0and shakes the desperation away.\u00a0
\nAs a non musician that composes electronic music for her own performances and films, Mor puts intuition before theory while questioning the mathematical structure of rhythm and tonality.\u00a0Mor Dovrat is an Israeli performance-artist based in Biel. With her work Mor makes existential paradoxes visible with the help of self-irony. In 2010, she graduated in physical theater from the \"Sofy Moskowich Art of Acting School\" in Tel-Aviv. In 2016 Mor completed her education with an MA at the \"Accademia Teatro Dimitri\". In the same year she presented her debut short film \"MY FORELOVE\" as a director at the 69th Cannes Film Festival. In 2017, she co-founded the theater company \"thank you for the compliments\" (Freedom of Speechless, Saturn Machine, M.E.G.A - Make Earth Great Again, MISENTO). In 2019 she initiated and co-founded the Biel artist platform \"KarteNoire2502\". Mor won the OFF-STAGE- grant of the canton of Bern for 2021.<\/em><\/p>","desc":"I love u leave me alone - an ode to a mother by Mor Dovrat\u00a0 Lumpen connexions, release in november 2022\u00a0 A symphony of daily banal anticlimactic sounds turning into an enchanting rhythmic-entropic sound installation.\u00a0 Lullabies, pumping milk, cleaning dishes, saying \u201cno\u201d, screaming \u201cno\u201d\u2026\u00a0.\u00a0 Routine transposes into a sacred pattern of pulses\u00a0and sounds.\u00a0Dark thoughts float and are channeled into an awkward regaton schlager\u00a0and shakes the desperation away.\u00a0 As a non musician that composes electronic music for her own performances and films, Mor puts intuition before theory while questioning the mathematical structure of rhythm and tonality.\u00a0Mor Dovrat is an Israeli performance-artist based in Biel. With her work Mor makes existential paradoxes visible with the help of self-irony. In 2010, she graduated in physical theater from the \"Sofy Moskowich Art of Acting School\" in Tel-Aviv. In 2016 Mor completed her education with an MA at the \"Accademia Teatro Dimitri\". In the same year she presented her debut short film \"MY FORELOVE\" as a director at the 69th Cannes Film Festival. In 2017, she co-founded the theater company \"thank you for the compliments\" (Freedom of Speechless, Saturn Machine, M.E.G.A - Make Earth Great Again, MISENTO). In 2019 she initiated and co-founded the Biel artist platform \"KarteNoire2502\". Mor won the OFF-STAGE- grant of the canton of Bern for 2021.","date":"04\/11\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1248\/mor_dovrat_i_love_u_leave_me_alone.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1248\/mor_dovrat_i_love_u_leave_me_alone.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1248\/mor_dovrat_i_love_u_leave_me_alone.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1248\/i_love_u_leave_me_alone_23_sep.mp3","duration":1201}],"duration":"20:01","format":"LUMPEN CONNEXIONS","format_path":"lumpen-connexions","format_id":1177},{"title":"You would not be just an ornament","subtitle":"by Tatiana Heuman","colour":null,"path":"youwouldnotbejustanornament","texte":"

You would not be just an ornament, by Tatiana Heuman\u00a0<\/span><\/p>\n\n

It is possible to access new interpretations of the urgencies of the current reality through rest. Dreaming acts as an engine to continue when everything around seems to indicate that one of all ends is approaching.
\nFloating, hidden somewhere, appearing randomly, my dear dream,
\nShould I talk to you or about you? Because you seem to be a form of life, Have we talked too much about you, Have we talked too much with you? I don't think so. Not enough.
\nSo I imagine this possibility: talking to the dream as a concrete entity, a character, a body that can act just like me. I should invoke it to interrupt the productive and demanding everyday life. To awaken this assembled but paranoid creature in which threads of memories tangle and untangle. An unexpectedly alien intelligence, a precision mechanism nesting in the most elusive corridors of our intimacy.<\/p>\n\n

Idea, edition, music:
\nTatiana Heuman
\nDramaturgy:
\nGuido Wertheimer<\/p>\n\n

Artwork:Linfa<\/p>\n\n

Voices (in order of apparition):
\nTatiana Heuman
\nVareila Mairanga
\nDieu Hao Do
\nMariana Carvalho<\/p>\n\n

The texts included in this piece come from these books and authors:
\nUn departamento en Urano by Paul B. Preciado
\nLa inteligencia del sue\u00f1o by Anne Dufourmantelle
\nEste es el momento exacto en el que el tiempo empieza a correr by Ana Llurba<\/p>\n\n

24\/7 Late Capitalism and the Ends of Sleep by Jonathan Crary
\nRecorded 01.08.2022 - 8.09.2022
\nDuration: 21:09
\nCo-produced by Lumpen Station
\nSupported by Ville de Bienne, Swisslos Kultur Kanton Bern<\/p>","desc":"You would not be just an ornament, by Tatiana Heuman\u00a0 It is possible to access new interpretations of the urgencies of the current reality through rest. Dreaming acts as an engine to continue when everything around seems to indicate that one of all ends is approaching. Floating, hidden somewhere, appearing randomly, my dear dream, Should I talk to you or about you? Because you seem to be a form of life, Have we talked too much about you, Have we talked too much with you? I don't think so. Not enough. So I imagine this possibility: talking to the dream as a concrete entity, a character, a body that can act just like me. I should invoke it to interrupt the productive and demanding everyday life. To awaken this assembled but paranoid creature in which threads of memories tangle and untangle. An unexpectedly alien intelligence, a precision mechanism nesting in the most elusive corridors of our intimacy. Idea, edition, music: Tatiana Heuman Dramaturgy: Guido Wertheimer Artwork:Linfa Voices (in order of apparition): Tatiana Heuman Vareila Mairanga Dieu Hao Do Mariana Carvalho The texts included in this piece come from these books and authors: Un departamento en Urano by Paul B. Preciado La inteligencia del sue\u00f1o by Anne Dufourmantelle Este es el momento exacto en el que el tiempo empieza a correr by Ana Llurba 24\/7 Late Capitalism and the Ends of Sleep by Jonathan Crary Recorded 01.08.2022 - 8.09.2022 Duration: 21:09 Co-produced by Lumpen Station Supported by Ville de Bienne, Swisslos Kultur Kanton Bern","date":"04\/10\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1231\/tapita_ornament_th_c-01.2000x2000.jpeg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1231\/tapita_ornament_th_c-01.1200x1200.jpeg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1231\/tapita_ornament_th_c-01.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1231\/information-digestion-bounce-2.mp3","duration":1269}],"duration":"21:09","format":null,"format_path":null,"format_id":null,"sub_format":null,"sub_format_path":null,"sub_format_id":null},{"title":"Echo chamber #2","subtitle":"by Wassili Widmer","colour":"#4b06fd","path":"echochamber2","texte":"

Echo Chamber #2, by Wassili Widmer\u00a0<\/span><\/p>\n\n

After the first episode of\u00a0Echo Chamber<\/em>\u00a0reflected on the topics of voice and narrativ, this episode will thematise echo and reverb. Part of this will be a deeper reflection of the myth of Ekho and voice experiments.
\nThe myth of Ekho is an essential part and basically the origin of the Echo Chamber series. In this episode it is dissected from different angles, including the thoughts of\u00a0Echo Chamber<\/em>\u00a0episode 1 and a psychological study of the effects of repetition frequency on the effect of illusory truth. The story and sound phenomenon of Echo are interwoven with a critical reading of the darker sides of the story, which includes themes of dehumanisation, disembodiment, and narcissism.\u00a0
\nThis episode of\u00a0Echo Chamber<\/em>\u00a0is not the lightest, but is meant to encourage us to question dominant narratives. It is also an experiment in examining details of social structures through mythological stories and sound.\u00a0<\/p>","desc":"Echo Chamber #2, by Wassili Widmer\u00a0 After the first episode of\u00a0Echo Chamber\u00a0reflected on the topics of voice and narrativ, this episode will thematise echo and reverb. Part of this will be a deeper reflection of the myth of Ekho and voice experiments. The myth of Ekho is an essential part and basically the origin of the Echo Chamber series. In this episode it is dissected from different angles, including the thoughts of\u00a0Echo Chamber\u00a0episode 1 and a psychological study of the effects of repetition frequency on the effect of illusory truth. The story and sound phenomenon of Echo are interwoven with a critical reading of the darker sides of the story, which includes themes of dehumanisation, disembodiment, and narcissism.\u00a0 This episode of\u00a0Echo Chamber\u00a0is not the lightest, but is meant to encourage us to question dominant narratives. It is also an experiment in examining details of social structures through mythological stories and sound.\u00a0","date":"04\/10\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1232\/lumpenstation_flyer2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1232\/lumpenstation_flyer2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1232\/lumpenstation_flyer2.1200x1200.webp","ratio":98.1,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1232\/echo_chamber_2.mp3","duration":2370}],"duration":"39:30","format":"MEET THE RESIDENTS","format_path":"meet-the-residents","format_id":1174,"sub_format":"LUMPEN RESIDENTS 2022-2023","sub_format_path":"lumpenresidents20222023","sub_format_id":1268},{"title":"2 Rush 2 Breath","subtitle":"by Louis Hector","colour":"#4cf00c","path":"2rush2breath","texte":"

2 Rush 2 Breath, By Louis Hector<\/span>\u00a0<\/p>\n\n

2 Rush 2 Breath is an exercice in contrast that uses the breath of the turbo as a metaphor for an overwhelming atmosphere.
\nten mechanic whistles had been tuned and provided with diverse accessories and devices such as digital resonators and shimmering spectral filters, with the constructive principle of using materials used to speed up, improve, and perform. By means of repetition and excess, samples are made up until becoming beautifully alienated.<\/p>\n\n

In this sonic intervention, the velocity and power of the Machine (metaphorically alluded by extrabrilliant high frequencies, high definition sound, heavy side chain compression) become replaced by the representation of the haste and overflow from the cultural field in which we are circumscribed.<\/p>\n\n

For us, urban citizens, this field is characterized by political particularized prominence, media saturation, and the fallacy of a borderless world. The car as the extrapolation of the individual, and his equipped body, but also as a module in a series, is \u2018customized\u2019 via the juxtaposition of mechanical tools used to sonically catch your attention.
\nThis contradictory sonic essay lead the listener along a tragic meditation on beauty in alienation.<\/p>\n\n

2 Rush 2 Breath is part of a larger project of highly compressed music production that Hector will later develop under the pseudo 13hdi<\/p>\n\n

Louis Hector (*1995, Paris, France)
\nIs a producer working across different genres, inspired by contradiction, awkward fiction and vague recollections.
\nHe is part of the master of critical studies at HEAD in Geneva.<\/p>","desc":"2 Rush 2 Breath, By Louis Hector\u00a0 2 Rush 2 Breath is an exercice in contrast that uses the breath of the turbo as a metaphor for an overwhelming atmosphere. ten mechanic whistles had been tuned and provided with diverse accessories and devices such as digital resonators and shimmering spectral filters, with the constructive principle of using materials used to speed up, improve, and perform. By means of repetition and excess, samples are made up until becoming beautifully alienated. In this sonic intervention, the velocity and power of the Machine (metaphorically alluded by extrabrilliant high frequencies, high definition sound, heavy side chain compression) become replaced by the representation of the haste and overflow from the cultural field in which we are circumscribed. For us, urban citizens, this field is characterized by political particularized prominence, media saturation, and the fallacy of a borderless world. The car as the extrapolation of the individual, and his equipped body, but also as a module in a series, is \u2018customized\u2019 via the juxtaposition of mechanical tools used to sonically catch your attention. This contradictory sonic essay lead the listener along a tragic meditation on beauty in alienation. 2 Rush 2 Breath is part of a larger project of highly compressed music production that Hector will later develop under the pseudo 13hdi Louis Hector (*1995, Paris, France) Is a producer working across different genres, inspired by contradiction, awkward fiction and vague recollections. He is part of the master of critical studies at HEAD in Geneva.","date":"04\/10\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1233\/909_processed.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1233\/909_processed.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1233\/909_processed.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1233\/2rush2breath.mp3","duration":1509}],"duration":"25:09","format":"LUMPEN CONNEXIONS","format_path":"lumpen-connexions","format_id":1177},{"title":"une conversation avec: Jacques Fasel, EP:1","subtitle":"l'\u00e9lan de jeunesse","colour":"#000000","path":"une-conversation-avec-jacques-fasel-ep-1","texte":"","desc":"","date":"29\/09\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1227\/coverspodcast1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1227\/coverspodcast1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1227\/coverspodcast1.1200x1200.webp","ratio":98,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1227\/ep1.mp3","duration":2275}],"duration":"37:55","format":"LUMPEN UNIVERSIT\u00c4T","format_path":"lumpenuniversitat","format_id":1156,"sub_format":"Conversation avec Jacques Fasel","sub_format_path":"jacquesfasel","sub_format_id":1225},{"title":"La liste \u00e0 Lulu","subtitle":"by Marjorie Kapelusz","colour":null,"path":"lalistealulu","texte":"

La liste \u00e0 Lulu\u00a0
\nby Marjorie Kapelusz, Lumpen connexions, soundwork, 2022\u00a0
\nco-produced by Lumpen station\u00a0<\/p>\n\n

La liste \u00e0 Lulu\u00a0: Sonate pour une tron\u00e7onneuse est une visite d\u2019atelier sonore.\u00a0Lulu et sa tron\u00e7onneuse vous invite au c\u0153ur de ses r\u00eaveries et de ses dialogues internes. Les sons t\u00e9moignent parfois d\u2019un h\u00e9ritage culturel parfois des gestes qui s\u2019activent dans l\u2019atelier. Et d\u2019ailleurs c\u2019est quoi un atelier\u00a0?\u00a0Vous reconnaitrez s\u00fbrement le son d\u2019une machine \u00e0 coudre, une rivi\u00e8re torrentielle et la poubelle \u00e0 verre. Lulu partage avec Lumpen Station ses instants de gr\u00e2ce les plus grin\u00e7ants. Cette proposition est un tissage sonore construit \u00e0 la mani\u00e8re d\u2019une r\u00e9flexion non lin\u00e9aire qui puise son inspiration autant dans la nature environnante que dans des archives personnelles.\u00a0\u00a0<\/em><\/p>\n\n

\u00a0La liste \u00e0 Lulu : Sonate pour une tron\u00e7onneuse is a sound studio tour.\u00a0Lulu and her chainsaw invites you into the heart of her daydreams and internal dialogues.\u00a0The sounds sometimes testify to a cultural heritage, sometimes gestures that are activated in the studio.\u00a0And besides, what is a studio?<\/em>\u00a0You will surely recognize the sound of a sewing machine, a torrential river and the glass bin.<\/em>\u00a0Lulu shares with Lumpen Station her cringest moments of grace.\u00a0This proposal is a sound weaving constructed in the manner of a non-linear reflection that draws its inspiration as much from the surrounding nature as from personal archives.<\/em><\/p>","desc":"La liste \u00e0 Lulu\u00a0 by Marjorie Kapelusz, Lumpen connexions, soundwork, 2022\u00a0 co-produced by Lumpen station\u00a0 La liste \u00e0 Lulu\u00a0: Sonate pour une tron\u00e7onneuse est une visite d\u2019atelier sonore.\u00a0Lulu et sa tron\u00e7onneuse vous invite au c\u0153ur de ses r\u00eaveries et de ses dialogues internes. Les sons t\u00e9moignent parfois d\u2019un h\u00e9ritage culturel parfois des gestes qui s\u2019activent dans l\u2019atelier. Et d\u2019ailleurs c\u2019est quoi un atelier\u00a0?\u00a0Vous reconnaitrez s\u00fbrement le son d\u2019une machine \u00e0 coudre, une rivi\u00e8re torrentielle et la poubelle \u00e0 verre. Lulu partage avec Lumpen Station ses instants de gr\u00e2ce les plus grin\u00e7ants. Cette proposition est un tissage sonore construit \u00e0 la mani\u00e8re d\u2019une r\u00e9flexion non lin\u00e9aire qui puise son inspiration autant dans la nature environnante que dans des archives personnelles.\u00a0\u00a0 \u00a0La liste \u00e0 Lulu : Sonate pour une tron\u00e7onneuse is a sound studio tour.\u00a0Lulu and her chainsaw invites you into the heart of her daydreams and internal dialogues.\u00a0The sounds sometimes testify to a cultural heritage, sometimes gestures that are activated in the studio.\u00a0And besides, what is a studio?\u00a0You will surely recognize the sound of a sewing machine, a torrential river and the glass bin.\u00a0Lulu shares with Lumpen Station her cringest moments of grace.\u00a0This proposal is a sound weaving constructed in the manner of a non-linear reflection that draws its inspiration as much from the surrounding nature as from personal archives.","date":"03\/09\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1222\/3kapeluszvisuel_ok.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1222\/3kapeluszvisuel_ok.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1222\/3kapeluszvisuel_ok.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1222\/la_liste_a_lulu.mp3","duration":1655}],"duration":"27:35","format":null,"format_path":null,"format_id":null,"sub_format":null,"sub_format_path":null,"sub_format_id":null},{"title":"Fantasmagor EP.1","subtitle":"by Renato Grieco","colour":"#4b06fd","path":"fantasmagorep1","texte":"

Fantasmagor EP. 1
\nby Renato Grieco, artist in residence on Lumpen Station in 2022\u00a0<\/span><\/p>\n\n

Fantasmag\u00f3r is a media-archeological speculation about a device\u00a0capable of recording the imaginative and affective aural experience of the user.\u00a0The whole story appears like a set of keynote speeches at a conference of psychiatrists reviewing various case studies related to the use of the device to observe\u00a0aural activity during\u00a0severe states of hallucination in patients with clinical disease or injury caused by toxic substances.<\/p>\n\n

voices: Francisco Meirino, Duncan Harrison, Kate Donovan, Mark Harwood, Alexandra Spence.<\/p>","desc":"Fantasmagor EP. 1 by Renato Grieco, artist in residence on Lumpen Station in 2022\u00a0 Fantasmag\u00f3r is a media-archeological speculation about a device\u00a0capable of recording the imaginative and affective aural experience of the user.\u00a0The whole story appears like a set of keynote speeches at a conference of psychiatrists reviewing various case studies related to the use of the device to observe\u00a0aural activity during\u00a0severe states of hallucination in patients with clinical disease or injury caused by toxic substances. voices: Francisco Meirino, Duncan Harrison, Kate Donovan, Mark Harwood, Alexandra Spence.","date":"03\/09\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1221\/fantasmagor1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1221\/fantasmagor1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1221\/fantasmagor1.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1221\/fantasmagor_ep_1.mp3","duration":1801}],"duration":"30:01","format":"MEET THE RESIDENTS","format_path":"meet-the-residents","format_id":1174,"sub_format":"LUMPEN RESIDENTS 2022-2023","sub_format_path":"lumpenresidents20222023","sub_format_id":1268},{"title":"Come together in a dream","subtitle":"by Garancina","colour":null,"path":"come-together-in-a-dream","texte":"

Come together in a dream
\nby Garancina, Music does the talking, co-production Lumpen Station 2022\u00a0<\/span><\/p>\n\n

\u0a48\u2729\u2027\u208a\u02da<\/p>\n\n

Come together in a dream<\/em> is a tribute to bizarre parties, bizarre crowds, bizarre sounds and bizarre dreams. The sound piece is inspired by, and functions as an odd dj set composed of original tracks produced by the artist, that would follow you in your reveries, in your reminiscence of adventurous parties. It distills the weirdo essence of what is considered as an art form, thus coopted, and as a criminal nuisance, thus prohibited, and as a low culture token, thus neglected. It also seeks to challenge the power-force system, which excludes djing from \u00ab\u00a0high culture\u00a0\u00bb, by mobilizing EDM sounds, and by stating: you can think while you party, danceable music is not devoid of critical thoughts.<\/p>\n\n

Garance a.k.a. Garancina is a dj, producer, and millennial feminist with long nails, make up and pink as a favorite color. She is an activist since she became aware of her position in the world. Garancina has sold her soul to music and sounds. She is interested in power relations within art institutions, activist spaces and between academic and extra-academic knowledges. She want us to collectively organize a disruption of systems of dominations.<\/p>\n\n

Written and produced by Garancina<\/p>\n\n

Mastered by Aaron M\u00e9an<\/p>\n\n

\u0cc4\u0f80\u0fd0 \u02ca\u02ce-<\/p>","desc":"Come together in a dream by Garancina, Music does the talking, co-production Lumpen Station 2022\u00a0 \u0a48\u2729\u2027\u208a\u02da Come together in a dream is a tribute to bizarre parties, bizarre crowds, bizarre sounds and bizarre dreams. The sound piece is inspired by, and functions as an odd dj set composed of original tracks produced by the artist, that would follow you in your reveries, in your reminiscence of adventurous parties. It distills the weirdo essence of what is considered as an art form, thus coopted, and as a criminal nuisance, thus prohibited, and as a low culture token, thus neglected. It also seeks to challenge the power-force system, which excludes djing from \u00ab\u00a0high culture\u00a0\u00bb, by mobilizing EDM sounds, and by stating: you can think while you party, danceable music is not devoid of critical thoughts. Garance a.k.a. Garancina is a dj, producer, and millennial feminist with long nails, make up and pink as a favorite color. She is an activist since she became aware of her position in the world. Garancina has sold her soul to music and sounds. She is interested in power relations within art institutions, activist spaces and between academic and extra-academic knowledges. She want us to collectively organize a disruption of systems of dominations. Written and produced by Garancina Mastered by Aaron M\u00e9an \u0cc4\u0f80\u0fd0 \u02ca\u02ce-","date":"03\/09\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1223\/lumpenstation_garancina_2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1223\/lumpenstation_garancina_2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1223\/lumpenstation_garancina_2.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1223\/garancina_-_come_together_in_a_dream.mp3","duration":1501}],"duration":"25:01","format":null,"format_path":null,"format_id":null,"sub_format":null,"sub_format_path":null,"sub_format_id":null},{"title":"TALKING GAZES","subtitle":"with Monica German, Francesca Sproccati","colour":"#ff74ef","path":"talkinggazes7","texte":"

Talking Gazes, 25.08.22<\/p>\n\n

Live recorded in Tinguely Museum Basel in the exhibition BANG BANG :\u00a0translocal hi:stories of performance art.<\/em><\/p>\n\n

\"Last but not least encounter with our Talking Gazes within Bang Bang translocal histories. For this ending episode we were live from Kasko art Space in Basel broadcasting with our caddy-Tinguely-studio. Monica German and Francesca Sproccati shared their impression of Freekly night program before to give the mike to some members of Bang Bang's curatorial team...\u00a0\"\u00a0<\/em><\/p>\n\n

participants: Monica German, Francesca Sproccati<\/em>
Host:\u00a0<\/em>Andrea Marioni
Technic and post-edits:\u00a0<\/em>Ivan Crichton
\nVisual:\u00a0Studio Vanieli\u00a0<\/p>\n\n

With the support\u00a0of Ville de Bienne, Swisslos Kultur Kanton Bern, FSRC and SWISSPERFORM, Oertli Stiftung\u00a0<\/p>","desc":"Talking Gazes, 25.08.22 Live recorded in Tinguely Museum Basel in the exhibition BANG BANG :\u00a0translocal hi:stories of performance art. \"Last but not least encounter with our Talking Gazes within Bang Bang translocal histories. For this ending episode we were live from Kasko art Space in Basel broadcasting with our caddy-Tinguely-studio. Monica German and Francesca Sproccati shared their impression of Freekly night program before to give the mike to some members of Bang Bang's curatorial team...\u00a0\"\u00a0 participants: Monica German, Francesca SproccatiHost:\u00a0Andrea MarioniTechnic and post-edits:\u00a0Ivan Crichton Visual:\u00a0Studio Vanieli\u00a0 With the support\u00a0of Ville de Bienne, Swisslos Kultur Kanton Bern, FSRC and SWISSPERFORM, Oertli Stiftung\u00a0","date":"25\/08\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1226\/ls_talkinggazes_podcasts_freckly_311022.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1226\/ls_talkinggazes_podcasts_freckly_311022.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1226\/ls_talkinggazes_podcasts_freckly_311022.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1226\/lumpen_station_-_25_08_22_1h46m16s.mp3","duration":6383}],"duration":"106:23","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114,"sub_format":"TALKING GAZES","sub_format_path":"talkinggazes","sub_format_id":1197},{"title":"TALKING GAZES","subtitle":"with Hannah Beilarz, Sawi Laila, Ursula Scherrer","colour":"#ff74ef","path":"talkinggazes6","texte":"

Talking Gazes, 18.08.22<\/p>\n\n

Live recorded in Tinguely Museum Basel in the exhibition BANG BANG :\u00a0translocal hi:stories of performance art.<\/em><\/p>\n\n

\"In this talk our guest share their impression about performances seen the previous saturday and asked themselves about the theme frame, the artist propositions and their reception.\u00a0Follow their Talking Gazes and have an hint about the performances presented in Tinguely Museum...\"\u00a0<\/em><\/p>\n\n

participants: Hannah Beilarz, Sawi Laila, Ursula Scherrer\u00a0<\/em>
Host:\u00a0<\/em>Andrea Marioni
Technic and post-edits:\u00a0<\/em>Ivan Crichton
\nVisual:\u00a0Studio Vanieli\u00a0<\/p>\n\n

With the support\u00a0of Ville de Bienne, Swisslos Kultur Kanton Bern, FSRC and SWISSPERFORM, Oertli Stiftung\u00a0<\/p>","desc":"Talking Gazes, 18.08.22 Live recorded in Tinguely Museum Basel in the exhibition BANG BANG :\u00a0translocal hi:stories of performance art. \"In this talk our guest share their impression about performances seen the previous saturday and asked themselves about the theme frame, the artist propositions and their reception.\u00a0Follow their Talking Gazes and have an hint about the performances presented in Tinguely Museum...\"\u00a0 participants: Hannah Beilarz, Sawi Laila, Ursula Scherrer\u00a0Host:\u00a0Andrea MarioniTechnic and post-edits:\u00a0Ivan Crichton Visual:\u00a0Studio Vanieli\u00a0 With the support\u00a0of Ville de Bienne, Swisslos Kultur Kanton Bern, FSRC and SWISSPERFORM, Oertli Stiftung\u00a0","date":"18\/08\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1228\/ls_talkinggazes_podcasts_transmission.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1228\/ls_talkinggazes_podcasts_transmission.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1228\/ls_talkinggazes_podcasts_transmission.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1228\/lumpen_station_-_18_aout_1h36m32s.mp3","duration":5799}],"duration":"96:39","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114,"sub_format":"TALKING GAZES","sub_format_path":"talkinggazes","sub_format_id":1197},{"title":"TALKING GAZES","subtitle":"with Selma Meuli, Martin Jakob, Nicolas Raufaste","colour":"#ff74ef","path":"talkinkgazes6","texte":"

Talking Gazes, 07.07.22<\/p>\n\n

Live recorded in Tinguely Museum Basel in the exhibition BANG BANG :\u00a0translocal hi:stories of performance art.<\/em><\/p>\n\n

\"After a break of fw week, Bang Bang comes back in Tinguely museum by presenting a final blast of Sozial elegance, during all saturday, more than 80 performances animated the park in front of the museum. From an open call all the participants had the possibility to present their work to an organic audience, following the program by waving in the atmosphere. Our Taling Gazes give their impression of this peculair atmosphere\"\u00a0<\/em><\/p>\n\n

participants: Selma Meuli, Martin Jakob, Nicolas Raufaste<\/em>
Host:\u00a0<\/em>Andrea Marioni
Technic and post-edits:\u00a0<\/em>Ivan Crichton
\nVisual:\u00a0Studio Vanieli\u00a0<\/p>\n\n

With the support\u00a0of Ville de Bienne, Swisslos Kultur Kanton Bern, FSRC and SWISSPERFORM, Oertli Stiftung\u00a0<\/p>","desc":"Talking Gazes, 07.07.22 Live recorded in Tinguely Museum Basel in the exhibition BANG BANG :\u00a0translocal hi:stories of performance art. \"After a break of fw week, Bang Bang comes back in Tinguely museum by presenting a final blast of Sozial elegance, during all saturday, more than 80 performances animated the park in front of the museum. From an open call all the participants had the possibility to present their work to an organic audience, following the program by waving in the atmosphere. Our Taling Gazes give their impression of this peculair atmosphere\"\u00a0 participants: Selma Meuli, Martin Jakob, Nicolas RaufasteHost:\u00a0Andrea MarioniTechnic and post-edits:\u00a0Ivan Crichton Visual:\u00a0Studio Vanieli\u00a0 With the support\u00a0of Ville de Bienne, Swisslos Kultur Kanton Bern, FSRC and SWISSPERFORM, Oertli Stiftung\u00a0","date":"17\/08\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1220\/ls_talkinggazes_podcasts_elegance.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1220\/ls_talkinggazes_podcasts_elegance.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1220\/ls_talkinggazes_podcasts_elegance.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1220\/lumpen_station_-_12_04_22_1h43m32s.mp3","duration":6218}],"duration":"103:38","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114,"sub_format":"TALKING GAZES","sub_format_path":"talkinggazes","sub_format_id":1197},{"title":"Feedback symphony N\u00b01.1","subtitle":"L\u00e9on Jodry","colour":"#4cf00c","path":"feedbacksymphonyn1","texte":"

FEEDBACK SYMPHONY N\u00b01.1 by L\u00e9on Jodry
\nSoundwork co-produced by Lumpen Station and L\u00e9on Jodry for Lumpen Connexions room,\u00a0July\u00a02022
\n\u00a0<\/p>\n\n

This\u00a0sound piece\u00a0consists\u00a0in a non-stop-evolving\u00a0drone\u00a0produced by 12 diverse homemade feedback-devices (6 guitar amps with 6 guitar pickups hanged under 6 piano strings, 4 guitar amps and 2 PA with 6 piezo microphones glued on diverse resonant material) placed in a room and recorded by 6 microphones. No-one is playing any sound, the devices are self-sufficient to produce sound and each sound produced by a device will automatically affect the sounds made by the others, My job consisted in creating the devices and meditate in the middle of them with my recorder. In the end, a little post-treatment were applied.\u00a0<\/p>\n\n

L\u00c9ON JODRY\u00a0is a musician, performer, and soundartist from La Chaux-de-Fonds - Switzerland. After a common debut of musical journey playing bass in punk-rock bands, he started a more radical approach of sounds and started to get completely away from concepts of tonalities and rhythmics, focussing on sound textures and emotions.<\/p>","desc":"FEEDBACK SYMPHONY N\u00b01.1 by L\u00e9on Jodry Soundwork co-produced by Lumpen Station and L\u00e9on Jodry for Lumpen Connexions room,\u00a0July\u00a02022 \u00a0 This\u00a0sound piece\u00a0consists\u00a0in a non-stop-evolving\u00a0drone\u00a0produced by 12 diverse homemade feedback-devices (6 guitar amps with 6 guitar pickups hanged under 6 piano strings, 4 guitar amps and 2 PA with 6 piezo microphones glued on diverse resonant material) placed in a room and recorded by 6 microphones. No-one is playing any sound, the devices are self-sufficient to produce sound and each sound produced by a device will automatically affect the sounds made by the others, My job consisted in creating the devices and meditate in the middle of them with my recorder. In the end, a little post-treatment were applied.\u00a0 L\u00c9ON JODRY\u00a0is a musician, performer, and soundartist from La Chaux-de-Fonds - Switzerland. After a common debut of musical journey playing bass in punk-rock bands, he started a more radical approach of sounds and started to get completely away from concepts of tonalities and rhythmics, focussing on sound textures and emotions.","date":"01\/08\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1216\/leon_jodry_-_feedback_symphony_n_1_1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1216\/leon_jodry_-_feedback_symphony_n_1_1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1216\/leon_jodry_-_feedback_symphony_n_1_1.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1216\/feedback_symphony_n_1_1.mp3","duration":1835}],"duration":"30:35","format":"LUMPEN CONNEXIONS","format_path":"lumpen-connexions","format_id":1177},{"title":"Encounter with","subtitle":"Charlemagne Palestine","colour":"#f214c4","path":"encounter-with","texte":"

Encounter with Charlemagne Palestine
\ninterview hosted by Andrea Marioni
\nrecorded in th\u00e9\u00e2tre de la Val\u00e8re, Sion, 21.07.22 within the exhibition Beauty & Room curated by Balthazar Lovay
\nsound extracts: Charlemagne Palestine, live in the \u00e9glise des J\u00e9suites, Sion, 23.07.22 for PALP Festival\u00a0<\/p>\n\n

Charlemagne Palestine went through important decades of sound art avant-garde by collaborating with important figures such as Allan Kaprow, Tony Conrad, Morton Subotnick.
\nAside collaborations he created his own sound universe highly imprinted by notions such as sacred songs, performances arts or more precisely described by Charlemagne himself \"Body sound\". During the PALP festival he presented in le th\u00e9\u00e2tre de la Val\u00e8re, within the exhibition Beauty & Room curated by Bathalzar Lovay, a massive installation presenting a wide collection of divinities immerse in a sound work.
\nOn 23.07.22 a live sound performance has been presented to the audience at the \u00e9glise des J\u00e9suites.
\nThe interview and the exchange hosted by Andrea Marioni wish to introduce this peculiar sound practice to everybody and dig developments in the career of Charlemagne Palestine.<\/p>","desc":"Encounter with Charlemagne Palestine interview hosted by Andrea Marioni recorded in th\u00e9\u00e2tre de la Val\u00e8re, Sion, 21.07.22 within the exhibition Beauty & Room curated by Balthazar Lovay sound extracts: Charlemagne Palestine, live in the \u00e9glise des J\u00e9suites, Sion, 23.07.22 for PALP Festival\u00a0 Charlemagne Palestine went through important decades of sound art avant-garde by collaborating with important figures such as Allan Kaprow, Tony Conrad, Morton Subotnick. Aside collaborations he created his own sound universe highly imprinted by notions such as sacred songs, performances arts or more precisely described by Charlemagne himself \"Body sound\". During the PALP festival he presented in le th\u00e9\u00e2tre de la Val\u00e8re, within the exhibition Beauty & Room curated by Bathalzar Lovay, a massive installation presenting a wide collection of divinities immerse in a sound work. On 23.07.22 a live sound performance has been presented to the audience at the \u00e9glise des J\u00e9suites. The interview and the exchange hosted by Andrea Marioni wish to introduce this peculiar sound practice to everybody and dig developments in the career of Charlemagne Palestine.","date":"01\/08\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1213\/ls_charlemagne_podcast_310822_3.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1213\/ls_charlemagne_podcast_310822_3.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1213\/ls_charlemagne_podcast_310822_3.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1213\/editinterview.mp3","duration":3709}],"duration":"61:49","format":"LUMPEN UNIVERSIT\u00c4T","format_path":"lumpenuniversitat","format_id":1156},{"title":"Deep listening","subtitle":"Daniela Brugger","colour":"#4cf00c","path":"deeplistening","texte":"

Deep Listening, by Daniela Brugger<\/em><\/p>\n\n

deep listening<\/em> is an invitation to relax and focusses on notification sounds present in our everyday life. The electronic devices relate to us by saying hello, goodbye, well done, generally commenting, and observing the user. The machines seeking our attention, and communicating with us via sounds, while we receive messages, send Emails, or start a computer.<\/p>\n\n

The piece is inspired by the process of \"machine learning\", the reality of \"deep fake\" and relates these topics with the experience of \"deep listening\". The term \"deep listening\" is known as a description for a meditative and concentrated form of listening whereas \"deep learning\" describes a multi layered learning system and the large amount of data used to create artificial intelligence.
\nFor the recording two improvisation artists were asked to individually mimic the complex notification sounds with their voice.<\/p>","desc":"Deep Listening, by Daniela Brugger deep listening is an invitation to relax and focusses on notification sounds present in our everyday life. The electronic devices relate to us by saying hello, goodbye, well done, generally commenting, and observing the user. The machines seeking our attention, and communicating with us via sounds, while we receive messages, send Emails, or start a computer. The piece is inspired by the process of \"machine learning\", the reality of \"deep fake\" and relates these topics with the experience of \"deep listening\". The term \"deep listening\" is known as a description for a meditative and concentrated form of listening whereas \"deep learning\" describes a multi layered learning system and the large amount of data used to create artificial intelligence. For the recording two improvisation artists were asked to individually mimic the complex notification sounds with their voice.","date":"01\/08\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1215\/image_deeplistening_db_lumpenstation.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1215\/image_deeplistening_db_lumpenstation.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1215\/image_deeplistening_db_lumpenstation.1200x1200.webp","ratio":101.98878123406425,"orientation":"portrait"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1215\/deeplistening_master_db.mp3","duration":1532}],"duration":"25:32","format":"LUMPEN CONNEXIONS","format_path":"lumpen-connexions","format_id":1177},{"title":"Crossline I","subtitle":"Sara Lana","colour":"#4b06fd","path":"crossline-i","texte":"

Crossline I
\nby Sara Lana, Lumpen station residents in 2022\u00a0<\/p>\n\n

Crosslines is a series of 3 sound pieces created from calls made to public telephones all over the world.
\nMultiple calls made to recipients hitherto unknown or even non-existent.\u00a0
\nThe phones were found using maps with panoramic views of public spaces. The number of each phone was retrieved by crossing its coordinates identified on the route with information collected in the database of phone directories (yellow pages) of each country.
\nThe first piece of this series was created calling to some Spanish speaking countries such as Cuba, Chile, Argentina, Paraguay, Uruguay, Ecuador, Mexico and Spain.<\/p>\n\n

Sara Lana is a Brazilian artist and developer. She studied Mathematics and Electric Engineering. Her projects lie in the convergence of art and technology. She often uses multiple supports, especially sound, electronics and video, having illustration and cartography as important elements throughout her creative process.<\/p>\n\n

Sara was awarded the Akademie Solitude 2024 fellowship and the Bolsa Pampulha fellowship (Pampulha Art Museum, Brazil), when she developed and exhibited her project \u2018Species of Spaces\u2019. She was also an artist-in-residence in several spaces dedicated to art, sound and technology in Br, Chile, Mx, Romania and Switzerland. Her project \u2018Blind Spots\u2019 was hosted by RedBullStation (2017, Brazil), MediaLabMX (2018, M\u00e9xico), CCD \u2013 Center of Digital Culture (2019, M\u00e9xico), among others. Her sound installation \u2018Antonyms Machine\u2019 was exhibited at Oi Futuro (2019, Rio de Janeiro) and Sesc (2018\u20132022, Minas Gerais and S\u00e3o Paulo states).<\/p>\n\n

Her sound pieces were broadcasted in radios all over the world, such as Orelhinha (2021, Br), presented at \u2018Seres Rios Festival\u2019 \u2013 BDMG (2021, Brazil) and \u2018Mutt Dogs\u2019 (2017, Brazil, produced by Arte Radio) presented in avant-premi\u00e8re at Centre Pompidou (2018, France) and nominated to Phonurgia Nova Awards (2018, France).<\/p>","desc":"Crossline I by Sara Lana, Lumpen station residents in 2022\u00a0 Crosslines is a series of 3 sound pieces created from calls made to public telephones all over the world. Multiple calls made to recipients hitherto unknown or even non-existent.\u00a0 The phones were found using maps with panoramic views of public spaces. The number of each phone was retrieved by crossing its coordinates identified on the route with information collected in the database of phone directories (yellow pages) of each country. The first piece of this series was created calling to some Spanish speaking countries such as Cuba, Chile, Argentina, Paraguay, Uruguay, Ecuador, Mexico and Spain. Sara Lana is a Brazilian artist and developer. She studied Mathematics and Electric Engineering. Her projects lie in the convergence of art and technology. She often uses multiple supports, especially sound, electronics and video, having illustration and cartography as important elements throughout her creative process. Sara was awarded the Akademie Solitude 2024 fellowship and the Bolsa Pampulha fellowship (Pampulha Art Museum, Brazil), when she developed and exhibited her project \u2018Species of Spaces\u2019. She was also an artist-in-residence in several spaces dedicated to art, sound and technology in Br, Chile, Mx, Romania and Switzerland. Her project \u2018Blind Spots\u2019 was hosted by RedBullStation (2017, Brazil), MediaLabMX (2018, M\u00e9xico), CCD \u2013 Center of Digital Culture (2019, M\u00e9xico), among others. Her sound installation \u2018Antonyms Machine\u2019 was exhibited at Oi Futuro (2019, Rio de Janeiro) and Sesc (2018\u20132022, Minas Gerais and S\u00e3o Paulo states). Her sound pieces were broadcasted in radios all over the world, such as Orelhinha (2021, Br), presented at \u2018Seres Rios Festival\u2019 \u2013 BDMG (2021, Brazil) and \u2018Mutt Dogs\u2019 (2017, Brazil, produced by Arte Radio) presented in avant-premi\u00e8re at Centre Pompidou (2018, France) and nominated to Phonurgia Nova Awards (2018, France).","date":"01\/08\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1217\/crosslines_1.2000x2000.png","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1217\/crosslines_1.1200x1200.png","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1217\/crosslines_1.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1217\/crosslines_i.mp3","duration":1501}],"duration":"25:01","format":"MEET THE RESIDENTS","format_path":"meet-the-residents","format_id":1174,"sub_format":"LUMPEN RESIDENTS 2022-2023","sub_format_path":"lumpenresidents20222023","sub_format_id":1268},{"title":"Selbstportrait in Musik #2","subtitle":"with Thibaud Gerber","colour":"#0ad0e3","path":"selbstportrait-in-musik-2","texte":"

Selbstportrait in Musik #2 with Thibaud Gerber
\nrecorded in Atomic caf\u00e9, Biel\/Bienne, 10.04.22\u00a0<\/p>\n\n

Selbstportrait in Musik est une s\u00e9rie de diffusion radiophonique depuis l\u2019Atomic Caf\u00e9 \u00e0 Bienne pour donner la voix ou plut\u00f4t les platines \u00e0 des artistes de la r\u00e9gion biennoise pour partager \u00ab\u00a0le temps d\u2019un ap\u00e9ro\u00a0\u00bb un autoportrait en musique. Attention, les contenus sont hauts en interpr\u00e9tations crypt\u00e9es sur la personnalit\u00e9 de nos invit\u00e9\u00b7es\u00a0! Contenu musical<\/em><\/p>","desc":"Selbstportrait in Musik #2 with Thibaud Gerber recorded in Atomic caf\u00e9, Biel\/Bienne, 10.04.22\u00a0 Selbstportrait in Musik est une s\u00e9rie de diffusion radiophonique depuis l\u2019Atomic Caf\u00e9 \u00e0 Bienne pour donner la voix ou plut\u00f4t les platines \u00e0 des artistes de la r\u00e9gion biennoise pour partager \u00ab\u00a0le temps d\u2019un ap\u00e9ro\u00a0\u00bb un autoportrait en musique. Attention, les contenus sont hauts en interpr\u00e9tations crypt\u00e9es sur la personnalit\u00e9 de nos invit\u00e9\u00b7es\u00a0! Contenu musical","date":"20\/07\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1211\/ls_selbsportrait_thibaugerber_podcast_310722.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1211\/ls_selbsportrait_thibaugerber_podcast_310722.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1211\/ls_selbsportrait_thibaugerber_podcast_310722.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1211\/editsounds.mp3","duration":7169}],"duration":"119:29","format":"MUSIC DOES THE TALKING","format_path":"music-does-the-talking","format_id":1212},{"title":"Talking gazes","subtitle":"with: Chris Regn, Camille Regli, Marion Ritzmann","colour":"#ff74ef","path":"talkinggazes3","texte":"

Talking Gazes, 07.07.22
\nLive recorded in Tinguely Museum Basel in the exhibition BANG BANG :\u00a0translocal hi:stories of performance art.<\/em><\/p>\n\n

\"<\/em>For this fourth Talking Gazes broadcast, our guest discussed about the performance programm of the 03.07.22 and the role of the exhibition Bang Bang in Tinguely Museum. It has also been the occasion to question politics in performance and how feminismus can find within performance a ground of development.\"\u00a0<\/p>\n\n

Participants: Chris Regn, Camille Regli, Marion Ritzmann<\/em>
Host:\u00a0<\/em>Andrea Marioni
Technic and post-edits:\u00a0<\/em>Ivan Crichton
\nVisual:\u00a0Studio Vanieli\u00a0<\/p>\n\n

With the support\u00a0of Ville de Bienne, Swisslos Kultur Kanton Bern, FSRC and SWISSPERFORM<\/p>","desc":"Talking Gazes, 07.07.22 Live recorded in Tinguely Museum Basel in the exhibition BANG BANG :\u00a0translocal hi:stories of performance art. \"For this fourth Talking Gazes broadcast, our guest discussed about the performance programm of the 03.07.22 and the role of the exhibition Bang Bang in Tinguely Museum. It has also been the occasion to question politics in performance and how feminismus can find within performance a ground of development.\"\u00a0 Participants: Chris Regn, Camille Regli, Marion RitzmannHost:\u00a0Andrea MarioniTechnic and post-edits:\u00a0Ivan Crichton Visual:\u00a0Studio Vanieli\u00a0 With the support\u00a0of Ville de Bienne, Swisslos Kultur Kanton Bern, FSRC and SWISSPERFORM","date":"11\/07\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1208\/ls_talkinggazes_podcasts_fleeting.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1208\/ls_talkinggazes_podcasts_fleeting.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1208\/ls_talkinggazes_podcasts_fleeting.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1208\/7juil22_1h31m37s.mp3","duration":5503}],"duration":"91:43","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114,"sub_format":"TALKING GAZES","sub_format_path":"talkinggazes","sub_format_id":1197},{"title":"Talking Gazes","subtitle":"with Monika Stalder, Mathilde Beetschen, Roland Fischer","colour":"#ff74ef","path":"talking-gazes","texte":"

Talking Gazes, 30.06.22
\nLive recorded in Tinguely Museum Basel in the exhibition BANG BANG :\u00a0translocal hi:stories of performance art.<\/em><\/p>\n\n

\"<\/em>For this first Talking Gazes broadcast, our guest had shared lived their impression about performance programm they follow saturday 25.06.22. In this talk show, the conversation turned around the questions of \"extended queer\" approach offered by each performance, the use of science in performance and how the audience receive a performance.\"\u00a0\u00a0<\/p>\n\n

Participants: Monika Stalder, Mathilde Beetschen, Roland Fischer<\/em>
Host:\u00a0<\/em>Andrea Marioni
Technic and post-edits:\u00a0<\/em>Ivan Crichton
\nVisual:\u00a0Studio Vanieli\u00a0<\/p>\n\n

With the support\u00a0of Ville de Bienne, Swisslos Kultur Kanton Bern, FSRC and SWISSPERFORM<\/p>","desc":"Talking Gazes, 30.06.22 Live recorded in Tinguely Museum Basel in the exhibition BANG BANG :\u00a0translocal hi:stories of performance art. \"For this first Talking Gazes broadcast, our guest had shared lived their impression about performance programm they follow saturday 25.06.22. In this talk show, the conversation turned around the questions of \"extended queer\" approach offered by each performance, the use of science in performance and how the audience receive a performance.\"\u00a0\u00a0 Participants: Monika Stalder, Mathilde Beetschen, Roland FischerHost:\u00a0Andrea MarioniTechnic and post-edits:\u00a0Ivan Crichton Visual:\u00a0Studio Vanieli\u00a0 With the support\u00a0of Ville de Bienne, Swisslos Kultur Kanton Bern, FSRC and SWISSPERFORM","date":"06\/07\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1205\/ls_talkinggazes_podcasts_experience.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1205\/ls_talkinggazes_podcasts_experience.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1205\/ls_talkinggazes_podcasts_experience.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1205\/30_juin_1h46m40s.mp3","duration":6407}],"duration":"106:47","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114,"sub_format":"TALKING GAZES","sub_format_path":"talkinggazes","sub_format_id":1197},{"title":"PORCINI","subtitle":"Castel d'Ardona","colour":"#4cf00c","path":"porcini","texte":"

PORCINI, Castel d'Ardona
\nsoundwork produced for Lumpen Station connexions room, june 2022<\/p>\n\n

W. Porcini consists in a sonic entity unfolding throughout bodies, artefacts, architectures and emotional implications. Together with sporadical allies, the novice, the factotum and the composer regularly meet in peculiar locations to set up ambiguous performances, for ambiguous, often more than human, audiences.\u00a0\u00a0<\/p>\n\n

Embracing tragical optimism and ecstatic pessimism a weekly archive of live recordings is being created. For Lumpen Connexions Porcini produced a sound work compiling extracts recorded during a stormy voyage towards the mythological location of Castel d\u2019Ardona.\u00a0<\/p>","desc":"PORCINI, Castel d'Ardona soundwork produced for Lumpen Station connexions room, june 2022 W. Porcini consists in a sonic entity unfolding throughout bodies, artefacts, architectures and emotional implications. Together with sporadical allies, the novice, the factotum and the composer regularly meet in peculiar locations to set up ambiguous performances, for ambiguous, often more than human, audiences.\u00a0\u00a0 Embracing tragical optimism and ecstatic pessimism a weekly archive of live recordings is being created. For Lumpen Connexions Porcini produced a sound work compiling extracts recorded during a stormy voyage towards the mythological location of Castel d\u2019Ardona.\u00a0","date":"01\/07\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1202\/w_porcini.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1202\/w_porcini.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1202\/w_porcini.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1202\/w_porcini.mp3","duration":1802}],"duration":"30:02","format":"LUMPEN CONNEXIONS","format_path":"lumpen-connexions","format_id":1177},{"title":"Suisse: une phylogen\u00e8se #1","subtitle":"avec Roberto Biolzi","colour":null,"path":"phylogenese1","texte":"

Suisse: une phylogen\u00e8se
\nentretien enregistr\u00e9 \u00e0 Bienne en avril 2022
\navec Roberto Biolzi\u00a0
\nanimateur: Andrea Marioni\u00a0<\/p>\n\n

Friederich D\u00fcrrenmatt aimait dire que la Suisse n\u2019existe pas, pourtant elle est bien l\u00e0, avec son drapeau carr\u00e9, ses montres \u00e0 coucou, son chocolat et ses commerces internationaux. La question serait plut\u00f4t de savoir si \u00ables suisse\u00b7e\u00b7s existent\u00bb car ce petit pays au c\u0153ur de l\u2019Europe est constitu\u00e9 d\u2019un agr\u00e9gat de populations qui s\u2019est fait sur plusieurs si\u00e8cles depuis une premi\u00e8re alliance militaire en 1291. On peut se demander\u00a0si la Suisse actuelle a sa propre phylogen\u00e8se, qui se serait d\u00e9velopp\u00e9e entre terres rurales et zones urbaines.<\/p>\n\n

Avec l\u2019historien Roberto Biolzi, cette s\u00e9rie d\u2019entretiens sur Lumpen Station se penche sur l\u2019histoire suisse en cherchant la r\u00e9alit\u00e9 dans les mythes et les r\u00e9alit\u00e9s devenu mythes, \u00e0 travers une succession de batailles, alliances et mercenariat, nous allons revenir sur l\u2019\u00e9pop\u00e9e d\u2019un \u00e9tat, \u00e0 partir de sources historiques et terrain de batailles, de mani\u00e8re \u00e0 remettre un peu d\u2019ordre dans l\u2019utilisation politique de certains \u00e9v\u00e9nements, que cela soit pour glorifier ou m\u00e9priser l\u2019histoire suisse.<\/p>","desc":"Suisse: une phylogen\u00e8se entretien enregistr\u00e9 \u00e0 Bienne en avril 2022 avec Roberto Biolzi\u00a0 animateur: Andrea Marioni\u00a0 Friederich D\u00fcrrenmatt aimait dire que la Suisse n\u2019existe pas, pourtant elle est bien l\u00e0, avec son drapeau carr\u00e9, ses montres \u00e0 coucou, son chocolat et ses commerces internationaux. La question serait plut\u00f4t de savoir si \u00ables suisse\u00b7e\u00b7s existent\u00bb car ce petit pays au c\u0153ur de l\u2019Europe est constitu\u00e9 d\u2019un agr\u00e9gat de populations qui s\u2019est fait sur plusieurs si\u00e8cles depuis une premi\u00e8re alliance militaire en 1291. On peut se demander\u00a0si la Suisse actuelle a sa propre phylogen\u00e8se, qui se serait d\u00e9velopp\u00e9e entre terres rurales et zones urbaines. Avec l\u2019historien Roberto Biolzi, cette s\u00e9rie d\u2019entretiens sur Lumpen Station se penche sur l\u2019histoire suisse en cherchant la r\u00e9alit\u00e9 dans les mythes et les r\u00e9alit\u00e9s devenu mythes, \u00e0 travers une succession de batailles, alliances et mercenariat, nous allons revenir sur l\u2019\u00e9pop\u00e9e d\u2019un \u00e9tat, \u00e0 partir de sources historiques et terrain de batailles, de mani\u00e8re \u00e0 remettre un peu d\u2019ordre dans l\u2019utilisation politique de certains \u00e9v\u00e9nements, que cela soit pour glorifier ou m\u00e9priser l\u2019histoire suisse.","date":"01\/07\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1201\/coverbiolz666.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1201\/coverbiolz666.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1201\/coverbiolz666.1200x1200.webp","ratio":98,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1201\/lumpenuniversitatch_1.mp3","duration":2479}],"duration":"41:19","format":null,"format_path":null,"format_id":null,"sub_format":null,"sub_format_path":null,"sub_format_id":null},{"title":"Dolly and Raffaele","subtitle":"by Genevi\u00e8ve Costello","colour":"#4cf00c","path":"dollyandraffaele","texte":"

Dolly and Raffaele\u00a0
\nby Genevi\u00e8ve Costello
\nSoundworks produced for Lumpen Station Connexions, june 2022<\/p>\n\n


\nMoving between languages and multi-generational Italian-American and American-French immigrant life, \u00ab\u00a0Dolly and Raffaele\u00a0\u00bb forms an aural diary - a temporal and spatial maze of communication, love, and inhabiting. Part testimony, poetic sequence, annotation, and sound effect, \u00ab\u00a0Dolly and Raffaele\u00a0\u00bb expands upon traditional voices of history and forms of sharing contemporary social life.\u00a0<\/p>\n\n

Credits :
\n- \u00ab\u00a0Dolly and Raffaele\u00a0\u00bb\u00a0by Genevi\u00e8ve Costello
\n- mai 2022, 30:00 minutes, [field recordings, modular synthesizer and annotations of texts (in order of appearance) :
\n- The Structure of World History : From Modes of Production to Modes of Exchange by Kojin Karatani (Duke University Press, 2014) ;
\n- The Meaning of the Body : Aesthetics of Human Understanding by Mark Johnson (The University of Chicago Press, 2007) ;
\n- White Girls by Hilton Als (Penguin Books, 2014) ;
\n- Histoires d\u2019amour by Julia Kristeva (\u00c9ditions Deno\u00ebl, 1983) ;
\n- The Savage Detectives by Roberto Bola\u00f1o (Picador, 2009) ; et
\n- La Voie du Tarot, Alejandro Jodorowsky and Marianne Costa (\u00c9ditions Albin Michel, 2004)]
\n- Co-production Lumpen Station and Genevi\u00e8ve Costello
\n- Supported by : Ville de Bienne, Swisslos Kultur Kanton Bern<\/p>\n\n


\nBio\u00a0:
\nGenevieve Costello is an artist, cultural researcher, and PhD candidate in Media Arts at Royal Holloway, University of London. She works with sound, text, and performance. Much of her practice takes place in the format of documentation, the creation and collection of an archive. Globally, through texture and intimate exchanges with persons and environments, her work explores themes of care, vulnerability, and the nature of relationships. She lives in Limoges, France.<\/p>","desc":"Dolly and Raffaele\u00a0 by Genevi\u00e8ve Costello Soundworks produced for Lumpen Station Connexions, june 2022 Moving between languages and multi-generational Italian-American and American-French immigrant life, \u00ab\u00a0Dolly and Raffaele\u00a0\u00bb forms an aural diary - a temporal and spatial maze of communication, love, and inhabiting. Part testimony, poetic sequence, annotation, and sound effect, \u00ab\u00a0Dolly and Raffaele\u00a0\u00bb expands upon traditional voices of history and forms of sharing contemporary social life.\u00a0 Credits : - \u00ab\u00a0Dolly and Raffaele\u00a0\u00bb\u00a0by Genevi\u00e8ve Costello - mai 2022, 30:00 minutes, [field recordings, modular synthesizer and annotations of texts (in order of appearance) : - The Structure of World History : From Modes of Production to Modes of Exchange by Kojin Karatani (Duke University Press, 2014) ; - The Meaning of the Body : Aesthetics of Human Understanding by Mark Johnson (The University of Chicago Press, 2007) ; - White Girls by Hilton Als (Penguin Books, 2014) ; - Histoires d\u2019amour by Julia Kristeva (\u00c9ditions Deno\u00ebl, 1983) ; - The Savage Detectives by Roberto Bola\u00f1o (Picador, 2009) ; et - La Voie du Tarot, Alejandro Jodorowsky and Marianne Costa (\u00c9ditions Albin Michel, 2004)] - Co-production Lumpen Station and Genevi\u00e8ve Costello - Supported by : Ville de Bienne, Swisslos Kultur Kanton Bern Bio\u00a0: Genevieve Costello is an artist, cultural researcher, and PhD candidate in Media Arts at Royal Holloway, University of London. She works with sound, text, and performance. Much of her practice takes place in the format of documentation, the creation and collection of an archive. Globally, through texture and intimate exchanges with persons and environments, her work explores themes of care, vulnerability, and the nature of relationships. She lives in Limoges, France.","date":"01\/07\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1203\/thumbnail_costello_correction_again_14_juin.2000x2000.jpeg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1203\/thumbnail_costello_correction_again_14_juin.1200x1200.jpeg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1203\/thumbnail_costello_correction_again_14_juin.1200x1200.webp","ratio":98,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1203\/costello_dolly_and_raffaele_11_juin_2022_22_17_mixdown.mp3","duration":1800}],"duration":"30:00","format":"LUMPEN CONNEXIONS","format_path":"lumpen-connexions","format_id":1177},{"title":"CREPA: Aur\u00e9lie Doutre","subtitle":"du cin\u00e9ma visuel au cin\u00e9ma sonore","colour":"#edfb07","path":"crepa-aurelie-doutre","texte":"

SESSION 6 : Aur\u00e9lie Doutre
\nSujet : du cin\u00e9ma visuel au cin\u00e9ma sonore<\/p>\n\n

La sixi\u00e8me session du CREPA a le plaisir d\u2019accueillir la cin\u00e9aste plasticienne et chercheuse Aur\u00e9lie Doutre, qui a \u00e9galement co-g\u00e9r\u00e9 la programmation du cin\u00e9ma genevois ind\u00e9pendant Le Spoutnik pendant 4 ans,\u00a0et participe aussi \u00e0 l\u2019organisation de la DAF tivi, une t\u00e9l\u00e9vision collective \u00e9v\u00e9nementielle et \u00e9ph\u00e9m\u00e8re.\u00a0<\/p>\n\n


\nCes derni\u00e8res ann\u00e9es, en parall\u00e8le de son travail vid\u00e9o, Aur\u00e9lie Doutre a d\u00e9velopp\u00e9 Jean-Claude, une marque de cosm\u00e9tiques fait maison de grande qualit\u00e9.\u00a0
\nMais une autre chose encore est venue s\u2019immiscer dans son quotidien ces derniers temps : la recherche d\u2019une rencontre entre sons concrets et ambiances imaginaires.\u00a0
\nAur\u00e9lie est donc arriv\u00e9e dans la vall\u00e9e de Joux avec un enregistreur, un micro, un petit synth\u00e9, une bo\u00eete \u00e0 rythme et quelques p\u00e9dales d\u2019effets,\u00a0
\net s\u2019est lanc\u00e9e pour la premi\u00e8re fois dans la r\u00e9alisation d\u2019une pi\u00e8ce sonore totalement in-situ.\u00a0
\nOn vous propose aujourd\u2019hui d\u2019en \u00e9couter le r\u00e9sultat. S'ensuit un petit tour des r\u00e9actions et r\u00e9flexions amen\u00e9es par le partage de cette toute nouvelle recherche. Bonne \u00e9coute !
\n\u00a0<\/p>","desc":"SESSION 6 : Aur\u00e9lie Doutre Sujet : du cin\u00e9ma visuel au cin\u00e9ma sonore La sixi\u00e8me session du CREPA a le plaisir d\u2019accueillir la cin\u00e9aste plasticienne et chercheuse Aur\u00e9lie Doutre, qui a \u00e9galement co-g\u00e9r\u00e9 la programmation du cin\u00e9ma genevois ind\u00e9pendant Le Spoutnik pendant 4 ans,\u00a0et participe aussi \u00e0 l\u2019organisation de la DAF tivi, une t\u00e9l\u00e9vision collective \u00e9v\u00e9nementielle et \u00e9ph\u00e9m\u00e8re.\u00a0 Ces derni\u00e8res ann\u00e9es, en parall\u00e8le de son travail vid\u00e9o, Aur\u00e9lie Doutre a d\u00e9velopp\u00e9 Jean-Claude, une marque de cosm\u00e9tiques fait maison de grande qualit\u00e9.\u00a0 Mais une autre chose encore est venue s\u2019immiscer dans son quotidien ces derniers temps : la recherche d\u2019une rencontre entre sons concrets et ambiances imaginaires.\u00a0 Aur\u00e9lie est donc arriv\u00e9e dans la vall\u00e9e de Joux avec un enregistreur, un micro, un petit synth\u00e9, une bo\u00eete \u00e0 rythme et quelques p\u00e9dales d\u2019effets,\u00a0 et s\u2019est lanc\u00e9e pour la premi\u00e8re fois dans la r\u00e9alisation d\u2019une pi\u00e8ce sonore totalement in-situ.\u00a0 On vous propose aujourd\u2019hui d\u2019en \u00e9couter le r\u00e9sultat. S'ensuit un petit tour des r\u00e9actions et r\u00e9flexions amen\u00e9es par le partage de cette toute nouvelle recherche. Bonne \u00e9coute ! \u00a0","date":"01\/07\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1204\/crepa-s6-aurelie-doutre.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1204\/crepa-s6-aurelie-doutre.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1204\/crepa-s6-aurelie-doutre.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1204\/crepa-s6-aurelie-doutre.mp3","duration":1965}],"duration":"32:45","format":"ASSOCIATES","format_path":"associates","format_id":1269,"sub_format":"CREPA","sub_format_path":"crepa","sub_format_id":1150},{"title":"Talking Gazes","subtitle":"with Julien Berberat, Riccardo Lisi, Farah Mulla","colour":"#ff74ef","path":"talkinggazes2","texte":"

Talking Gazes, 23.06.22
\nLive recorded in Tinguely Museum Basel in the exhibition BANG BANG :\u00a0translocal hi:stories of performance art.<\/em><\/p>\n\n

\"<\/em>For this first Talking Gazes broadcast, our guest had presented a personal feedback about the performances\u00a0presented the 18.06.22 under the title: Emancipation from the medium.
\nThe discussion open up questions about presenting performance in Museum Tinguely, use of media and technology, the place of the body in a collective...\"\u00a0<\/p>\n\n

Participants:\u00a0<\/em>Farah Mulla, Julien Berberat, Riccardo Lisi\u00a0
Host:\u00a0<\/em>Andrea Marioni
Technic and post-edits:\u00a0<\/em>Ivan Crichton
\nVisual:\u00a0Studio Vanieli\u00a0<\/p>\n\n

With the support\u00a0of Ville de Bienne, Swisslos Kultur Kanton Bern, FSRC and SWISSPERFORM<\/p>","desc":"Talking Gazes, 23.06.22 Live recorded in Tinguely Museum Basel in the exhibition BANG BANG :\u00a0translocal hi:stories of performance art. \"For this first Talking Gazes broadcast, our guest had presented a personal feedback about the performances\u00a0presented the 18.06.22 under the title: Emancipation from the medium. The discussion open up questions about presenting performance in Museum Tinguely, use of media and technology, the place of the body in a collective...\"\u00a0 Participants:\u00a0Farah Mulla, Julien Berberat, Riccardo Lisi\u00a0Host:\u00a0Andrea MarioniTechnic and post-edits:\u00a0Ivan Crichton Visual:\u00a0Studio Vanieli\u00a0 With the support\u00a0of Ville de Bienne, Swisslos Kultur Kanton Bern, FSRC and SWISSPERFORM","date":"28\/06\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1200\/ls_talkinggazes_podcasts_emancipation.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1200\/ls_talkinggazes_podcasts_emancipation.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1200\/ls_talkinggazes_podcasts_emancipation.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1200\/23_juin_-_1h30m34s.mp3","duration":5440}],"duration":"90:40","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114,"sub_format":"TALKING GAZES","sub_format_path":"talkinggazes","sub_format_id":1197},{"title":"Talking Gazes","subtitle":"with Birgit Widmer, Gabriel Magos, Virginie Vabre","colour":"#ff74ef","path":"talkinggazes1","texte":"

Talking Gazes, 16.06.22<\/span>
\nLive recorded in Tinguely Museum Basel in the exhibition BANG BANG :\u00a0translocal hi:stories of performance art.<\/em><\/p>\n\n

\"<\/em>For this first Talking Gazes broadcast, our guest had presented a personal feedback about the performances\u00a0presented the 12.06.22 under the title SAGA.
\nThe discussion open up questions about archives, re-enactment, reception and \u00a0performances presented in institutionals frames.\"\u00a0<\/p>\n\n

Participants:\u00a0<\/em><\/span>Birgit Widmer, Gabriel Magos, Virgine Vabre
Host:\u00a0<\/em><\/span>Andrea Marioni
Technic and post-edits:<\/span> <\/em>Ivan Crichton
Visual: <\/span>Studio Vanieli\u00a0<\/p>\n\n

With the support\u00a0of Ville de Bienne, Swisslos Kultur Kanton Bern, FSRC and SWISSPERFORM

\n\u00a0<\/p>","desc":"Talking Gazes, 16.06.22 Live recorded in Tinguely Museum Basel in the exhibition BANG BANG :\u00a0translocal hi:stories of performance art. \"For this first Talking Gazes broadcast, our guest had presented a personal feedback about the performances\u00a0presented the 12.06.22 under the title SAGA. The discussion open up questions about archives, re-enactment, reception and \u00a0performances presented in institutionals frames.\"\u00a0 Participants:\u00a0Birgit Widmer, Gabriel Magos, Virgine VabreHost:\u00a0Andrea MarioniTechnic and post-edits: Ivan CrichtonVisual: Studio Vanieli\u00a0 With the support\u00a0of Ville de Bienne, Swisslos Kultur Kanton Bern, FSRC and SWISSPERFORM \u00a0","date":"19\/06\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1199\/ls_talkinggazes_podcasts_saga_2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1199\/ls_talkinggazes_podcasts_saga_2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1199\/ls_talkinggazes_podcasts_saga_2.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1199\/16juin_1h28m31s.mp3","duration":5317}],"duration":"88:37","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114,"sub_format":"TALKING GAZES","sub_format_path":"talkinggazes","sub_format_id":1197},{"title":"SPORTSMANSHIP","subtitle":"by Rati Eradze","colour":"#4cf00c","path":"sportsmanship","texte":"

SPORTSMANSHIP, Rati Eradze
\nCo-production Lumpen Station and Rati Eradze<\/p>\n\n

Rati Eradze lives and works in Georgia, his sound work experiments with diverse approaches of sound composing, with the aim to build a peculiar dramaturgy for the listeners. The receivers are invited to create free associations, connect with their inner memories and find a personal relation with the sound proposed by Rati Eradze.\u00a0<\/p>\n\n

SPORTSMANSHIP is defined by Rati Eradze as \"a\u00a0mix of my recent ambient works & half-baked ideas, made exclusively for Lumpen Station. Most of the music in the mix was programmed using physical modelling VSTs over the course of a few weeks, coming together as a melodic, 25 minute long cosmo-ambient piece.\"<\/p>","desc":"SPORTSMANSHIP, Rati Eradze Co-production Lumpen Station and Rati Eradze Rati Eradze lives and works in Georgia, his sound work experiments with diverse approaches of sound composing, with the aim to build a peculiar dramaturgy for the listeners. The receivers are invited to create free associations, connect with their inner memories and find a personal relation with the sound proposed by Rati Eradze.\u00a0 SPORTSMANSHIP is defined by Rati Eradze as \"a\u00a0mix of my recent ambient works & half-baked ideas, made exclusively for Lumpen Station. Most of the music in the mix was programmed using physical modelling VSTs over the course of a few weeks, coming together as a melodic, 25 minute long cosmo-ambient piece.\"","date":"25\/05\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1193\/thumbnail_lumpen_station_artwork_sportsmanship_rati_eradze.2000x2000.png","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1193\/thumbnail_lumpen_station_artwork_sportsmanship_rati_eradze.1200x1200.png","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1193\/thumbnail_lumpen_station_artwork_sportsmanship_rati_eradze.1200x1200.webp","ratio":98,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1193\/sportsmanship_-_lumpen_station_contribution.mp3","duration":1519}],"duration":"25:19","format":"LUMPEN CONNEXIONS","format_path":"lumpen-connexions","format_id":1177},{"title":"Captured moments","subtitle":"by SumVivus","colour":"#4cf00c","path":"captured-moments","texte":"

SumVivus - Captured moments\u00a0
\nco-production Lumpen Station and Rashelle Reyneveld\u00a0<\/p>\n\n

SumVivus, a solo artist, creates ripples through vocal soundwaves looped to create a choral ensemble of one. An ephemeral improvised or predefined ethereal expression of the space and time that she inhabits. An ever evolving experience creating honest intimacy with the moment. She uses collected sounds, piano, bells, singing bowls, chimes and whatever sparks imagination.<\/p>","desc":"SumVivus - Captured moments\u00a0 co-production Lumpen Station and Rashelle Reyneveld\u00a0 SumVivus, a solo artist, creates ripples through vocal soundwaves looped to create a choral ensemble of one. An ephemeral improvised or predefined ethereal expression of the space and time that she inhabits. An ever evolving experience creating honest intimacy with the moment. She uses collected sounds, piano, bells, singing bowls, chimes and whatever sparks imagination.","date":"25\/05\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1195\/bonlumpen_graphic.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1195\/bonlumpen_graphic.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1195\/bonlumpen_graphic.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1195\/lumpen.mp3","duration":2044}],"duration":"34:04","format":"LUMPEN CONNEXIONS","format_path":"lumpen-connexions","format_id":1177},{"title":"Porno Circuit 03","subtitle":"orchestration Sara Strasser","colour":"#7b0dd8","path":"porno-circuit-03","texte":"

Porno Circuit 03\u00a0
\nEnregistr\u00e9 le 22.05.22 au Terrain Gurzelen, Biel\u00a0
\nProduction Lumpen Station \u00a9
\nOrchestration, production executive: Sara Strasser
\nTexte et lecture: Delphine Ayrton\u00a0
\nMusiques: Herv\u00e9 Thiot (Airbios), Marcelle Meylan (Marchy's Magic Bowls), Steve Lachat<\/p>\n\n

Porno Circuit III\u00a0boucle son exploration sur le vaste th\u00e8me de la pornographie en vous proposant un voyage sous forme de conte port\u00e9 par la voix de Delphine Ayrton, des\u00a0vibrations de Marchy\u2019s magic bowls, le tambour de Steve Lachat et\u00a0des interventions sonores\u00a0d\u2019Airbios & Seedway.
\nCe troisi\u00e8me volet invite l\u2019\u00e9couteur \u00e0 mobiliser sa propre fantaisie pornographique \u00e0\u00a0travers des exp\u00e9riences sensorielles auditives et vibratoires. Assis, debout, ou bien\u00a0encore mieux, allong\u00e9... il s\u2019agit de laisser \u00e9clore la pornographie qui sommeille en soi.\u00a0Sans consommation, ici, il est question d\u2019aller \u00e0 la rencontre de ses propres images\u00a0internes et de faire place aux sensations qui nous habitent en vue de se r\u00e9approprier sa propre pornographie et laisser\u00a0\u0153uvrer\u00a0ses fantasmes.\u00a0Comme lors des deux premiers volets, ce concept a comme seule pr\u00e9tention de sillonner diverses perspectives sur un sujet polymorphe, pol\u00e9mique, polys\u00e9mique, subjectif, controvers\u00e9 et en constante mutation. Et non de le cerner.<\/p>\n\n

Historique I et II volet :<\/p>\n\n

Quel rapport entre la d\u00e9ch\u00e9ance humaine, la consommation et le Porno ? Entre d\u00e9g\u00e9n\u00e9rescence, possession, d\u00e9sir et le pouvoir, que devient le plaisir obsc\u00e8ne de la chaire et sa fantaisie ? Sans d\u00e9bat, sans discussion, sans r\u00e9ponses, Porno Circuit entrecroise les regards pour p\u00e9n\u00e9trer l\u2019univers envo\u00fbtant,\u00a0humide et profond du fantasme.
\nPorno Circuit continue son immersion dans l\u2019univers controvers\u00e9\/subversif, polymorphe et subjectif de\u00a0la pornographie. Au programme de ce deuxi\u00e8me volet, une mise \u00e0 jeu\u00a0libre et ludique o\u00f9 s\u2019entrecroisent\u00a0diff\u00e9rentes perspectives sur le sujet.\u00a0Abominable, abusive pour certains, n\u00e9cessaire pour d\u2019autres, vulgaire, obsc\u00e8ne et au m\u00eame temps attractive et magn\u00e9tique. Ind\u00e9cente jusqu\u2019au fond, la pornographie\u00a0dans le contexte du Porno Circuit refl\u00e8te une volont\u00e9 de libert\u00e9 expressive permettant de sortir des\u00a0convenances, d\u2019\u00e9largir les formes, sans vouloir les cerner.\u00a0Bien que cela soit aujourd\u2019hui une th\u00e9matique vulgaris\u00e9e, populaire, qui pourrait en faire soupirer certains... ha, non, pff, pas encore de la pornographie, comme un plat r\u00e9chauff\u00e9 \u00e0 toutes les sauces,\u00a0elle n\u2019en reste pas moins pr\u00e9sente, vivante et indiscernable.<\/p>\n\n

Porno Circuit s\u2019int\u00e9resse \u00e0 la pornographie au sens large du terme. C\u2019est avec une philosophie d\u2019observateur du ph\u00e9nom\u00e8ne et de son mode d\u2019existence multiple qu\u2019elle est abord\u00e9e sans jugement de valeur. La pornographie devient pour le Porno Circuit, un v\u00e9hicule d\u2019exploration et d\u2019expression libre.\u00a0Un peu comme un espace laboratoire de cr\u00e9ation. La pornographie \u00e9volue ici en un mod\u00e8le de curiosit\u00e9\u00a0et d\u2019expression de changements soci\u00e9tal o\u00f9 les mots cl\u00e9s sont la d\u00e9mesure, l\u2019obsc\u00e9nit\u00e9, la grossi\u00e8ret\u00e9 ainsi que la consommation qui exploite nos instincts sexuels. C\u2019est \u00e9vident que chacun \u00e0 sa propre\u00a0repr\u00e9sentation ou bien r\u00e9f\u00e9rences \u00e0 la pornographie. Pour illustrer ce propos, un texte de Gilles\u00a0Lapouge, qu\u2019on retrouve sur le web site d\u2019universalis.fr\u00a0:
\n\u00ab C'est une entreprise infinie que de d\u00e9finir la pornographie et de marquer ses diff\u00e9rences et ses similitudes avec son distingu\u00e9 voisin, l'\u00e9rotisme. Beaucoup s'y sont appliqu\u00e9s et l'exercice est devenu acad\u00e9mique. C'est que ces deux notions sont \u00e0 la fois enchev\u00eatr\u00e9es et remuantes. Elles bougent \u00e0 mesure que passent les si\u00e8cles et, parfois, elles \u00e9changent leurs places. Dix ans ou cent ans ont suffi pour que Flaubert, Miller, Pauline R\u00e9age ou Emmanuelle Arsan cessent d'\u00eatre obsc\u00e8nes ou pornographiques pour gagner d'autres labels : classiques ou \u00e9rotiques. L'\u00e9rotisme est souvent la pornographie de la veille.
\nD'une\u00a0culture \u00e0 une autre, de m\u00eame, les fronti\u00e8res de la pornographie sont variables. Les Su\u00e9dois ont longtemps tout regard\u00e9 sans honte ni surprise quand certains pays musulmans ou socialistes d\u00e9testent le plus timide des strip-teases. (Je tiens \u00e0 ouvrir une parenth\u00e8se et pr\u00e9ciser, qu\u2019on parle\u00a0ici des ann\u00e9es\u00a060 \u00e0 80, et qu\u2019aujourd\u2019hui les lois se sont durcies \u00e0 ce sujet en su\u00e8de). Enfin, la pornographie est taill\u00e9e\u00a0sur mesure pour chaque individu. Chacun s\u00e9cr\u00e8te sa propre pornographie. Ce qui choque l'un r\u00e9jouit son voisin ou le laisse de marbre.
\nComment, dans ces conditions, avancer une d\u00e9finition stable et universelle de la pornographie ? En v\u00e9rit\u00e9, ce terme est \u00e9trange en ce qu'il semble priv\u00e9 de contenu et de contour en m\u00eame temps. C'est un sac vide dans lequel chacun entasse ce qu'il veut\u00a0\u2013\u00a0parfois son r\u00eave et parfois son d\u00e9go\u00fbt\u00a0\u2013, compte tenu de sa culture, de sa classe sociale, de l'\u00e9ducation qu'il a subie, de ses fantasmes. Lewis Carroll a invent\u00e9 le mot valise. Le mot \u00ab pornographie \u00bb pourrait passer pour un \u00ab mot poubelle \u00bb charg\u00e9 de recueillir tout ce que, de l'\u00e9rotisme, de la sexualit\u00e9 ou de la volupt\u00e9, on refuse ou convoite. Robbe-Grillet r\u00e9sume cela par sa formule : \u00ab La pornographie, c'est l'\u00e9rotisme des autres. \u00bb Et l'on pourrait ajouter cette nuance : \u00ab Dis-moi ce que tu tiens pour pornographique et je te dirai qui tu es. \u00bb\u00a0Fin de citation.<\/p>\n\n

Porno Circuit s\u2019int\u00e9resse \u00e0 la diversit\u00e9 de perceptions, de relations au sujet et \u00e0 la forme \u00e9volutive, qui mute au rythme de la soci\u00e9t\u00e9. Hybride, elle se m\u00e9lange \u00e0 d\u2019autres corps pour continuer\u00a0\u00e0 exercer son\u00a0pouvoir de dopamine. Dans le cadre du premier volet, le format sonore s\u2019est inscrit dans une volont\u00e9 de ne pas d\u00e9battre, de ne pas chercher de r\u00e9ponses. Bien au contraire, de lui donner de l\u2019espace, de la\u00a0flexibilit\u00e9, un peu de libert\u00e9, de sensualit\u00e9 et du myst\u00e8re \u00e0 travers le SON. Et aussi, c\u2019\u00e9tait une invitation \u00e0 l\u2019auditeur de mobiliser ses propres images internes.<\/p>\n\n

Aujourd\u2019hui, ce volume 2, fait un pas en avant en explorant la Pornographie comme \u00e9tant un ph\u00e9nom\u00e8ne\u00a0vivant, du vivant et vise\u00a0\u00e0 \u00e9largir le sujet sans pr\u00e9tendre le cerner. C\u2019est avec un esprit ludique et par\u00e9s d\u2019une \u00e2me d\u2019explorateurs que les participants vont vous partager leurs jeux immersifs sur le sujet. Porno\u00a0Circuit garde son d\u00e9sir de solliciter votre curiosit\u00e9 et votre ouverture d\u2019esprit en entrecroisant divers\u00a0paradigmes.<\/p>\n\n

La Pornographie rec\u00e8le suffisamment d\u2019ingr\u00e9dients pour g\u00e9n\u00e9rer la mise en mouvement de nos\u00a0imaginaires entre autres. Polys\u00e9mique, polymorphe, subjective, mutante, sujet, objet, grossi\u00e8re, obsc\u00e8ne, elle g\u00e9n\u00e8re par son ind\u00e9cence une attirance ou et un rejet. Abominable pour certains,\u00a0n\u00e9cessaire pour d\u2019autres, vulgaire et au m\u00eame temps attractive et magn\u00e9tique, ind\u00e9cente, elle permet de sortir des convenances, d\u2019\u00e9largir les formes, de les ultra d\u00e9passer. Et \u00e7a, c\u2019est bon.<\/p>","desc":"Porno Circuit 03\u00a0 Enregistr\u00e9 le 22.05.22 au Terrain Gurzelen, Biel\u00a0 Production Lumpen Station \u00a9 Orchestration, production executive: Sara Strasser Texte et lecture: Delphine Ayrton\u00a0 Musiques: Herv\u00e9 Thiot (Airbios), Marcelle Meylan (Marchy's Magic Bowls), Steve Lachat Porno Circuit III\u00a0boucle son exploration sur le vaste th\u00e8me de la pornographie en vous proposant un voyage sous forme de conte port\u00e9 par la voix de Delphine Ayrton, des\u00a0vibrations de Marchy\u2019s magic bowls, le tambour de Steve Lachat et\u00a0des interventions sonores\u00a0d\u2019Airbios & Seedway. Ce troisi\u00e8me volet invite l\u2019\u00e9couteur \u00e0 mobiliser sa propre fantaisie pornographique \u00e0\u00a0travers des exp\u00e9riences sensorielles auditives et vibratoires. Assis, debout, ou bien\u00a0encore mieux, allong\u00e9... il s\u2019agit de laisser \u00e9clore la pornographie qui sommeille en soi.\u00a0Sans consommation, ici, il est question d\u2019aller \u00e0 la rencontre de ses propres images\u00a0internes et de faire place aux sensations qui nous habitent en vue de se r\u00e9approprier sa propre pornographie et laisser\u00a0\u0153uvrer\u00a0ses fantasmes.\u00a0Comme lors des deux premiers volets, ce concept a comme seule pr\u00e9tention de sillonner diverses perspectives sur un sujet polymorphe, pol\u00e9mique, polys\u00e9mique, subjectif, controvers\u00e9 et en constante mutation. Et non de le cerner. Historique I et II volet : Quel rapport entre la d\u00e9ch\u00e9ance humaine, la consommation et le Porno ? Entre d\u00e9g\u00e9n\u00e9rescence, possession, d\u00e9sir et le pouvoir, que devient le plaisir obsc\u00e8ne de la chaire et sa fantaisie ? Sans d\u00e9bat, sans discussion, sans r\u00e9ponses, Porno Circuit entrecroise les regards pour p\u00e9n\u00e9trer l\u2019univers envo\u00fbtant,\u00a0humide et profond du fantasme. Porno Circuit continue son immersion dans l\u2019univers controvers\u00e9\/subversif, polymorphe et subjectif de\u00a0la pornographie. Au programme de ce deuxi\u00e8me volet, une mise \u00e0 jeu\u00a0libre et ludique o\u00f9 s\u2019entrecroisent\u00a0diff\u00e9rentes perspectives sur le sujet.\u00a0Abominable, abusive pour certains, n\u00e9cessaire pour d\u2019autres, vulgaire, obsc\u00e8ne et au m\u00eame temps attractive et magn\u00e9tique. Ind\u00e9cente jusqu\u2019au fond, la pornographie\u00a0dans le contexte du Porno Circuit refl\u00e8te une volont\u00e9 de libert\u00e9 expressive permettant de sortir des\u00a0convenances, d\u2019\u00e9largir les formes, sans vouloir les cerner.\u00a0Bien que cela soit aujourd\u2019hui une th\u00e9matique vulgaris\u00e9e, populaire, qui pourrait en faire soupirer certains... ha, non, pff, pas encore de la pornographie, comme un plat r\u00e9chauff\u00e9 \u00e0 toutes les sauces,\u00a0elle n\u2019en reste pas moins pr\u00e9sente, vivante et indiscernable. Porno Circuit s\u2019int\u00e9resse \u00e0 la pornographie au sens large du terme. C\u2019est avec une philosophie d\u2019observateur du ph\u00e9nom\u00e8ne et de son mode d\u2019existence multiple qu\u2019elle est abord\u00e9e sans jugement de valeur. La pornographie devient pour le Porno Circuit, un v\u00e9hicule d\u2019exploration et d\u2019expression libre.\u00a0Un peu comme un espace laboratoire de cr\u00e9ation. La pornographie \u00e9volue ici en un mod\u00e8le de curiosit\u00e9\u00a0et d\u2019expression de changements soci\u00e9tal o\u00f9 les mots cl\u00e9s sont la d\u00e9mesure, l\u2019obsc\u00e9nit\u00e9, la grossi\u00e8ret\u00e9 ainsi que la consommation qui exploite nos instincts sexuels. C\u2019est \u00e9vident que chacun \u00e0 sa propre\u00a0repr\u00e9sentation ou bien r\u00e9f\u00e9rences \u00e0 la pornographie. Pour illustrer ce propos, un texte de Gilles\u00a0Lapouge, qu\u2019on retrouve sur le web site d\u2019universalis.fr\u00a0: \u00ab C'est une entreprise infinie que de d\u00e9finir la pornographie et de marquer ses diff\u00e9rences et ses similitudes avec son distingu\u00e9 voisin, l'\u00e9rotisme. Beaucoup s'y sont appliqu\u00e9s et l'exercice est devenu acad\u00e9mique. C'est que ces deux notions sont \u00e0 la fois enchev\u00eatr\u00e9es et remuantes. Elles bougent \u00e0 mesure que passent les si\u00e8cles et, parfois, elles \u00e9changent leurs places. Dix ans ou cent ans ont suffi pour que Flaubert, Miller, Pauline R\u00e9age ou Emmanuelle Arsan cessent d'\u00eatre obsc\u00e8nes ou pornographiques pour gagner d'autres labels : classiques ou \u00e9rotiques. L'\u00e9rotisme est souvent la pornographie de la veille. D'une\u00a0culture \u00e0 une autre, de m\u00eame, les fronti\u00e8res de la pornographie sont variables. Les Su\u00e9dois ont longtemps tout regard\u00e9 sans honte ni surprise quand certains pays musulmans ou socialistes d\u00e9testent le plus timide des strip-teases. (Je tiens \u00e0 ouvrir une parenth\u00e8se et pr\u00e9ciser, qu\u2019on parle\u00a0ici des ann\u00e9es\u00a060 \u00e0 80, et qu\u2019aujourd\u2019hui les lois se sont durcies \u00e0 ce sujet en su\u00e8de). Enfin, la pornographie est taill\u00e9e\u00a0sur mesure pour chaque individu. Chacun s\u00e9cr\u00e8te sa propre pornographie. Ce qui choque l'un r\u00e9jouit son voisin ou le laisse de marbre. Comment, dans ces conditions, avancer une d\u00e9finition stable et universelle de la pornographie ? En v\u00e9rit\u00e9, ce terme est \u00e9trange en ce qu'il semble priv\u00e9 de contenu et de contour en m\u00eame temps. C'est un sac vide dans lequel chacun entasse ce qu'il veut\u00a0\u2013\u00a0parfois son r\u00eave et parfois son d\u00e9go\u00fbt\u00a0\u2013, compte tenu de sa culture, de sa classe sociale, de l'\u00e9ducation qu'il a subie, de ses fantasmes. Lewis Carroll a invent\u00e9 le mot valise. Le mot \u00ab pornographie \u00bb pourrait passer pour un \u00ab mot poubelle \u00bb charg\u00e9 de recueillir tout ce que, de l'\u00e9rotisme, de la sexualit\u00e9 ou de la volupt\u00e9, on refuse ou convoite. Robbe-Grillet r\u00e9sume cela par sa formule : \u00ab La pornographie, c'est l'\u00e9rotisme des autres. \u00bb Et l'on pourrait ajouter cette nuance : \u00ab Dis-moi ce que tu tiens pour pornographique et je te dirai qui tu es. \u00bb\u00a0Fin de citation. Porno Circuit s\u2019int\u00e9resse \u00e0 la diversit\u00e9 de perceptions, de relations au sujet et \u00e0 la forme \u00e9volutive, qui mute au rythme de la soci\u00e9t\u00e9. Hybride, elle se m\u00e9lange \u00e0 d\u2019autres corps pour continuer\u00a0\u00e0 exercer son\u00a0pouvoir de dopamine. Dans le cadre du premier volet, le format sonore s\u2019est inscrit dans une volont\u00e9 de ne pas d\u00e9battre, de ne pas chercher de r\u00e9ponses. Bien au contraire, de lui donner de l\u2019espace, de la\u00a0flexibilit\u00e9, un peu de libert\u00e9, de sensualit\u00e9 et du myst\u00e8re \u00e0 travers le SON. Et aussi, c\u2019\u00e9tait une invitation \u00e0 l\u2019auditeur de mobiliser ses propres images internes. Aujourd\u2019hui, ce volume 2, fait un pas en avant en explorant la Pornographie comme \u00e9tant un ph\u00e9nom\u00e8ne\u00a0vivant, du vivant et vise\u00a0\u00e0 \u00e9largir le sujet sans pr\u00e9tendre le cerner. C\u2019est avec un esprit ludique et par\u00e9s d\u2019une \u00e2me d\u2019explorateurs que les participants vont vous partager leurs jeux immersifs sur le sujet. Porno\u00a0Circuit garde son d\u00e9sir de solliciter votre curiosit\u00e9 et votre ouverture d\u2019esprit en entrecroisant divers\u00a0paradigmes. La Pornographie rec\u00e8le suffisamment d\u2019ingr\u00e9dients pour g\u00e9n\u00e9rer la mise en mouvement de nos\u00a0imaginaires entre autres. Polys\u00e9mique, polymorphe, subjective, mutante, sujet, objet, grossi\u00e8re, obsc\u00e8ne, elle g\u00e9n\u00e8re par son ind\u00e9cence une attirance ou et un rejet. Abominable pour certains,\u00a0n\u00e9cessaire pour d\u2019autres, vulgaire et au m\u00eame temps attractive et magn\u00e9tique, ind\u00e9cente, elle permet de sortir des convenances, d\u2019\u00e9largir les formes, de les ultra d\u00e9passer. Et \u00e7a, c\u2019est bon.","date":"22\/05\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1196\/coversitebanneralba.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1196\/coversitebanneralba.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1196\/coversitebanneralba.1200x1200.webp","ratio":98,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1196\/22mai_55m28s.mp3","duration":3332}],"duration":"55:32","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"Whoops room","sub_format_path":"whoops-room","sub_format_id":1096},{"title":"NY, Downtown","subtitle":"with Edo Bertoglio","colour":"#f214c4","path":"nydowntown","texte":"

NY, Downtown '81: a conversation with Edo Bertoglio<\/span><\/p>\n\n

Lumpen Universit\u00e4t - We Talk About Art
\nInterview recorded by Andrea Marioni 26.04.22 in Lugano<\/span><\/p>\n\n

This conversation comes back on Edo Bertoglio's career, starting from the provinciality of Lugano (CH) to New York in the late '70 to end of '80. As a young photographer, Bertoglio enters in Interview Magazine edited by Warhol and in parallel\u00a0he participates on the emergence of \"Downtown\u00a0scene\" composed at that time by unknow enthousiastic artist like Jean-Michel Basquiat, \u00a0Debbie Harris, Madonna, Glenn O'brien, Klaus Nomi and many others. During the turn over between 1977-1980, the general atmosphere is party like, spontaneous, everything seems possible and for some of them the early '80 will be a important switch for their status. While some became\u00a0legends, others disappear progressively, AIDS started as much as drug addictions and it's the end of the party.\u00a0<\/p>\n\n

Edo Bertoglio was involved in this era, he contributed to make precious pictures of that time, especially with the movie \"Downtown '81\" having as main character an unknow young street artist: Jean-Michel Basquiat.\u00a0<\/p>\n\n

Biography of Edo Bertoglio:<\/span><\/p>\n\n

Edo Bertoglio (Lugano, 1951) is a Swiss photographer and film director, become a naturalized citizen of Italy. After graduating in direction and editing at the \u201cConservatoire Libre du Cin\u00e9ma Fran\u00e7ais\u201d (Paris 1975), he moved to London and to New York in 1976, where he lived for fourteen years. He worked as a photographer for many Americans, Japanese, French and Italian magazines, specialized in fashion, art and costume. He regularly collaborated with the \u201cAndy Warhol\u2019s Interview\u201d magazine from 1978 to 1982.<\/p>\n\n

In 1981 he directed \u201cDowntown 81\u201d. The movie shows a typical day of the young artist Jean- Michel Basquiat, at the time unknown, and gives a view of the active artistic community of New York. Finished in 1999 after some vicissitudes, it was chosen at the Cannes Festival in 2000 in the section \u201cQuinzaine des Realisateurs\u201d.<\/p>\n\n

In 2005 he completed his second movie, \u201cFace Addict\u201d successfully presented at the 58\u00b0 International Movie Festival of Locarno. It\u2019s about the story of the artistic community of New York in the late seventies \u2013 early eighties, known as \u201cDowntown Scene\u201d, a journey into the discovery of New York 20 years later - through the protagonists of the musical and visual arts\u2019 scene. He\u2019s currently producing and directing TV and cinema\u2019s documentaries, as well as photographic projects.<\/p>","desc":"NY, Downtown '81: a conversation with Edo Bertoglio Lumpen Universit\u00e4t - We Talk About Art Interview recorded by Andrea Marioni 26.04.22 in Lugano This conversation comes back on Edo Bertoglio's career, starting from the provinciality of Lugano (CH) to New York in the late '70 to end of '80. As a young photographer, Bertoglio enters in Interview Magazine edited by Warhol and in parallel\u00a0he participates on the emergence of \"Downtown\u00a0scene\" composed at that time by unknow enthousiastic artist like Jean-Michel Basquiat, \u00a0Debbie Harris, Madonna, Glenn O'brien, Klaus Nomi and many others. During the turn over between 1977-1980, the general atmosphere is party like, spontaneous, everything seems possible and for some of them the early '80 will be a important switch for their status. While some became\u00a0legends, others disappear progressively, AIDS started as much as drug addictions and it's the end of the party.\u00a0 Edo Bertoglio was involved in this era, he contributed to make precious pictures of that time, especially with the movie \"Downtown '81\" having as main character an unknow young street artist: Jean-Michel Basquiat.\u00a0 Biography of Edo Bertoglio: Edo Bertoglio (Lugano, 1951) is a Swiss photographer and film director, become a naturalized citizen of Italy. After graduating in direction and editing at the \u201cConservatoire Libre du Cin\u00e9ma Fran\u00e7ais\u201d (Paris 1975), he moved to London and to New York in 1976, where he lived for fourteen years. He worked as a photographer for many Americans, Japanese, French and Italian magazines, specialized in fashion, art and costume. He regularly collaborated with the \u201cAndy Warhol\u2019s Interview\u201d magazine from 1978 to 1982. In 1981 he directed \u201cDowntown 81\u201d. The movie shows a typical day of the young artist Jean- Michel Basquiat, at the time unknown, and gives a view of the active artistic community of New York. Finished in 1999 after some vicissitudes, it was chosen at the Cannes Festival in 2000 in the section \u201cQuinzaine des Realisateurs\u201d. In 2005 he completed his second movie, \u201cFace Addict\u201d successfully presented at the 58\u00b0 International Movie Festival of Locarno. It\u2019s about the story of the artistic community of New York in the late seventies \u2013 early eighties, known as \u201cDowntown Scene\u201d, a journey into the discovery of New York 20 years later - through the protagonists of the musical and visual arts\u2019 scene. He\u2019s currently producing and directing TV and cinema\u2019s documentaries, as well as photographic projects.","date":"15\/05\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1188\/banner223.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1188\/banner223.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1188\/banner223.1200x1200.webp","ratio":98,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1188\/edobertoglioedit.mp3","duration":4323}],"duration":"72:03","format":"LUMPEN UNIVERSIT\u00c4T","format_path":"lumpenuniversitat","format_id":1156},{"title":"ACT on Lumpen Station 03","subtitle":"with Davide-Christelle Sanvee & Benjamin Sunarjo","colour":"#07aedd","path":"actonlumpenstation03","texte":"

ACT on Lumpen Station 03, broadcasted at DISPO, Biel\u00a0<\/p>\n\n

Last but not least, the third radio talk show from our camping studio open the discussion with Davide-Chistelle Sanvee and Sunarjo about ACT Performance Festival, pedagogy, students works and how to grow within performance field.\u00a0<\/p>","desc":"ACT on Lumpen Station 03, broadcasted at DISPO, Biel\u00a0 Last but not least, the third radio talk show from our camping studio open the discussion with Davide-Chistelle Sanvee and Sunarjo about ACT Performance Festival, pedagogy, students works and how to grow within performance field.\u00a0","date":"08\/05\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1192\/ls_act_podcast_sunday_2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1192\/ls_act_podcast_sunday_2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1192\/ls_act_podcast_sunday_2.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1192\/8mai_01h55m24s.mp3","duration":6932}],"duration":"115:32","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114},{"title":"ACT on Lumpen Station 02","subtitle":"with Marion Ritzmann and Linda Neurkirchen","colour":"#07aedd","path":"act-on-lumpen-station-02","texte":"

ACT on Lumpen Station 02,\u00a0recorded at DISPO, Biel<\/p>\n\n

For the second radio broadcast during ACT Performance Festival, Lumpen Station team welcomed Marion Ritzmann and Linda Neukirchen to speak about performance, impressions about swiss networks, practices and personal\u00a0performances histories.<\/p>","desc":"ACT on Lumpen Station 02,\u00a0recorded at DISPO, Biel For the second radio broadcast during ACT Performance Festival, Lumpen Station team welcomed Marion Ritzmann and Linda Neukirchen to speak about performance, impressions about swiss networks, practices and personal\u00a0performances histories.","date":"07\/05\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1190\/ls_act_podcast_saturday_2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1190\/ls_act_podcast_saturday_2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1190\/ls_act_podcast_saturday_2.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1190\/07mai_02h00m19s.mp3","duration":7227}],"duration":"120:27","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114},{"title":"ACT on Lumpen Station 01","subtitle":"with Darren Roshier & Anne Rochat","colour":"#07aedd","path":"act-on-lumpen-station-01","texte":"

06.05.2022
\nACT on Lumpen Station, live recorded at DISPO, Biel<\/p>\n\n

For this first radio talk show broadcasted from our camping-studio at DISPO in Biel with our guest Darren Roshier and Anne Rochat we broke the ice,\u00a0discussed about performance practices, pedagogy, low references and the art of quoting big philosophers.\u00a0<\/p>\n\n

Contents in FR
\n\u00a0<\/p>","desc":"06.05.2022 ACT on Lumpen Station, live recorded at DISPO, Biel For this first radio talk show broadcasted from our camping-studio at DISPO in Biel with our guest Darren Roshier and Anne Rochat we broke the ice,\u00a0discussed about performance practices, pedagogy, low references and the art of quoting big philosophers.\u00a0 Contents in FR \u00a0","date":"06\/05\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1189\/ls_act_podcast_friday_2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1189\/ls_act_podcast_friday_2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1189\/ls_act_podcast_friday_2.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1189\/06mai_02h03m52s_2.mp3","duration":7441}],"duration":"124:01","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114},{"title":"TERRA INCOGNITA","subtitle":"les artistes dialoguent avec la science","colour":"#f704b0","path":"terraincognitatallk","texte":"

Terra incognita: art-science fabulations, \"les artistes dialoguent avec la science\", entretien avec\u00a0Marc Atallah, directeur de la Maison d\u2019Ailleurs et du Numerik Games Festival et\u00a0MER en Section de fran\u00e7ais \u00e0 l\u2019Universite de Lausanne.\u00a0<\/p>\n\n

Cette discussion a permis de poser un historique autour de la cr\u00e9ations li\u00e9 \u00e0 la science-fiction et d'aborder les th\u00e8mes r\u00e9currents \u00e0 l'int\u00e9rieur de plusieurs r\u00e9cits. Les visions articul\u00e9es dans ces production\u00a0litt\u00e9rataire souvent en utilisant l'exag\u00e9ration,\u00a0permettent de r\u00e9fl\u00e9chir \u00e0 nos modes de vies, constuire un regard ext\u00e9rieur \u00e0 la fois sur nos soci\u00e9t\u00e9 et \u00e0 la fois dans notre intimit\u00e9.\u00a0<\/p>","desc":"Terra incognita: art-science fabulations, \"les artistes dialoguent avec la science\", entretien avec\u00a0Marc Atallah, directeur de la Maison d\u2019Ailleurs et du Numerik Games Festival et\u00a0MER en Section de fran\u00e7ais \u00e0 l\u2019Universite de Lausanne.\u00a0 Cette discussion a permis de poser un historique autour de la cr\u00e9ations li\u00e9 \u00e0 la science-fiction et d'aborder les th\u00e8mes r\u00e9currents \u00e0 l'int\u00e9rieur de plusieurs r\u00e9cits. Les visions articul\u00e9es dans ces production\u00a0litt\u00e9rataire souvent en utilisant l'exag\u00e9ration,\u00a0permettent de r\u00e9fl\u00e9chir \u00e0 nos modes de vies, constuire un regard ext\u00e9rieur \u00e0 la fois sur nos soci\u00e9t\u00e9 et \u00e0 la fois dans notre intimit\u00e9.\u00a0","date":"04\/05\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1182\/ls_terraincognita_podcast_marcatallah.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1182\/ls_terraincognita_podcast_marcatallah.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1182\/ls_terraincognita_podcast_marcatallah.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1182\/lumpen_-_31_mars_part_1_interview_1h5m11s_wav.mp3","duration":3915}],"duration":"65:15","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166},{"title":"TERRA INCOGNITA","subtitle":"Manufactured Paradises","colour":"#f704b0","path":"terraincognitahardwean","texte":"

Terra Incognita, art-science fabulations
\nManufactured Paradises, radio fiction performed by Hardwean\u00a0<\/p>\n\n

Dans un futur tr\u00e8s proches des journaux intimes sonores nous permettent de comprendre l'\u00e9tat du monde, la vie au quotidien de certains personnages remplis de nostalgie et de lucidit\u00e9. Un souvenir heureux ressurgit, une instagrammeuse et ses \u00e9missions d'influences sont les r\u00e9sidus des jours heureux.\u00a0<\/p>\n\n

Lumpen Station co-production \u00a9
\nwith the support of : Ville de Bienne, Abteilung Kultur Basel-Stadt,\u00a0Swisslos Kultur Kanton Bern, ProLitteris and FSRC\/SRKS<\/p>","desc":"Terra Incognita, art-science fabulations Manufactured Paradises, radio fiction performed by Hardwean\u00a0 Dans un futur tr\u00e8s proches des journaux intimes sonores nous permettent de comprendre l'\u00e9tat du monde, la vie au quotidien de certains personnages remplis de nostalgie et de lucidit\u00e9. Un souvenir heureux ressurgit, une instagrammeuse et ses \u00e9missions d'influences sont les r\u00e9sidus des jours heureux.\u00a0 Lumpen Station co-production \u00a9 with the support of : Ville de Bienne, Abteilung Kultur Basel-Stadt,\u00a0Swisslos Kultur Kanton Bern, ProLitteris and FSRC\/SRKS","date":"04\/05\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1184\/ls_terraincognita_podcast_matthieu_2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1184\/ls_terraincognita_podcast_matthieu_2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1184\/ls_terraincognita_podcast_matthieu_2.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1184\/lumpen_-_31_mars_part_2_matthieu_hardouin_28m59s.mp3","duration":1741}],"duration":"29:01","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166},{"title":"TERRA INCOGNITA","subtitle":"eggs and boobs, performance","colour":"#f704b0","path":"terraincognitaboobs","texte":"

Terra incognita, art-science fabulations, performance captation\u00a0
\nEggs and boobs, performance by Maya Minder and Alexia Venot, with the participation of Emanuele Coccia and Lisa Jankovics, sounds by Kyoka\u00a0<\/span><\/p>\n\n\n\n

The performance takes the form of a perfor- mative and participative dinner, where Maya Minder and Alexia Venot intervene, through their actions and the reading of texts, Ema- nuele Coccia as one of the characters of the fiction introduced during the perfomance\u00a0( Queen Egg ), sound artist Kyoka plays field recordings regarding the atmosphere of each chapter of the dinner ingredient. play a track at each stage of the dinner, according to each ingredient.
\nA fiction is introduced into the performance to make the reflection tangible.
\nIn\u00a0Eggies Island, the audience is led to be im- mersed in the role of\u00a0Bowies, characters of the story, who come to enjoy a meal on the island. A series of different dishes and orders are brought to the audience, metaphorical\u00a0ingredients of our sensual, regressive, erotic and fluid connextions : eggs, milk, eggplant, fig, rice, seaweed.<\/p>\n\n\n\n

In its symbolic report, the food is jointly relayed to a nutritive act as to an erotic act, it generates semiotic confusions. The poetic language give access to a certain emancipation of the subjects with regard to the objects of desire and It acts like an emancipative agent to rethink the gendered realtions. The dinner acts in a subversive way of reappropriation of gestures, and generate\u00a0a multiplicity of interactions towards the relation with the living.\u00a0Body and food converge: eating and tasting call for one of the forms of sensuality, which can go as far as eroticism. The language is struc- tured around common vocabulary, \"hot\" \"swallow\" \"cook\" \"lick\" refers as much to the act of eating as to the sexual act. As Yvonne Verdier\u00a0wrote, ethnologists have found a strong food symbolism in rituals whose function, in the final analysis, is to \"regulate relations between\u00a0genders\".\u00a0There is a certain ambiguity in the body or in what comes from the body.\u00a0The egg is the birth in potential, comes out of the cloaca of a bird and its shape can help provoke female orgasms. One finds this refe-\u00a0rence in the empire of senses : as if an interspecific orgasm was already made possible by the form of the objects which connect the\u00a0beings in them.\u00a0The breast is eroticized and sexualized while it is also an organ to produce milk, food for the baby, causing some pain to the woman when extracting the liquid.\u00a0The fig is also a vagina, its fertilization is interspecific, because to be fertilized it requires eggs of the wasp, which imprisoned ends up dying, this reproduction induces an interdependence but also the death of the insect, when we eat a fig, we also eat the insect. The flowers offer themselves as much to the bumblebees, fertilized by the pollen. Birth, death, pleasure, pain, coexist in ambiguous forms\u00a0where food is a metaphor, an object of desire, an organ of reproduction and a ressource.<\/p>\n\n

We eat and we are eaten. How to approach this ambiguous relationship of bodies to reinvent the new semantics of sensuality with food ?<\/p>\n\n

lumpen station co-production \u00a9
\nwith the support of : Ville de Bienne, kanton Berne, FSRC, Stadt Basel, Pro Litteris\u00a0<\/p>","desc":"Terra incognita, art-science fabulations, performance captation\u00a0 Eggs and boobs, performance by Maya Minder and Alexia Venot, with the participation of Emanuele Coccia and Lisa Jankovics, sounds by Kyoka\u00a0 The performance takes the form of a perfor- mative and participative dinner, where Maya Minder and Alexia Venot intervene, through their actions and the reading of texts, Ema- nuele Coccia as one of the characters of the fiction introduced during the perfomance\u00a0( Queen Egg ), sound artist Kyoka plays field recordings regarding the atmosphere of each chapter of the dinner ingredient. play a track at each stage of the dinner, according to each ingredient. A fiction is introduced into the performance to make the reflection tangible. In\u00a0Eggies Island, the audience is led to be im- mersed in the role of\u00a0Bowies, characters of the story, who come to enjoy a meal on the island. A series of different dishes and orders are brought to the audience, metaphorical\u00a0ingredients of our sensual, regressive, erotic and fluid connextions : eggs, milk, eggplant, fig, rice, seaweed. In its symbolic report, the food is jointly relayed to a nutritive act as to an erotic act, it generates semiotic confusions. The poetic language give access to a certain emancipation of the subjects with regard to the objects of desire and It acts like an emancipative agent to rethink the gendered realtions. The dinner acts in a subversive way of reappropriation of gestures, and generate\u00a0a multiplicity of interactions towards the relation with the living.\u00a0Body and food converge: eating and tasting call for one of the forms of sensuality, which can go as far as eroticism. The language is struc- tured around common vocabulary, \"hot\" \"swallow\" \"cook\" \"lick\" refers as much to the act of eating as to the sexual act. As Yvonne Verdier\u00a0wrote, ethnologists have found a strong food symbolism in rituals whose function, in the final analysis, is to \"regulate relations between\u00a0genders\".\u00a0There is a certain ambiguity in the body or in what comes from the body.\u00a0The egg is the birth in potential, comes out of the cloaca of a bird and its shape can help provoke female orgasms. One finds this refe-\u00a0rence in the empire of senses : as if an interspecific orgasm was already made possible by the form of the objects which connect the\u00a0beings in them.\u00a0The breast is eroticized and sexualized while it is also an organ to produce milk, food for the baby, causing some pain to the woman when extracting the liquid.\u00a0The fig is also a vagina, its fertilization is interspecific, because to be fertilized it requires eggs of the wasp, which imprisoned ends up dying, this reproduction induces an interdependence but also the death of the insect, when we eat a fig, we also eat the insect. The flowers offer themselves as much to the bumblebees, fertilized by the pollen. Birth, death, pleasure, pain, coexist in ambiguous forms\u00a0where food is a metaphor, an object of desire, an organ of reproduction and a ressource. We eat and we are eaten. How to approach this ambiguous relationship of bodies to reinvent the new semantics of sensuality with food ? lumpen station co-production \u00a9 with the support of : Ville de Bienne, kanton Berne, FSRC, Stadt Basel, Pro Litteris\u00a0","date":"04\/05\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1183\/ls_terraincognita_podcast_mayaminder.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1183\/ls_terraincognita_podcast_mayaminder.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1183\/ls_terraincognita_podcast_mayaminder.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1183\/lumpen_-_8_avril_sans_set_dj_de_fin_49m06s.mp3","duration":2950}],"duration":"49:10","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166},{"title":"Selbstportrait in Musik #1","subtitle":"Elias Raschle","colour":"#0ad0e3","path":"selbstportrait-in-musik-1","texte":"

Selbspotrait in Musik: Elias Raschle<\/p>\n\n

Format radiophique propos\u00e9 par Lumpen Station en collaboration avec Atomic caf\u00e9 \u00e0 Bienne.\u00a0<\/p>\n\n

Des acteurs et actrices de la sc\u00e8ne culturelle Biennoise sont invit\u00e9es \u00e0 partager le temps d'un ap\u00e9ro un autoportrait en musique. Les track list sont ainsi une mani\u00e8re de rentrer dans l'esprit\u00a0des invit\u00e9es, deviner des \u00e9tat d'\u00e2mes, peut-\u00eatre des secrets ou des confessions intimes. Lecture crypt\u00e9 hautement conseill\u00e9e!<\/p>\n\n

lumpen station co-production \u00a9
\nwith the support of : Ville de Bienne, kanton Berne<\/p>","desc":"Selbspotrait in Musik: Elias Raschle Format radiophique propos\u00e9 par Lumpen Station en collaboration avec Atomic caf\u00e9 \u00e0 Bienne.\u00a0 Des acteurs et actrices de la sc\u00e8ne culturelle Biennoise sont invit\u00e9es \u00e0 partager le temps d'un ap\u00e9ro un autoportrait en musique. Les track list sont ainsi une mani\u00e8re de rentrer dans l'esprit\u00a0des invit\u00e9es, deviner des \u00e9tat d'\u00e2mes, peut-\u00eatre des secrets ou des confessions intimes. Lecture crypt\u00e9 hautement conseill\u00e9e! lumpen station co-production \u00a9 with the support of : Ville de Bienne, kanton Berne","date":"04\/05\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1185\/ls_selbsportrait_eliasraschle_podcast.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1185\/ls_selbsportrait_eliasraschle_podcast.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1185\/ls_selbsportrait_eliasraschle_podcast.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1185\/1mai22exp_2h18m21s.mp3","duration":8310}],"duration":"138:30","format":"MUSIC DOES THE TALKING","format_path":"music-does-the-talking","format_id":1212},{"title":"Talking to myself","subtitle":"by Anina M\u00fcller","colour":"#4cf00c","path":"talking-to-myself","texte":"

Talking to myself, Anina M\u00fcller
\nCo-production Lumpen Station and Anina M\u00fcller<\/p>\n\n

This audio piece focuses all things fame and celebrities. Are celebrities even real and how do I become one ? If no one ever makes it, then how come there are so many of them ? What is a parasocial relationship and how do I get one ? With special guests me, myself and I, we will delve into our juiciest celeb crushes and dish all the dirty drama about how we got our hearts broken by people who don\u2019t even know we exist.\u00a0<\/p>","desc":"Talking to myself, Anina M\u00fcller Co-production Lumpen Station and Anina M\u00fcller This audio piece focuses all things fame and celebrities. Are celebrities even real and how do I become one ? If no one ever makes it, then how come there are so many of them ? What is a parasocial relationship and how do I get one ? With special guests me, myself and I, we will delve into our juiciest celeb crushes and dish all the dirty drama about how we got our hearts broken by people who don\u2019t even know we exist.\u00a0","date":"03\/05\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1179\/talking_to_myself_visual_with_text_3.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1179\/talking_to_myself_visual_with_text_3.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1179\/talking_to_myself_visual_with_text_3.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1179\/talking_to_myself_1.mp3","duration":1306}],"duration":"21:46","format":"LUMPEN CONNEXIONS","format_path":"lumpen-connexions","format_id":1177},{"title":"AEIOU","subtitle":"by Rati Baramadze","colour":"#4cf00c","path":"aeiou","texte":"

\"AEIOU\" Rati Baramadze
\nCo-production Lumpen Station and Rati Baramadze<\/p>\n\n

The whole piece is inspired by book \"New Atlantis\" by Francis Bacon. In this book Francis describes electronic music instruments that at the time were just a fantasy field, but today are reality for us.\u00a0This work is a kind of continuation of the utopian world that Francis described, a future where man is in symbiosis with technology. Musical instruments are not external devices but are integrated with the human body, allowing them to transform speech into different sounds and music.\u00a0No electronic music instruments were used to create this work, only man-made sound and speech (Georgian) processing.<\/p>","desc":"\"AEIOU\" Rati Baramadze Co-production Lumpen Station and Rati Baramadze The whole piece is inspired by book \"New Atlantis\" by Francis Bacon. In this book Francis describes electronic music instruments that at the time were just a fantasy field, but today are reality for us.\u00a0This work is a kind of continuation of the utopian world that Francis described, a future where man is in symbiosis with technology. Musical instruments are not external devices but are integrated with the human body, allowing them to transform speech into different sounds and music.\u00a0No electronic music instruments were used to create this work, only man-made sound and speech (Georgian) processing.","date":"03\/05\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1178\/lumpenstation_artwork.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1178\/lumpenstation_artwork.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1178\/lumpenstation_artwork.1200x1200.jpg","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1178\/rati_baramadze_for_lumpenstation.mp3","duration":1828}],"duration":"30:28","format":"LUMPEN CONNEXIONS","format_path":"lumpen-connexions","format_id":1177},{"title":"Echo chamber 1","subtitle":"Wassili Widmer","colour":"#4b06fd","path":"echo-chamber-1","texte":"

Meet the residents : Wassili Widmer
\nEcho chamber 1
\nSupported by: Ville de Bienne, Swisslos Kultur Kanton Bern
\nco-production: Lumpen Station, Wassili Widmer<\/p>\n\n

Presentation:\u00a0<\/p>\n\n

In this radio art work, artist Wassili Widmer will deconstruct the phenomenon of the echo chamber. The work explores the themes of voice in the acoustic and political sense, narratives, the myth of Ekho, reverberation as a sound technique and the political phenomenon of echo chamber.\u00a0 To be heard is a mixture of conversation with theme-relevant guests, experimental sound art, music and poetic pieces with inner monologues.<\/em><\/p>\n\n

The first part broadcasting in March explores the topic of voice and narration with the guests Dina Hungerb\u00fchler and Sophie Diggelmann. Dina Hungerb\u00fchler works at SRF as independent journalist and production assistant and has an MA in law and political science. Sophie Diggelmann studied visual arts at ZHdK and is singer songwriter of the band Velvet Two stripes.\u00a0<\/em><\/p>","desc":"Meet the residents : Wassili Widmer Echo chamber 1 Supported by: Ville de Bienne, Swisslos Kultur Kanton Bern co-production: Lumpen Station, Wassili Widmer Presentation:\u00a0 In this radio art work, artist Wassili Widmer will deconstruct the phenomenon of the echo chamber. The work explores the themes of voice in the acoustic and political sense, narratives, the myth of Ekho, reverberation as a sound technique and the political phenomenon of echo chamber.\u00a0 To be heard is a mixture of conversation with theme-relevant guests, experimental sound art, music and poetic pieces with inner monologues. The first part broadcasting in March explores the topic of voice and narration with the guests Dina Hungerb\u00fchler and Sophie Diggelmann. Dina Hungerb\u00fchler works at SRF as independent journalist and production assistant and has an MA in law and political science. Sophie Diggelmann studied visual arts at ZHdK and is singer songwriter of the band Velvet Two stripes.\u00a0","date":"01\/04\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1175\/thumbnail_lumpenstation_flyer.2000x2000.jpeg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1175\/thumbnail_lumpenstation_flyer.1200x1200.jpeg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1175\/thumbnail_lumpenstation_flyer.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1175\/echo_chamber_1_wassili_widmer.mp3","duration":5439}],"duration":"90:39","format":"MEET THE RESIDENTS","format_path":"meet-the-residents","format_id":1174,"sub_format":"LUMPEN RESIDENTS 2022-2023","sub_format_path":"lumpenresidents20222023","sub_format_id":1268},{"title":"TERRA INCOGNITA","subtitle":"art-science fabulations","colour":"#f704b0","path":"terraincognita","texte":"

Terra Incognita : art-science fabulations
\nSound exhibition presented in art space Praxis in relation with visual art works and tatoo\u00a0flashes.\u00a0
\nThe presentation text is describing the complete exhibition with this 3 parts.\u00a0
\nA printed catalogue including visual archives is available on demands by writing to: lumpenstation@gmail.com\u00a0<\/p>\n\n

Participating artists :
\nFelix St\u00f6ckle, Thalles Piaget, Nicolas Polli, Eve Chariatte, louis hector, Till Langschied, Colin Rayanl, Premjish Achari, Rodrigo Toro Madrid, Monika Stalder, Sara Koller, Andrea Marioni.\u00a0\u00a0<\/p>\n\n

I was in Arnaud Verin\u2019s garden last summer. A kind of wild garden, between human organization and vegetal anarchism. There were a few sculptures here and there, mostly ceramics, but also mixed materials, supermarket plastic sunglasses, cheap Greek statues, Arnaud\u2019s crafts and other kinds of combinations. Some of the artifacts were already colonized by insects, others hosted plants, seeds, birds\u2026 I immediately told my friend\u2009: \u00a0\u201cThat\u2019s the way an exhibition should be considered.\u201d and that\u2019s the way Terra Incognita : art-science fabulations has been thought of, involving more than thirty artists using several art practices.<\/p>\n\n

There is no romanticism in choosing a garden as a starting point. \u00a0Forget lost Eden. There is a hidden lesson in that small parcel of earth, the call to \u201clearn from the garden\u201d. To view the garden as a reference system. Other gardens in the area followed the French style. Then, not far away, there was some wasteland around the roads and less than a kilometer \u00a0further wild nature along the river.<\/p>\n\n

Make a quantum leap and all those different gardens could mirror art institutions, off-spaces, and galleries, and could function as templates of our world operating with their respective management systems in order to care about the life they are hosting.<\/p>\n\n

Make another quantum leap, and you\u2019ll notice that gardens aren\u2019t created collectively, but by a particular accumulation of singular life forms, potential shelters, rocks, bacteria, mushrooms, temperatures, Arnaud\u2019s junk\u2026 \u00a0All of these elements are linked by a peculiar balance and diversity of relations forming a biotope.<\/p>\n\n

Now, how does science enter the game ? Well, because this art-biotope in practice is constituted by artists, self-conscious critters, who aim to offer a comprehension of the world around us, like scientists do. In the following years, according to the last GIEC report, we will be entering an unknown period concerning our relation to earth, a terra incognita. To live through this fact, rationalism isn\u2019t enough. It is necessary to add some tales, or as the philosopher G. Bachelard suggested\u2009: surrationalism. For it seems that science and art are mechanisms that are difficult to combine. Even if \u00a0quantum and Newtonian mechanics are both valid and useful in order to apprehend some life phenomena, they are still impossible to reunite, \u00a0despite the efforts.<\/p>\n\n

It is common for artists to utilize science or for science to utilize artists. \u00a0But how could an art-science work ? How can an artistic process be a contributive tool with its own mechanisms as peers are dealing with contemporary scientific challenges ?<\/p>\n\n

It is yet hard to say, but we certainly know that fabulation is a method used on both sides.<\/p>\n\n

So, I guess, like with gardening\u2009: before harvesting, it is necessary to focus on morphogenesis and the conditions that would allow for life to grow. In other words, to care about the ground, the humus, consider art as compost, the first stage of a biotope, when fabulation and reality meet, the stage in which all works of this exhibition come together.<\/p>\n\n


\nSupported by\u2009: Ville de Bienne, Abteilung Kultur Basel-Stadt, Swisslos Kultur Kanton Bern, ProLitteris and FSRC\/SRKS\u00a0<\/p>","desc":"Terra Incognita : art-science fabulations Sound exhibition presented in art space Praxis in relation with visual art works and tatoo\u00a0flashes.\u00a0 The presentation text is describing the complete exhibition with this 3 parts.\u00a0 A printed catalogue including visual archives is available on demands by writing to: lumpenstation@gmail.com\u00a0 Participating artists : Felix St\u00f6ckle, Thalles Piaget, Nicolas Polli, Eve Chariatte, louis hector, Till Langschied, Colin Rayanl, Premjish Achari, Rodrigo Toro Madrid, Monika Stalder, Sara Koller, Andrea Marioni.\u00a0\u00a0 I was in Arnaud Verin\u2019s garden last summer. A kind of wild garden, between human organization and vegetal anarchism. There were a few sculptures here and there, mostly ceramics, but also mixed materials, supermarket plastic sunglasses, cheap Greek statues, Arnaud\u2019s crafts and other kinds of combinations. Some of the artifacts were already colonized by insects, others hosted plants, seeds, birds\u2026 I immediately told my friend\u2009: \u00a0\u201cThat\u2019s the way an exhibition should be considered.\u201d and that\u2019s the way Terra Incognita : art-science fabulations has been thought of, involving more than thirty artists using several art practices. There is no romanticism in choosing a garden as a starting point. \u00a0Forget lost Eden. There is a hidden lesson in that small parcel of earth, the call to \u201clearn from the garden\u201d. To view the garden as a reference system. Other gardens in the area followed the French style. Then, not far away, there was some wasteland around the roads and less than a kilometer \u00a0further wild nature along the river. Make a quantum leap and all those different gardens could mirror art institutions, off-spaces, and galleries, and could function as templates of our world operating with their respective management systems in order to care about the life they are hosting. Make another quantum leap, and you\u2019ll notice that gardens aren\u2019t created collectively, but by a particular accumulation of singular life forms, potential shelters, rocks, bacteria, mushrooms, temperatures, Arnaud\u2019s junk\u2026 \u00a0All of these elements are linked by a peculiar balance and diversity of relations forming a biotope. Now, how does science enter the game ? Well, because this art-biotope in practice is constituted by artists, self-conscious critters, who aim to offer a comprehension of the world around us, like scientists do. In the following years, according to the last GIEC report, we will be entering an unknown period concerning our relation to earth, a terra incognita. To live through this fact, rationalism isn\u2019t enough. It is necessary to add some tales, or as the philosopher G. Bachelard suggested\u2009: surrationalism. For it seems that science and art are mechanisms that are difficult to combine. Even if \u00a0quantum and Newtonian mechanics are both valid and useful in order to apprehend some life phenomena, they are still impossible to reunite, \u00a0despite the efforts. It is common for artists to utilize science or for science to utilize artists. \u00a0But how could an art-science work ? How can an artistic process be a contributive tool with its own mechanisms as peers are dealing with contemporary scientific challenges ? It is yet hard to say, but we certainly know that fabulation is a method used on both sides. So, I guess, like with gardening\u2009: before harvesting, it is necessary to focus on morphogenesis and the conditions that would allow for life to grow. In other words, to care about the ground, the humus, consider art as compost, the first stage of a biotope, when fabulation and reality meet, the stage in which all works of this exhibition come together. Supported by\u2009: Ville de Bienne, Abteilung Kultur Basel-Stadt, Swisslos Kultur Kanton Bern, ProLitteris and FSRC\/SRKS\u00a0","date":"30\/03\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1165\/ls_terraincognita_podcast_soundexhibition_final3.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1165\/ls_terraincognita_podcast_soundexhibition_final3.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1165\/ls_terraincognita_podcast_soundexhibition_final3.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1165\/terra_incognita_24_03_22_01h01m12s.mp3","duration":3675}],"duration":"61:15","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166},{"title":"Minor Histories : Bienne, ep:2","subtitle":"espace libre Visarte Biel\/Bienne","colour":"#f214c4","path":"minor-histories-bienne-ep-2","texte":"

Minor histories\u00a0: Bienne, EP:2
\nespace libre Visarte Biel\/Bienne\u00a0
\navec Verena Lafargue\u00a0<\/p>\n\n

On se souvient \u00e0 peine de sa cr\u00e9ation, il est l\u00e0 depuis vingt ans, \u00e0 l\u2019ombre de son grand voisin le centre Pasquart, il a l\u2019air d\u2019une cave, mais certains l\u2019aime ainsi, fragile, ind\u00e9pendant, une arri\u00e8re chambre de possibles, qui change r\u00e9guli\u00e8rement de t\u00eate, qui accueille des rencontres esth\u00e9tiques vari\u00e9es, il n\u2019a pas besoin de gardiennage, on se demande si c\u2019est pas l\u2019espace en lui-m\u00eame \u00e0 \u00eatre en charge de la curation, les curateur et curatrices, les artistes, le public, l\u2019anime et le font vivre et probablement cela sera ainsi encore longtemps, c\u2019est espace libre visarte Biel\/Bienne.\u00a0<\/p>","desc":"Minor histories\u00a0: Bienne, EP:2 espace libre Visarte Biel\/Bienne\u00a0 avec Verena Lafargue\u00a0 On se souvient \u00e0 peine de sa cr\u00e9ation, il est l\u00e0 depuis vingt ans, \u00e0 l\u2019ombre de son grand voisin le centre Pasquart, il a l\u2019air d\u2019une cave, mais certains l\u2019aime ainsi, fragile, ind\u00e9pendant, une arri\u00e8re chambre de possibles, qui change r\u00e9guli\u00e8rement de t\u00eate, qui accueille des rencontres esth\u00e9tiques vari\u00e9es, il n\u2019a pas besoin de gardiennage, on se demande si c\u2019est pas l\u2019espace en lui-m\u00eame \u00e0 \u00eatre en charge de la curation, les curateur et curatrices, les artistes, le public, l\u2019anime et le font vivre et probablement cela sera ainsi encore longtemps, c\u2019est espace libre visarte Biel\/Bienne.\u00a0","date":"04\/03\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1159\/ls_minorhistories_podcasts_espacelibre.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1159\/ls_minorhistories_podcasts_espacelibre.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1159\/ls_minorhistories_podcasts_espacelibre.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1159\/lumpen_station_08_02_22.mp3","duration":3104}],"duration":"51:44","format":"LUMPEN UNIVERSIT\u00c4T","format_path":"lumpenuniversitat","format_id":1156},{"title":"CREPA: Monika Stalder et Olga Kokcharova","subtitle":"Radical mycology","colour":"#edfb07","path":"crepastalderkokcharova","texte":"

CREPA
\nsession 5 : Monika Stalder et Olga Kokcharova
\nSujet : champignons, amanite, autorit\u00e9, radical mycology<\/span><\/p>\n\n

Cinqui\u00e8me session : Le CREPA est aujourd\u2019hui ravi d\u2019accueillir les artistes Monika Stalder et Olga Kokcharova. Monika Stalder est artiste plasticienne, elle oeuvre en peinture, en installation, en performance et fait des allers retours entre le macro et microscopique, entre la voie lact\u00e9e, les lunes et les cellules.<\/p>\n\n

Lors de ces quelques jours en vall\u00e9e de Joux, elle nous a partag\u00e9 une mani\u00e8re d\u2019\u00e9couter les objets du quotidien sous forme de petites performances sonores - inaudibles pour celles et ceux dont les os ne sont pas en contact direct avec les instruments, mais fortes en sensations lorsque vient le tour de s\u2019y plonger.<\/p>\n\n

Olga Kokcharova est quant \u00e0 elle artiste sonore et passionn\u00e9e de plantes, de lichens et de champignons. Ensemble nous sommes all\u00e9es \u00e0 leur rencontre dans la for\u00eat du Risoux, le nez dans la mousse et les yeux aiguis\u00e9s \u00e0 la d\u00e9couverte de ces \u00eatres \u00e9tranges et fascinants.<\/p>\n\n

Lors de ces balades, nous avons ainsi pr\u00e9lev\u00e9 quelques sp\u00e9cimens \u00e0 observer et sentir tout en partageant la discussion suivante. Bonne \u00e9coute !<\/p>\n\n

Liens :\u00a0
\nRadical Mycology https:\/\/www.radicalmycology.com\/
\nPeter McCoy https:\/\/www.utopiana.art\/fr\/peter-mccoy
\nJacques Falquet https:\/\/www.utopiana.art\/en\/jacques-falquet
\nThe Mushroom Speaks, documentaire de Marion Neumann https:\/\/www.visionsdureel.ch\/photo-video\/2021\/the-mushroom-speaks-marion-neumann-3\/
\nOlga Kokcharova http:\/\/kokcharova.zov308.org\/
\nMonika Stalder http:\/\/www.monikastalder.ch\/<\/p>","desc":"CREPA session 5 : Monika Stalder et Olga Kokcharova Sujet : champignons, amanite, autorit\u00e9, radical mycology Cinqui\u00e8me session : Le CREPA est aujourd\u2019hui ravi d\u2019accueillir les artistes Monika Stalder et Olga Kokcharova. Monika Stalder est artiste plasticienne, elle oeuvre en peinture, en installation, en performance et fait des allers retours entre le macro et microscopique, entre la voie lact\u00e9e, les lunes et les cellules. Lors de ces quelques jours en vall\u00e9e de Joux, elle nous a partag\u00e9 une mani\u00e8re d\u2019\u00e9couter les objets du quotidien sous forme de petites performances sonores - inaudibles pour celles et ceux dont les os ne sont pas en contact direct avec les instruments, mais fortes en sensations lorsque vient le tour de s\u2019y plonger. Olga Kokcharova est quant \u00e0 elle artiste sonore et passionn\u00e9e de plantes, de lichens et de champignons. Ensemble nous sommes all\u00e9es \u00e0 leur rencontre dans la for\u00eat du Risoux, le nez dans la mousse et les yeux aiguis\u00e9s \u00e0 la d\u00e9couverte de ces \u00eatres \u00e9tranges et fascinants. Lors de ces balades, nous avons ainsi pr\u00e9lev\u00e9 quelques sp\u00e9cimens \u00e0 observer et sentir tout en partageant la discussion suivante. Bonne \u00e9coute ! Liens :\u00a0 Radical Mycology https:\/\/www.radicalmycology.com\/ Peter McCoy https:\/\/www.utopiana.art\/fr\/peter-mccoy Jacques Falquet https:\/\/www.utopiana.art\/en\/jacques-falquet The Mushroom Speaks, documentaire de Marion Neumann https:\/\/www.visionsdureel.ch\/photo-video\/2021\/the-mushroom-speaks-marion-neumann-3\/ Olga Kokcharova http:\/\/kokcharova.zov308.org\/ Monika Stalder http:\/\/www.monikastalder.ch\/","date":"04\/03\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1160\/crepa-s5-olga-monika.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1160\/crepa-s5-olga-monika.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1160\/crepa-s5-olga-monika.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1160\/crepa-s5-monika-olga.mp3","duration":2348}],"duration":"39:08","format":"ASSOCIATES","format_path":"associates","format_id":1269,"sub_format":"CREPA","sub_format_path":"crepa","sub_format_id":1150},{"title":"Une conversation avec","subtitle":"Amandine Gay","colour":"#07aedd","path":"amandinegay","texte":"

Une conversation avec : Amandine Gay
\nEnregistr\u00e9 \u00e0 Bienne le 04.02.22<\/span>
\nEntretien entre Doris Niragire Nirere et Amandine Gay
\nCoordination Cabbak : Nadine Ndjoko Peisker\u00a0
\nLumpen Station team : Mathilde Beetschen, Ivan Crichton, Andrea Marioni.\u00a0<\/p>\n\n

Le collectif Afrofr\u00e9ministe Biennois CABBAK propose une conversation avec Amandine Gay, R\u00e9alisatrice, Autrice et Militante Afro-f\u00e9ministe autour de son travail et \u00e0 l'occasion de la projection de son dernier documentaire , \"Une histoire \u00e0 soi\" qui aborde\u00a0 \u00e0 la fois l'intimit\u00e9 de l'adoption internationale et sa dimension politique. Ici on parle d'art et de politique dans tous leurs enchev\u00eatrements<\/p>","desc":"Une conversation avec : Amandine Gay Enregistr\u00e9 \u00e0 Bienne le 04.02.22 Entretien entre Doris Niragire Nirere et Amandine Gay Coordination Cabbak : Nadine Ndjoko Peisker\u00a0 Lumpen Station team : Mathilde Beetschen, Ivan Crichton, Andrea Marioni.\u00a0 Le collectif Afrofr\u00e9ministe Biennois CABBAK propose une conversation avec Amandine Gay, R\u00e9alisatrice, Autrice et Militante Afro-f\u00e9ministe autour de son travail et \u00e0 l'occasion de la projection de son dernier documentaire , \"Une histoire \u00e0 soi\" qui aborde\u00a0 \u00e0 la fois l'intimit\u00e9 de l'adoption internationale et sa dimension politique. Ici on parle d'art et de politique dans tous leurs enchev\u00eatrements","date":"09\/02\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1158\/ls_lumpenembassy_amandinegay_final.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1158\/ls_lumpenembassy_amandinegay_final.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1158\/ls_lumpenembassy_amandinegay_final.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1158\/lumpen_station_04_02_22_v1.mp3","duration":2154}],"duration":"35:54","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114},{"title":"minor histories - Bienne S01 E01","subtitle":"Lokal-int avec Chri Frautschi","colour":"#f214c4","path":"minor-histories-bienne-s01-e01","texte":"

minor histories - Bienne: ne pas demander la permission.
\nSaison 1, \u00e9pisode 1 avec Chri Frautschi pr\u00e9sentant Lokal-int;\u00a0Rue Hans-Hugi 1, 2502 Bienne<\/p>\n\n

minor histories, histoires mineures.
\nOn se prom\u00e8ne dans la ville et on aper\u00e7oit\u00a0parfois une vitrine avec des choses bizarres \u00e0 l\u2019int\u00e9rieur, on voit des flyers, des posters qui nous invitent \u00e0 des vernissages dans des lieux toujours en mouvement, ce\u00a0sont des espaces d\u2019art\u00a0qui accueillent qui le veut bien, programment des artistes qu\u2019on connait, un peu, peut-\u00eatre, de loin ou de pr\u00e8s, ou tout simplement que l\u2019on d\u00e9couvre.
\nCe sont des espaces d\u2019exposition qui se revendiquent ou sont d\u00e9finis OFF, ils existent parfois pendant quelques semaines tandis que certains animent une sc\u00e8ne locale des d\u00e9cennies durant.
\nLeurs structures financi\u00e8res est pratiquement toujours fragile, des curatrices, des curateurs, des artistes les font vivre et offrent la plus part du temps une exp\u00e9rience artistique qui d\u00e9passe l\u2019esth\u00e9tique.
\nCe sont les lieux o\u00f9\u00a0l\u2019histoire de l\u2019art converge avec des formes de vies, des lieux consid\u00e9r\u00e9s mineurs dans la grande histoire et pourtant, c\u2019est gr\u00e2ce \u00e0 leur existence que des nouvelles formes d\u2019art ont la possibilit\u00e9 d\u2019\u00e9merger.<\/p>\n\n

Bienvenue dans la s\u00e9rie \u00ab minor histories\u00a0\u00bb, une histoire de l\u2019art inattendue et qui d\u00e9passe les cat\u00e9gories de classification.<\/p>","desc":"minor histories - Bienne: ne pas demander la permission. Saison 1, \u00e9pisode 1 avec Chri Frautschi pr\u00e9sentant Lokal-int;\u00a0Rue Hans-Hugi 1, 2502 Bienne minor histories, histoires mineures. On se prom\u00e8ne dans la ville et on aper\u00e7oit\u00a0parfois une vitrine avec des choses bizarres \u00e0 l\u2019int\u00e9rieur, on voit des flyers, des posters qui nous invitent \u00e0 des vernissages dans des lieux toujours en mouvement, ce\u00a0sont des espaces d\u2019art\u00a0qui accueillent qui le veut bien, programment des artistes qu\u2019on connait, un peu, peut-\u00eatre, de loin ou de pr\u00e8s, ou tout simplement que l\u2019on d\u00e9couvre. Ce sont des espaces d\u2019exposition qui se revendiquent ou sont d\u00e9finis OFF, ils existent parfois pendant quelques semaines tandis que certains animent une sc\u00e8ne locale des d\u00e9cennies durant. Leurs structures financi\u00e8res est pratiquement toujours fragile, des curatrices, des curateurs, des artistes les font vivre et offrent la plus part du temps une exp\u00e9rience artistique qui d\u00e9passe l\u2019esth\u00e9tique. Ce sont les lieux o\u00f9\u00a0l\u2019histoire de l\u2019art converge avec des formes de vies, des lieux consid\u00e9r\u00e9s mineurs dans la grande histoire et pourtant, c\u2019est gr\u00e2ce \u00e0 leur existence que des nouvelles formes d\u2019art ont la possibilit\u00e9 d\u2019\u00e9merger. Bienvenue dans la s\u00e9rie \u00ab minor histories\u00a0\u00bb, une histoire de l\u2019art inattendue et qui d\u00e9passe les cat\u00e9gories de classification.","date":"27\/01\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1157\/ls_minorhistories_podcasts_lokalint.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1157\/ls_minorhistories_podcasts_lokalint.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1157\/ls_minorhistories_podcasts_lokalint.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1157\/lumpen_station_18_01_22_v3.mp3","duration":4456}],"duration":"74:16","format":"LUMPEN UNIVERSIT\u00c4T","format_path":"lumpenuniversitat","format_id":1156},{"title":"CREPA: Biblioteq Mdulair","subtitle":"Electronique de puissance","colour":"#edfb07","path":"crepabiblioteqmdulair","texte":"

SESSION 4 : Biblioteq Mdulair
\nSujet : Electronique de puissance, g\u00e9n\u00e9rateurs de fonction<\/p>\n\n

Quatri\u00e8me session. Aujourd\u2019hui, le CREPA accueille la Biblioteq Mdulair, un duo d\u2019artistes sonores qui transportent dans leurs caisses Rako un orchestre compos\u00e9 d\u2019une quinzaine de g\u00e9n\u00e9rateurs de fonctions.\u00a0
\nCette installation aux allures de navette spatiale utilise des instruments du si\u00e8cle dernier, faciles \u00e0 ouvrir et \u00e0 observer de l\u2019int\u00e9rieur.\u00a0
\nCette session de partage a ainsi combin\u00e9 un atelier d\u2019\u00e9lectronique comme tentative de r\u00e9paration des machines et un concert intimiste improvis\u00e9 que vous entendrez juste apr\u00e8s une courte pr\u00e9sentation de cet instrument compos\u00e9 d\u2019objets dits \u201cobsol\u00e8tes\u201d. Bonne \u00e9coute !<\/p>\n\n

Liens :
\nBiblioteq Mdulair, site internet https:\/\/biblioteqmdulair.wordpress.com\/
\nBiblioteq Mdulair, vinyle https:\/\/copypastaeditions.bandcamp.com\/album\/primitive-electronics-brain-dance
\nSynkie http:\/\/synkie.net\/<\/p>","desc":"SESSION 4 : Biblioteq Mdulair Sujet : Electronique de puissance, g\u00e9n\u00e9rateurs de fonction Quatri\u00e8me session. Aujourd\u2019hui, le CREPA accueille la Biblioteq Mdulair, un duo d\u2019artistes sonores qui transportent dans leurs caisses Rako un orchestre compos\u00e9 d\u2019une quinzaine de g\u00e9n\u00e9rateurs de fonctions.\u00a0 Cette installation aux allures de navette spatiale utilise des instruments du si\u00e8cle dernier, faciles \u00e0 ouvrir et \u00e0 observer de l\u2019int\u00e9rieur.\u00a0 Cette session de partage a ainsi combin\u00e9 un atelier d\u2019\u00e9lectronique comme tentative de r\u00e9paration des machines et un concert intimiste improvis\u00e9 que vous entendrez juste apr\u00e8s une courte pr\u00e9sentation de cet instrument compos\u00e9 d\u2019objets dits \u201cobsol\u00e8tes\u201d. Bonne \u00e9coute ! Liens : Biblioteq Mdulair, site internet https:\/\/biblioteqmdulair.wordpress.com\/ Biblioteq Mdulair, vinyle https:\/\/copypastaeditions.bandcamp.com\/album\/primitive-electronics-brain-dance Synkie http:\/\/synkie.net\/","date":"27\/01\/2022","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1155\/crepa-s4-biblioteq-mdulair.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1155\/crepa-s4-biblioteq-mdulair.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1155\/crepa-s4-biblioteq-mdulair.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1155\/crepa-s4-biblioteq_mdulair.mp3","duration":2108}],"duration":"35:08","format":"ASSOCIATES","format_path":"associates","format_id":1269,"sub_format":"CREPA","sub_format_path":"crepa","sub_format_id":1150},{"title":"Crepa: Iouri Camicas","subtitle":"Mn\u00e9motechnique","colour":"#edfb07","path":"crepaiouricamicas","texte":"

Session 1 : Iouri Camicas, artiste plasticien<\/span>
\nSujet : Mn\u00e9motechnique, comment apprendre les 1000 premi\u00e8res d\u00e9cimales du nombre pi<\/p>\n\n

Le CREPA ouvre ses portes pour la toute premi\u00e8re fois au coeur de la Vall\u00e9e de Joux, accueilli par le laboratoire de recherche associatif Le Nid.\u00a0
\nNotre tout premier invit\u00e9 est l\u2019artiste plasticien et musicien Iouri Camicas, venu entre autres avec de quoi partager le Mishima, une technique japonaise de travail de la porcelaine.\u00a0
\nIouri Camicas a \u00e9galement emport\u00e9 dans ses valises son int\u00e9r\u00eat et ses recherches autour de la conscience des r\u00eaves ainsi que son approche de la mn\u00e9motechnique.\u00a0
\nC\u2019est cette derni\u00e8re qu\u2019il a souhait\u00e9 partager publiquement aujourd\u2019hui sous forme de micro-conf\u00e9rence, dont voici sans plus attendre la trace sonore enregistr\u00e9e depuis le salon du Nid. Bonne \u00e9coute !<\/p>","desc":"Session 1 : Iouri Camicas, artiste plasticien Sujet : Mn\u00e9motechnique, comment apprendre les 1000 premi\u00e8res d\u00e9cimales du nombre pi Le CREPA ouvre ses portes pour la toute premi\u00e8re fois au coeur de la Vall\u00e9e de Joux, accueilli par le laboratoire de recherche associatif Le Nid.\u00a0 Notre tout premier invit\u00e9 est l\u2019artiste plasticien et musicien Iouri Camicas, venu entre autres avec de quoi partager le Mishima, une technique japonaise de travail de la porcelaine.\u00a0 Iouri Camicas a \u00e9galement emport\u00e9 dans ses valises son int\u00e9r\u00eat et ses recherches autour de la conscience des r\u00eaves ainsi que son approche de la mn\u00e9motechnique.\u00a0 C\u2019est cette derni\u00e8re qu\u2019il a souhait\u00e9 partager publiquement aujourd\u2019hui sous forme de micro-conf\u00e9rence, dont voici sans plus attendre la trace sonore enregistr\u00e9e depuis le salon du Nid. Bonne \u00e9coute !","date":"21\/12\/2021","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1151\/crepa-s1-iouri.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1151\/crepa-s1-iouri.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1151\/crepa-s1-iouri.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1151\/crepa-s1-iouri.mp3","duration":2383}],"duration":"39:43","format":"ASSOCIATES","format_path":"associates","format_id":1269,"sub_format":"CREPA","sub_format_path":"crepa","sub_format_id":1150},{"title":"Crepa: Alexandra Roger","subtitle":"Comptabilit\u00e9 des artistes","colour":"#edfb07","path":"crepaalexandraroger","texte":"

Session 2 : Alexandra Roger<\/span>, artiste plasticienne
\nSujet : Comptabilit\u00e9 des artistes et associations culturelles<\/p>\n\n

La deuxi\u00e8me session du CREPA accueille \u00e0 bras ouverts Alexandra Roger, artiste multifacettes, adepte de cuisine et de crochet, mais \u00e9galement comptable avertie pour associations culturelles !\u00a0
\nTout au long de sa r\u00e9sidence, Alexandra Roger s\u2019est ainsi g\u00e9n\u00e9reusement propos\u00e9e de r\u00e9pondre aux questions des habitant-e-s du Nid concernant l\u2019\u00e9conomie de l\u2019art et sa gestion comptable.\u00a0
\nNous en avons gard\u00e9 une trace enregistr\u00e9e \u00e0 vous pr\u00e9senter aujourd\u2019hui, pour toutes celles et ceux qui se questionnent sur le paiement des artistes et les mani\u00e8res simplifi\u00e9es de g\u00e9rer sa compta en tant qu\u2019ind\u00e9pendant-e.\u00a0
\nSi vous avez des questions ou remarques, n\u2019h\u00e9sitez pas \u00e0 nous contacter par e-mail sur copypasta-editions@protonmail.ch.
\nBonne session !<\/p>","desc":"Session 2 : Alexandra Roger, artiste plasticienne Sujet : Comptabilit\u00e9 des artistes et associations culturelles La deuxi\u00e8me session du CREPA accueille \u00e0 bras ouverts Alexandra Roger, artiste multifacettes, adepte de cuisine et de crochet, mais \u00e9galement comptable avertie pour associations culturelles !\u00a0 Tout au long de sa r\u00e9sidence, Alexandra Roger s\u2019est ainsi g\u00e9n\u00e9reusement propos\u00e9e de r\u00e9pondre aux questions des habitant-e-s du Nid concernant l\u2019\u00e9conomie de l\u2019art et sa gestion comptable.\u00a0 Nous en avons gard\u00e9 une trace enregistr\u00e9e \u00e0 vous pr\u00e9senter aujourd\u2019hui, pour toutes celles et ceux qui se questionnent sur le paiement des artistes et les mani\u00e8res simplifi\u00e9es de g\u00e9rer sa compta en tant qu\u2019ind\u00e9pendant-e.\u00a0 Si vous avez des questions ou remarques, n\u2019h\u00e9sitez pas \u00e0 nous contacter par e-mail sur copypasta-editions@protonmail.ch. Bonne session !","date":"21\/12\/2021","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1152\/crepa-s2-alexandra.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1152\/crepa-s2-alexandra.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1152\/crepa-s2-alexandra.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1152\/crepa-s2-alexandra-roger.mp3","duration":2076}],"duration":"34:36","format":"ASSOCIATES","format_path":"associates","format_id":1269,"sub_format":"CREPA","sub_format_path":"crepa","sub_format_id":1150},{"title":"Crepa: Dragos Tara & Jo\u00eblle Kehrli","subtitle":"Radio improvis\u00e9e","colour":"#edfb07","path":"crepa-dragos-tara-joelle-kehrli","texte":"

Session 3 : Dragos Tara, musicien et Jo\u00eblle Kehrli, artiste chercheuse<\/span>
\nSujet : Radio improvis\u00e9e, horoscope 2022, petites annonces, quizz<\/p>\n\n

Le CREPA a le plaisir d\u2019accueillir le musicien polyartiste compositeur interpr\u00e8te exp\u00e9rimentateur Dragos Tara et la poly-artiste organisatrice et instigratrice de projets, charpenti\u00e8re, chercheuse ind\u00e9pendante et joueuse de sitar Jo\u00eblle Kehrli !\u00a0
\nCette troisi\u00e8me session est un peu particuli\u00e8re. Pendant 4 jours, nous avons librement \u00e9chang\u00e9 sur divers sujets allant des effets physiques du son sur le corps et la psych\u00e9 au m\u00e9lange entre travail artistique et travail social. Pris dans l\u2019aventure de la rencontre et de la d\u00e9couverte des invit\u00e9\u00b7e\u00b7s, la spontan\u00e9it\u00e9 de ces \u00e9changes a \u00e9chapp\u00e9 \u00e0 l'enregistrement.\u00a0
\nCe que vous allez entendre aujourd\u2019hui n\u2019est donc pas une trace directe de ces discussions mais un travail sonore collectif sous forme d\u2019\u00e9mission radiophonique d\u00e9complex\u00e9e sur le th\u00e8me de l\u2019Eclosion.\u00a0
\nCette pi\u00e8ce a entre autres \u00e9t\u00e9 pr\u00e9sent\u00e9e dans le cadre du projet en ligne Cartopodes, topographie num\u00e9rique de territoires sonores aux racines sous-marines.
\nVoici donc sans attendre le r\u00e9sultat de la troisi\u00e8me session du CREPA, avec Jo\u00eblle Kehrli, Dragos Tara et la participation active et impr\u00e9vue de moi-m\u00eame pour la cr\u00e9ation de Radio Blub ! Bonne \u00e9coute
\nLien Cartopodes : https:\/\/topophoniques.ch\/cartopodes\/<\/p>","desc":"Session 3 : Dragos Tara, musicien et Jo\u00eblle Kehrli, artiste chercheuse Sujet : Radio improvis\u00e9e, horoscope 2022, petites annonces, quizz Le CREPA a le plaisir d\u2019accueillir le musicien polyartiste compositeur interpr\u00e8te exp\u00e9rimentateur Dragos Tara et la poly-artiste organisatrice et instigratrice de projets, charpenti\u00e8re, chercheuse ind\u00e9pendante et joueuse de sitar Jo\u00eblle Kehrli !\u00a0 Cette troisi\u00e8me session est un peu particuli\u00e8re. Pendant 4 jours, nous avons librement \u00e9chang\u00e9 sur divers sujets allant des effets physiques du son sur le corps et la psych\u00e9 au m\u00e9lange entre travail artistique et travail social. Pris dans l\u2019aventure de la rencontre et de la d\u00e9couverte des invit\u00e9\u00b7e\u00b7s, la spontan\u00e9it\u00e9 de ces \u00e9changes a \u00e9chapp\u00e9 \u00e0 l'enregistrement.\u00a0 Ce que vous allez entendre aujourd\u2019hui n\u2019est donc pas une trace directe de ces discussions mais un travail sonore collectif sous forme d\u2019\u00e9mission radiophonique d\u00e9complex\u00e9e sur le th\u00e8me de l\u2019Eclosion.\u00a0 Cette pi\u00e8ce a entre autres \u00e9t\u00e9 pr\u00e9sent\u00e9e dans le cadre du projet en ligne Cartopodes, topographie num\u00e9rique de territoires sonores aux racines sous-marines. Voici donc sans attendre le r\u00e9sultat de la troisi\u00e8me session du CREPA, avec Jo\u00eblle Kehrli, Dragos Tara et la participation active et impr\u00e9vue de moi-m\u00eame pour la cr\u00e9ation de Radio Blub ! Bonne \u00e9coute Lien Cartopodes : https:\/\/topophoniques.ch\/cartopodes\/","date":"21\/12\/2021","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1153\/crepa-s3-dragos-joelle.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1153\/crepa-s3-dragos-joelle.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1153\/crepa-s3-dragos-joelle.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1153\/crepa-s3-radio-blub.mp3","duration":1418}],"duration":"23:38","format":"ASSOCIATES","format_path":"associates","format_id":1269,"sub_format":"CREPA","sub_format_path":"crepa","sub_format_id":1150},{"title":"TRADING SWITZERLAND","subtitle":"a sound exhibition","colour":"#f45109","path":"tradingswitzerlandexhibition","texte":"

Trading Switzerland : a sound exhibition\u00a0
\npresented in Supermarket 2021 -Stockholm independent art fair\u00a0<\/p>\n\n

We invited as well seven artist to focus on a swiss practice of their choice.\u00a0 They committed to think what relation they have with their cultural heritage of proximity and to exit from nostalgia or identarian agendas. Trading Switzerland is a sound exhibition composed with\u00a0contributions by : Rachele Monti, Jules Raynal & Ma\u00eblle Dreier, Charlotte Nagel, Julien Berberat, Paul Courlet and Antoine L\u00e4ng<\/p>\n\n

2021 \u2014 1:07:17<\/p>\n\n

Production Lumpen Station<\/p>\n\n

Graphic design\u2009: Mathilde Beetschen<\/p>\n\n

With the support of\u2009: Ville de Bienne, Canton de Berne, Pro Litteris, FSRC and SWISSPERFORM<\/p>","desc":"Trading Switzerland : a sound exhibition\u00a0 presented in Supermarket 2021 -Stockholm independent art fair\u00a0 We invited as well seven artist to focus on a swiss practice of their choice.\u00a0 They committed to think what relation they have with their cultural heritage of proximity and to exit from nostalgia or identarian agendas. Trading Switzerland is a sound exhibition composed with\u00a0contributions by : Rachele Monti, Jules Raynal & Ma\u00eblle Dreier, Charlotte Nagel, Julien Berberat, Paul Courlet and Antoine L\u00e4ng 2021 \u2014 1:07:17 Production Lumpen Station Graphic design\u2009: Mathilde Beetschen With the support of\u2009: Ville de Bienne, Canton de Berne, Pro Litteris, FSRC and SWISSPERFORM","date":"17\/11\/2021","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1142\/ls_tradingswitzerland_podcasts_soundexhibition_2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1142\/ls_tradingswitzerland_podcasts_soundexhibition_2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1142\/ls_tradingswitzerland_podcasts_soundexhibition_2.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1142\/tradingch1.mp3","duration":4041}],"duration":"67:21","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"TRADING SWITZERLAND","sub_format_path":"tradingswitzerland","sub_format_id":1141},{"title":"On diplomatic gifts","subtitle":"with Swiss ambassador Fran\u00e7ois Voeffray-Peyro","colour":"#f45109","path":"on-diplomatic-gifts","texte":"

Trading Switzerland \u2014 On diplomatic gifts with Swiss ambassador Fran\u00e7ois Voeffray-Peyro<\/p>\n\n

Recorded in SUPERMARKET 2021 \u2014 Stockholm Independent Art Fair, 14.10.21 \u2014 19:08<\/p>\n\n

Production Lumpen Station<\/p>\n\n

Host\u2009: Andrea Marioni<\/p>\n\n

Photo & graphic design\u2009: Mathilde Beetschen<\/p>\n\n

Special thanks to Benita Funke<\/p>\n\n

With the support of\u2009: Ville de Bienne, Canton de Berne, Pro Litteris, FSRC and SWISSPERFORM<\/p>","desc":"Trading Switzerland \u2014 On diplomatic gifts with Swiss ambassador Fran\u00e7ois Voeffray-Peyro Recorded in SUPERMARKET 2021 \u2014 Stockholm Independent Art Fair, 14.10.21 \u2014 19:08 Production Lumpen Station Host\u2009: Andrea Marioni Photo & graphic design\u2009: Mathilde Beetschen Special thanks to Benita Funke With the support of\u2009: Ville de Bienne, Canton de Berne, Pro Litteris, FSRC and SWISSPERFORM","date":"17\/11\/2021","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1147\/ls_tradingswitzerland_podcasts_ambassador_2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1147\/ls_tradingswitzerland_podcasts_ambassador_2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1147\/ls_tradingswitzerland_podcasts_ambassador_2.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1147\/ambassador.mp3","duration":1150}],"duration":"19:10","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"TRADING SWITZERLAND","sub_format_path":"tradingswitzerland","sub_format_id":1141},{"title":"Cultural exchange with","subtitle":"Axel Berger and Emelie Markgren","colour":"#f45109","path":"culturalexchangewithswdn","texte":"

Trading Switzerland \u2014 Cultural exchange with Axel Berger (SE) & Emelie Markgren (SE)<\/p>\n\n

Recorded in SUPERMARKET 2021 \u2014 Stockholm Independent Art Fair, 14.10.21 \u2014 1:15:58<\/p>\n\n

Production Lumpen Station<\/p>\n\n

Hosts\u2009: Sara Koller & Andrea Marioni<\/p>\n\n

Photo & graphic design\u2009: Mathilde Beetschen<\/p>\n\n

With the support of\u2009: Ville de Bienne, Canton de Berne, Pro Litteris, FSRC and SWISSPERFORM<\/p>","desc":"Trading Switzerland \u2014 Cultural exchange with Axel Berger (SE) & Emelie Markgren (SE) Recorded in SUPERMARKET 2021 \u2014 Stockholm Independent Art Fair, 14.10.21 \u2014 1:15:58 Production Lumpen Station Hosts\u2009: Sara Koller & Andrea Marioni Photo & graphic design\u2009: Mathilde Beetschen With the support of\u2009: Ville de Bienne, Canton de Berne, Pro Litteris, FSRC and SWISSPERFORM","date":"17\/11\/2021","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1144\/ls_tradingswitzerland_podcasts_axelemelie_2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1144\/ls_tradingswitzerland_podcasts_axelemelie_2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1144\/ls_tradingswitzerland_podcasts_axelemelie_2.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1144\/trading2edit.mp3","duration":4563}],"duration":"76:03","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"TRADING SWITZERLAND","sub_format_path":"tradingswitzerland","sub_format_id":1141},{"title":"Cultural exchange with","subtitle":"Liga Spunde and Irina Magurean","colour":"#f45109","path":"culturalexchangewithlvro","texte":"

Trading Switzerland \u2014 Cultural exchange with Liga Spunde (LV) & Irina Magurean (RO)<\/p>\n\n

Recorded in SUPERMARKET 2021 \u2014 Stockholm Independent Art Fair, 15.10.21 \u2014 1:05:30<\/p>\n\n

Production Lumpen Station<\/p>\n\n

Hosts\u2009: Sara Koller & Andrea Marioni<\/p>\n\n

Photo & graphic design\u2009: Mathilde Beetschen<\/p>\n\n

With the support of\u2009: Ville de Bienne, Canton de Berne, Pro Litteris, FSRC and SWISSPERFORM<\/p>","desc":"Trading Switzerland \u2014 Cultural exchange with Liga Spunde (LV) & Irina Magurean (RO) Recorded in SUPERMARKET 2021 \u2014 Stockholm Independent Art Fair, 15.10.21 \u2014 1:05:30 Production Lumpen Station Hosts\u2009: Sara Koller & Andrea Marioni Photo & graphic design\u2009: Mathilde Beetschen With the support of\u2009: Ville de Bienne, Canton de Berne, Pro Litteris, FSRC and SWISSPERFORM","date":"17\/11\/2021","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1145\/ls_tradingswitzerland_podcasts_ligairina_2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1145\/ls_tradingswitzerland_podcasts_ligairina_2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1145\/ls_tradingswitzerland_podcasts_ligairina_2.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1145\/trading3edit.mp3","duration":3934}],"duration":"65:34","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"TRADING SWITZERLAND","sub_format_path":"tradingswitzerland","sub_format_id":1141},{"title":"Cultural exchange with","subtitle":"Ninutsa Shatberashvili and Sandro Sulaberidze","colour":"#f45109","path":"culturalexchangewithgeo","texte":"

Trading Switzerland \u2014 Cultural exchange with Ninutsa Shatberashvili (GE) & Sandro Sulaberidze (GE)<\/p>\n\n

Recorded in SUPERMARKET 2021 \u2014 Stockholm Independent Art Fair, 17.10.21 \u2014 1:09:15<\/p>\n\n

Production Lumpen StationHosts\u2009: Sara Koller & Andrea Marioni<\/p>\n\n

Photo & graphic design\u2009: Mathilde Beetschen<\/p>\n\n

With the support of\u2009: Ville de Bienne, Canton de Berne, Pro Litteris, FSRC and SWISSPERFORM<\/p>","desc":"Trading Switzerland \u2014 Cultural exchange with Ninutsa Shatberashvili (GE) & Sandro Sulaberidze (GE) Recorded in SUPERMARKET 2021 \u2014 Stockholm Independent Art Fair, 17.10.21 \u2014 1:09:15 Production Lumpen StationHosts\u2009: Sara Koller & Andrea Marioni Photo & graphic design\u2009: Mathilde Beetschen With the support of\u2009: Ville de Bienne, Canton de Berne, Pro Litteris, FSRC and SWISSPERFORM","date":"17\/11\/2021","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1146\/ls_tradingswitzerland_podcasts_ninutsasandro_2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1146\/ls_tradingswitzerland_podcasts_ninutsasandro_2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1146\/ls_tradingswitzerland_podcasts_ninutsasandro_2.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1146\/trading4edit.mp3","duration":4160}],"duration":"69:20","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"TRADING SWITZERLAND","sub_format_path":"tradingswitzerland","sub_format_id":1141},{"title":"Cultural exchange with","subtitle":"Ytje Veenstra","colour":"#f45109","path":"cultural-exchange-with","texte":"

Trading Switzerland \u2014 Cultural exchange with Ytje Veenstra (NL)<\/p>\n\n

Recorded in SUPERMARKET 2021 \u2014 Stockholm Independent Art Fair, 13.10.21 \u2014 1:08:23<\/p>\n\n

Production Lumpen Station<\/p>\n\n

Hosts\u2009: Sara Koller & Andrea Marioni<\/p>\n\n

Photo & graphic design\u2009: Mathilde Beetschen<\/p>\n\n

With the support of\u2009: Ville de Bienne, Canton de Berne, Pro Litteris, FSRC and SWISSPERFORM<\/p>","desc":"Trading Switzerland \u2014 Cultural exchange with Ytje Veenstra (NL) Recorded in SUPERMARKET 2021 \u2014 Stockholm Independent Art Fair, 13.10.21 \u2014 1:08:23 Production Lumpen Station Hosts\u2009: Sara Koller & Andrea Marioni Photo & graphic design\u2009: Mathilde Beetschen With the support of\u2009: Ville de Bienne, Canton de Berne, Pro Litteris, FSRC and SWISSPERFORM","date":"17\/11\/2021","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1143\/ls_tradingswitzerland_podcasts_ytje_2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1143\/ls_tradingswitzerland_podcasts_ytje_2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1143\/ls_tradingswitzerland_podcasts_ytje_2.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1143\/trading1edit.mp3","duration":4107}],"duration":"68:27","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"TRADING SWITZERLAND","sub_format_path":"tradingswitzerland","sub_format_id":1141},{"title":"Asssociates Traders","subtitle":"Rachel Maggart, Art Collab Studio, Marianne Mettler & Andrea Grieder","colour":"#f45109","path":"asssociates-traders","texte":"

Associates Traders\u2009: Rachel Maggart, Art Collab Studio, Marianne Mettler & Andrea Grieder<\/p>\n\n

Broadcasted in SUPERMARKET 2021 \u2014 Stockholm Independent Art Fair \u2014 10.21 \u2014 29:53<\/p>\n\n

Co-production Lumpen Station & Rachel Maggart, Art Collab Studio, Marianne Mettler & Andrea Grieder<\/p>\n\n

Mix edit\u2009: Andrea Marioni<\/p>\n\n

Photo & graphic design\u2009: Mathilde Beetschen<\/p>\n\n

With the support of\u2009: Ville de Bienne, Canton de Berne, Pro Litteris, FSRC and SWISSPERFORM<\/p>","desc":"Associates Traders\u2009: Rachel Maggart, Art Collab Studio, Marianne Mettler & Andrea Grieder Broadcasted in SUPERMARKET 2021 \u2014 Stockholm Independent Art Fair \u2014 10.21 \u2014 29:53 Co-production Lumpen Station & Rachel Maggart, Art Collab Studio, Marianne Mettler & Andrea Grieder Mix edit\u2009: Andrea Marioni Photo & graphic design\u2009: Mathilde Beetschen With the support of\u2009: Ville de Bienne, Canton de Berne, Pro Litteris, FSRC and SWISSPERFORM","date":"17\/11\/2021","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1148\/ls_tradingswitzerland_podcasts_associates_2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1148\/ls_tradingswitzerland_podcasts_associates_2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1148\/ls_tradingswitzerland_podcasts_associates_2.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1148\/external2.mp3","duration":1795}],"duration":"29:55","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"TRADING SWITZERLAND","sub_format_path":"tradingswitzerland","sub_format_id":1141},{"title":"Associates Traders","subtitle":"Herr Herrli","colour":"#f45109","path":"associates-traders","texte":"

Associates Traders\u2009: Herr Herrli<\/p>\n\n

Broadcasted in SUPERMARKET 2021 \u2014 Stockholm Independent Art Fair \u2014 10.21 \u2014 59:32<\/p>\n\n

Co-production Lumpen Station & Herr Herrli<\/p>\n\n

Graphic design\u2009: Mathilde Beetschen<\/p>\n\n

With the support of\u2009: Ville de Bienne, Canton de Berne, Pro Litteris, FSRC and SWISSPERFORM<\/p>","desc":"Associates Traders\u2009: Herr Herrli Broadcasted in SUPERMARKET 2021 \u2014 Stockholm Independent Art Fair \u2014 10.21 \u2014 59:32 Co-production Lumpen Station & Herr Herrli Graphic design\u2009: Mathilde Beetschen With the support of\u2009: Ville de Bienne, Canton de Berne, Pro Litteris, FSRC and SWISSPERFORM","date":"17\/11\/2021","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1149\/ls_tradingswitzerland_podcasts_herrherrli_2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1149\/ls_tradingswitzerland_podcasts_herrherrli_2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1149\/ls_tradingswitzerland_podcasts_herrherrli_2.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1149\/1h_sendung_lumpenstation_mp3.mp3","duration":3572}],"duration":"59:32","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"TRADING SWITZERLAND","sub_format_path":"tradingswitzerland","sub_format_id":1141},{"title":"Kristen Roos","subtitle":"talk in Beletage","colour":"#07aedd","path":"kristenroos","texte":"

Kristen Roos, talk at BELETAGE Art Space, Zurich
\nradio live recorded at the exhibition 26.10.21<\/p>\n\n

With sound art composed by Kristen Roos on vintage music software\u00a0and insights from the artist hosted by Andrea Marioni.<\/p>\n\n

www.kristenroos.ca<\/a>
www.beletageartspace.ch<\/a><\/p>","desc":"Kristen Roos, talk at BELETAGE Art Space, Zurich radio live recorded at the exhibition 26.10.21 With sound art composed by Kristen Roos on vintage music software\u00a0and insights from the artist hosted by Andrea Marioni. www.kristenroos.cawww.beletageartspace.ch","date":"27\/10\/2021","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1139\/cover3.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1139\/cover3.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1139\/cover3.1200x1200.webp","ratio":98,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1139\/kristeroostalk.mp3","duration":3650}],"duration":"60:50","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114},{"title":"Weird clumps of air disrupt radio","subtitle":"from planet Vulcan","colour":"#000222","path":"weird-clumps-of-air-disrupt-radio","texte":"

The three days of laptopradi\u00f8 moved the volcanic island longings to more distant and uncertain climes: 'Vulcan'<\/em> was a hypothetical planet between the Sun and Mercury that no one knew for sure whether it had been sighted or whether sunspots had fooled the astronomers. In any case, it was clear that Mercury was orbiting the Sun on such a strangely curved path that could only be explained by the gravitation of another planet. With Einstein's theory of relativity, the situation was finally clarified and Vulcan disappeared into the curved space-time continuum.<\/p>\n\n

The three radio programs from Thursday to Saturday are all three strangely interconnected.<\/p>\n\n

However, each part of a day's program forms a self-contained broadcast, which is performed by present participants of the laptopradi\u00f8 core group on the one hand and, at a distance (from Vulcan!) by good friends, invited artists, wayward guests and other LapTopradio members on the other hand.\u00a0<\/p>\n\n

With daring (now and then maybe also failed) sound experiments from far away, weird stories and bizarre music done by the participants for these broadcasts.<\/p>\n\n

Each daily program has its own peculiarity, sometimes the narrative part prevails, other times the musical one or then the sound experiments; these parts follow the thematic framework of each day and are either produced live in Basel or at a distance or partly pre-recorded as well.<\/p>","desc":"The three days of laptopradi\u00f8 moved the volcanic island longings to more distant and uncertain climes: 'Vulcan' was a hypothetical planet between the Sun and Mercury that no one knew for sure whether it had been sighted or whether sunspots had fooled the astronomers. In any case, it was clear that Mercury was orbiting the Sun on such a strangely curved path that could only be explained by the gravitation of another planet. With Einstein's theory of relativity, the situation was finally clarified and Vulcan disappeared into the curved space-time continuum. The three radio programs from Thursday to Saturday are all three strangely interconnected. However, each part of a day's program forms a self-contained broadcast, which is performed by present participants of the laptopradi\u00f8 core group on the one hand and, at a distance (from Vulcan!) by good friends, invited artists, wayward guests and other LapTopradio members on the other hand.\u00a0 With daring (now and then maybe also failed) sound experiments from far away, weird stories and bizarre music done by the participants for these broadcasts. Each daily program has its own peculiarity, sometimes the narrative part prevails, other times the musical one or then the sound experiments; these parts follow the thematic framework of each day and are either produced live in Basel or at a distance or partly pre-recorded as well.","date":"25\/09\/2021","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1136\/lumpenstation_tambora_podcasts_lpt3.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1136\/lumpenstation_tambora_podcasts_lpt3.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1136\/lumpenstation_tambora_podcasts_lpt3.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1136\/emission_ltr_tamborabasel3.mp3","duration":3874}],"duration":"64:34","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SWEET TUNES FROM TAMBORA","sub_format_path":"tambora","sub_format_id":1129},{"title":"Mistery radio from Vulcan","subtitle":"the other planet","colour":"#000222","path":"misteryradiofromvulcan","texte":"

The three days of laptopradi\u00f8 moved the volcanic island longings to more distant and uncertain climes: 'Vulcan'<\/em> was a hypothetical planet between the Sun and Mercury that no one knew for sure whether it had been sighted or whether sunspots had fooled the astronomers. In any case, it was clear that Mercury was orbiting the Sun on such a strangely curved path that could only be explained by the gravitation of another planet. With Einstein's theory of relativity, the situation was finally clarified and Vulcan disappeared into the curved space-time continuum.<\/p>\n\n

The three radio programs from Thursday to Saturday are all three strangely interconnected.<\/p>\n\n

However, each part of a day's program forms a self-contained broadcast, which is performed by present participants of the laptopradi\u00f8 core group on the one hand and, at a distance (from Vulcan!) by good friends, invited artists, wayward guests and other LapTopradio members on the other hand.\u00a0<\/p>\n\n

With daring (now and then maybe also failed) sound experiments from far away, weird stories and bizarre music done by the participants for these broadcasts.<\/p>\n\n

Each daily program has its own peculiarity, sometimes the narrative part prevails, other times the musical one or then the sound experiments; these parts follow the thematic framework of each day and are either produced live in Basel or at a distance or partly pre-recorded as well.<\/p>","desc":"The three days of laptopradi\u00f8 moved the volcanic island longings to more distant and uncertain climes: 'Vulcan' was a hypothetical planet between the Sun and Mercury that no one knew for sure whether it had been sighted or whether sunspots had fooled the astronomers. In any case, it was clear that Mercury was orbiting the Sun on such a strangely curved path that could only be explained by the gravitation of another planet. With Einstein's theory of relativity, the situation was finally clarified and Vulcan disappeared into the curved space-time continuum. The three radio programs from Thursday to Saturday are all three strangely interconnected. However, each part of a day's program forms a self-contained broadcast, which is performed by present participants of the laptopradi\u00f8 core group on the one hand and, at a distance (from Vulcan!) by good friends, invited artists, wayward guests and other LapTopradio members on the other hand.\u00a0 With daring (now and then maybe also failed) sound experiments from far away, weird stories and bizarre music done by the participants for these broadcasts. Each daily program has its own peculiarity, sometimes the narrative part prevails, other times the musical one or then the sound experiments; these parts follow the thematic framework of each day and are either produced live in Basel or at a distance or partly pre-recorded as well.","date":"24\/09\/2021","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1135\/lumpenstation_tambora_podcasts_lpt2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1135\/lumpenstation_tambora_podcasts_lpt2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1135\/lumpenstation_tambora_podcasts_lpt2.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1135\/emission_ltr_tamborabasel2.mp3","duration":3696}],"duration":"61:36","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SWEET TUNES FROM TAMBORA","sub_format_path":"tambora","sub_format_id":1129},{"title":"Every body shut up!","subtitle":"We're listening to planet Vulcan","colour":"#000222","path":"everybodyshutup","texte":"

The three days of laptopradi\u00f8 moved the volcanic island longings to more distant and uncertain climes: 'Vulcan'<\/em> was a hypothetical planet between the Sun and Mercury that no one knew for sure whether it had been sighted or whether sunspots had fooled the astronomers. In any case, it was clear that Mercury was orbiting the Sun on such a strangely curved path that could only be explained by the gravitation of another planet. With Einstein's theory of relativity, the situation was finally clarified and Vulcan disappeared into the curved space-time continuum.<\/p>\n\n

The three radio programs from Thursday to Saturday are all three strangely interconnected.<\/p>\n\n

However, each part of a day's program forms a self-contained broadcast, which is performed by present participants of the laptopradi\u00f8 core group on the one hand and, at a distance (from Vulcan!) by good friends, invited artists, wayward guests and other LapTopradio members on the other hand.\u00a0<\/p>\n\n

With daring (now and then maybe also failed) sound experiments from far away, weird stories and bizarre music done by the participants for these broadcasts.<\/p>\n\n

Each daily program has its own peculiarity, sometimes the narrative part prevails, other times the musical one or then the sound experiments; these parts follow the thematic framework of each day and are either produced live in Basel or at a distance or partly pre-recorded as well.<\/p>","desc":"The three days of laptopradi\u00f8 moved the volcanic island longings to more distant and uncertain climes: 'Vulcan' was a hypothetical planet between the Sun and Mercury that no one knew for sure whether it had been sighted or whether sunspots had fooled the astronomers. In any case, it was clear that Mercury was orbiting the Sun on such a strangely curved path that could only be explained by the gravitation of another planet. With Einstein's theory of relativity, the situation was finally clarified and Vulcan disappeared into the curved space-time continuum. The three radio programs from Thursday to Saturday are all three strangely interconnected. However, each part of a day's program forms a self-contained broadcast, which is performed by present participants of the laptopradi\u00f8 core group on the one hand and, at a distance (from Vulcan!) by good friends, invited artists, wayward guests and other LapTopradio members on the other hand.\u00a0 With daring (now and then maybe also failed) sound experiments from far away, weird stories and bizarre music done by the participants for these broadcasts. Each daily program has its own peculiarity, sometimes the narrative part prevails, other times the musical one or then the sound experiments; these parts follow the thematic framework of each day and are either produced live in Basel or at a distance or partly pre-recorded as well.","date":"23\/09\/2021","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1134\/lumpenstation_tambora_podcasts_lpt1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1134\/lumpenstation_tambora_podcasts_lpt1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1134\/lumpenstation_tambora_podcasts_lpt1.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1134\/emission_ltr_tamborabasel1.mp3","duration":3620}],"duration":"60:20","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SWEET TUNES FROM TAMBORA","sub_format_path":"tambora","sub_format_id":1129},{"title":"Monika Metallika","subtitle":"artist records collection","colour":"#000222","path":"monikametallikavinyl","texte":"

Monika Stalder, artist, also known as Monika Metallika, will play a selection of artist\u2019s records from her collection.\u00a0She works in various media including drawing, painting, installation and sound - produces her own dubplates - and\u00a0finds inspiration in the cosmos and music.<\/p>\n\n

Gavil\u00e1n Rayna Russom, Fireworks (for Brian T.), 2020
\nDavid Shrigley, Monkey, 2012
\nHevoset, Untitled, 2008
\nAlan Vega, Jukebox Babe, 1981
\nLokal-int \/ Collectif Rodynam feat. Adrien Guerne, India, 2015
\nMartin Creed, Fuck Off, 2008
\nWesley Willis, I Am Rock I Am Roll, 2000
\nGray, Drum Mode, 2001
\nMosset \/ Christophe, 2019
\nElectrophilia, Eulogy For Dead Jerks, 2002
\nTerry Fox, Internal Sound, 1982
\nCosnost, Dark Ride, 2016
\nChristian Marclay, Untitled, 1999
\nBruce Nauman, Rhythmic Stamping (Four Rhythms In Preparation For Video Tape Problems), 2017
\nIan An\u00fcll \/ Luigi Archetti \/ Lux Lindner, Im Westen Nichts Neues, 2013
\nUnknown, Untitled
\nHenrik H\u00e5kansson, Dusk, 2003
\nVeronika Spierenburg \/ Anthony Ghazel, Gemmayzeh Cleanup Beirut LB, 2021
\nDie Insekten, Le Toast Hawaii, 2003
\nMartin Kippenberger, Ja, Ja, Ja, Nee, Nee, Nee (F\u00fcr die Jugend), 2010
\nRen\u00e9e van Trier, Something Is Wrong With Me (Parody), 2020
\nUgo Rondinone & John Giorno, Thanx 4 Nothing, 2016<\/p>","desc":"Monika Stalder, artist, also known as Monika Metallika, will play a selection of artist\u2019s records from her collection.\u00a0She works in various media including drawing, painting, installation and sound - produces her own dubplates - and\u00a0finds inspiration in the cosmos and music. Gavil\u00e1n Rayna Russom, Fireworks (for Brian T.), 2020 David Shrigley, Monkey, 2012 Hevoset, Untitled, 2008 Alan Vega, Jukebox Babe, 1981 Lokal-int \/ Collectif Rodynam feat. Adrien Guerne, India, 2015 Martin Creed, Fuck Off, 2008 Wesley Willis, I Am Rock I Am Roll, 2000 Gray, Drum Mode, 2001 Mosset \/ Christophe, 2019 Electrophilia, Eulogy For Dead Jerks, 2002 Terry Fox, Internal Sound, 1982 Cosnost, Dark Ride, 2016 Christian Marclay, Untitled, 1999 Bruce Nauman, Rhythmic Stamping (Four Rhythms In Preparation For Video Tape Problems), 2017 Ian An\u00fcll \/ Luigi Archetti \/ Lux Lindner, Im Westen Nichts Neues, 2013 Unknown, Untitled Henrik H\u00e5kansson, Dusk, 2003 Veronika Spierenburg \/ Anthony Ghazel, Gemmayzeh Cleanup Beirut LB, 2021 Die Insekten, Le Toast Hawaii, 2003 Martin Kippenberger, Ja, Ja, Ja, Nee, Nee, Nee (F\u00fcr die Jugend), 2010 Ren\u00e9e van Trier, Something Is Wrong With Me (Parody), 2020 Ugo Rondinone & John Giorno, Thanx 4 Nothing, 2016","date":"20\/09\/2021","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1133\/lumpenstation_tambora_podcasts_monika.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1133\/lumpenstation_tambora_podcasts_monika.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1133\/lumpenstation_tambora_podcasts_monika.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1133\/4monikapodcast.mp3","duration":4267}],"duration":"71:07","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SWEET TUNES FROM TAMBORA","sub_format_path":"tambora","sub_format_id":1129},{"title":"Bj\u00f6rn Magnusson","subtitle":"live performance with Toby Sommer","colour":"#000222","path":"bjornmagnusson","texte":"

Guitars. Vox. Drums. Sometimes a bit of piano. Strolling on the astroturf waiting for the rain. A vibrant hallucination. An astmatic revelation. The eternal jive. There you go!<\/p>\n\n

In this Live Bj\u00f6rn Magnusson and drummer Toby Sommer develop live a dialogue between their instruments.\u00a0<\/p>","desc":"Guitars. Vox. Drums. Sometimes a bit of piano. Strolling on the astroturf waiting for the rain. A vibrant hallucination. An astmatic revelation. The eternal jive. There you go! In this Live Bj\u00f6rn Magnusson and drummer Toby Sommer develop live a dialogue between their instruments.\u00a0","date":"18\/09\/2021","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1132\/lumpenstation_tambora_podcasts_bjorn.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1132\/lumpenstation_tambora_podcasts_bjorn.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1132\/lumpenstation_tambora_podcasts_bjorn.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1132\/3bjornpodcast.mp3","duration":3467}],"duration":"57:47","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SWEET TUNES FROM TAMBORA","sub_format_path":"tambora","sub_format_id":1129},{"title":"Andrea Marioni","subtitle":"Brautigan sound library","colour":"#000222","path":"andreamarionibr","texte":"

Inspired by Brautigan Library which welcomed unpublished books, Andrea Marioni made an open call to several musicians in order to \u201crecycle\u201d their trash, old versions or whatever they think won\u2019t be released officially.<\/p>\n\n

This \"sound transformation\" from litterature to radio open the question about sound-waste\u00a0from artist, indeed presented as part of a collective recycling process, these unreleased track\u00a0can't be seen as a fetish. The\u00a0\u00a0\"trash tracks\" are\u00a0fusionned, they are\u00a0now part of something else\u00a0than a personal-artistic-individual\u00a0failure, they enter in dialogue with others leftovers.\u00a0<\/p>\n\n

participants:\u00a0
\nAdrien Guerne -\u00a0Bella donna orchestra, R\u00e9ka Csisz\u00e9r, L\u00e9onard de Muralt, Herv\u00e9 Thiot, Manuel Engel, Boris G\u00e9taz, Eva Zornio, Robin Girod - Bandit voyage, Ross Hutchison, Emma Souharce<\/p>","desc":"Inspired by Brautigan Library which welcomed unpublished books, Andrea Marioni made an open call to several musicians in order to \u201crecycle\u201d their trash, old versions or whatever they think won\u2019t be released officially. This \"sound transformation\" from litterature to radio open the question about sound-waste\u00a0from artist, indeed presented as part of a collective recycling process, these unreleased track\u00a0can't be seen as a fetish. The\u00a0\u00a0\"trash tracks\" are\u00a0fusionned, they are\u00a0now part of something else\u00a0than a personal-artistic-individual\u00a0failure, they enter in dialogue with others leftovers.\u00a0 participants:\u00a0 Adrien Guerne -\u00a0Bella donna orchestra, R\u00e9ka Csisz\u00e9r, L\u00e9onard de Muralt, Herv\u00e9 Thiot, Manuel Engel, Boris G\u00e9taz, Eva Zornio, Robin Girod - Bandit voyage, Ross Hutchison, Emma Souharce","date":"17\/09\/2021","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1131\/lumpenstation_tambora_podcasts_brautigan.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1131\/lumpenstation_tambora_podcasts_brautigan.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1131\/lumpenstation_tambora_podcasts_brautigan.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1131\/22brautiganpodcast.mp3","duration":3942}],"duration":"65:42","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SWEET TUNES FROM TAMBORA","sub_format_path":"tambora","sub_format_id":1129},{"title":"Rodrigo Toro Madrid and friends","subtitle":"from installation to live","colour":"#000222","path":"rodrigotoromadridandfriends","texte":"

Rodrigo Toro Madrid (born 1990 in Santiago de Chile) lives and works between Basel and Z\u00fcrich.Since 2012 he has been dedicated to the production of sound-kinetic installations emphasizing the use of analog and mechanical sound recording.<\/p>\n\n

During the broadcast Rodrigo toro Madrid shared home made \"vinyl\" engraved on different kind of plastic. Most of them are\u00a0square-records, they are\u00a0fragile,\u00a0all sounds\u00a0have an underwater texture, as the artist said in the interview in the end of the podcast \" I like they are about to vanish\"\u00a0<\/p>","desc":"Rodrigo Toro Madrid (born 1990 in Santiago de Chile) lives and works between Basel and Z\u00fcrich.Since 2012 he has been dedicated to the production of sound-kinetic installations emphasizing the use of analog and mechanical sound recording. During the broadcast Rodrigo toro Madrid shared home made \"vinyl\" engraved on different kind of plastic. Most of them are\u00a0square-records, they are\u00a0fragile,\u00a0all sounds\u00a0have an underwater texture, as the artist said in the interview in the end of the podcast \" I like they are about to vanish\"\u00a0","date":"16\/09\/2021","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1130\/lumpenstation_tambora_podcasts_rodrigo.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1130\/lumpenstation_tambora_podcasts_rodrigo.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1130\/lumpenstation_tambora_podcasts_rodrigo.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1130\/1rodrigotoromadridpodcast.mp3","duration":3591}],"duration":"59:51","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"SWEET TUNES FROM TAMBORA","sub_format_path":"tambora","sub_format_id":1129},{"title":"Datasonificazione","subtitle":"Nello spazio non c'\u00e9 suono","colour":"#f0f407","path":"datasonificazione","texte":"

Datasonificazione, nello spazio non c'\u00e9 il suono<\/span>
\nlive broadcast in Lugano 12.06.2021 and in Bienne 16.06.2021
\na sound exhibition by\u00a0Sonnestube, co-production Lumpen Station.\u00a0

\n\u00a0<\/p>\n\n

L\u2019esposizione sonora Datasonificazione, nello spazio non c\u2019\u00e8 il suono<\/span> \u00e8 il secondo episodio della rubrica SONO PANORAMA del collettivo Sonnenstube, inserendosi nella programmazione annuale intitolata 40\u2019000 km\/h : fuga dalla terra, una programmazione a volte itinerante, a volte inaspettata che segna un anno di svolta per il collettivo. Lasceremo questa terra?
\nCon Datasonificazione, nello spazio non c\u2019\u00e8 il suono, Sonnenstube \u00e8 felicie di presentare le produzioni sonore di Yimei Zhang + Carlo Fochetti, Marco Papiro, Katarina Sylvan, FERA e Giovanni Rendina<\/span>. La mostra segna la continuazione della coproduzione fra Lumpen Station e l'associazione luganese. Durata della mostra: 1h 1m 45s.<\/p>\n\n

The sound exhibition Datasonificazione, nello spazio non c'\u00e8 il suono (Datasonification, in space there is no sound) is the second episode of the SONO PANORAMA column of the Sonnenstube collective and is part of the annual program entitled 40'000 km\/h : fuga dalla terra (40'000 km\/h: escape from the earth), a sometimes itinerant, sometimes unexpected program that marks a turning point for the collective. Will we leave this earth?
\nWith Datasonificazione, in the space there is no sound, Sonnenstube is happy to present the sound productions of Yimei Zhang + Carlo Fochetti, Marco Papiro, Katarina Sylvan, FERA, and Giovanni Rendina<\/span>. The exhibition marks the continuation of the co-production between Lumpen Station and the Lugano association. Duration of the exhibition: 1h 1m 45s.\u00a0<\/p>\n\n\n\n

Alcuni dati sui partecipanti a\u00a0
\n\/Some data on participants in<\/p>\n\n

- Datasonificazione, in the space there is no sound<\/p>\n\n\n\n

Yimei Zhang (Guiyang, Cina, 1990) vive e lavora a Locarno. Curatrice indipendente, fotografa, coordinatrice e mediatrice in progetti di scambi artistici e culturali. Si \u00e8 laureata presso i Dipartimenti di scenografia d\u2019arte e Nuove tecnologie dell'arte presso l\u2019Accademia di Belle Arti di Brera di Milano nel 2014 e 2017. Ha partecipato a diversi progetti tra cui residenze, esposizioni e fiere d\u2019arte, mettendo in relazione scene artistiche di diverse zone geografiche, lavorando tra Svizzera, Italia e Cina. In particolare nell\u2019estate del 2016, ha fondato Fuzao Studio a Milano, la cui attivit\u00e0 \u00e8 caratterizzata dalla produzione di libri d\u2019artista, che vengono presentati ogni anno in fiere di settore sulla scena internazionale; Dal 2021 fa parte del gruppo direttivo de La Rada, spazio per l\u2019arte contemporanea, come co-direttrice.
\n\/Yimei Zhang (Guiyang, China, 1990) lives and works in Locarno. She is an independent curator, photographer, coordinator, and mediator in artistic and cultural exchange projects. She graduated from the Departments of Art Scenography and New Technologies of Art at the Accademia di Belle Arti di Brera in Milan in 2014 and 2017. She has participated in several projects including residencies, exhibitions, and art fairs, connecting art scenes from different geographical areas, working between Switzerland, Italy, and China. In particular, in the summer of 2016, she founded Fuzao Studio in Milan, whose activity is characterized by the production of artist's books, which are presented every year in art fairs on the international scene; Since 2021, she has been part of the management team of La Rada, a space for contemporary art, as co-director.<\/p>\n\n\n\n

Carlo Fochetti vive a Losone, ha studiato musica elettronica e successivamente Sound Design for Performing Arts, sotto l\u2019insegnamento del maestro Giorgio Sancristoforo presso il SAE Institute di Milano. La sua ricerca sonora esplora soprattutto sonorit\u00e0 ambientali e suoni organici derivanti dalla materia.
\n\/ Carlo Fochetti lives in Losone, he studied electronic music and then Sound Design for Performing Arts, under the teaching of Giorgio Sancristoforo at the SAE Institute in Milan. His sound research explores mainly environmental sonorities and organic sounds derived from matter.<\/p>\n\n\n\n

Katarina Sylvan (1989) \u00e8 un'artista svedese che vive a Londra e lavora tra scultura, testo e suono. Dopo essersi laureata con un BA in Belle Arti alla Konstfack University of Arts & Crafts nel 2014, ha lavorato come pittrice scenica per il teatro al Riksteatern di Stoccolma e ha creato opere d'arte per luoghi come Fylkingen, \u0424\u041e\u041c\u041e e Into the Valley Festival. Si \u00e8 laureata al MA in Scultura al Royal College of Art di Londra nel 2019 e da allora ha esposto tra gli altri presso Non-Space, Aarhus, Platform, Stoccolma e De:Formal Gallery, Intersticio, Londra, Galleri K4, Oslo e Cylinder Gallery, Seoul. Il suo lavoro ha ricevuto premi dalla Kenneth Armitage Foundation, Gilbert Bayes Trust, Konstn\u00e4rsn\u00e4mnden e Konstakademien. Attualmente \u00e8 in residenza alla Cit\u00e9 Internationale des Arts di Parigi.
\n\/ Katarina Sylvan (1989) is a Swedish artist based in London working across sculpture, text, and sound. After graduating with a BA in Fine Art from Konstfack University of Arts & Crafts in 2014, she worked as a scenic painter for theatre at Riksteatern in Stockholm, and created artworks for venues such as Fylkingen, \u0424\u041e\u041c\u041e and Into the Valley Festival. She graduated with the MA in Sculpture at the Royal College of Art in London in 2019 and has since then exhibited at Non-Space, Aarhus, Platform, Stockholm, and De: Formal Gallery, Intersticio, London, Galleri K4, Oslo and Cylinder Gallery, Seoul. Her work has received awards from the Kenneth Armitage Foundation, Gilbert Bayes Trust, Konstn\u00e4rsn\u00e4mnden, and Konstakademien. She is currently in residence at Cit\u00e9 Internationale des Arts in Paris.<\/p>\n\n\n\n

Marco Papiro (1975) \u00e8 un musicista sperimentale, produttore di musica elettronica, artista del suono e graphic designer nato a Basilea, Svizzera. Di formazione classica fin dalla tenera et\u00e0, ha suonato violino, sintetizzatore e basso in diverse band prima di creare e pubblicare la sua musica autoprodotta come Papiro. Le sue influenze sono numerose e udibili: drone, minimal, folk di tutti i tempi e luoghi, psichedelica, classica contemporanea, industrial - ma anche easy listening, pop e persino musica new age. Le sue composizioni sono generalmente strumentali, meditative e ipnotiche, ma a volte anche bizzarre e umoristiche. Papiro \u00e8 un polistrumentista con una passione per i sintetizzatori dell'era pre-programmabile - l'EMS VCS3, il Moog Sonic Six, il Roland Jupiter 4 e il Serge Modular tra gli altri.
\n\/ Marco Papiro (1975) is an experimental musician, electronic music producer, sound artist, and graphic designer born in Basel, Switzerland. Classically trained from early age, he played violin, synthesizer, and bass guitar in several bands before creating and releasing his own self-produced music as Papiro. His influences are numerous and audible: drone, minimal, folk from all times and places, psychedelic, contemporary classical, industrial \u2013 but also easy listening, pop, and even new age music. His compositions are generally instrumental, meditative, and hypnotic, but at times also bizarre and humorous. Papiro is a multi-instrumentalist with a fondness for synthesizers from the pre-programmable era \u2013 the EMS VCS3, the Moog Sonic Six, the Roland Jupiter 4, and the Serge Modular among others.<\/p>\n\n\n\n

Giovanni Rendina (1991) \u00e8 un curatore indipendente e dottorando di ricerca presso l'Universit\u00e0 del Molise. La sua pratica di curatela prende in considerazione la politica dell'arte in termini di soggettivazione individuale e modalit\u00e0 DIY.
\n\/ Giovanni Rendina (1991) is an independent curator and PhD student at the University of Molise. His curatorial practice considers the politics of art in terms of individual subjectivation and DIY modes.<\/p>\n\n\n\n

FERA \u00e8 l\u2019identit\u00e0 audio di Andrea De Franco (1989), pugliese di base a Bologna. Per dieci anni ha registrato dischi che non ha ascoltato nessuno, e dal 2020 ha cominciato a pubblicarli con Maple Death Records. Fa parte dell\u2019entit\u00e0 collettiva Undicesima Casa e la sua non-casa editrice \u00e8 DE PRESS.
\n\/ FERA is the audio identity of Andrea De Franco (1989), an Apulian based in Bologna. For ten years he has been recording records that no one has heard, and since 2020 he started releasing them with Maple Death Records. He is part of the collective entity Eleventh House and his non-publishing house is DE PRESS.<\/p>\n\n\n\n

Progetto grafico \/ graphic design : Niki Paltenghi
\nSonnenstube \u00e8 un progetto di Giacomo Galletti, Giada Olivotto, Sandro Pianetti, Gabriel St\u00f6ckli e Gianmaria Zanda.
\n\/Sonnenstube is run by Giacomo Galletti, Giada Olivotto, Sandro Pianetti, Gabriel St\u00f6ckli and Gianmaria Zanda.<\/p>","desc":"Datasonificazione, nello spazio non c'\u00e9 il suono live broadcast in Lugano 12.06.2021 and in Bienne 16.06.2021 a sound exhibition by\u00a0Sonnestube, co-production Lumpen Station.\u00a0 \u00a0 L\u2019esposizione sonora Datasonificazione, nello spazio non c\u2019\u00e8 il suono \u00e8 il secondo episodio della rubrica SONO PANORAMA del collettivo Sonnenstube, inserendosi nella programmazione annuale intitolata 40\u2019000 km\/h : fuga dalla terra, una programmazione a volte itinerante, a volte inaspettata che segna un anno di svolta per il collettivo. Lasceremo questa terra? Con Datasonificazione, nello spazio non c\u2019\u00e8 il suono, Sonnenstube \u00e8 felicie di presentare le produzioni sonore di Yimei Zhang + Carlo Fochetti, Marco Papiro, Katarina Sylvan, FERA e Giovanni Rendina. La mostra segna la continuazione della coproduzione fra Lumpen Station e l'associazione luganese. Durata della mostra: 1h 1m 45s. The sound exhibition Datasonificazione, nello spazio non c'\u00e8 il suono (Datasonification, in space there is no sound) is the second episode of the SONO PANORAMA column of the Sonnenstube collective and is part of the annual program entitled 40'000 km\/h : fuga dalla terra (40'000 km\/h: escape from the earth), a sometimes itinerant, sometimes unexpected program that marks a turning point for the collective. Will we leave this earth? With Datasonificazione, in the space there is no sound, Sonnenstube is happy to present the sound productions of Yimei Zhang + Carlo Fochetti, Marco Papiro, Katarina Sylvan, FERA, and Giovanni Rendina. The exhibition marks the continuation of the co-production between Lumpen Station and the Lugano association. Duration of the exhibition: 1h 1m 45s.\u00a0 Alcuni dati sui partecipanti a\u00a0 \/Some data on participants in - Datasonificazione, in the space there is no sound Yimei Zhang (Guiyang, Cina, 1990) vive e lavora a Locarno. Curatrice indipendente, fotografa, coordinatrice e mediatrice in progetti di scambi artistici e culturali. Si \u00e8 laureata presso i Dipartimenti di scenografia d\u2019arte e Nuove tecnologie dell'arte presso l\u2019Accademia di Belle Arti di Brera di Milano nel 2014 e 2017. Ha partecipato a diversi progetti tra cui residenze, esposizioni e fiere d\u2019arte, mettendo in relazione scene artistiche di diverse zone geografiche, lavorando tra Svizzera, Italia e Cina. In particolare nell\u2019estate del 2016, ha fondato Fuzao Studio a Milano, la cui attivit\u00e0 \u00e8 caratterizzata dalla produzione di libri d\u2019artista, che vengono presentati ogni anno in fiere di settore sulla scena internazionale; Dal 2021 fa parte del gruppo direttivo de La Rada, spazio per l\u2019arte contemporanea, come co-direttrice. \/Yimei Zhang (Guiyang, China, 1990) lives and works in Locarno. She is an independent curator, photographer, coordinator, and mediator in artistic and cultural exchange projects. She graduated from the Departments of Art Scenography and New Technologies of Art at the Accademia di Belle Arti di Brera in Milan in 2014 and 2017. She has participated in several projects including residencies, exhibitions, and art fairs, connecting art scenes from different geographical areas, working between Switzerland, Italy, and China. In particular, in the summer of 2016, she founded Fuzao Studio in Milan, whose activity is characterized by the production of artist's books, which are presented every year in art fairs on the international scene; Since 2021, she has been part of the management team of La Rada, a space for contemporary art, as co-director. Carlo Fochetti vive a Losone, ha studiato musica elettronica e successivamente Sound Design for Performing Arts, sotto l\u2019insegnamento del maestro Giorgio Sancristoforo presso il SAE Institute di Milano. La sua ricerca sonora esplora soprattutto sonorit\u00e0 ambientali e suoni organici derivanti dalla materia. \/ Carlo Fochetti lives in Losone, he studied electronic music and then Sound Design for Performing Arts, under the teaching of Giorgio Sancristoforo at the SAE Institute in Milan. His sound research explores mainly environmental sonorities and organic sounds derived from matter. Katarina Sylvan (1989) \u00e8 un'artista svedese che vive a Londra e lavora tra scultura, testo e suono. Dopo essersi laureata con un BA in Belle Arti alla Konstfack University of Arts & Crafts nel 2014, ha lavorato come pittrice scenica per il teatro al Riksteatern di Stoccolma e ha creato opere d'arte per luoghi come Fylkingen, \u0424\u041e\u041c\u041e e Into the Valley Festival. Si \u00e8 laureata al MA in Scultura al Royal College of Art di Londra nel 2019 e da allora ha esposto tra gli altri presso Non-Space, Aarhus, Platform, Stoccolma e De:Formal Gallery, Intersticio, Londra, Galleri K4, Oslo e Cylinder Gallery, Seoul. Il suo lavoro ha ricevuto premi dalla Kenneth Armitage Foundation, Gilbert Bayes Trust, Konstn\u00e4rsn\u00e4mnden e Konstakademien. Attualmente \u00e8 in residenza alla Cit\u00e9 Internationale des Arts di Parigi. \/ Katarina Sylvan (1989) is a Swedish artist based in London working across sculpture, text, and sound. After graduating with a BA in Fine Art from Konstfack University of Arts & Crafts in 2014, she worked as a scenic painter for theatre at Riksteatern in Stockholm, and created artworks for venues such as Fylkingen, \u0424\u041e\u041c\u041e and Into the Valley Festival. She graduated with the MA in Sculpture at the Royal College of Art in London in 2019 and has since then exhibited at Non-Space, Aarhus, Platform, Stockholm, and De: Formal Gallery, Intersticio, London, Galleri K4, Oslo and Cylinder Gallery, Seoul. Her work has received awards from the Kenneth Armitage Foundation, Gilbert Bayes Trust, Konstn\u00e4rsn\u00e4mnden, and Konstakademien. She is currently in residence at Cit\u00e9 Internationale des Arts in Paris. Marco Papiro (1975) \u00e8 un musicista sperimentale, produttore di musica elettronica, artista del suono e graphic designer nato a Basilea, Svizzera. Di formazione classica fin dalla tenera et\u00e0, ha suonato violino, sintetizzatore e basso in diverse band prima di creare e pubblicare la sua musica autoprodotta come Papiro. Le sue influenze sono numerose e udibili: drone, minimal, folk di tutti i tempi e luoghi, psichedelica, classica contemporanea, industrial - ma anche easy listening, pop e persino musica new age. Le sue composizioni sono generalmente strumentali, meditative e ipnotiche, ma a volte anche bizzarre e umoristiche. Papiro \u00e8 un polistrumentista con una passione per i sintetizzatori dell'era pre-programmabile - l'EMS VCS3, il Moog Sonic Six, il Roland Jupiter 4 e il Serge Modular tra gli altri. \/ Marco Papiro (1975) is an experimental musician, electronic music producer, sound artist, and graphic designer born in Basel, Switzerland. Classically trained from early age, he played violin, synthesizer, and bass guitar in several bands before creating and releasing his own self-produced music as Papiro. His influences are numerous and audible: drone, minimal, folk from all times and places, psychedelic, contemporary classical, industrial \u2013 but also easy listening, pop, and even new age music. His compositions are generally instrumental, meditative, and hypnotic, but at times also bizarre and humorous. Papiro is a multi-instrumentalist with a fondness for synthesizers from the pre-programmable era \u2013 the EMS VCS3, the Moog Sonic Six, the Roland Jupiter 4, and the Serge Modular among others. Giovanni Rendina (1991) \u00e8 un curatore indipendente e dottorando di ricerca presso l'Universit\u00e0 del Molise. La sua pratica di curatela prende in considerazione la politica dell'arte in termini di soggettivazione individuale e modalit\u00e0 DIY. \/ Giovanni Rendina (1991) is an independent curator and PhD student at the University of Molise. His curatorial practice considers the politics of art in terms of individual subjectivation and DIY modes. FERA \u00e8 l\u2019identit\u00e0 audio di Andrea De Franco (1989), pugliese di base a Bologna. Per dieci anni ha registrato dischi che non ha ascoltato nessuno, e dal 2020 ha cominciato a pubblicarli con Maple Death Records. Fa parte dell\u2019entit\u00e0 collettiva Undicesima Casa e la sua non-casa editrice \u00e8 DE PRESS. \/ FERA is the audio identity of Andrea De Franco (1989), an Apulian based in Bologna. For ten years he has been recording records that no one has heard, and since 2020 he started releasing them with Maple Death Records. He is part of the collective entity Eleventh House and his non-publishing house is DE PRESS. Progetto grafico \/ graphic design : Niki Paltenghi Sonnenstube \u00e8 un progetto di Giacomo Galletti, Giada Olivotto, Sandro Pianetti, Gabriel St\u00f6ckli e Gianmaria Zanda. \/Sonnenstube is run by Giacomo Galletti, Giada Olivotto, Sandro Pianetti, Gabriel St\u00f6ckli and Gianmaria Zanda.","date":"16\/06\/2021","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1118\/capture_decran_2021-06-19_a_12_05_31.2000x2000.png","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1118\/capture_decran_2021-06-19_a_12_05_31.1200x1200.png","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1118\/capture_decran_2021-06-19_a_12_05_31.1200x1200.webp","ratio":99.45,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1118\/sonnen_-_sonopanorama_sonifcazione_def.mp3","duration":3739}],"duration":"62:19","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114,"sub_format":"Sonnenstube : sono panorama","sub_format_path":"sonnenstubesonopanorama","sub_format_id":1058},{"title":"Tamed Love","subtitle":"artist talk: Sara Ravelli with Giada Olivotto","colour":"#07aedd","path":"tamedloveravellischiavo","texte":"

Lumpen Embassy - Tamed Love, Galleria Schiavo Zoppelli, Milano 13.05.2021<\/em><\/span>
\n(english below)\u00a0
\nConversazione fra Sara Ravelli e Giada Olivotto in occasione della mostra personale Tamed Love<\/p>\n\n

La registrazione include estratti audio di: Pink Floyd - Mademoiselle Nobs<\/em> - Live Pompei \/ Watership Down, 1978 \/ Chimp Attack 911 Call \/ PIMP MY HORSE \/ Lil Nas X - Old Town Road<\/em> \/ Queen - Delilah<\/em><\/p>\n\n

Sara Ravelli (1993, Crema) \u00e8 artista. La sua pratica si concentra su l'attenta analisi del potenziale delle immagini contemporanee che vengono poi interpretate e tradotte in forma prevalentemente scultorea e installativa. Innescando tensioni tra contesti sociali ed emotivit\u00e0, l'artista indaga la nozione di addomesticamento, in particolare, le relazioni di scambio tra umano, non umano e artefatto in cui affetto e controllo coesistono.
\nGiada Olivotto (1990, Locarno) \u00e8 curatrice indipendente, co-direttrice del collettivo Sonnenstube<\/em>, membro della giuria di PlattformPlattform<\/em>, co-fondatrice di Residenza La Fornace<\/em> e del progetto sonoro Canale Milva<\/em>.<\/p>\n\n

http:\/\/schiavozoppelli.com\/Exhibitions\/Sara-Ravelli-Tamed-Love\/Tamed-Love-Installation-view-at-Schiavo-Zoppelli-Gallery-Milano<\/a><\/p>\n\n

----------------------------------------------------------------------------------------------------------------------------------------------------------<\/p>\n\n

Lumpen Embassy - Tamed Love, Galleria Schiavo Zoppelli, Milan 13.05.2021<\/em><\/span>
\nConversation between Sara Ravelli and Giada Olivotto on the occasion of the artist's solo exhibition Tamed Love.<\/p>\n\n

The recording includes audio excerpts from: Pink Floyd - Mademoiselle Nobs - Live Pompeii \/ Watership Down, 1978 \/ Chimp Attack 911 Call \/ PIMP MY HORSE \/ Lil Nas X - Old Town Road<\/em> \/ Queen - Delilah<\/p>\n\n

Sara Ravelli (1993, Crema) is an artist. Her practice focuses on the careful analysis of the potential of contemporary images that are then interpreted and translated into mainly sculptural and installation form. Triggering tensions between social contexts and emotionality, the artist investigates the notion of domestication, in particular, the relationships of exchange between human, non-human and artifact in which affection and control coexist.<\/p>\n\n

Giada Olivotto (1990, Locarno) is an independent curator, co-director of the collective Sonnenstube, member of the jury of PlattformPlattform, co-founder of Residenza La Fornace and of the sound project Canale Milva.<\/p>\n\n

http:\/\/schiavozoppelli.com\/Exhibitions\/Sara-Ravelli-Tamed-Love\/Tamed-Love-Installation-view-at-Schiavo-Zoppelli-Gallery-Milano<\/a><\/p>\n\n

TRANSCRIZIONE IN ITALIANO\u00a0<\/p>\n\n

GO : Benvenute a tutte e a tutti, avrete riconosciuto tutti la voce di Mademoiselle Nobs<\/em>, dal live a Pompei dei Pink Floyd. Siamo su Lumpen Station, radio online indipendente di Bienne che oggi dedica questa puntata della sezione Embassy a nello specifico a Sara Ravelli e alla sua esposizione Tamed Love<\/em> presso la Galleria Schiavo-Zoppelli di Milano. Sono Giada Olivotto e oggi costruir\u00f2 insieme all\u2019artista Sara Ravelli una narrazione che possa farci scoprire -attraverso il suono- la sua pratica artistica e la mostra, visibile - vi ricordo - fino al 15\u00a0maggio presso gli spazi della Galleria di Via Martiri Oscuri, non lontano dalla stazione Centrale di Milano.<\/p>\n\n

><\/p>\n\n

Il primo audio che compone la narrazione sonora che abbiamo preparato per voi oggi io e Sara \u00e8 quello che avete appena ascoltato, ovvero un estratto della trasposizione cinematografica del libro Watership Down, <\/em>in italiano tradotto La collina dei conigli,<\/em> di Richard Adams. Un lungometraggio che ripropone gli eventi principali narrati nel romanzo dello scrittore inglese. Un libro, quello della collina dei conigli<\/em>, di Richard Adams, che dopo la sua pubblicazione nel 1972 \u00e8 stato reinterpretato sotto varie forme. Lo ritroviamo infatti per esempio in una puntata di Lost - nella libreria dell\u2019esperto truffatore James Ford che\u00a0tutti sicuramebnte conoscerete come Sawyer -. Come anche nel film Donnie Darko - nel quale viene assegnato come compito in classe -. La collina dei conigli<\/em> ispira anche il nome della casa discografica OWLA, fondata da Skrillex essendo infatti il suo libro preferito. Dopo questa breve introduzione diamo il benvenuto a Sara, protagonista della puntata di oggi. Ciao Sara, \u00e8 un vero piacere avere l\u2019occasione di parlare con te del tuo lavoro e della tua mostra meneghina, intitolata appunto Tamed Love, <\/em>come abbiamo anticipato all\u2019inizio. Parto subito con una domanda per te. Quando abbiamo cominciato a scambiarci idee per la nostra chiacchierata di oggi la prima cosa che hai scelto di condividere con me \u00e8 stato proprio il film d\u2019animazione del 1978 -censurato in diversi paesi a causa della sua violenza e tratto dal libro di cui abbiamo appena parlato\u00a0ovvero La collina dei conigli<\/em>. Ti va di condividere con noi il perch\u00e9 della tua scelta, perch\u00e9 proporre questo audio per iniziare? Raccontarci come hai scoperto questo libro e se ti riconosci in uno dei personaggi protagonisti?\u00a0\u00a0\u00a0\u00a0<\/p>\n\n

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SR : Ciao Giada, il piacere \u00e8 mio e ti ringrazio... (risatina) in verit\u00e0 non ho mai letto il libro ma credo, ormai tre anni fa, nella mia prima casa a Milano, una sera, ho guardato il cartone animato e ricordo di averlo trovato incredibilmente violento, ma allo stesso tempo anche molto bello perch\u00e9 l\u2019animazione \u00e8 molto ben fatta e i conigli, antropomorfizzati, che hanno tutti una personalit\u00e0 molto distinta. Nella storia non vi \u00e8 un unico eroe, ma un insieme di personaggi che, grazie alle loro doti individuali, riescono a dare vita a un\u2019unit\u00e0 compatta che riesce a superare le avversit\u00e0. In particolare, lo spezzone che abbiamo ascoltato \u00e8 tratto dal momento in cui Quintiglio, il coniglietto pi\u00f9 impaurito ma allo stesso tempo pi\u00f9 perspicace della conigliera sente che sta per accadere qualcosa di terribile e si mobilita quindi per far evacuare tutti i suoi amici coniglietti. L\u2019immagine mostra questo coniglietto che guarda lo spettatore terrorizzato ed \u00e8 la stessa che ho utilizzato per aprire uno dei lavori presenti in mostra, cio\u00e8\u00a0una piccola pubblicazione intitolata sempre Tamed Love che ho scritto collezionando storie in cui soggetti umani e animali sono protagonisti. Le storie raccolte nella pubblicazione sono diverse tra di loro -\u00a0 parlano di esperienze affettive, fatti di cronaca e fatti scientifici. Le storie cos\u00ec diverse - o come mi piace chiamarli, casi studio - si mischiano fra loro creando una nuova narrazione. Inizialmente, si aprono sempre -possiamo dire- in modo positivo, cercando di contestualizzare i personaggi, per poi rivelare risvolti drammatici. In ogni storia sono protagonisti gli animali che hanno dei nomi propri, e vengono chiamati direttamente per nome. Ad esempio la storia di intitola Violetta and Hector, I mistook love for submission<\/em>, parla di un esperienza affettiva dove parlo del mio primo bacio, credo di aver avuto circa 6 anni, dato a un delfino in un acquapark che ho poi scoperto essere morto pochi anni dopo. Probabilmente a causa dei maltrattamenti degli istruttori dei detentori o comunque a delle problematiche relative alla loro vita dentro la vasca. Per cambiare personaggio, mi viene in mente che ieri un cane mi ha timidamente rubato un pezzo di pizza, e cos\u00ec penso alla storia di Marco<\/em>, che \u00e8 la storia di questo cane della polizia al confine svizzero francese che incontravo ogni volta che passavo il confine che, alla mia proposta di dargli un pezzo di pizza -in modo molto istintivo- mi ha abbaiato fortissimo, penso perch\u00e9\u00a0abituato ad essere ricompensato dalla polizia con crocchette tendenzialmente che lui associa forse solo alla droga, agli esplosivi e alle persone scomparse. Ma la mia pizza era solo una normale pizza che evidentemente lui non associava a nessuna di queste cose.<\/p>\n\n

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GO : Incredibile, grazie per condividere questi dettagli con noi. Mi sembra di capire che le storie che hai scritto e raccolto nella tua pubblicazione Tamed love<\/em> abbiano la loro origine -trovino insomma la loro origine- in momenti diversi della tua vita. A questo punto mi chiedo se esistono magari anche delle storie che si rifanno,\u00a0 o che si intrecciano, con fatti di cronaca?\u00a0<\/p>\n\n

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SR : S\u00ec, uno dei miei protagonisti preferiti \u00e8 Travis uno schimpanz\u00e9\u00a0americano vissuto per molto tempo con i suoi \u201cgenitori umani\u201d che lo trattavano come un essere appunto umano. In particolare ricordo all\u2019inizio mi aveva incuriosita una frase detta proprio dai suoi proprietari da cui ho estratto \u201c Travis sapeva aprire la porta con le chiavi, vestirsi, dare da bere alle piante e dare da mangiare il fieno ai cavalli\u201d quindi in qualche modo questa frase sottolinea l\u2019idea che un animale \u00e8 pi\u00f9 intelligente dell\u2019altro e un animale fosse in grado di prendersi cura dell\u2019altro dandogli da mangiare. mettendo su due piani diversi il cavallo e lo schimanz\u00e9. La storia di Travis purtroppo non ha un lieto fine.<\/p>\n\n

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GO : Si, Sara ha infatti selezionato per noi un estratto dalla una telefonata al 911 avvenuta nel 2009 dove \u00e8 proprio lo scimpanz\u00e9 Travis ad essere il protagonista. Ascoltiamolo insieme per capire insieme quanto \u00e8 stata tragica la fine di Travis.<\/p>\n\n

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SR : Questo era l\u2019audio in cui un\u2019amica di Sandra, la mamma umana di Travis, chiama la polizia perch\u00e9 Travis sta cercando di uccidere la sua amica Carla. Un giorno lo scimpanz\u00e9 sembra impazzire dopo che Carla tocca il suo gioco preferito ovvero un pupazzetto chiamato Elmo, e sembra volerla uccidere per averlo toccato. La polizia dopo aver ricevuto la chiamata arriva nel giardino di Sandra e spara a Travis uccidendolo. Si scopr\u00ec in seguito che Travis aveva assunto nel pomeriggio, dello Xanax mischiato con la merenda e che lo Xanax pu\u00f2 provocare allucinazioni e aggressivit\u00e0 nell\u2019individuo che lo assume.<\/p>\n\n

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GO : La drammatica storia di Travis che ci hai raccontato mi fa riflettere sulla questione del prendersi cura, nel caso di una specie diversa dall\u2019uomo significa in fondo addomesticarla e pretendere che accetti la nostra presenza costante e il nostro bisogno d\u2019amore incostante allo stesso tempo. La vicenda di questo scimpanz\u00e9 drogato - e rapito fondamentalmente dal suo habitat naturale, oltre che costretto a vivere in compagnia di umani - mi fa riflettere anche sulla questione dell\u2019addomesticamento e in particolare sull\u2019area, il territorio e il clima nei quali decidiamo che gli animali possano vivere. Fra questi elementi troviamo in special modo gli oggetti per prenderci cura o addomesticare degli animali, che insomma son oggetti che mutano insieme alla nostra societ\u00e0. Mi riferisco alla produzione di una cuccia o di un calesse. Entrambi oggetti prodotti da noi\u00a0 ma che per usarli devono essere attivati da specie animali addestrate diverse dalla nostra. Ho visto che all\u2019interno della mostra che hai portato in Galleria vi sono dei dettagli nelle opere che richiamano proprio la presenza di un animale ma che allo stesso tempo non ne pretendono la presenza. Ti va di darci la tua opinione sulla questione dell\u2019amore addomesticato intra-specie ? In particolare, mi permetto di chiederti se, per dare alle nostre ascoltatrici e ascoltatori un\u2019idea di come si presenta visivamente la mostra, di descriverci quali opere hai deciso di inserire nella mostra e in che modo sono disposte nello spazio?<\/p>\n\n

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SR: Si, uno degli aspetti pi\u00f9 interessanti per me \u00e8 questa idea di una costrizione che sembra essere gentile. In questo momento mi interessano le relazioni tra umano e animale in cui sia una forma di affetto e anche una forma di potere coesistono, interscambiandosi continuamente, e secondo me questo tipo di relazione si palesa in modo particolare tramite gli oggetti dell\u2019addomesticamento, che possono essere quindi una cuccia, un collare, un biberon e cos\u00ec via\u2026 difatti potremmo stare qua all\u2019infinito, ma diciamo nello specifico gli strumenti che mi interessano di pi\u00f9 sono quelli che hanno una doppia valenza di cura e potere. Come hai detto tu, gli oggetti in mostra richiamano la presenza di un corpo animale ma allo stesso tempo non ne pretendono la presenza, infatti volevo che le mie sculture fossero evocative, mi piace molto che il lavoro abbia diciamo come dei \u201cbuchi\u201d che lasciano spazio a diverse narrazioni anche personali di chi guarda il lavoro e che invece la cosa pi\u00f9 specifica sia l\u2019atmosfera. Nella serie di lavori presenti in mostra mi sono concentrata sull\u2019idea di travestimento come forma di controllo applicato in particolare al mondo equestre cucendo dei costumi per cavalli e alla nutrizione come forma di dipendenza realizzando queste grosse tende in tessuto che ho poi montato alle pareti della galleria.<\/p>\n\n

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GO : Ed \u00e8 la canzone del 2019 di Lil Nas X che ci introduce al protagonista della mostra Tamed Love<\/em>. Sara, il protagonista della tua narrazione in questa esposizione mi pare di aver capito che sia il cavallo. Il cavallo\u00a0\u00e8 una sottospecie equina che vive e sopravvive insieme a noi da circa 5000 anni. La storia dell\u2019addomesticamento del cavallo selvatico \u00e8 iniziata nelle steppe asiatiche - con l\u2019ormai estinto Tarpan- e da li non si \u00e8 mai fermata. Ancora oggi, nonostante non necessitiamo pi\u00f9 di questi splendidi animali sia per muoverci o per nutrirci continuiamo a renderli necessari e a integrarli soprattutto nel nostro tempo libero. Il cavallo \u00e8 poi stato soggetto anche indiscusso dell\u2019arte che lo ha reso protagonista, ma a me piacerebbe parlare di uno fra gli esempi pi\u00f9 recenti -che pi\u00f9 mi \u00e8 rimasto impresso- \u00e8 quello legato all\u2019artista franco algerino Mohamed Bourouissa il quale nel 2018 al Museo d\u2019Arte Moderna de la Ville de Paris ha presentato un'esposizione intitolata Urban Riders. Urban Riders, oltre a essere il titolo dell\u2019esposizione \u00e8 anche il titolo film prodotto nel 2015. L\u2019artista francese, per la produzione di questo film, ispirato dal lavoro della fotografa Martha Camarillo, una fotografa che ha analizzato la comunit\u00e0 di Fletcher Street. Bourouissa dopo aver preso visione della ricerca della Camarillo ha organizzato l\u2019Horse Day dove ha invitato i membri della comunit\u00e0 dei cavalieri di Fletcher Street del nord di Philadelphia a mostrare i loro cavalli vestiti grazie a costumi realizzati per l\u2019occasione. A Parigi, Bourouissa ha poi esposto i costumi realizzati per i cavalli e le fotografie scattate durante la realizzazione di Urban Riders. Mi chiedo a questo punto se i tuoi lavori sono stati realizzati con l\u2019intenzione di essere indossati poi dagli equini o se la mia sensazione che non abbiano questo scopo da parata equestre \u00e8 corretta?\u00a0\u00a0<\/p>\n\n

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SR : No non sono stati pensati per essere indossati sia perch\u00e9 non mi sembra corretto utilizzare gli animali all\u2019interno dei lavori ma anche perch\u00e9 volevo che le forme fossero in qualche modo pi\u00f9 informali, pi\u00f9 astrette. La forma delle teste dei cavalli viene\u00a0da un calco in gesso che mi \u00e8 stato gentilmente concesso dal Mus\u00e9e d\u2019Histoire Naturelle di Ginevra, quindi diciamo sono partita da un cavallo che era gi\u00e0 un cavallo oggetto, non un cavallo appartenente a qualcuno nella sua sfera intima ma appartenente allo stato, un cavallo che era gi\u00e0 in s\u00e9 una rappresentazione. I costumi per cavalli fanno riferimento a costumi usati in parate popolari, in particolare all\u2019inizio del lavoro avevo letto un articolo intitolato \u201cThe 20 Most Miserable Horses in the World<\/em>\u201d dove le immagini di questo articolo mostrano cavalli travestiti dai loro padroni in occasione di sfilate o eventi ambigui, tra il celebrativo e il domestico: cavalli vestiti da pecore, cavalli-draghi, cavalli di Halloween, unicorni. I costumi cuciti a mano, incorporano elementi pesanti e ingombranti ma allo stesso tempo assemblati con cura e precisione. La cosa interessante di queste immagini \u00e8 che mi sono sembrate ridicolizzanti, appunto, miserabili, ma allo stesso tempo divertenti e piene di dedizione. Nelle immagini di creava una tensione tra affettivit\u00e0 e umiliazione, data da una \u201ccostrizione oggettuale\u201d.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n\n

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GO : Grazie ai dettagli descritti da questo Gamer nell\u2019audio che abbiamo appena potuto ascoltare insieme con la tecnica del \u201cpimp my horse\u201d <\/em>e sta cercando di scegliere quale si ala sella miglio re per il suo cavallo.\u00a0\u00a0<\/em>Andiamo avanti ora, andiamo un po\u2019 di pi\u00f9 nello specifico analizzando i materiali che hai utilizzato per la realizzazione dei tuoi pezzi che variano di volta in volta. Mi hai recentemente raccontato delle scelte che adotti quando scegli, acquisti le stoffe con cui poi realizzi le tue installazioni. Ti andrebbe di condividere con noi cosa sta dietro alla scelta del raso viola, o del trapuntato blu, ecc.?\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n\n

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SR: Per quanto riguarda i costumi per cavalli ogni costume conferisce all\u2019animale cos\u00ec come\u00a0 per l\u2019uomo un\u2019identit\u00e0 e i materiali si rifanno tutti a immaginari specifici e funzioni specifiche del materiale stesso. Ad esempio, c\u2019\u00e8 il tessuto trapuntato che rimanda a un\u2019idea di coperta, di letto, di cuscino, se vogliamo; i rasi di poliestere che vengono utilizzati per foderare i divani o comunque che servono per l\u2019arredamento e i tessuti di nylon pi\u00f9 legati a un\u2019idea di performativit\u00e0, sono tessuti utilizzati solitamente per i costumi delle ginnaste, sono molto elastici e hanno sempre questo aspetto molto brillante, possiamo dire un po' pop che mi piace molto. Invece per quanto riguarda \u201cFeeder\u201d, ovvero le tende il tendaggio, \u00e8 composto da pile tessuto trapuntato e raso, le ho cucite rifacendomi ad alcune cucce per animali domestici di cui avevo collezionato molte immagini in modo d\u00e0\u00a0capirne l\u2019estetica. Essendo grande il tendaggio da idea di qualcosa di molto pesante che per\u00f2 \u00e8 spezzato da queste tettarelle <\/em>modellate in creta cruda, che fanno da decorazione. Devo dire che il materiale nei miei lavori \u00e8 sempre scelto in modo concettuale, che risponde a un esigenza anche pi\u00f9 emotiva, capisco la funzionalit\u00e0 stereotipata se vogliamo anche del materiale e mi piace poi ribaltare il senso, continuo infatti a rimaneggiare il materiale fino a quando non sento che la forma \u00e8 quella giusta.<\/p>\n\n

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GO: Grazie mille Sara, terminerei la discussione sui materiali chiedendomi cosa sono le macchie che ricoprono il pavimento della galleria Schiavo-Zoppelli, di che materiale si tratta e se la sua diffusione a chiazze sparse \u00e8 parte di un gesto, di una performativit\u00e0 nascosta che precede l\u2019apertura dell\u2019esposizione al pubblico ?<\/p>\n\n

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SR : Le macchie sul pavimento sono macchie di sale mischiato con acqua, pi\u00f9 o meno diluita, dipende da come ho deciso di usarla, a tratti in modo pi\u00f9 denso oppure pi\u00f9 diluito. Perch\u00e9 quando il sale si asciuga crea dei cristalli, tutto questo perch\u00e9 i cavalli quando sono stressati usano leccare dei grossi cubi di sale e allo stesso tempo quando corrono sudano moltissimo, quindi per me questo sale era\u00a0per rimarcare un\u2019idea di corpo, un\u2019idea di fluido. Oltre al sale in mostra c\u2019\u00e8 un altro elemento organico che \u00e8 la creta cruda lasciata cruda per lasciarle una parvenza di naturale, organico e distruttibile e non trasformarla in ceramica. Su questa idea di performativit\u00e0 nascosta, che tu dicevi nascosta al pubblico... Mi sono interrogata a lungo sull\u2019idea di performativit\u00e0 della scultura, volevo trovare un modo per far sembrare tutto meno morto, una sensazione che ho spesso quando guardo un lavoro, con questi elementi organici mi sembrava quasi di sfuggire a questa sensazione. Potremmo dire anche nel mio lavoro esiste un aperformativit\u00e0 insita nel lavoro perch\u00e9 sembra che ci sia un'azione che precede il risultato. Il sale crea anche un percorso, in qualche modo pone un percorso definito allo sguardo di chi osserva il lavoro.<\/p>\n\n

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GO : Grazie, mille per le tutte cose che hai condiviso con noi oggi e speriamo che anche le persone in ascolto stiano immaginando la mostra e che grazie alle tue descrizioni e alle tue riflessioni, oltre che alle suggestioni sonore - che abbiamo selezionato insieme oggi per questa puntata - insomma che tutte e tutti possano approfittare degli ultimi giorni per visitare la mostra Tamed Love in galleria che vi ricordo rimarr\u00e0 aperta fino al 15 di maggio presso la galleria Schiavo-Zoppelli di Milano. Terminiamo ora la puntata di oggi con la canzone di Freddy Mercury, Delilah dedicata al suo gatto. Buona serata a tutti!<\/p>\n\n

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SR : Ciao, ciao grazie a tutti.<\/p>\n\n

SR : Ciao, ciao!<\/p>\n\n

ENGLISH TRANSCRIPTION\u00a0<\/p>\n\n

GO : Welcome everyone, you might have recognized the voice of Mademoiselle Nobs from Pink Floyd's live show in Pompeii. We are on Lumpen Station, an independent online radio from Biel, which today dedicates this episode of the Embassy section to Sara Ravelli and her exhibition Tamed Love at Galleria Schiavo-Zoppelli in Milan. I'm Giada Olivotto and today I'm going to build together with the artist Sara Ravelli a narration that can help us discover -through sound- her artistic practice and the exhibition, visible - I remind you- until May 15th at the Gallery in Via Martiri Oscuri, not far from Milan's Central Station.<\/p>\n\n

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The first audio that forms the sound narration that Sara and I have prepared for you today is the one you have just listened to, that is an extract from the cinematographic transposition of the book Watership Down, by Richard Adams. A feature film that re-proposes the main events narrated in the novel by the English writer. A book, that of Watership Down, by Richard Adams, which after its publication in 1972 has been reinterpreted in various forms. In fact, we find it in an episode of Lost - in the library of the expert swindler James Ford, whom you all surely know as Sawyer - as well as in the movie Donnie Darko - in which it is assigned as a class assignment -. The Hill of Rabbits also inspires the name of the record company OWLA, founded by Skrillex, being in fact his favorite book. After this brief introduction we welcome Sara, the protagonist of today's episode. Hi Sara, it's a real pleasure to have the opportunity to talk with you about your work and your exhibition in Milan, entitled Tamed Love, as we mentioned at the beginning. I'll start right away with a question for you. When we started exchanging ideas for our chat today, the first thing you chose to share with me was the 1978 animated film -censored in several countries because of its violence and based on the book we have just talked about- The Hill of Rabbits. Would you like to share with us why you chose this audio to begin with? Tell us how you discovered this book and if you recognize yourself in one of the main characters?\u00a0\u00a0\u00a0\u00a0<\/p>\n\n

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SR : Hi Giada, the pleasure is mine and I thank you...(giggle) in truth I have never read the book but I think, now three years ago, in my first home in Milan, one evening, I watched the cartoon and I remember finding it incredibly violent, but at the same time also very beautiful because the animation is very well done and the rabbits, anthropomorphized, all have very distinct personalities. In the story there is no single hero, but a collection of characters who, thanks to their individual talents, manage to create a compact unit that manages to overcome adversity. In particular, the clip that we have listened to is taken from the moment when Quintiglio, the most frightened but at the same time most perceptive bunny in the hutch feels that something terrible is about to happen and therefore mobilizes to evacuate all his bunny friends. The image shows this bunny looking at the terrified viewer and it is the same one I used to open one of the works in the exhibition, that is a small publication always titled Tamed Love that I wrote collecting stories in which human and animal subjects are protagonists. The stories collected in the publication are different from each other - they talk about emotional experiences, news stories and scientific facts. Such diverse stories - or as I like to call them, case studies - are mixed together creating a new narrative. Initially, they always open -we can say- in a positive way, trying to contextualize the characters, and then reveal dramatic implications. In each story, the main characters are animals that have their own names, and are called directly by name. For example, the story is titled Violetta and Hector, I mistook love for submission, it is about an emotional experience where I talk about my first kiss, I think I was about 6 years old, given to a dolphin in an aquapark that I then discovered to be dead a few years later. Probably due to mistreatment by the keepers' instructors or otherwise to issues related to their life inside the tank. For a change of character, it occurs to me that yesterday a dog shyly stole a piece of pizza from me, and so I think of Marco's story, which is the story of this police dog at the Swiss-French border that I used to meet every time I crossed the border who, at my suggestion to give him a piece of pizza -in a very instinctive way- barked at me very loudly, I think because he is used to being rewarded by the police with croquettes that he perhaps associates only with drugs, explosives and missing persons. But my pizza was just a regular pizza that he obviously didn't associate with any of those things.<\/p>\n\n

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GO : Amazing, thank you for sharing these details with us. I understand that the stories you have written and collected in your publication Tamed love have their origin in different moments of your life. At this point I wonder if maybe there are also stories that are based on, or intertwined with, facts from the news?\u00a0<\/p>\n\n

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SR: Yes, one of my favorite characters is Travis, an American chimpanzee who lived for a long time with his \"human parents\" who treated him like a human being. In particular, I remember at the beginning I was intrigued by a sentence said by its owners from which I extracted \"Travis could open the door with the keys, dress himself, give water to plants and feed hay to horses\" so somehow this sentence emphasizes the idea that an animal is smarter than the other and an animal was able to take care of the other feeding him. putting on two different levels the horse and the chimpanzee. Travis' story unfortunately does not have a happy ending.<\/p>\n\n

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GO : Yes, Sara has in fact selected for us an excerpt from a 911 call that took place in 2009 where Travis the chimpanzee is the protagonist. Let's listen to it together to understand how tragic Travis' end was.<\/p>\n\n

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SR : this was the audio where a friend of Sandra, Travis' human mom, calls the police because Travis is trying to kill her friend Carla. One day the chimp seems to go crazy after Carla touches her favorite toy which is a puppet called Elmo, and seems to want to kill her for touching it. The police after receiving the call arrive in Sandra's garden and shoot Travis, killing him. It was later discovered that Travis had taken Xanax in the afternoon, mixed with a snack and that Xanax can cause hallucinations and aggression in the individual who takes it.<\/p>\n\n

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GO : The dramatic story of Travis that you told us makes me think about the question of taking care, in the case of a species other than humans basically means domesticating it and demanding that it accept our constant presence and our inconstant need for love at the same time. The story of this drugged chimpanzee - and basically abducted from its natural habitat, as well as forced to live in the company of humans - also makes me reflect on the question of domestication and in particular on the area, territory and climate in which we decide that animals can live. Among these elements we find in particular the objects for taking care of or domesticating animals, which in short are objects that change together with our society. I am referring to the production of a kennel or a buggy. Both of these objects are produced by us, but in order to use them they must be activated by trained animal species different from our own. I have seen that in the exhibition that you have brought to the Gallery there are details in the works that recall the presence of an animal but at the same time do not claim its presence. Would you like to give us your opinion on the question of domesticated love between species? In particular I would like to ask you, in order to give our listeners an idea of how the exhibition is visually presented, to describe to us which works you have decided to include in the exhibition and how they are arranged in the space?<\/p>\n\n

><\/p>\n\n

SR: Yes, one of the most interesting aspects for me is this idea of a constraint that seems to be gentle. At this moment I am interested in the relationship between human and animal in which both a form of affection and a form of power coexist, interchanging continuously, and according to me this type of relationship is particularly evident through the objects of domestication, which can be a kennel, a collar, a bottle and so on ... in fact we could stay here forever, but let's say specifically the tools that interest me most are those that have a double value of care and power. As you said, the objects in the exhibition evoke the presence of an animal body but at the same time they don't claim its presence, in fact I wanted my sculptures to be evocative, I really like that the work has, let's say, \"holes\" that leave room for different narratives, even personal ones, of those who look at the work and that the most specific thing is the atmosphere. In the series of works in the exhibition I focused on the idea of disguise as a form of control applied in particular to the equestrian world by sewing costumes for horses and to nutrition as a form of addiction by making these large fabric tents that I then mounted on the walls of the gallery.<\/p>\n\n

><\/p>\n\n

GO : And it is Lil Nas X's 2019 song that introduces us to the protagonist of the exhibition Tamed Love. Sara, the protagonist of your narrative in this exhibition I understand is the horse. The horse, is an equine subspecies that has lived and survived with us for roughly 5000 years. The history of the domestication of the wild horse began in the Asian steppes - with the now extinct Tarpan - and has never stopped since. Even today, despite the fact that we no longer need these beautiful animals to move or to feed ourselves, we continue to make them necessary and to integrate them especially in our free time. The horse has then also been the undisputed subject of art that has made it the protagonist, but I would like to talk about one among the most recent examples -that has stayed with me the most- is the one related to the French Algerian artist Mohamed Bourouissa who in 2018 at the Museum of Modern Art de la Ville de Paris presented an exhibition entitled Urban Riders. Urban Riders, in addition to being the title of the exhibition is also the title film produced in 2015. The French artist, for the production of this film, inspired by the work of Martha Camarillo, a photographer who analyzed the community of Fletcher Street. Bourouissa after viewing Camarillo's research organized Horse Day where she invited members of the North Philadelphia Fletcher Street horsemen community to show their horses dressed thanks to costumes made for the occasion. In Paris, Bourouissa then exhibited the costumes made for the horses and the photographs taken during the making of Urban Riders. I wonder at this point if your works were made with the intention of being worn later by the equines or if my feeling that they do not have this equestrian parade purpose is correct?\u00a0\u00a0<\/p>\n\n

><\/p>\n\n

SR: No, they were not meant to be worn, both because I don't think it's right to use animals in my work and also because I wanted the forms to be somehow more informal, more abstract. The shape of the horses' heads comes from a plaster cast that I was kindly given by the Mus\u00e9e d'Histoire Naturelle in Geneva, so let's say I started from a horse that was already an object, not a horse belonging to someone in his intimate sphere but belonging to the state, a horse that was already a representation in itself. The horse costumes refer to costumes used in popular parades, in particular at the beginning of the work I had read an article entitled \"The 20 Most Miserable Horses in the World\" where the images in this article show horses disguised as their masters in parades or ambiguous events, between the celebratory and the domestic: horses dressed as sheep, dragon-horses, Halloween horses, unicorns. The hand-sewn costumes incorporate heavy and bulky elements but at the same time assembled with care and precision. The interesting thing about these images is that they seemed ridiculously, precisely, miserable, but at the same time fun and full of dedication. In the images there was a tension between affectivity and humiliation, given by an \"object constraint\".\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n\n

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GO : Thanks to the details described by this Gamer in the audio we have just been able to listen together with the \"pimp my horse\" technique and he is trying to choose which is the best saddle for his horse. Let's move on now, let's get a little more specific by analyzing the materials you used to make your pieces that vary from time to time. You recently told me about the choices you make when choosing and purchasing the fabrics with which you create your installations. Would you care to share with us what's behind the choice of purple satin, or blue quilting, etc.?\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n\n

><\/p>\n\n

SR: As far as horse costumes go, each costume gives the animal as well as the human an identity and the materials all relate to specific imagery and specific functions of the material itself. For example, there is the quilted fabric that refers to an idea of a blanket, of a bed, of a pillow, if you will; the polyester satins that are used to line sofas or that are used for furniture and the nylon fabrics that are more related to an idea of performativity, they are usually used for the costumes of gymnasts, they are very elastic and always have this very bright look, we can say a little pop that I like a lot. As for \"Feeder\", the curtains are made of quilted fleece fabric and satin, I sewed them referring to some kennels for pets of which I had collected many images in order to understand the aesthetics. Being large, the curtain gives the idea of something very heavy, but it is broken by these nipples modeled in raw clay, which serve as decoration. I must say that the material in my works is always chosen in a conceptual way, which responds to a more emotional need, I understand the stereotypical functionality of the material and I like to reverse the sense, I continue to rework the material until I feel that the form is right.<\/p>\n\n

><\/p>\n\n

GO: Thank you very much Sara, I would like to end the discussion on materials by asking myself what are the stains that cover the floor of the Schiavo-Zoppelli gallery, what kind of material are they and if their diffusion in scattered patches is part of a gesture, of a hidden performativity that precedes the opening of the exhibition to the public?<\/p>\n\n

><\/p>\n\n

SR : The stains on the floor are stains of salt mixed with water, more or less diluted, depending on how I decided to use it, at times more dense or more diluted. Because when the salt dries it creates crystals, all because when horses are stressed they use to lick large cubes of salt and at the same time when they run they sweat a lot, so for me this salt is an idea of body, an idea of fluid. In addition to the salt in the exhibition there is another organic element that is the raw clay left raw to leave it a semblance of natural, organic and destructible and not turn it into ceramic. On this idea of hidden performativity, which you said hidden from the public.... I wondered about the idea of performativity in sculpture for a long time, I wanted to find a way to make everything seem less dead, a feeling I often have when I look at a work, with these organic elements I almost felt like I was escaping this feeling. We could also say that in my work there is an aperformativity inherent in the work because it seems that there is an action that precedes the result. The salt also creates a path, in some way it sets a definite path for the eye of the observer of the work.<\/p>\n\n

><\/p>\n\n

GO : Thank you very much for all the things you have shared with us today and we hope that the people listening are also imagining the exhibition and that thanks to your descriptions and your reflections, as well as the sound suggestions - that we have selected together today for this episode - in short, that everyone can take advantage of the last days to visit the exhibition Tamed Love in the gallery that I remind you will remain open until May 15 at the Schiavo-Zoppelli gallery in Milan. Let's end today's episode with Freddy Mercury's song, Delilah dedicated to his cat. Have a good evening everyone!<\/p>\n\n

><\/p>\n\n

SR : Bye, thank you all.<\/p>\n\n

SR: Bye, bye!<\/p>","desc":"Lumpen Embassy - Tamed Love, Galleria Schiavo Zoppelli, Milano 13.05.2021 (english below)\u00a0 Conversazione fra Sara Ravelli e Giada Olivotto in occasione della mostra personale Tamed Love La registrazione include estratti audio di: Pink Floyd - Mademoiselle Nobs - Live Pompei \/ Watership Down, 1978 \/ Chimp Attack 911 Call \/ PIMP MY HORSE \/ Lil Nas X - Old Town Road \/ Queen - Delilah Sara Ravelli (1993, Crema) \u00e8 artista. La sua pratica si concentra su l'attenta analisi del potenziale delle immagini contemporanee che vengono poi interpretate e tradotte in forma prevalentemente scultorea e installativa. Innescando tensioni tra contesti sociali ed emotivit\u00e0, l'artista indaga la nozione di addomesticamento, in particolare, le relazioni di scambio tra umano, non umano e artefatto in cui affetto e controllo coesistono. Giada Olivotto (1990, Locarno) \u00e8 curatrice indipendente, co-direttrice del collettivo Sonnenstube, membro della giuria di PlattformPlattform, co-fondatrice di Residenza La Fornace e del progetto sonoro Canale Milva. http:\/\/schiavozoppelli.com\/Exhibitions\/Sara-Ravelli-Tamed-Love\/Tamed-Love-Installation-view-at-Schiavo-Zoppelli-Gallery-Milano ---------------------------------------------------------------------------------------------------------------------------------------------------------- Lumpen Embassy - Tamed Love, Galleria Schiavo Zoppelli, Milan 13.05.2021 Conversation between Sara Ravelli and Giada Olivotto on the occasion of the artist's solo exhibition Tamed Love. The recording includes audio excerpts from: Pink Floyd - Mademoiselle Nobs - Live Pompeii \/ Watership Down, 1978 \/ Chimp Attack 911 Call \/ PIMP MY HORSE \/ Lil Nas X - Old Town Road \/ Queen - Delilah Sara Ravelli (1993, Crema) is an artist. Her practice focuses on the careful analysis of the potential of contemporary images that are then interpreted and translated into mainly sculptural and installation form. Triggering tensions between social contexts and emotionality, the artist investigates the notion of domestication, in particular, the relationships of exchange between human, non-human and artifact in which affection and control coexist. Giada Olivotto (1990, Locarno) is an independent curator, co-director of the collective Sonnenstube, member of the jury of PlattformPlattform, co-founder of Residenza La Fornace and of the sound project Canale Milva. http:\/\/schiavozoppelli.com\/Exhibitions\/Sara-Ravelli-Tamed-Love\/Tamed-Love-Installation-view-at-Schiavo-Zoppelli-Gallery-Milano TRANSCRIZIONE IN ITALIANO\u00a0 GO : Benvenute a tutte e a tutti, avrete riconosciuto tutti la voce di Mademoiselle Nobs, dal live a Pompei dei Pink Floyd. Siamo su Lumpen Station, radio online indipendente di Bienne che oggi dedica questa puntata della sezione Embassy a nello specifico a Sara Ravelli e alla sua esposizione Tamed Love presso la Galleria Schiavo-Zoppelli di Milano. Sono Giada Olivotto e oggi costruir\u00f2 insieme all\u2019artista Sara Ravelli una narrazione che possa farci scoprire -attraverso il suono- la sua pratica artistica e la mostra, visibile - vi ricordo - fino al 15\u00a0maggio presso gli spazi della Galleria di Via Martiri Oscuri, non lontano dalla stazione Centrale di Milano. > Il primo audio che compone la narrazione sonora che abbiamo preparato per voi oggi io e Sara \u00e8 quello che avete appena ascoltato, ovvero un estratto della trasposizione cinematografica del libro Watership Down, in italiano tradotto La collina dei conigli, di Richard Adams. Un lungometraggio che ripropone gli eventi principali narrati nel romanzo dello scrittore inglese. Un libro, quello della collina dei conigli, di Richard Adams, che dopo la sua pubblicazione nel 1972 \u00e8 stato reinterpretato sotto varie forme. Lo ritroviamo infatti per esempio in una puntata di Lost - nella libreria dell\u2019esperto truffatore James Ford che\u00a0tutti sicuramebnte conoscerete come Sawyer -. Come anche nel film Donnie Darko - nel quale viene assegnato come compito in classe -. La collina dei conigli ispira anche il nome della casa discografica OWLA, fondata da Skrillex essendo infatti il suo libro preferito. Dopo questa breve introduzione diamo il benvenuto a Sara, protagonista della puntata di oggi. Ciao Sara, \u00e8 un vero piacere avere l\u2019occasione di parlare con te del tuo lavoro e della tua mostra meneghina, intitolata appunto Tamed Love, come abbiamo anticipato all\u2019inizio. Parto subito con una domanda per te. Quando abbiamo cominciato a scambiarci idee per la nostra chiacchierata di oggi la prima cosa che hai scelto di condividere con me \u00e8 stato proprio il film d\u2019animazione del 1978 -censurato in diversi paesi a causa della sua violenza e tratto dal libro di cui abbiamo appena parlato\u00a0ovvero La collina dei conigli. Ti va di condividere con noi il perch\u00e9 della tua scelta, perch\u00e9 proporre questo audio per iniziare? Raccontarci come hai scoperto questo libro e se ti riconosci in uno dei personaggi protagonisti?\u00a0\u00a0\u00a0\u00a0 > SR : Ciao Giada, il piacere \u00e8 mio e ti ringrazio... (risatina) in verit\u00e0 non ho mai letto il libro ma credo, ormai tre anni fa, nella mia prima casa a Milano, una sera, ho guardato il cartone animato e ricordo di averlo trovato incredibilmente violento, ma allo stesso tempo anche molto bello perch\u00e9 l\u2019animazione \u00e8 molto ben fatta e i conigli, antropomorfizzati, che hanno tutti una personalit\u00e0 molto distinta. Nella storia non vi \u00e8 un unico eroe, ma un insieme di personaggi che, grazie alle loro doti individuali, riescono a dare vita a un\u2019unit\u00e0 compatta che riesce a superare le avversit\u00e0. In particolare, lo spezzone che abbiamo ascoltato \u00e8 tratto dal momento in cui Quintiglio, il coniglietto pi\u00f9 impaurito ma allo stesso tempo pi\u00f9 perspicace della conigliera sente che sta per accadere qualcosa di terribile e si mobilita quindi per far evacuare tutti i suoi amici coniglietti. L\u2019immagine mostra questo coniglietto che guarda lo spettatore terrorizzato ed \u00e8 la stessa che ho utilizzato per aprire uno dei lavori presenti in mostra, cio\u00e8\u00a0una piccola pubblicazione intitolata sempre Tamed Love che ho scritto collezionando storie in cui soggetti umani e animali sono protagonisti. Le storie raccolte nella pubblicazione sono diverse tra di loro -\u00a0 parlano di esperienze affettive, fatti di cronaca e fatti scientifici. Le storie cos\u00ec diverse - o come mi piace chiamarli, casi studio - si mischiano fra loro creando una nuova narrazione. Inizialmente, si aprono sempre -possiamo dire- in modo positivo, cercando di contestualizzare i personaggi, per poi rivelare risvolti drammatici. In ogni storia sono protagonisti gli animali che hanno dei nomi propri, e vengono chiamati direttamente per nome. Ad esempio la storia di intitola Violetta and Hector, I mistook love for submission, parla di un esperienza affettiva dove parlo del mio primo bacio, credo di aver avuto circa 6 anni, dato a un delfino in un acquapark che ho poi scoperto essere morto pochi anni dopo. Probabilmente a causa dei maltrattamenti degli istruttori dei detentori o comunque a delle problematiche relative alla loro vita dentro la vasca. Per cambiare personaggio, mi viene in mente che ieri un cane mi ha timidamente rubato un pezzo di pizza, e cos\u00ec penso alla storia di Marco, che \u00e8 la storia di questo cane della polizia al confine svizzero francese che incontravo ogni volta che passavo il confine che, alla mia proposta di dargli un pezzo di pizza -in modo molto istintivo- mi ha abbaiato fortissimo, penso perch\u00e9\u00a0abituato ad essere ricompensato dalla polizia con crocchette tendenzialmente che lui associa forse solo alla droga, agli esplosivi e alle persone scomparse. Ma la mia pizza era solo una normale pizza che evidentemente lui non associava a nessuna di queste cose. > GO : Incredibile, grazie per condividere questi dettagli con noi. Mi sembra di capire che le storie che hai scritto e raccolto nella tua pubblicazione Tamed love abbiano la loro origine -trovino insomma la loro origine- in momenti diversi della tua vita. A questo punto mi chiedo se esistono magari anche delle storie che si rifanno,\u00a0 o che si intrecciano, con fatti di cronaca?\u00a0 > SR : S\u00ec, uno dei miei protagonisti preferiti \u00e8 Travis uno schimpanz\u00e9\u00a0americano vissuto per molto tempo con i suoi \u201cgenitori umani\u201d che lo trattavano come un essere appunto umano. In particolare ricordo all\u2019inizio mi aveva incuriosita una frase detta proprio dai suoi proprietari da cui ho estratto \u201c Travis sapeva aprire la porta con le chiavi, vestirsi, dare da bere alle piante e dare da mangiare il fieno ai cavalli\u201d quindi in qualche modo questa frase sottolinea l\u2019idea che un animale \u00e8 pi\u00f9 intelligente dell\u2019altro e un animale fosse in grado di prendersi cura dell\u2019altro dandogli da mangiare. mettendo su due piani diversi il cavallo e lo schimanz\u00e9. La storia di Travis purtroppo non ha un lieto fine. > GO : Si, Sara ha infatti selezionato per noi un estratto dalla una telefonata al 911 avvenuta nel 2009 dove \u00e8 proprio lo scimpanz\u00e9 Travis ad essere il protagonista. Ascoltiamolo insieme per capire insieme quanto \u00e8 stata tragica la fine di Travis. > SR : Questo era l\u2019audio in cui un\u2019amica di Sandra, la mamma umana di Travis, chiama la polizia perch\u00e9 Travis sta cercando di uccidere la sua amica Carla. Un giorno lo scimpanz\u00e9 sembra impazzire dopo che Carla tocca il suo gioco preferito ovvero un pupazzetto chiamato Elmo, e sembra volerla uccidere per averlo toccato. La polizia dopo aver ricevuto la chiamata arriva nel giardino di Sandra e spara a Travis uccidendolo. Si scopr\u00ec in seguito che Travis aveva assunto nel pomeriggio, dello Xanax mischiato con la merenda e che lo Xanax pu\u00f2 provocare allucinazioni e aggressivit\u00e0 nell\u2019individuo che lo assume. > GO : La drammatica storia di Travis che ci hai raccontato mi fa riflettere sulla questione del prendersi cura, nel caso di una specie diversa dall\u2019uomo significa in fondo addomesticarla e pretendere che accetti la nostra presenza costante e il nostro bisogno d\u2019amore incostante allo stesso tempo. La vicenda di questo scimpanz\u00e9 drogato - e rapito fondamentalmente dal suo habitat naturale, oltre che costretto a vivere in compagnia di umani - mi fa riflettere anche sulla questione dell\u2019addomesticamento e in particolare sull\u2019area, il territorio e il clima nei quali decidiamo che gli animali possano vivere. Fra questi elementi troviamo in special modo gli oggetti per prenderci cura o addomesticare degli animali, che insomma son oggetti che mutano insieme alla nostra societ\u00e0. Mi riferisco alla produzione di una cuccia o di un calesse. Entrambi oggetti prodotti da noi\u00a0 ma che per usarli devono essere attivati da specie animali addestrate diverse dalla nostra. Ho visto che all\u2019interno della mostra che hai portato in Galleria vi sono dei dettagli nelle opere che richiamano proprio la presenza di un animale ma che allo stesso tempo non ne pretendono la presenza. Ti va di darci la tua opinione sulla questione dell\u2019amore addomesticato intra-specie ? In particolare, mi permetto di chiederti se, per dare alle nostre ascoltatrici e ascoltatori un\u2019idea di come si presenta visivamente la mostra, di descriverci quali opere hai deciso di inserire nella mostra e in che modo sono disposte nello spazio? > SR: Si, uno degli aspetti pi\u00f9 interessanti per me \u00e8 questa idea di una costrizione che sembra essere gentile. In questo momento mi interessano le relazioni tra umano e animale in cui sia una forma di affetto e anche una forma di potere coesistono, interscambiandosi continuamente, e secondo me questo tipo di relazione si palesa in modo particolare tramite gli oggetti dell\u2019addomesticamento, che possono essere quindi una cuccia, un collare, un biberon e cos\u00ec via\u2026 difatti potremmo stare qua all\u2019infinito, ma diciamo nello specifico gli strumenti che mi interessano di pi\u00f9 sono quelli che hanno una doppia valenza di cura e potere. Come hai detto tu, gli oggetti in mostra richiamano la presenza di un corpo animale ma allo stesso tempo non ne pretendono la presenza, infatti volevo che le mie sculture fossero evocative, mi piace molto che il lavoro abbia diciamo come dei \u201cbuchi\u201d che lasciano spazio a diverse narrazioni anche personali di chi guarda il lavoro e che invece la cosa pi\u00f9 specifica sia l\u2019atmosfera. Nella serie di lavori presenti in mostra mi sono concentrata sull\u2019idea di travestimento come forma di controllo applicato in particolare al mondo equestre cucendo dei costumi per cavalli e alla nutrizione come forma di dipendenza realizzando queste grosse tende in tessuto che ho poi montato alle pareti della galleria. > GO : Ed \u00e8 la canzone del 2019 di Lil Nas X che ci introduce al protagonista della mostra Tamed Love. Sara, il protagonista della tua narrazione in questa esposizione mi pare di aver capito che sia il cavallo. Il cavallo\u00a0\u00e8 una sottospecie equina che vive e sopravvive insieme a noi da circa 5000 anni. La storia dell\u2019addomesticamento del cavallo selvatico \u00e8 iniziata nelle steppe asiatiche - con l\u2019ormai estinto Tarpan- e da li non si \u00e8 mai fermata. Ancora oggi, nonostante non necessitiamo pi\u00f9 di questi splendidi animali sia per muoverci o per nutrirci continuiamo a renderli necessari e a integrarli soprattutto nel nostro tempo libero. Il cavallo \u00e8 poi stato soggetto anche indiscusso dell\u2019arte che lo ha reso protagonista, ma a me piacerebbe parlare di uno fra gli esempi pi\u00f9 recenti -che pi\u00f9 mi \u00e8 rimasto impresso- \u00e8 quello legato all\u2019artista franco algerino Mohamed Bourouissa il quale nel 2018 al Museo d\u2019Arte Moderna de la Ville de Paris ha presentato un'esposizione intitolata Urban Riders. Urban Riders, oltre a essere il titolo dell\u2019esposizione \u00e8 anche il titolo film prodotto nel 2015. L\u2019artista francese, per la produzione di questo film, ispirato dal lavoro della fotografa Martha Camarillo, una fotografa che ha analizzato la comunit\u00e0 di Fletcher Street. Bourouissa dopo aver preso visione della ricerca della Camarillo ha organizzato l\u2019Horse Day dove ha invitato i membri della comunit\u00e0 dei cavalieri di Fletcher Street del nord di Philadelphia a mostrare i loro cavalli vestiti grazie a costumi realizzati per l\u2019occasione. A Parigi, Bourouissa ha poi esposto i costumi realizzati per i cavalli e le fotografie scattate durante la realizzazione di Urban Riders. Mi chiedo a questo punto se i tuoi lavori sono stati realizzati con l\u2019intenzione di essere indossati poi dagli equini o se la mia sensazione che non abbiano questo scopo da parata equestre \u00e8 corretta?\u00a0\u00a0 > SR : No non sono stati pensati per essere indossati sia perch\u00e9 non mi sembra corretto utilizzare gli animali all\u2019interno dei lavori ma anche perch\u00e9 volevo che le forme fossero in qualche modo pi\u00f9 informali, pi\u00f9 astrette. La forma delle teste dei cavalli viene\u00a0da un calco in gesso che mi \u00e8 stato gentilmente concesso dal Mus\u00e9e d\u2019Histoire Naturelle di Ginevra, quindi diciamo sono partita da un cavallo che era gi\u00e0 un cavallo oggetto, non un cavallo appartenente a qualcuno nella sua sfera intima ma appartenente allo stato, un cavallo che era gi\u00e0 in s\u00e9 una rappresentazione. I costumi per cavalli fanno riferimento a costumi usati in parate popolari, in particolare all\u2019inizio del lavoro avevo letto un articolo intitolato \u201cThe 20 Most Miserable Horses in the World\u201d dove le immagini di questo articolo mostrano cavalli travestiti dai loro padroni in occasione di sfilate o eventi ambigui, tra il celebrativo e il domestico: cavalli vestiti da pecore, cavalli-draghi, cavalli di Halloween, unicorni. I costumi cuciti a mano, incorporano elementi pesanti e ingombranti ma allo stesso tempo assemblati con cura e precisione. La cosa interessante di queste immagini \u00e8 che mi sono sembrate ridicolizzanti, appunto, miserabili, ma allo stesso tempo divertenti e piene di dedizione. Nelle immagini di creava una tensione tra affettivit\u00e0 e umiliazione, data da una \u201ccostrizione oggettuale\u201d.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 > GO : Grazie ai dettagli descritti da questo Gamer nell\u2019audio che abbiamo appena potuto ascoltare insieme con la tecnica del \u201cpimp my horse\u201d e sta cercando di scegliere quale si ala sella miglio re per il suo cavallo.\u00a0\u00a0Andiamo avanti ora, andiamo un po\u2019 di pi\u00f9 nello specifico analizzando i materiali che hai utilizzato per la realizzazione dei tuoi pezzi che variano di volta in volta. Mi hai recentemente raccontato delle scelte che adotti quando scegli, acquisti le stoffe con cui poi realizzi le tue installazioni. Ti andrebbe di condividere con noi cosa sta dietro alla scelta del raso viola, o del trapuntato blu, ecc.?\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 > SR: Per quanto riguarda i costumi per cavalli ogni costume conferisce all\u2019animale cos\u00ec come\u00a0 per l\u2019uomo un\u2019identit\u00e0 e i materiali si rifanno tutti a immaginari specifici e funzioni specifiche del materiale stesso. Ad esempio, c\u2019\u00e8 il tessuto trapuntato che rimanda a un\u2019idea di coperta, di letto, di cuscino, se vogliamo; i rasi di poliestere che vengono utilizzati per foderare i divani o comunque che servono per l\u2019arredamento e i tessuti di nylon pi\u00f9 legati a un\u2019idea di performativit\u00e0, sono tessuti utilizzati solitamente per i costumi delle ginnaste, sono molto elastici e hanno sempre questo aspetto molto brillante, possiamo dire un po' pop che mi piace molto. Invece per quanto riguarda \u201cFeeder\u201d, ovvero le tende il tendaggio, \u00e8 composto da pile tessuto trapuntato e raso, le ho cucite rifacendomi ad alcune cucce per animali domestici di cui avevo collezionato molte immagini in modo d\u00e0\u00a0capirne l\u2019estetica. Essendo grande il tendaggio da idea di qualcosa di molto pesante che per\u00f2 \u00e8 spezzato da queste tettarelle modellate in creta cruda, che fanno da decorazione. Devo dire che il materiale nei miei lavori \u00e8 sempre scelto in modo concettuale, che risponde a un esigenza anche pi\u00f9 emotiva, capisco la funzionalit\u00e0 stereotipata se vogliamo anche del materiale e mi piace poi ribaltare il senso, continuo infatti a rimaneggiare il materiale fino a quando non sento che la forma \u00e8 quella giusta. > GO: Grazie mille Sara, terminerei la discussione sui materiali chiedendomi cosa sono le macchie che ricoprono il pavimento della galleria Schiavo-Zoppelli, di che materiale si tratta e se la sua diffusione a chiazze sparse \u00e8 parte di un gesto, di una performativit\u00e0 nascosta che precede l\u2019apertura dell\u2019esposizione al pubblico ? > SR : Le macchie sul pavimento sono macchie di sale mischiato con acqua, pi\u00f9 o meno diluita, dipende da come ho deciso di usarla, a tratti in modo pi\u00f9 denso oppure pi\u00f9 diluito. Perch\u00e9 quando il sale si asciuga crea dei cristalli, tutto questo perch\u00e9 i cavalli quando sono stressati usano leccare dei grossi cubi di sale e allo stesso tempo quando corrono sudano moltissimo, quindi per me questo sale era\u00a0per rimarcare un\u2019idea di corpo, un\u2019idea di fluido. Oltre al sale in mostra c\u2019\u00e8 un altro elemento organico che \u00e8 la creta cruda lasciata cruda per lasciarle una parvenza di naturale, organico e distruttibile e non trasformarla in ceramica. Su questa idea di performativit\u00e0 nascosta, che tu dicevi nascosta al pubblico... Mi sono interrogata a lungo sull\u2019idea di performativit\u00e0 della scultura, volevo trovare un modo per far sembrare tutto meno morto, una sensazione che ho spesso quando guardo un lavoro, con questi elementi organici mi sembrava quasi di sfuggire a questa sensazione. Potremmo dire anche nel mio lavoro esiste un aperformativit\u00e0 insita nel lavoro perch\u00e9 sembra che ci sia un'azione che precede il risultato. Il sale crea anche un percorso, in qualche modo pone un percorso definito allo sguardo di chi osserva il lavoro. > GO : Grazie, mille per le tutte cose che hai condiviso con noi oggi e speriamo che anche le persone in ascolto stiano immaginando la mostra e che grazie alle tue descrizioni e alle tue riflessioni, oltre che alle suggestioni sonore - che abbiamo selezionato insieme oggi per questa puntata - insomma che tutte e tutti possano approfittare degli ultimi giorni per visitare la mostra Tamed Love in galleria che vi ricordo rimarr\u00e0 aperta fino al 15 di maggio presso la galleria Schiavo-Zoppelli di Milano. Terminiamo ora la puntata di oggi con la canzone di Freddy Mercury, Delilah dedicata al suo gatto. Buona serata a tutti! > SR : Ciao, ciao grazie a tutti. SR : Ciao, ciao! ENGLISH TRANSCRIPTION\u00a0 GO : Welcome everyone, you might have recognized the voice of Mademoiselle Nobs from Pink Floyd's live show in Pompeii. We are on Lumpen Station, an independent online radio from Biel, which today dedicates this episode of the Embassy section to Sara Ravelli and her exhibition Tamed Love at Galleria Schiavo-Zoppelli in Milan. I'm Giada Olivotto and today I'm going to build together with the artist Sara Ravelli a narration that can help us discover -through sound- her artistic practice and the exhibition, visible - I remind you- until May 15th at the Gallery in Via Martiri Oscuri, not far from Milan's Central Station. > The first audio that forms the sound narration that Sara and I have prepared for you today is the one you have just listened to, that is an extract from the cinematographic transposition of the book Watership Down, by Richard Adams. A feature film that re-proposes the main events narrated in the novel by the English writer. A book, that of Watership Down, by Richard Adams, which after its publication in 1972 has been reinterpreted in various forms. In fact, we find it in an episode of Lost - in the library of the expert swindler James Ford, whom you all surely know as Sawyer - as well as in the movie Donnie Darko - in which it is assigned as a class assignment -. The Hill of Rabbits also inspires the name of the record company OWLA, founded by Skrillex, being in fact his favorite book. After this brief introduction we welcome Sara, the protagonist of today's episode. Hi Sara, it's a real pleasure to have the opportunity to talk with you about your work and your exhibition in Milan, entitled Tamed Love, as we mentioned at the beginning. I'll start right away with a question for you. When we started exchanging ideas for our chat today, the first thing you chose to share with me was the 1978 animated film -censored in several countries because of its violence and based on the book we have just talked about- The Hill of Rabbits. Would you like to share with us why you chose this audio to begin with? Tell us how you discovered this book and if you recognize yourself in one of the main characters?\u00a0\u00a0\u00a0\u00a0 > SR : Hi Giada, the pleasure is mine and I thank you...(giggle) in truth I have never read the book but I think, now three years ago, in my first home in Milan, one evening, I watched the cartoon and I remember finding it incredibly violent, but at the same time also very beautiful because the animation is very well done and the rabbits, anthropomorphized, all have very distinct personalities. In the story there is no single hero, but a collection of characters who, thanks to their individual talents, manage to create a compact unit that manages to overcome adversity. In particular, the clip that we have listened to is taken from the moment when Quintiglio, the most frightened but at the same time most perceptive bunny in the hutch feels that something terrible is about to happen and therefore mobilizes to evacuate all his bunny friends. The image shows this bunny looking at the terrified viewer and it is the same one I used to open one of the works in the exhibition, that is a small publication always titled Tamed Love that I wrote collecting stories in which human and animal subjects are protagonists. The stories collected in the publication are different from each other - they talk about emotional experiences, news stories and scientific facts. Such diverse stories - or as I like to call them, case studies - are mixed together creating a new narrative. Initially, they always open -we can say- in a positive way, trying to contextualize the characters, and then reveal dramatic implications. In each story, the main characters are animals that have their own names, and are called directly by name. For example, the story is titled Violetta and Hector, I mistook love for submission, it is about an emotional experience where I talk about my first kiss, I think I was about 6 years old, given to a dolphin in an aquapark that I then discovered to be dead a few years later. Probably due to mistreatment by the keepers' instructors or otherwise to issues related to their life inside the tank. For a change of character, it occurs to me that yesterday a dog shyly stole a piece of pizza from me, and so I think of Marco's story, which is the story of this police dog at the Swiss-French border that I used to meet every time I crossed the border who, at my suggestion to give him a piece of pizza -in a very instinctive way- barked at me very loudly, I think because he is used to being rewarded by the police with croquettes that he perhaps associates only with drugs, explosives and missing persons. But my pizza was just a regular pizza that he obviously didn't associate with any of those things. > GO : Amazing, thank you for sharing these details with us. I understand that the stories you have written and collected in your publication Tamed love have their origin in different moments of your life. At this point I wonder if maybe there are also stories that are based on, or intertwined with, facts from the news?\u00a0 > SR: Yes, one of my favorite characters is Travis, an American chimpanzee who lived for a long time with his \"human parents\" who treated him like a human being. In particular, I remember at the beginning I was intrigued by a sentence said by its owners from which I extracted \"Travis could open the door with the keys, dress himself, give water to plants and feed hay to horses\" so somehow this sentence emphasizes the idea that an animal is smarter than the other and an animal was able to take care of the other feeding him. putting on two different levels the horse and the chimpanzee. Travis' story unfortunately does not have a happy ending. > GO : Yes, Sara has in fact selected for us an excerpt from a 911 call that took place in 2009 where Travis the chimpanzee is the protagonist. Let's listen to it together to understand how tragic Travis' end was. > SR : this was the audio where a friend of Sandra, Travis' human mom, calls the police because Travis is trying to kill her friend Carla. One day the chimp seems to go crazy after Carla touches her favorite toy which is a puppet called Elmo, and seems to want to kill her for touching it. The police after receiving the call arrive in Sandra's garden and shoot Travis, killing him. It was later discovered that Travis had taken Xanax in the afternoon, mixed with a snack and that Xanax can cause hallucinations and aggression in the individual who takes it. > GO : The dramatic story of Travis that you told us makes me think about the question of taking care, in the case of a species other than humans basically means domesticating it and demanding that it accept our constant presence and our inconstant need for love at the same time. The story of this drugged chimpanzee - and basically abducted from its natural habitat, as well as forced to live in the company of humans - also makes me reflect on the question of domestication and in particular on the area, territory and climate in which we decide that animals can live. Among these elements we find in particular the objects for taking care of or domesticating animals, which in short are objects that change together with our society. I am referring to the production of a kennel or a buggy. Both of these objects are produced by us, but in order to use them they must be activated by trained animal species different from our own. I have seen that in the exhibition that you have brought to the Gallery there are details in the works that recall the presence of an animal but at the same time do not claim its presence. Would you like to give us your opinion on the question of domesticated love between species? In particular I would like to ask you, in order to give our listeners an idea of how the exhibition is visually presented, to describe to us which works you have decided to include in the exhibition and how they are arranged in the space? > SR: Yes, one of the most interesting aspects for me is this idea of a constraint that seems to be gentle. At this moment I am interested in the relationship between human and animal in which both a form of affection and a form of power coexist, interchanging continuously, and according to me this type of relationship is particularly evident through the objects of domestication, which can be a kennel, a collar, a bottle and so on ... in fact we could stay here forever, but let's say specifically the tools that interest me most are those that have a double value of care and power. As you said, the objects in the exhibition evoke the presence of an animal body but at the same time they don't claim its presence, in fact I wanted my sculptures to be evocative, I really like that the work has, let's say, \"holes\" that leave room for different narratives, even personal ones, of those who look at the work and that the most specific thing is the atmosphere. In the series of works in the exhibition I focused on the idea of disguise as a form of control applied in particular to the equestrian world by sewing costumes for horses and to nutrition as a form of addiction by making these large fabric tents that I then mounted on the walls of the gallery. > GO : And it is Lil Nas X's 2019 song that introduces us to the protagonist of the exhibition Tamed Love. Sara, the protagonist of your narrative in this exhibition I understand is the horse. The horse, is an equine subspecies that has lived and survived with us for roughly 5000 years. The history of the domestication of the wild horse began in the Asian steppes - with the now extinct Tarpan - and has never stopped since. Even today, despite the fact that we no longer need these beautiful animals to move or to feed ourselves, we continue to make them necessary and to integrate them especially in our free time. The horse has then also been the undisputed subject of art that has made it the protagonist, but I would like to talk about one among the most recent examples -that has stayed with me the most- is the one related to the French Algerian artist Mohamed Bourouissa who in 2018 at the Museum of Modern Art de la Ville de Paris presented an exhibition entitled Urban Riders. Urban Riders, in addition to being the title of the exhibition is also the title film produced in 2015. The French artist, for the production of this film, inspired by the work of Martha Camarillo, a photographer who analyzed the community of Fletcher Street. Bourouissa after viewing Camarillo's research organized Horse Day where she invited members of the North Philadelphia Fletcher Street horsemen community to show their horses dressed thanks to costumes made for the occasion. In Paris, Bourouissa then exhibited the costumes made for the horses and the photographs taken during the making of Urban Riders. I wonder at this point if your works were made with the intention of being worn later by the equines or if my feeling that they do not have this equestrian parade purpose is correct?\u00a0\u00a0 > SR: No, they were not meant to be worn, both because I don't think it's right to use animals in my work and also because I wanted the forms to be somehow more informal, more abstract. The shape of the horses' heads comes from a plaster cast that I was kindly given by the Mus\u00e9e d'Histoire Naturelle in Geneva, so let's say I started from a horse that was already an object, not a horse belonging to someone in his intimate sphere but belonging to the state, a horse that was already a representation in itself. The horse costumes refer to costumes used in popular parades, in particular at the beginning of the work I had read an article entitled \"The 20 Most Miserable Horses in the World\" where the images in this article show horses disguised as their masters in parades or ambiguous events, between the celebratory and the domestic: horses dressed as sheep, dragon-horses, Halloween horses, unicorns. The hand-sewn costumes incorporate heavy and bulky elements but at the same time assembled with care and precision. The interesting thing about these images is that they seemed ridiculously, precisely, miserable, but at the same time fun and full of dedication. In the images there was a tension between affectivity and humiliation, given by an \"object constraint\".\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 > GO : Thanks to the details described by this Gamer in the audio we have just been able to listen together with the \"pimp my horse\" technique and he is trying to choose which is the best saddle for his horse. Let's move on now, let's get a little more specific by analyzing the materials you used to make your pieces that vary from time to time. You recently told me about the choices you make when choosing and purchasing the fabrics with which you create your installations. Would you care to share with us what's behind the choice of purple satin, or blue quilting, etc.?\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 > SR: As far as horse costumes go, each costume gives the animal as well as the human an identity and the materials all relate to specific imagery and specific functions of the material itself. For example, there is the quilted fabric that refers to an idea of a blanket, of a bed, of a pillow, if you will; the polyester satins that are used to line sofas or that are used for furniture and the nylon fabrics that are more related to an idea of performativity, they are usually used for the costumes of gymnasts, they are very elastic and always have this very bright look, we can say a little pop that I like a lot. As for \"Feeder\", the curtains are made of quilted fleece fabric and satin, I sewed them referring to some kennels for pets of which I had collected many images in order to understand the aesthetics. Being large, the curtain gives the idea of something very heavy, but it is broken by these nipples modeled in raw clay, which serve as decoration. I must say that the material in my works is always chosen in a conceptual way, which responds to a more emotional need, I understand the stereotypical functionality of the material and I like to reverse the sense, I continue to rework the material until I feel that the form is right. > GO: Thank you very much Sara, I would like to end the discussion on materials by asking myself what are the stains that cover the floor of the Schiavo-Zoppelli gallery, what kind of material are they and if their diffusion in scattered patches is part of a gesture, of a hidden performativity that precedes the opening of the exhibition to the public? > SR : The stains on the floor are stains of salt mixed with water, more or less diluted, depending on how I decided to use it, at times more dense or more diluted. Because when the salt dries it creates crystals, all because when horses are stressed they use to lick large cubes of salt and at the same time when they run they sweat a lot, so for me this salt is an idea of body, an idea of fluid. In addition to the salt in the exhibition there is another organic element that is the raw clay left raw to leave it a semblance of natural, organic and destructible and not turn it into ceramic. On this idea of hidden performativity, which you said hidden from the public.... I wondered about the idea of performativity in sculpture for a long time, I wanted to find a way to make everything seem less dead, a feeling I often have when I look at a work, with these organic elements I almost felt like I was escaping this feeling. We could also say that in my work there is an aperformativity inherent in the work because it seems that there is an action that precedes the result. The salt also creates a path, in some way it sets a definite path for the eye of the observer of the work. > GO : Thank you very much for all the things you have shared with us today and we hope that the people listening are also imagining the exhibition and that thanks to your descriptions and your reflections, as well as the sound suggestions - that we have selected together today for this episode - in short, that everyone can take advantage of the last days to visit the exhibition Tamed Love in the gallery that I remind you will remain open until May 15 at the Schiavo-Zoppelli gallery in Milan. Let's end today's episode with Freddy Mercury's song, Delilah dedicated to his cat. Have a good evening everyone! > SR : Bye, thank you all. SR: Bye, bye!","date":"11\/05\/2021","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1116\/lumpen_embassy.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1116\/lumpen_embassy.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1116\/lumpen_embassy.1200x1200.webp","ratio":98,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1116\/podcast_go_sr.mp3","duration":0}],"duration":"00:00","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114},{"title":"Art Cell Odyssey","subtitle":"Wassili Widmer and Andrea Marioni","colour":"#07aedd","path":"artcellodyssey","texte":"

Lumpen Embassy - Art Cell Odyssey, in Kunsthalle Appenzell Ziegelh\u00fctte, 14.03.2021<\/p>\n\n

Archive of\u00a0the invitation of the Kunsthalle Appenzell in which\u00a0the artists\u00a0Wassili Widmer\u00a0and\u00a0Andrea Marioni
\npresented\u00a0a live radio broadcast\u00a0from the exhibition\u00a0APP'N'CELL NOW<\/a>.\u00a0<\/p>\n\n


\n\"We would like to explore\u00a0an exhibition as a\u00a0Space Odyssey or a journey to hell like Dante's,
\nwhere the encounter of the exhibited works allows us to give voice to creators,
\nto explore an iconography, to portray an organic anatomy that unfolds in the architecture of the museum.\"
\nWassili W. & Andrea M.


\nThe broadcast\u00a0include the participation of the exhibition curator\u00a0Roland Scotti\u00a0and the artists,\u00a0Birgit Widmer,\u00a0Harlis Schweizer,
\nM\u00e4ddel Fuchs,\u00a0Gabriela Falkner,\u00a0Mark Staff Brandl,\u00a0Jochen Heilek\u00a0and\u00a0Regula Engeler,\u00a0Pablo Walser,
\nBeatrice D\u00f6rig,\u00a0Anna Diehl.<\/p>","desc":"Lumpen Embassy - Art Cell Odyssey, in Kunsthalle Appenzell Ziegelh\u00fctte, 14.03.2021 Archive of\u00a0the invitation of the Kunsthalle Appenzell in which\u00a0the artists\u00a0Wassili Widmer\u00a0and\u00a0Andrea Marioni presented\u00a0a live radio broadcast\u00a0from the exhibition\u00a0APP'N'CELL NOW.\u00a0 \"We would like to explore\u00a0an exhibition as a\u00a0Space Odyssey or a journey to hell like Dante's, where the encounter of the exhibited works allows us to give voice to creators, to explore an iconography, to portray an organic anatomy that unfolds in the architecture of the museum.\" Wassili W. & Andrea M. The broadcast\u00a0include the participation of the exhibition curator\u00a0Roland Scotti\u00a0and the artists,\u00a0Birgit Widmer,\u00a0Harlis Schweizer, M\u00e4ddel Fuchs,\u00a0Gabriela Falkner,\u00a0Mark Staff Brandl,\u00a0Jochen Heilek\u00a0and\u00a0Regula Engeler,\u00a0Pablo Walser, Beatrice D\u00f6rig,\u00a0Anna Diehl.","date":"18\/03\/2021","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1115\/lumpenstation_artcellodyssey.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1115\/lumpenstation_artcellodyssey.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1115\/lumpenstation_artcellodyssey.1200x1200.jpg","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1115\/podcastedit.mp3","duration":5436},{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1115\/fullinterview_rolandscotti.mp3","duration":3843}],"duration":"154:39","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114},{"title":"Sup\u00e9rette","subtitle":"a sample of conspiracy atmospheres","colour":"#fef83a","path":"superette","texte":"

Sup\u00e9rette \u2013 a sample of conspiracy atmospheres\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0
\nAvec Jeremy Chevalier, Monica German, Sara Koller, Swann Thommen, Emma Souharce, Franziska Baumgartner\u00a0and Jonathan Frigeri\u00a0<\/p>\n\n

Cette compilation de cr\u00e9ations sonores originales \u00e9tait initialement pr\u00e9vue comme exposition radiophonique pour la participation de Lumpen Station et espace libre Visarte BielBienne \u00e0 la foire internationale d\u2019espace d\u2019arts \u00e0 but non lucratif Supermarket 2020 \u00e0 Stockholm. Avec les mesures de restrictions li\u00e9es au Covid19, il n\u2019a pas \u00e9t\u00e9 possible de pr\u00e9senter ces cr\u00e9ations sous leurs formes originales. Elles ont \u00e9t\u00e9 diffus\u00e9es le 16 d\u00e9cembre \u00e0 espace libre Visarte BielBienne comme \u00e9mission extra lors de l\u2019exposition radiophonique SONATERIUM r\u00e9alis\u00e9e entre le 4 novembre et 9 d\u00e9cembre 2020.<\/p>\n\n

Les artistes ont \u00e9t\u00e9 invit\u00e9\u00b7es \u00e0 r\u00e9agir \u00e0 la question de l\u2019atmosph\u00e8re et plus particuli\u00e8rement celle d\u2019un espace d\u2019art ind\u00e9pendant. En effet, ces lieux souvent des Artist Run Space, se caract\u00e9risent par leur capacit\u00e9 \u00e0 proposer un cadre particulier pour la r\u00e9ception de cr\u00e9ations artistiques. Ces lieux d\u2019exposition sont en marge des circuits commerciaux et souvent accueillent des artistes qui m\u00e8nent un travail de recherche exp\u00e9rimental et proposent des formes qui sont en devenir, ainsi que en marge des lieux de diffusions \u00e9tablis.<\/p>\n\n

A partir de cette r\u00e9flexion, sous la suggestion du philosophe Luca Depietri, il a \u00e9t\u00e9 question d\u2019imaginer l\u2019atmosph\u00e8re de ces espaces sous l\u2019angle de la conspiration, comprise pour son \u00e9tymologie con-spirare, respirer ensemble. Ce souffle \u00e0 partager constitue l\u2019essence de l\u2019atmosph\u00e8re d\u2019un lieu et contribue au sentiment de communion parmi les participants.<\/p>\n\n

Pour Sup\u00e9rette, les artistes ont imagin\u00e9 une bande son d\u2019un espace d\u2019exposition sonore et l\u2019atmosph\u00e8re qui s\u2019en d\u00e9gage, de mani\u00e8re \u00e0 accueillir des auditeur\u00b7trices pr\u00e9sent\u00b7es sur place ou \u00e0 distance et proposer une exp\u00e9rience de r\u00e9ception d\u2019une exposition qui s\u2019articule surtout dans l\u2019imaginaire.<\/p>\n\n

Le texte d\u2019Hakim Bey \u00ab\u00a0Sermons radiophoniques\u00a0\u00bb, \u00e9ditions le mot et le reste, 2011, a aussi servi comme cadre conceptuel de la compilation Sup\u00e9rette, ici dessous sont pr\u00e9sent\u00e9es quelques citations\u00a0:<\/p>\n\n

Pag 52
\n\u00ab\u00a0Quant \u00e0 la radio, c\u2019est clairement le m\u00e9dia de l\u2019absence \u2013 comme le livre mais plus encore, puisque le livre vous laisse seul dans la lumi\u00e8re, la radio seul dans le noir.\u00a0\u00bb<\/p>\n\n

Pag44
\n\u00ab\u00a0Et ceci nous ram\u00e8ne \u00e0 la forme politique de l\u2019imm\u00e9diatisme. Face-\u00e0-face, corps-contre-corps, souffle-contre-souffle (litt\u00e9ralement une conspiration) \u2013 le jeu de l\u2019imm\u00e9diatisme ne peux tout simplement pas \u00eatre jou\u00e9 \u00e0 un niveau accessible au faux consensus. (\u2026) Comme une soci\u00e9t\u00e9 secr\u00e8te, la mise en r\u00e9seau qu\u2019il effectue doit \u00eatre lente (infiniment plus lente que la vitesse pure de la technoCom, des m\u00e9dias et de la guerre), et elle doit \u00eatre mat\u00e9rielle plut\u00f4t qu\u2019abstraite, d\u00e9sincarn\u00e9e, sous la m\u00e9diation de la machine ou de l\u2019autorit\u00e9 ou de la simulation.\u00a0\u00bb<\/p>\n\n

Pag 15
\n\u00ab\u00a0Certains m\u00e9dias, principalement des arts-vivants tels que la danse, le th\u00e9\u00e2tre, la performance musicale ou po\u00e9tique, s\u2019appuient moins sur la m\u00e9diation que d\u2019autres comme la t\u00e9l\u00e9vision, les CD, la r\u00e9alit\u00e9 virtuelle. (\u2026) Les supports \u00e9crits et la radio exigent davantage d\u2019imagination, les films moins, la t\u00e9l\u00e9vision encore mois, la r\u00e9alit\u00e9 virtuelle le moins de tous \u2013 jusqu\u2019ici.\u00a0\u00bb<\/p>\n\n

----------------------------------------------------------------<\/p>\n\n

This compilation of original sound creations was originally planned as a radio exhibition for the participation of lumpen station and espace libre Visarte BielBienne in the non-profit international art space fair\u00a0: Supermarket 2020 in Stockholm.\u00a0Due to restrictions in connection with Covid19 it was not possible to present these creations in their original form. They were broadcasted on December 16 at the espace libre Visarte BielBienne as an extra broadcast during the radio exhibition SONATERIUM realized between November 4 and December 9, 2020.<\/p>\n\n

The artists were invited to react to the question of the atmosphere and more particularly that of an independent art space. Indeed, these places, often Artist Run Space, are characterized by their capacity to propose a particular framework for the reception of artistic creation. These exhibition spaces are on the bangs of commercial circuits and often host artists who conduct experimental research and propose forms that are in the process of becoming, as well as on the bangs of established venues.
\nFrom this reflection, under the suggestion of the philosopher Luca Depietri, it was a question of imagining the atmosphere of these spaces from the angle of conspiracy, understood for its etymology con-spiracy, breathing together. This breath to be shared constitutes the essence of the atmosphere of a space and contributes to the feeling of communion among the participants.<\/p>\n\n

The artists for Sup\u00e9rette have imagined a soundtrack of a sound exhibition space and the atmosphere that emerges from it in such a way as to welcome listeners present on site or at distance and offer an experience of receiving an exhibition that is articulated above all in the imagination.<\/p>\n\n

Hakim Bey's text \"Sermons radiophoniques\", \u00e9ditions le mot et le reste, 2011, also served as a conceptual framework for the compilation Sup\u00e9rette, here below are a few quotations:<\/p>\n\n

Pag 52
\n\"As for the radio, it is clearly the medium of absence - like the book, but more so, since the book leaves you alone in the light, the radio alone in the dark. \u00bb<\/p>\n\n

Pag44
\n\"And this brings us back to the political form of immediacy. Face-to-face, body-to-body, breath-by-breath (literally a conspiracy) - the game of immediacy simply cannot be played at a level accessible to fake consensus. (...) Like a secret society, the networking it performs must be slow (infinitely slower than the pure speed of technoCom, media and war), and it must be material rather than abstract, disembodied, mediated by machine or authority or simulation. \u00bb<\/p>\n\n

Pag 15
\n\"Some media, mainly living arts such as dance, theater, live music or poetic performance, rely less on mediation than others such as television, CDs, virtual reality. (...) Written media and radio require more imagination, films less, television still less, virtual reality the least of all - so far. \u00bb<\/p>","desc":"Sup\u00e9rette \u2013 a sample of conspiracy atmospheres\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Avec Jeremy Chevalier, Monica German, Sara Koller, Swann Thommen, Emma Souharce, Franziska Baumgartner\u00a0and Jonathan Frigeri\u00a0 Cette compilation de cr\u00e9ations sonores originales \u00e9tait initialement pr\u00e9vue comme exposition radiophonique pour la participation de Lumpen Station et espace libre Visarte BielBienne \u00e0 la foire internationale d\u2019espace d\u2019arts \u00e0 but non lucratif Supermarket 2020 \u00e0 Stockholm. Avec les mesures de restrictions li\u00e9es au Covid19, il n\u2019a pas \u00e9t\u00e9 possible de pr\u00e9senter ces cr\u00e9ations sous leurs formes originales. Elles ont \u00e9t\u00e9 diffus\u00e9es le 16 d\u00e9cembre \u00e0 espace libre Visarte BielBienne comme \u00e9mission extra lors de l\u2019exposition radiophonique SONATERIUM r\u00e9alis\u00e9e entre le 4 novembre et 9 d\u00e9cembre 2020. Les artistes ont \u00e9t\u00e9 invit\u00e9\u00b7es \u00e0 r\u00e9agir \u00e0 la question de l\u2019atmosph\u00e8re et plus particuli\u00e8rement celle d\u2019un espace d\u2019art ind\u00e9pendant. En effet, ces lieux souvent des Artist Run Space, se caract\u00e9risent par leur capacit\u00e9 \u00e0 proposer un cadre particulier pour la r\u00e9ception de cr\u00e9ations artistiques. Ces lieux d\u2019exposition sont en marge des circuits commerciaux et souvent accueillent des artistes qui m\u00e8nent un travail de recherche exp\u00e9rimental et proposent des formes qui sont en devenir, ainsi que en marge des lieux de diffusions \u00e9tablis. A partir de cette r\u00e9flexion, sous la suggestion du philosophe Luca Depietri, il a \u00e9t\u00e9 question d\u2019imaginer l\u2019atmosph\u00e8re de ces espaces sous l\u2019angle de la conspiration, comprise pour son \u00e9tymologie con-spirare, respirer ensemble. Ce souffle \u00e0 partager constitue l\u2019essence de l\u2019atmosph\u00e8re d\u2019un lieu et contribue au sentiment de communion parmi les participants. Pour Sup\u00e9rette, les artistes ont imagin\u00e9 une bande son d\u2019un espace d\u2019exposition sonore et l\u2019atmosph\u00e8re qui s\u2019en d\u00e9gage, de mani\u00e8re \u00e0 accueillir des auditeur\u00b7trices pr\u00e9sent\u00b7es sur place ou \u00e0 distance et proposer une exp\u00e9rience de r\u00e9ception d\u2019une exposition qui s\u2019articule surtout dans l\u2019imaginaire. Le texte d\u2019Hakim Bey \u00ab\u00a0Sermons radiophoniques\u00a0\u00bb, \u00e9ditions le mot et le reste, 2011, a aussi servi comme cadre conceptuel de la compilation Sup\u00e9rette, ici dessous sont pr\u00e9sent\u00e9es quelques citations\u00a0: Pag 52 \u00ab\u00a0Quant \u00e0 la radio, c\u2019est clairement le m\u00e9dia de l\u2019absence \u2013 comme le livre mais plus encore, puisque le livre vous laisse seul dans la lumi\u00e8re, la radio seul dans le noir.\u00a0\u00bb Pag44 \u00ab\u00a0Et ceci nous ram\u00e8ne \u00e0 la forme politique de l\u2019imm\u00e9diatisme. Face-\u00e0-face, corps-contre-corps, souffle-contre-souffle (litt\u00e9ralement une conspiration) \u2013 le jeu de l\u2019imm\u00e9diatisme ne peux tout simplement pas \u00eatre jou\u00e9 \u00e0 un niveau accessible au faux consensus. (\u2026) Comme une soci\u00e9t\u00e9 secr\u00e8te, la mise en r\u00e9seau qu\u2019il effectue doit \u00eatre lente (infiniment plus lente que la vitesse pure de la technoCom, des m\u00e9dias et de la guerre), et elle doit \u00eatre mat\u00e9rielle plut\u00f4t qu\u2019abstraite, d\u00e9sincarn\u00e9e, sous la m\u00e9diation de la machine ou de l\u2019autorit\u00e9 ou de la simulation.\u00a0\u00bb Pag 15 \u00ab\u00a0Certains m\u00e9dias, principalement des arts-vivants tels que la danse, le th\u00e9\u00e2tre, la performance musicale ou po\u00e9tique, s\u2019appuient moins sur la m\u00e9diation que d\u2019autres comme la t\u00e9l\u00e9vision, les CD, la r\u00e9alit\u00e9 virtuelle. (\u2026) Les supports \u00e9crits et la radio exigent davantage d\u2019imagination, les films moins, la t\u00e9l\u00e9vision encore mois, la r\u00e9alit\u00e9 virtuelle le moins de tous \u2013 jusqu\u2019ici.\u00a0\u00bb ---------------------------------------------------------------- This compilation of original sound creations was originally planned as a radio exhibition for the participation of lumpen station and espace libre Visarte BielBienne in the non-profit international art space fair\u00a0: Supermarket 2020 in Stockholm.\u00a0Due to restrictions in connection with Covid19 it was not possible to present these creations in their original form. They were broadcasted on December 16 at the espace libre Visarte BielBienne as an extra broadcast during the radio exhibition SONATERIUM realized between November 4 and December 9, 2020. The artists were invited to react to the question of the atmosphere and more particularly that of an independent art space. Indeed, these places, often Artist Run Space, are characterized by their capacity to propose a particular framework for the reception of artistic creation. These exhibition spaces are on the bangs of commercial circuits and often host artists who conduct experimental research and propose forms that are in the process of becoming, as well as on the bangs of established venues. From this reflection, under the suggestion of the philosopher Luca Depietri, it was a question of imagining the atmosphere of these spaces from the angle of conspiracy, understood for its etymology con-spiracy, breathing together. This breath to be shared constitutes the essence of the atmosphere of a space and contributes to the feeling of communion among the participants. The artists for Sup\u00e9rette have imagined a soundtrack of a sound exhibition space and the atmosphere that emerges from it in such a way as to welcome listeners present on site or at distance and offer an experience of receiving an exhibition that is articulated above all in the imagination. Hakim Bey's text \"Sermons radiophoniques\", \u00e9ditions le mot et le reste, 2011, also served as a conceptual framework for the compilation Sup\u00e9rette, here below are a few quotations: Pag 52 \"As for the radio, it is clearly the medium of absence - like the book, but more so, since the book leaves you alone in the light, the radio alone in the dark. \u00bb Pag44 \"And this brings us back to the political form of immediacy. Face-to-face, body-to-body, breath-by-breath (literally a conspiracy) - the game of immediacy simply cannot be played at a level accessible to fake consensus. (...) Like a secret society, the networking it performs must be slow (infinitely slower than the pure speed of technoCom, media and war), and it must be material rather than abstract, disembodied, mediated by machine or authority or simulation. \u00bb Pag 15 \"Some media, mainly living arts such as dance, theater, live music or poetic performance, rely less on mediation than others such as television, CDs, virtual reality. (...) Written media and radio require more imagination, films less, television still less, virtual reality the least of all - so far. \u00bb","date":"16\/12\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1112\/lumpenstation_superette_banner_3.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1112\/lumpenstation_superette_banner_3.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1112\/lumpenstation_superette_banner_3.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1112\/editsuperette.mp3","duration":5405}],"duration":"90:05","format":"MEET THE RESIDENTS","format_path":"meet-the-residents","format_id":1174,"sub_format":"espace libre : residences","sub_format_path":"espace-libre-residences","sub_format_id":1027},{"title":"SONATERIUM VOL. 5","subtitle":"Emma Souharce","colour":"#fef83a","path":"sonaterium-vol-5","texte":"

SONATERIUM vol. 5 - Emma Souharce
\nune exposition radiophnique \u00e0 espace libre Visarte BielBienne<\/p>\n\n

Enregistrement de l'\u00e9mission diffus\u00e9e en direct le 9.12.2020<\/p>\n\n

SOUHARCE<\/p>\n\n

harsh jazz et chansons (?) en roue libre
\nplanning : r\u00e9veil. verre d'eau. caf\u00e9. sono. d\u00eener.\u00a0
\nverres. transats. le direct. police & pizza.<\/em><\/p>\n\n

salut, \u00e7a va ?<\/em><\/p>\n\n

le no-input consiste en l'alimentation d'un organisme par lui-m\u00eame. par exemple : une table de mixage munie de c\u00e2bles qui relient les entr\u00e9es aux sorties histoire que la seule issue du labyrinthe soit un vortex, puis un haut parleur. par exemple : une personne qui m\u00e2che son cerveau et s'appr\u00eate \u00e0 parler. mais il ne s'agit pas vraiment de cela puisqu'on entend une chanson, une recette, un horoscope, une m\u00e9lodie m\u00e9lancolique, qu'on est d\u00e9rang\u00e9\u00b7e par tant de bruit \u2013 satan\u00e9 bruit \u2013 et qu'on ne comprend pas tout car c'est en fran\u00e7ais \u2013 satan\u00e9 fran\u00e7ais.\u00a0\u00a0<\/em><\/p>\n\n

je ne peux rien annoncer de pr\u00e9cis mais il y a autour de moi des synth\u00e9s, une bo\u00eete \u00e0 rythme et un de ces objets barbares tentaculaires surmont\u00e9 d'un micro.\u00a0<\/em><\/p>\n\n

je me pr\u00e9pare donc \u00e0 peut-\u00eatre improviser, peut-\u00eatre \u00e0 chanter, peut-\u00eatre \u00e0 parler, tout ceci en vue de la grande pr\u00e9paration aux peut-\u00eatres qui n'en finissent pas de s'enfiler. L'\u00e9lectricit\u00e9 et moi empruntons ainsi le chemin du demi-no-input \u00e0 la recherche d'un arr\u00eat de la recherche, ce moment juste l\u00e0 o\u00f9 il est enfin possible de purger les circuits de ce qui stagne.<\/em><\/p>","desc":"SONATERIUM vol. 5 - Emma Souharce une exposition radiophnique \u00e0 espace libre Visarte BielBienne Enregistrement de l'\u00e9mission diffus\u00e9e en direct le 9.12.2020 SOUHARCE harsh jazz et chansons (?) en roue libre planning : r\u00e9veil. verre d'eau. caf\u00e9. sono. d\u00eener.\u00a0 verres. transats. le direct. police & pizza. salut, \u00e7a va ? le no-input consiste en l'alimentation d'un organisme par lui-m\u00eame. par exemple : une table de mixage munie de c\u00e2bles qui relient les entr\u00e9es aux sorties histoire que la seule issue du labyrinthe soit un vortex, puis un haut parleur. par exemple : une personne qui m\u00e2che son cerveau et s'appr\u00eate \u00e0 parler. mais il ne s'agit pas vraiment de cela puisqu'on entend une chanson, une recette, un horoscope, une m\u00e9lodie m\u00e9lancolique, qu'on est d\u00e9rang\u00e9\u00b7e par tant de bruit \u2013 satan\u00e9 bruit \u2013 et qu'on ne comprend pas tout car c'est en fran\u00e7ais \u2013 satan\u00e9 fran\u00e7ais.\u00a0\u00a0 je ne peux rien annoncer de pr\u00e9cis mais il y a autour de moi des synth\u00e9s, une bo\u00eete \u00e0 rythme et un de ces objets barbares tentaculaires surmont\u00e9 d'un micro.\u00a0 je me pr\u00e9pare donc \u00e0 peut-\u00eatre improviser, peut-\u00eatre \u00e0 chanter, peut-\u00eatre \u00e0 parler, tout ceci en vue de la grande pr\u00e9paration aux peut-\u00eatres qui n'en finissent pas de s'enfiler. L'\u00e9lectricit\u00e9 et moi empruntons ainsi le chemin du demi-no-input \u00e0 la recherche d'un arr\u00eat de la recherche, ce moment juste l\u00e0 o\u00f9 il est enfin possible de purger les circuits de ce qui stagne.","date":"09\/12\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1110\/webbanner2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1110\/webbanner2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1110\/webbanner2.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1110\/emmaedit.mp3","duration":3284}],"duration":"54:44","format":"MEET THE RESIDENTS","format_path":"meet-the-residents","format_id":1174,"sub_format":"espace libre : residences","sub_format_path":"espace-libre-residences","sub_format_id":1027},{"title":"SONATERIUM VOL. 4","subtitle":"Monica Germann","colour":"#fef83a","path":"sonateriumvol4","texte":"

SONATERIUM VOL.4 - Monica Germann\u00a0
\nune exposition radiophonique \u00e0 espace libre Visarte BielBienne
\nEnregistrement de\u00a0\u00e9mission diffus\u00e9e en directe\u00a0de Monica Germann le 2.12.2020\u00a0<\/p>\n\n

SLOW DOWN MY LONELY FRIEND
monica wants you to feel comfortable in her sonaterium. this wednesday her inner sun gleams most radiantly when she gets her vocal chords vibrating. a vacuum cleaner can awaken and make sensitive fibers vibrate in every human being. the aim of dishwashing agents is primarily to free glasses from remnants, perhaps still capable of making some chords vibrate within the heart, but incapable of changing our lives or becoming our lives. the partly asymmetric choreography starts off with the step basics, broken down phase by phase until it reaches the ultimate dance step combination. steel is, when 10000 dancers with their metal shoes make the stage vibrate.<\/em><\/p>","desc":"SONATERIUM VOL.4 - Monica Germann\u00a0 une exposition radiophonique \u00e0 espace libre Visarte BielBienne Enregistrement de\u00a0\u00e9mission diffus\u00e9e en directe\u00a0de Monica Germann le 2.12.2020\u00a0 SLOW DOWN MY LONELY FRIENDmonica wants you to feel comfortable in her sonaterium. this wednesday her inner sun gleams most radiantly when she gets her vocal chords vibrating. a vacuum cleaner can awaken and make sensitive fibers vibrate in every human being. the aim of dishwashing agents is primarily to free glasses from remnants, perhaps still capable of making some chords vibrate within the heart, but incapable of changing our lives or becoming our lives. the partly asymmetric choreography starts off with the step basics, broken down phase by phase until it reaches the ultimate dance step combination. steel is, when 10000 dancers with their metal shoes make the stage vibrate.","date":"02\/12\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1109\/webbanner.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1109\/webbanner.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1109\/webbanner.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1109\/germannedit.mp3","duration":2800}],"duration":"46:40","format":"MEET THE RESIDENTS","format_path":"meet-the-residents","format_id":1174,"sub_format":"espace libre : residences","sub_format_path":"espace-libre-residences","sub_format_id":1027},{"title":"SONATERIUM VOL. 3","subtitle":"Wassili Widmer","colour":"#fef83a","path":"sonateriumvol3","texte":"

SONATERIUM VOL.3 - une exposition radiophonique\u00a0
\nespace libre artist in residence :\u00a0Wassili Widmer\u00a0<\/p>\n\n

RADIO KILLED THE INTERNET STAR

\nIn his long-durational performance\u00a0\u201eRadio killed the internet star\u201c Wassili\u00a0explores the medium radio and various elements of it. A compilation of songs about the radio, interviews with various radio station hosts, features by national and international artists and poetic elements from the artist will be part of the work. \u201eRadio killed the internet star\u201c will sound more or less like a radio show, while the medium is investigated in an experimental and playful way.\u00a0 As part of the \u201eSonaterium\u201c radio exhibition\u00a0Wassili Widmer\u00a0turns the station into a platform of gathering.
\nThe performance will be mainly in German (excluded interviews with English-speaking persons).\u00a0<\/p>\n\n


In seiner long durational Performance\u00a0\"Radio killed the internet star\"\u00a0setzt sich\u00a0Wassili\u00a0mit dem Medium Radio und verschiedenen Elementen davon auseinander. Eine Zusammenstellung von Liedern \u00fcber das Radio, Interviews mit verschiedenen Radiomoderatoren, Features von nationalen und internationalen K\u00fcnstler*innen und poetische Elemente des K\u00fcnstlers selbst werden Teil der Arbeit sein. \"Radio killed the internet star\" wird mehr oder weniger wie eine Radiosendung klingen, w\u00e4hrend das Medium auf experimentelle und spielerische Weise untersucht wird. Im Rahmen der Radioausstellung \"Sonaterium\" macht\u00a0Wassili\u00a0den Sender Lumpenstation zu einer Plattform der Zusammenkunft.
\nDie Auff\u00fchrung wird haupts\u00e4chlich auf Deutsch sein (bis auf Interviews mit englischsprachigen Personen).\u00a0<\/em><\/p>","desc":"SONATERIUM VOL.3 - une exposition radiophonique\u00a0 espace libre artist in residence :\u00a0Wassili Widmer\u00a0 RADIO KILLED THE INTERNET STAR In his long-durational performance\u00a0\u201eRadio killed the internet star\u201c Wassili\u00a0explores the medium radio and various elements of it. A compilation of songs about the radio, interviews with various radio station hosts, features by national and international artists and poetic elements from the artist will be part of the work. \u201eRadio killed the internet star\u201c will sound more or less like a radio show, while the medium is investigated in an experimental and playful way.\u00a0 As part of the \u201eSonaterium\u201c radio exhibition\u00a0Wassili Widmer\u00a0turns the station into a platform of gathering. The performance will be mainly in German (excluded interviews with English-speaking persons).\u00a0 In seiner long durational Performance\u00a0\"Radio killed the internet star\"\u00a0setzt sich\u00a0Wassili\u00a0mit dem Medium Radio und verschiedenen Elementen davon auseinander. Eine Zusammenstellung von Liedern \u00fcber das Radio, Interviews mit verschiedenen Radiomoderatoren, Features von nationalen und internationalen K\u00fcnstler*innen und poetische Elemente des K\u00fcnstlers selbst werden Teil der Arbeit sein. \"Radio killed the internet star\" wird mehr oder weniger wie eine Radiosendung klingen, w\u00e4hrend das Medium auf experimentelle und spielerische Weise untersucht wird. Im Rahmen der Radioausstellung \"Sonaterium\" macht\u00a0Wassili\u00a0den Sender Lumpenstation zu einer Plattform der Zusammenkunft. Die Auff\u00fchrung wird haupts\u00e4chlich auf Deutsch sein (bis auf Interviews mit englischsprachigen Personen).\u00a0","date":"25\/11\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1103\/podcastbanner.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1103\/podcastbanner.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1103\/podcastbanner.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1103\/wasssssili.mp3","duration":6369}],"duration":"106:09","format":"MEET THE RESIDENTS","format_path":"meet-the-residents","format_id":1174,"sub_format":"espace libre : residences","sub_format_path":"espace-libre-residences","sub_format_id":1027},{"title":"SONATERIUM VOL. 2","subtitle":"FHUN","colour":"#fef83a","path":"sonateriumvol2","texte":"

SONATERIUM VOL. 2
\nFHUN GAO
\n\"Melancholic spheres for your kitchen, bathroom-radio solitude.
\nHelping you to cristallise your sunday-on-a-wednesday-evening blues.
\nA glass of red wine and chocolate cake would help you too.\"

\nAn encounter for theremin & buchla music easel.\u00a0
\nThe voice somehow infiltrated the relationship.
\nA duo-phonic interview for three disparate monophonic voices.<\/p>\n\n

Cette \u00e9mission s'inscrit dans l'exposition radiophonique Sonaterium en collaboration entre Lumpenstation et espace libre Visarte BielBienne.\u00a0

\n\u00a0<\/p>","desc":"SONATERIUM VOL. 2 FHUN GAO \"Melancholic spheres for your kitchen, bathroom-radio solitude. Helping you to cristallise your sunday-on-a-wednesday-evening blues. A glass of red wine and chocolate cake would help you too.\" An encounter for theremin & buchla music easel.\u00a0 The voice somehow infiltrated the relationship. A duo-phonic interview for three disparate monophonic voices. Cette \u00e9mission s'inscrit dans l'exposition radiophonique Sonaterium en collaboration entre Lumpenstation et espace libre Visarte BielBienne.\u00a0 \u00a0","date":"18\/11\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1100\/podcastbanner.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1100\/podcastbanner.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1100\/podcastbanner.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1100\/podcast.mp3","duration":1700}],"duration":"28:20","format":"MEET THE RESIDENTS","format_path":"meet-the-residents","format_id":1174,"sub_format":"espace libre : residences","sub_format_path":"espace-libre-residences","sub_format_id":1027},{"title":"SONATERIUM VOL. 1","subtitle":"Monika Stalder & R\u00e9ka Csisz\u00e9r","colour":"#fef83a","path":"sonateriumvol1","texte":"

Sonaterium - une exposition radiophonique\u00a0
\nArtistes en r\u00e9sidences : Monika Stalder & R\u00e9ka Csisz\u00e9r\u00a0<\/p>\n\n

Tune in to the INTER-DIMENSIONAL SHORTWAVE CHANNEL.\u00a0
\nExperience a parallel-dimensional multichannel interference of cosmic stations - from the earth to the moon, around venus and back.<\/p>\n\n

Sonaterium est un programme de r\u00e9sidences de la dur\u00e9e d'une semaine o\u00f9 plusieurs artistes de Suisse proposent une cr\u00e9ation sonore radio diffus\u00e9e en direct \u00e0 l'int\u00e9rieur d'espace libre Visarte Biel\/Bienne. L'exposition est constitu\u00e9e de ces \u00e9missions et leurs archives sous forme de podcast.\u00a0<\/p>\n\n

Produced by espace libre Visarte Biel\/Bienne\u00a0and Lumpen Station<\/p>","desc":"Sonaterium - une exposition radiophonique\u00a0 Artistes en r\u00e9sidences : Monika Stalder & R\u00e9ka Csisz\u00e9r\u00a0 Tune in to the INTER-DIMENSIONAL SHORTWAVE CHANNEL.\u00a0 Experience a parallel-dimensional multichannel interference of cosmic stations - from the earth to the moon, around venus and back. Sonaterium est un programme de r\u00e9sidences de la dur\u00e9e d'une semaine o\u00f9 plusieurs artistes de Suisse proposent une cr\u00e9ation sonore radio diffus\u00e9e en direct \u00e0 l'int\u00e9rieur d'espace libre Visarte Biel\/Bienne. L'exposition est constitu\u00e9e de ces \u00e9missions et leurs archives sous forme de podcast.\u00a0 Produced by espace libre Visarte Biel\/Bienne\u00a0and Lumpen Station","date":"11\/11\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1099\/sitebanner.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1099\/sitebanner.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1099\/sitebanner.1200x1200.jpg","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1099\/monikarekaedit.mp3","duration":4870}],"duration":"81:10","format":"MEET THE RESIDENTS","format_path":"meet-the-residents","format_id":1174,"sub_format":"espace libre : residences","sub_format_path":"espace-libre-residences","sub_format_id":1027},{"title":"Porno Circuit vol. 2","subtitle":"Orchestr\u00e9 par Sara Strasser","colour":"#7b0dd8","path":"porno-circuit-vol-2","texte":"

Whoops room : Porno Circuit vol. 2<\/span>
\nOrchestr\u00e9 par Sara Strasser
\nAvec\u00a0Leksileks,\u00a0Nathalie Imhof, Romanski et\u00a0Roberto l\u2019Etrusque
\nHost : Andrea Marioni
\nDJs :\u00a0Ilie \u00ab\u00a0P\u00a0\u00bb Vanily\u00a0& Senior Cap<\/p>\n\n

Quel rapport entre la d\u00e9ch\u00e9ance humaine, la consommation et le Porno\u00a0?\u00a0Entre d\u00e9g\u00e9n\u00e9rescence, possession, d\u00e9sir et le pouvoir, que devient le plaisir obsc\u00e8ne de la chaire et sa fantaisie\u00a0?\u00a0Sans d\u00e9bat, sans discussion, sans r\u00e9ponses, Porno Radio choisit le Son pour p\u00e9n\u00e9trer l\u2019univers envo\u00fbtant, humide et profond du fantasme.<\/p>\n\n

Porno Circuit continue son immersion dans l\u2019univers controvers\u00e9\/subversif, polymorphe et subjectif de la pornographie. Au programme de ce deuxi\u00e8me volet, une mise \u00e0 jeu libre et ludique o\u00f9 s\u2019entrecroisent diff\u00e9rentes perspectives sur le sujet.\u00a0Abominable, abusive pour certains, n\u00e9cessaire pour d\u2019autres, vulgaire, obsc\u00e8ne et au m\u00eame temps attractive et magn\u00e9tique. Ind\u00e9cente jusqu\u2019au fond, la pornographie dans le contexte du Porno Circuit refl\u00e8te une volont\u00e9 de libert\u00e9 expressive permettant de sortir des convenances, d\u2019\u00e9largir les formes, sans vouloir les cerner.<\/p>\n\n

Bien que cela soit aujourd\u2019hui une th\u00e9matique vulgaris\u00e9e, populaire, qui pourrait en faire soupirer certains\u2026 ha, non, pff, pas encore de la pornographie, comme un plat r\u00e9chauff\u00e9 \u00e0 toutes les sauces, elle n\u2019en reste pas moins pr\u00e9sente, vivante et indiscernable.<\/p>\n\n

Porno Circuit s\u2019int\u00e9resse \u00e0 la pornographie au sens large du terme. C\u2019est avec une philosophie d\u2019observateur du ph\u00e9nom\u00e8ne et de son mode d\u2019existence multiple qu\u2019elle est abord\u00e9 sans jugement de valeur. La pornographie devient pour le Porno Circuit, un v\u00e9hicule d\u2019exploration et d\u2019expression libre. Un peu comme un espace laboratoire de cr\u00e9ation. La pornographie devient ici un mod\u00e8le de curiosit\u00e9 et d\u2019expression de changements soci\u00e9tal o\u00f9 les mots cl\u00e9s sont la d\u00e9mesure, l\u2019obsc\u00e9nit\u00e9, la grossi\u00e8ret\u00e9 ainsi que la consommation qui exploite nos instincts sexuels. C\u2019est \u00e9vident que chacun \u00e0 sa propre repr\u00e9sentation ou bien r\u00e9f\u00e9rences \u00e0 la pornographie. Pour illustrer ce propos, je vais vous lire un texte de Gilles Lapouge, qu\u2019on retrouve sur le web site d\u2019universalis.fr<\/p>\n\n

C'est une entreprise infinie que de d\u00e9finir la pornographie et de marquer ses diff\u00e9rences et ses similitudes avec son distingu\u00e9 voisin, l'\u00e9rotisme. Beaucoup s'y sont appliqu\u00e9s et l'exercice est devenu acad\u00e9mique. C'est que ces deux notions sont \u00e0 la fois enchev\u00eatr\u00e9es et remuantes. Elles bougent \u00e0 mesure que passent les si\u00e8cles et, parfois, elles \u00e9changent leurs places. Dix ans ou cent ans ont suffi pour que Flaubert, Miller, Pauline R\u00e9age ou Emmanuelle Arsan cessent d'\u00eatre obsc\u00e8nes ou pornographiques pour gagner d'autres labels\u00a0: classiques ou \u00e9rotiques. L'\u00e9rotisme est souvent la pornographie de la veille. D'une culture \u00e0 une autre, de m\u00eame, les fronti\u00e8res de la pornographie sont variables. Les Su\u00e9dois ont longtemps tout regard\u00e9 sans honte ni surprise quand certains pays musulmans ou socialistes d\u00e9testent le plus timide des strip-teases. (Je tiens \u00e0 ouvrir une parenth\u00e8se et pr\u00e9ciser, qu\u2019on parle ici des ann\u00e9es 60 \u00e0 80, et qu\u2019aujourd\u2019hui les lois se sont durcis \u00e0 ce sujet en su\u00e8de). Enfin, la pornographie est taill\u00e9e sur mesure pour chaque individu. Chacun s\u00e9cr\u00e8te sa propre pornographie. Ce qui choque l'un r\u00e9jouit son voisin ou le laisse de marbre.<\/p>\n\n

Comment, dans ces conditions, avancer une d\u00e9finition stable et universelle de la pornographie\u00a0? En v\u00e9rit\u00e9, ce terme est \u00e9trange en ce qu'il semble priv\u00e9 de contenu et de contour en m\u00eame temps. C'est un sac vide dans lequel chacun entasse ce qu'il veut \u2013\u00a0parfois son r\u00eave et parfois son d\u00e9go\u00fbt \u2013, compte tenu de sa culture, de sa classe sociale, de l'\u00e9ducation qu'il a subie, de ses fantasmes. Lewis Carroll a invent\u00e9 le\u00a0mot valise. Le mot \u00ab\u00a0pornographie\u00a0\u00bb pourrait passer pour un \u00ab\u00a0mot poubelle\u00a0\u00bb charg\u00e9 de recueillir tout ce que, de l'\u00e9rotisme, de la sexualit\u00e9 ou de la volupt\u00e9, on refuse ou convoite. Robbe-Grillet r\u00e9sume cela par sa formule\u00a0: \u00ab\u00a0La pornographie, c'est l'\u00e9rotisme des autres.\u00a0\u00bb Et l'on pourrait ajouter cette nuance\u00a0: \u00ab\u00a0Dis-moi ce que tu tiens pour pornographique et je te dirai qui tu es.\u00a0\u00bb Fin de citation.<\/p>\n\n

Porno Circuit s\u2019int\u00e9resse \u00e0 la diversit\u00e9 de perceptions, de relations au sujet et \u00e0 la forme \u00e9volutive, qui mute au rythme de la soci\u00e9t\u00e9. Hybride, elle se m\u00e9lange \u00e0 d\u2019autres corps pour continuer \u00e0 exercer son pouvoir de dopamine. Dans le cadre du premier volet, le format sonore s\u2019est inscrit dans une volont\u00e9 de ne pas d\u00e9battre, de ne pas chercher de r\u00e9ponses. Bien au contraire, de lui donner de l\u2019espace, de la flexibilit\u00e9, un peu de libert\u00e9, de sensualit\u00e9 et du myst\u00e8re \u00e0 travers le SON. Et aussi, c\u2019\u00e9tait une invitation \u00e0 l\u2019auditeur de mobiliser ses propres images internes.<\/p>\n\n

Aujourd\u2019hui, ce volume 2, fait un pas en avant en explorant la Pornographie comme \u00e9tant un ph\u00e9nom\u00e8ne vivant, du vivant et vise \u00e0 \u00e9largir le sujet sans pr\u00e9tendre le cerner. C\u2019est avec un esprit ludique et par\u00e9s d\u2019une \u00e2me d\u2019explorateurs que les participants vont vous partager leurs jeux immersifs sur le sujet. Porno Circuit garde son d\u00e9sir de solliciter votre curiosit\u00e9 et votre ouverture d\u2019esprit en entrecroisant divers paradigmes.<\/p>\n\n

La Pornographie rec\u00e8le suffisamment d\u2019ingr\u00e9dients pour g\u00e9n\u00e9rer la mise en mouvement de nos imaginaires entre autres. Polys\u00e9mique, polymorphe, subjective, mutante, sujet, objet, grossi\u00e8re, obsc\u00e8ne, elle g\u00e9n\u00e8re par son ind\u00e9cence une attirance ou et un rejet. Abominable pour certains, n\u00e9cessaire pour d\u2019autres, vulgaire et au m\u00eame temps attractive et magn\u00e9tique, ind\u00e9cente, elle permet de sortir des convenances, d\u2019\u00e9largir les formes, de les ultra passer. Et \u00e7a, c\u2019est bon.<\/p>","desc":"Whoops room : Porno Circuit vol. 2 Orchestr\u00e9 par Sara Strasser Avec\u00a0Leksileks,\u00a0Nathalie Imhof, Romanski et\u00a0Roberto l\u2019Etrusque Host : Andrea Marioni DJs :\u00a0Ilie \u00ab\u00a0P\u00a0\u00bb Vanily\u00a0& Senior Cap Quel rapport entre la d\u00e9ch\u00e9ance humaine, la consommation et le Porno\u00a0?\u00a0Entre d\u00e9g\u00e9n\u00e9rescence, possession, d\u00e9sir et le pouvoir, que devient le plaisir obsc\u00e8ne de la chaire et sa fantaisie\u00a0?\u00a0Sans d\u00e9bat, sans discussion, sans r\u00e9ponses, Porno Radio choisit le Son pour p\u00e9n\u00e9trer l\u2019univers envo\u00fbtant, humide et profond du fantasme. Porno Circuit continue son immersion dans l\u2019univers controvers\u00e9\/subversif, polymorphe et subjectif de la pornographie. Au programme de ce deuxi\u00e8me volet, une mise \u00e0 jeu libre et ludique o\u00f9 s\u2019entrecroisent diff\u00e9rentes perspectives sur le sujet.\u00a0Abominable, abusive pour certains, n\u00e9cessaire pour d\u2019autres, vulgaire, obsc\u00e8ne et au m\u00eame temps attractive et magn\u00e9tique. Ind\u00e9cente jusqu\u2019au fond, la pornographie dans le contexte du Porno Circuit refl\u00e8te une volont\u00e9 de libert\u00e9 expressive permettant de sortir des convenances, d\u2019\u00e9largir les formes, sans vouloir les cerner. Bien que cela soit aujourd\u2019hui une th\u00e9matique vulgaris\u00e9e, populaire, qui pourrait en faire soupirer certains\u2026 ha, non, pff, pas encore de la pornographie, comme un plat r\u00e9chauff\u00e9 \u00e0 toutes les sauces, elle n\u2019en reste pas moins pr\u00e9sente, vivante et indiscernable. Porno Circuit s\u2019int\u00e9resse \u00e0 la pornographie au sens large du terme. C\u2019est avec une philosophie d\u2019observateur du ph\u00e9nom\u00e8ne et de son mode d\u2019existence multiple qu\u2019elle est abord\u00e9 sans jugement de valeur. La pornographie devient pour le Porno Circuit, un v\u00e9hicule d\u2019exploration et d\u2019expression libre. Un peu comme un espace laboratoire de cr\u00e9ation. La pornographie devient ici un mod\u00e8le de curiosit\u00e9 et d\u2019expression de changements soci\u00e9tal o\u00f9 les mots cl\u00e9s sont la d\u00e9mesure, l\u2019obsc\u00e9nit\u00e9, la grossi\u00e8ret\u00e9 ainsi que la consommation qui exploite nos instincts sexuels. C\u2019est \u00e9vident que chacun \u00e0 sa propre repr\u00e9sentation ou bien r\u00e9f\u00e9rences \u00e0 la pornographie. Pour illustrer ce propos, je vais vous lire un texte de Gilles Lapouge, qu\u2019on retrouve sur le web site d\u2019universalis.fr C'est une entreprise infinie que de d\u00e9finir la pornographie et de marquer ses diff\u00e9rences et ses similitudes avec son distingu\u00e9 voisin, l'\u00e9rotisme. Beaucoup s'y sont appliqu\u00e9s et l'exercice est devenu acad\u00e9mique. C'est que ces deux notions sont \u00e0 la fois enchev\u00eatr\u00e9es et remuantes. Elles bougent \u00e0 mesure que passent les si\u00e8cles et, parfois, elles \u00e9changent leurs places. Dix ans ou cent ans ont suffi pour que Flaubert, Miller, Pauline R\u00e9age ou Emmanuelle Arsan cessent d'\u00eatre obsc\u00e8nes ou pornographiques pour gagner d'autres labels\u00a0: classiques ou \u00e9rotiques. L'\u00e9rotisme est souvent la pornographie de la veille. D'une culture \u00e0 une autre, de m\u00eame, les fronti\u00e8res de la pornographie sont variables. Les Su\u00e9dois ont longtemps tout regard\u00e9 sans honte ni surprise quand certains pays musulmans ou socialistes d\u00e9testent le plus timide des strip-teases. (Je tiens \u00e0 ouvrir une parenth\u00e8se et pr\u00e9ciser, qu\u2019on parle ici des ann\u00e9es 60 \u00e0 80, et qu\u2019aujourd\u2019hui les lois se sont durcis \u00e0 ce sujet en su\u00e8de). Enfin, la pornographie est taill\u00e9e sur mesure pour chaque individu. Chacun s\u00e9cr\u00e8te sa propre pornographie. Ce qui choque l'un r\u00e9jouit son voisin ou le laisse de marbre. Comment, dans ces conditions, avancer une d\u00e9finition stable et universelle de la pornographie\u00a0? En v\u00e9rit\u00e9, ce terme est \u00e9trange en ce qu'il semble priv\u00e9 de contenu et de contour en m\u00eame temps. C'est un sac vide dans lequel chacun entasse ce qu'il veut \u2013\u00a0parfois son r\u00eave et parfois son d\u00e9go\u00fbt \u2013, compte tenu de sa culture, de sa classe sociale, de l'\u00e9ducation qu'il a subie, de ses fantasmes. Lewis Carroll a invent\u00e9 le\u00a0mot valise. Le mot \u00ab\u00a0pornographie\u00a0\u00bb pourrait passer pour un \u00ab\u00a0mot poubelle\u00a0\u00bb charg\u00e9 de recueillir tout ce que, de l'\u00e9rotisme, de la sexualit\u00e9 ou de la volupt\u00e9, on refuse ou convoite. Robbe-Grillet r\u00e9sume cela par sa formule\u00a0: \u00ab\u00a0La pornographie, c'est l'\u00e9rotisme des autres.\u00a0\u00bb Et l'on pourrait ajouter cette nuance\u00a0: \u00ab\u00a0Dis-moi ce que tu tiens pour pornographique et je te dirai qui tu es.\u00a0\u00bb Fin de citation. Porno Circuit s\u2019int\u00e9resse \u00e0 la diversit\u00e9 de perceptions, de relations au sujet et \u00e0 la forme \u00e9volutive, qui mute au rythme de la soci\u00e9t\u00e9. Hybride, elle se m\u00e9lange \u00e0 d\u2019autres corps pour continuer \u00e0 exercer son pouvoir de dopamine. Dans le cadre du premier volet, le format sonore s\u2019est inscrit dans une volont\u00e9 de ne pas d\u00e9battre, de ne pas chercher de r\u00e9ponses. Bien au contraire, de lui donner de l\u2019espace, de la flexibilit\u00e9, un peu de libert\u00e9, de sensualit\u00e9 et du myst\u00e8re \u00e0 travers le SON. Et aussi, c\u2019\u00e9tait une invitation \u00e0 l\u2019auditeur de mobiliser ses propres images internes. Aujourd\u2019hui, ce volume 2, fait un pas en avant en explorant la Pornographie comme \u00e9tant un ph\u00e9nom\u00e8ne vivant, du vivant et vise \u00e0 \u00e9largir le sujet sans pr\u00e9tendre le cerner. C\u2019est avec un esprit ludique et par\u00e9s d\u2019une \u00e2me d\u2019explorateurs que les participants vont vous partager leurs jeux immersifs sur le sujet. Porno Circuit garde son d\u00e9sir de solliciter votre curiosit\u00e9 et votre ouverture d\u2019esprit en entrecroisant divers paradigmes. La Pornographie rec\u00e8le suffisamment d\u2019ingr\u00e9dients pour g\u00e9n\u00e9rer la mise en mouvement de nos imaginaires entre autres. Polys\u00e9mique, polymorphe, subjective, mutante, sujet, objet, grossi\u00e8re, obsc\u00e8ne, elle g\u00e9n\u00e8re par son ind\u00e9cence une attirance ou et un rejet. Abominable pour certains, n\u00e9cessaire pour d\u2019autres, vulgaire et au m\u00eame temps attractive et magn\u00e9tique, ind\u00e9cente, elle permet de sortir des convenances, d\u2019\u00e9largir les formes, de les ultra passer. Et \u00e7a, c\u2019est bon.","date":"04\/11\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1097\/internetbannerdef.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1097\/internetbannerdef.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1097\/internetbannerdef.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1097\/podcassteditporno.mp3","duration":7272}],"duration":"121:12","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"Whoops room","sub_format_path":"whoops-room","sub_format_id":1096},{"title":"Ne pas jeter dans la voie publique","subtitle":"Janosch Perler & Maria Beglerbegovic","colour":"#006bfa","path":"nepasjeterdanslavoiepublique","texte":"

Close Distance : Covidiality
\nNe pas jeter dans la voie publique
\nJanosch Perler\u00a0& Maria Beglerbegovic\u00a0<\/p>\n\n

Der Amateur und die Amateurin sind Anf\u00e4nger und Anf\u00e4ngerin. Sie k\u00f6nnen etwas noch nicht so gut. Sie haben etwas angefangen, aus eigenem Interesse. Verlangen. Pflicht. Wunsch. Sie \u00fcben eine T\u00e4tigkeit im nicht-professionellen Rahmen aus. Sie werden es vielleicht nie gut genug k\u00f6nnen. Aber das spielt keine Rolle. Denn der Amateur und die Amateurin sind Liebhaber und Liebhaberin. Sie lieben, was sie tun. Sie lieben die Dinge. Sie brennen f\u00fcr eine Sache, sie sind leidenschaftlich. Instinkt. Reflex. Gewohnheit. Sie sind hin- und hergerissen. Sie verlieren ihr Ziel nicht aus den Augen. Eingebung. Bestimmtheit. Der Amateur und die Amateurin sind ambitioniert. Sie lassen etwas sein. Aber das spielt keine Rolle.<\/p>\n\n

W\u00e4hrend einer f\u00fcnfst\u00fcndigen Autofahrt erz\u00e4hlt ein Taxifahrer von einer App, einer Art Bilderfundus, wo jedes Bild seinen Preis erzielt. Man macht Fotos, l\u00e4dt sie hoch. Jemand sucht bestimmte Sujets, findet sie und zahlt daf\u00fcr. Es geht um Beschlagwortung, das Banale, die Vermarktung eines Momentes, Pixel und Skrupellosigkeit. Um welchen Preis gibt es ein Bild? In dieser Zeit kommt eine Liste zum Vorschein. Ein Inventar aller Gegenst\u00e4nde, die jemand besitzt. Dinge haben sich angesammelt, sind verloren gegangen, wurden durch Neues ersetzt. Dinge sind einfach da. Sie bleiben.\u00a0<\/p>\n\n

Das folgende St\u00fcck ist aufgrund einer Liebhaberei f\u00fcr Dinge entstanden. Das Ding im Moment. Situation. Fundst\u00fcck. Der Gegenstand oder der Moment wird entdeckt, beobachtet, eingefangen, festgehalten und gesammelt. Alle Dinge haben mit dem Menschen zu tun, sie werden von ihm hergestellt, benutzt und weggeworfen. Die Dinge haben einen wichtigen Platz, vor Ort, in unseren Gedanken. Auffindbar Zuhause, vor der T\u00fcr, um die Ecke, dort gegen\u00fcber. Die vielen Momente dazwischen, die Situation, sind von Bedeutung. Was besitzen wir? Was nicht? Und warum? Machen wir uns ein Bild, geh\u00f6rt uns dann das Sujet des Bildes? Nehmen wir ein Gespr\u00e4ch auf, geh\u00f6rt uns dann das Gespr\u00e4ch? Wir machen uns Dinge und Momente zu unserem Eigentum. Wir sammeln sie, weil wir sie lieben. Wir finden sie, weil wir sie lieben. Wir suchen sie, weil wir sie lieben. Die Gr\u00fcnde dieser Zuneigung k\u00f6nnen unterschiedlicher Natur sein. Der Amateur und die Amateurin sind J\u00e4ger und Sammler, J\u00e4gerin und Sammlerin. Die wertvollen Dinge haben einen Platz verdient in der N\u00e4he von uns. Sie sind zugleich Kunstwerk und Werkzeug.<\/p>\n\n

Maria Beglerbegovic & Janosch Perler<\/p>\n\n

ENGLISH :
\nNe pas jeter dans la voie publique\u00a0<\/p>\n\n

Being an amateur means being a beginner. You are not very good at something. You have started something, you followed your own interest. Out of desire. Duty. Wish. You are working in a non-professional context. You may never be able to do it well enough. But it doesn't matter. Because amateurs are lovers. As an amateur you love what you do. You love those things. You are passionate about something. You have an instinct. Reflex. Habits. Back and forth. You don't lose sight of your goal. Inspiration. Certainty. Amateurs are ambitious. You let other things beside. But it doesn't matter.<\/p>\n\n

During a five-hour car ride, a taxi driver talks about an app, a kind of picture pool, where every picture gain its own price depending on how many people buy it. Someone is looking for photos, certain themes, finds them and pays for them. You take photos, upload them. It's about key words, the value of a moment, the banal, pixels and ruthlessness. At what price you buy a picture?<\/p>\n\n

During this time a list appeared. An inventory of all the items someone owns. Things have accumulated over a lifetime, got lost, were replaced by new ones. The things are just there. They stay.<\/p>\n\n

This piece was created out of love for those things.The things in certain moments. Situations. Circumstances. Found objects. The object or the moment is discovered, observed, captured and collected. All things are connected with us : they are created by us, used and thrown away by us. Things are important. They appear in an environment, in our minds. You find them at home, in front of your door, around the corner, there, across the street.<\/p>\n\n

The many moments in between, the situations, are important. What do we have ? What do we don\u2019t have ? And why ? When you take a picture does the subject of the picture belongs to you ? When you\u2019re recording a conversation does the conversation belong to you ? We make things and moments our property. We collect them because we love them. We find them because we love them. We look for them because we love them. This affection can arise out of different reasons. Amateurs are hunters and gatherers. The valuable things deserve a place near us. They are both, a work of art and a tool for work.<\/p>","desc":"Close Distance : Covidiality Ne pas jeter dans la voie publique Janosch Perler\u00a0& Maria Beglerbegovic\u00a0 Der Amateur und die Amateurin sind Anf\u00e4nger und Anf\u00e4ngerin. Sie k\u00f6nnen etwas noch nicht so gut. Sie haben etwas angefangen, aus eigenem Interesse. Verlangen. Pflicht. Wunsch. Sie \u00fcben eine T\u00e4tigkeit im nicht-professionellen Rahmen aus. Sie werden es vielleicht nie gut genug k\u00f6nnen. Aber das spielt keine Rolle. Denn der Amateur und die Amateurin sind Liebhaber und Liebhaberin. Sie lieben, was sie tun. Sie lieben die Dinge. Sie brennen f\u00fcr eine Sache, sie sind leidenschaftlich. Instinkt. Reflex. Gewohnheit. Sie sind hin- und hergerissen. Sie verlieren ihr Ziel nicht aus den Augen. Eingebung. Bestimmtheit. Der Amateur und die Amateurin sind ambitioniert. Sie lassen etwas sein. Aber das spielt keine Rolle. W\u00e4hrend einer f\u00fcnfst\u00fcndigen Autofahrt erz\u00e4hlt ein Taxifahrer von einer App, einer Art Bilderfundus, wo jedes Bild seinen Preis erzielt. Man macht Fotos, l\u00e4dt sie hoch. Jemand sucht bestimmte Sujets, findet sie und zahlt daf\u00fcr. Es geht um Beschlagwortung, das Banale, die Vermarktung eines Momentes, Pixel und Skrupellosigkeit. Um welchen Preis gibt es ein Bild? In dieser Zeit kommt eine Liste zum Vorschein. Ein Inventar aller Gegenst\u00e4nde, die jemand besitzt. Dinge haben sich angesammelt, sind verloren gegangen, wurden durch Neues ersetzt. Dinge sind einfach da. Sie bleiben.\u00a0 Das folgende St\u00fcck ist aufgrund einer Liebhaberei f\u00fcr Dinge entstanden. Das Ding im Moment. Situation. Fundst\u00fcck. Der Gegenstand oder der Moment wird entdeckt, beobachtet, eingefangen, festgehalten und gesammelt. Alle Dinge haben mit dem Menschen zu tun, sie werden von ihm hergestellt, benutzt und weggeworfen. Die Dinge haben einen wichtigen Platz, vor Ort, in unseren Gedanken. Auffindbar Zuhause, vor der T\u00fcr, um die Ecke, dort gegen\u00fcber. Die vielen Momente dazwischen, die Situation, sind von Bedeutung. Was besitzen wir? Was nicht? Und warum? Machen wir uns ein Bild, geh\u00f6rt uns dann das Sujet des Bildes? Nehmen wir ein Gespr\u00e4ch auf, geh\u00f6rt uns dann das Gespr\u00e4ch? Wir machen uns Dinge und Momente zu unserem Eigentum. Wir sammeln sie, weil wir sie lieben. Wir finden sie, weil wir sie lieben. Wir suchen sie, weil wir sie lieben. Die Gr\u00fcnde dieser Zuneigung k\u00f6nnen unterschiedlicher Natur sein. Der Amateur und die Amateurin sind J\u00e4ger und Sammler, J\u00e4gerin und Sammlerin. Die wertvollen Dinge haben einen Platz verdient in der N\u00e4he von uns. Sie sind zugleich Kunstwerk und Werkzeug. Maria Beglerbegovic & Janosch Perler ENGLISH : Ne pas jeter dans la voie publique\u00a0 Being an amateur means being a beginner. You are not very good at something. You have started something, you followed your own interest. Out of desire. Duty. Wish. You are working in a non-professional context. You may never be able to do it well enough. But it doesn't matter. Because amateurs are lovers. As an amateur you love what you do. You love those things. You are passionate about something. You have an instinct. Reflex. Habits. Back and forth. You don't lose sight of your goal. Inspiration. Certainty. Amateurs are ambitious. You let other things beside. But it doesn't matter. During a five-hour car ride, a taxi driver talks about an app, a kind of picture pool, where every picture gain its own price depending on how many people buy it. Someone is looking for photos, certain themes, finds them and pays for them. You take photos, upload them. It's about key words, the value of a moment, the banal, pixels and ruthlessness. At what price you buy a picture? During this time a list appeared. An inventory of all the items someone owns. Things have accumulated over a lifetime, got lost, were replaced by new ones. The things are just there. They stay. This piece was created out of love for those things.The things in certain moments. Situations. Circumstances. Found objects. The object or the moment is discovered, observed, captured and collected. All things are connected with us : they are created by us, used and thrown away by us. Things are important. They appear in an environment, in our minds. You find them at home, in front of your door, around the corner, there, across the street. The many moments in between, the situations, are important. What do we have ? What do we don\u2019t have ? And why ? When you take a picture does the subject of the picture belongs to you ? When you\u2019re recording a conversation does the conversation belong to you ? We make things and moments our property. We collect them because we love them. We find them because we love them. We look for them because we love them. This affection can arise out of different reasons. Amateurs are hunters and gatherers. The valuable things deserve a place near us. They are both, a work of art and a tool for work.","date":"31\/08\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1076\/nepasjeterdanslavoiepublique2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1076\/nepasjeterdanslavoiepublique2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1076\/nepasjeterdanslavoiepublique2.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1076\/nepasjeterdanslavoiepublique_compr2.mp3","duration":1564}],"duration":"26:04","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"CLOSE DISTANCE : COVIDIALITY","sub_format_path":"close-distance-covidiality","sub_format_id":1025},{"title":"Le culte de la personnalit\u00e9","subtitle":"Andrea Marioni","colour":"#006bfa","path":"le-culte-de-la-personnalite","texte":"

Close Distance : Covidiality
\nLe culte de la personnalit\u00e9, Vol. 1
\nAndrea Marioni<\/p>\n\n

R\u00eaves d'adolescent ringards, envie na\u00efve d'\u00eatre une star, s'\u00e9chapper de soi-m\u00eame pour cr\u00e9er un personnage public, un \u00eatre existant pour les autres et au-del\u00e0 sa propre conscience. Une dualit\u00e9 dans l'esprit s'installe, fluctuant entre la v\u00e9rit\u00e9 d'une dimension individuelle et la perte d'identit\u00e9. Il y a un air de revanche. Le succ\u00e8s est abord\u00e9 ici comme un danger, capable d'engager la personne qui le d\u00e9sir dans un corps \u00e0 corps vicieux. En se d\u00e9barrassant de l'anonymat, on provoque aussi un soi\u00a0secret. Une existence\u00a0emprisonn\u00e9e dans sa tactique spectaculaire, d\u00e9pendante\u00a0du regard des autres et d\u00e9sorient\u00e9e dans son espace mentale.<\/p>\n\n

La figure publique\u00a0:\u00a0la star, devient\u00a0un monstre, en affirmant sa singularit\u00e9 elle produit sa propre ali\u00e9nation qui n'est rien d'autre en r\u00e9alit\u00e9\u00a0qu'un immense canular. Le culte de la personnalit\u00e9 nous plonge dans les m\u00e9andres du fantasme, du d\u00e9sir, de la pulsion. L'auditeur-trice\u00a0est t\u00e9moin de l'exp\u00e9rience d'un\u00a0fou ou d'un idiot,\u00a0qui s'injecte dans les veines une\u00a0r\u00e9alit\u00e9 parall\u00e8le, qui go\u00fbte\u00a0une potion inconnue, l'elixir du culte de la personnalit\u00e9\u00a0et traverse\u00a0les r\u00e9percussions qui s'op\u00e8rent dans\u00a0son propre corps et son esprit. La pop devient progressivement\u00a0l'outils d'annihilation et l'instrument\u00a0de coexistence avec l'autre.\u00a0<\/p>\n\n

Le Vol.1 pr\u00e9sente le d\u00e9but de cette transformation, la prise de conscience qu'en\u00a0se pliant au culte de la personnalit\u00e9, on doit donner en \u00e9change une partie de soi, qu'en\u00a0se prenant au jeu, on finit par se prendre au pi\u00e8ge.\u00a0<\/p>","desc":"Close Distance : Covidiality Le culte de la personnalit\u00e9, Vol. 1 Andrea Marioni R\u00eaves d'adolescent ringards, envie na\u00efve d'\u00eatre une star, s'\u00e9chapper de soi-m\u00eame pour cr\u00e9er un personnage public, un \u00eatre existant pour les autres et au-del\u00e0 sa propre conscience. Une dualit\u00e9 dans l'esprit s'installe, fluctuant entre la v\u00e9rit\u00e9 d'une dimension individuelle et la perte d'identit\u00e9. Il y a un air de revanche. Le succ\u00e8s est abord\u00e9 ici comme un danger, capable d'engager la personne qui le d\u00e9sir dans un corps \u00e0 corps vicieux. En se d\u00e9barrassant de l'anonymat, on provoque aussi un soi\u00a0secret. Une existence\u00a0emprisonn\u00e9e dans sa tactique spectaculaire, d\u00e9pendante\u00a0du regard des autres et d\u00e9sorient\u00e9e dans son espace mentale. La figure publique\u00a0:\u00a0la star, devient\u00a0un monstre, en affirmant sa singularit\u00e9 elle produit sa propre ali\u00e9nation qui n'est rien d'autre en r\u00e9alit\u00e9\u00a0qu'un immense canular. Le culte de la personnalit\u00e9 nous plonge dans les m\u00e9andres du fantasme, du d\u00e9sir, de la pulsion. L'auditeur-trice\u00a0est t\u00e9moin de l'exp\u00e9rience d'un\u00a0fou ou d'un idiot,\u00a0qui s'injecte dans les veines une\u00a0r\u00e9alit\u00e9 parall\u00e8le, qui go\u00fbte\u00a0une potion inconnue, l'elixir du culte de la personnalit\u00e9\u00a0et traverse\u00a0les r\u00e9percussions qui s'op\u00e8rent dans\u00a0son propre corps et son esprit. La pop devient progressivement\u00a0l'outils d'annihilation et l'instrument\u00a0de coexistence avec l'autre.\u00a0 Le Vol.1 pr\u00e9sente le d\u00e9but de cette transformation, la prise de conscience qu'en\u00a0se pliant au culte de la personnalit\u00e9, on doit donner en \u00e9change une partie de soi, qu'en\u00a0se prenant au jeu, on finit par se prendre au pi\u00e8ge.\u00a0","date":"31\/08\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1078\/bannerdedefdef.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1078\/bannerdedefdef.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1078\/bannerdedefdef.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1078\/spokenwordsdef.mp3","duration":2158}],"duration":"35:58","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"CLOSE DISTANCE : COVIDIALITY","sub_format_path":"close-distance-covidiality","sub_format_id":1025},{"title":"La Normale","subtitle":"Ma\u00eblle Gross","colour":"#006bfa","path":"la-normale","texte":"

Close Distance : Covidiality\u00a0<\/span>
La Normale<\/em>
\nMa\u00eblle Gross
\nAvec Karine Dahouindji, Pascal Bornand et Aur\u00e9lien Barrau\u00a0(enregistrement fait aux Bains des P\u00e2quis, juillet 2020)<\/p>\n\n

Texts extract\u00a0from \"Four changes\", Gary\u00a0Snyder, 1969 and \"why I should come\", Ma\u00eblle Gross, 2020
\nnarration&music\u00a0by Ma\u00eblle Gross
\nSound lyrics :\u00a0Bring On the Lucie, John Lennon, 1973\u00a0
\nSounds taken between 2016 to 2020<\/p>\n\n

The text \"the four changes\" by Gary Snyder, an American writer, activist and poet who is part of the Beat generation. His writings challenged me with their precision, their often avant-garde vision (his texts date from 1969) and their pragmatism. This text was written during a short but pivotal period in 1969 in San Francisco in the middle of the \"Summer of Love\". Thus marking the beginning of a hippie area of change and the beginning of great fights.<\/p>\n\n

It seemed timely and inspiring to me to read these environmentalist texts in the light of 2020. It brings a reflection and a debate on these 4 propositions, which can sometimes seem radical and extreme even today. And I can't help but wonder, what has changed today? This sound piece is intended as a journey through these 4 different texts but also as a state. The sounds have been recorded during the last four years but mainly during the lockdown.\u00a0The piece is meant to be raw with a voice-over often from the first take. As if the reader was discovering the text with the listeners for the first time.<\/p>\n\n

Ma\u00eblle Gross, born in 1988 in Lausanne, Switzerland, lives and works in Lausanne and Geneva. Ma\u00eblle Gross is a multimedia artist who mainly uses video, performance and installations for her work. She creates fictional narratives from the stories, passions and dreams of singular people, for example from interviews with immigrant women or motorcyclists with whom she has developed a close relationship over an extended period of time. For example, bikers for \"HotHeads\", a bodybuilder (Strike a pose) or women from the P\u00e2quis neighbourhood (\"Going where we come from\"). She is particularly interested in social problems and questions of identity. The artist sometimes takes on a role in her pieces, for which she creates the texts in collaboration with artist and composer Simon Acevedo, as well as the costumes and props. She has been nominated for the Swiss art Award 2019 and the Prix La Mobili\u00e8re 2020 at Art Gen\u00e8ve. Her first institutional solo exhibition was held at the Kunsthaus Langenthal in spring 2020.<\/p>","desc":"Close Distance : Covidiality\u00a0La Normale Ma\u00eblle Gross Avec Karine Dahouindji, Pascal Bornand et Aur\u00e9lien Barrau\u00a0(enregistrement fait aux Bains des P\u00e2quis, juillet 2020) Texts extract\u00a0from \"Four changes\", Gary\u00a0Snyder, 1969 and \"why I should come\", Ma\u00eblle Gross, 2020 narration&music\u00a0by Ma\u00eblle Gross Sound lyrics :\u00a0Bring On the Lucie, John Lennon, 1973\u00a0 Sounds taken between 2016 to 2020 The text \"the four changes\" by Gary Snyder, an American writer, activist and poet who is part of the Beat generation. His writings challenged me with their precision, their often avant-garde vision (his texts date from 1969) and their pragmatism. This text was written during a short but pivotal period in 1969 in San Francisco in the middle of the \"Summer of Love\". Thus marking the beginning of a hippie area of change and the beginning of great fights. It seemed timely and inspiring to me to read these environmentalist texts in the light of 2020. It brings a reflection and a debate on these 4 propositions, which can sometimes seem radical and extreme even today. And I can't help but wonder, what has changed today? This sound piece is intended as a journey through these 4 different texts but also as a state. The sounds have been recorded during the last four years but mainly during the lockdown.\u00a0The piece is meant to be raw with a voice-over often from the first take. As if the reader was discovering the text with the listeners for the first time. Ma\u00eblle Gross, born in 1988 in Lausanne, Switzerland, lives and works in Lausanne and Geneva. Ma\u00eblle Gross is a multimedia artist who mainly uses video, performance and installations for her work. She creates fictional narratives from the stories, passions and dreams of singular people, for example from interviews with immigrant women or motorcyclists with whom she has developed a close relationship over an extended period of time. For example, bikers for \"HotHeads\", a bodybuilder (Strike a pose) or women from the P\u00e2quis neighbourhood (\"Going where we come from\"). She is particularly interested in social problems and questions of identity. The artist sometimes takes on a role in her pieces, for which she creates the texts in collaboration with artist and composer Simon Acevedo, as well as the costumes and props. She has been nominated for the Swiss art Award 2019 and the Prix La Mobili\u00e8re 2020 at Art Gen\u00e8ve. Her first institutional solo exhibition was held at the Kunsthaus Langenthal in spring 2020.","date":"31\/08\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1075\/close_covidiality_banner.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1075\/close_covidiality_banner.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1075\/close_covidiality_banner.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1075\/lumpen.mp3","duration":2226}],"duration":"37:06","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"CLOSE DISTANCE : COVIDIALITY","sub_format_path":"close-distance-covidiality","sub_format_id":1025},{"title":"Gonzo Promenade","subtitle":"Mr. DVD","colour":"#006bfa","path":"gonzo-promenade","texte":"

Close Distance : Covidiality
\nGonzo Promenade, philosophical DJ set by Mr. DVD<\/p>\n\n

Cauchemar\u00a0de l'American Dream, Hunter S. Thompson incarne \u00e0 lui tout seul une d\u00e9viance. Cette d\u00e9marche, volontairement choisie pour r\u00e9v\u00e9ler l'envers du d\u00e9cor de la soci\u00e9t\u00e9 \u00e9tats-unienne de l'apr\u00e8s-guerre, se manifeste dans des textes virulents regroup\u00e9s sous le terme de Gonzo. Un journalisme proche du dystopique, parano\u00efaque, o\u00f9 les \u00e9l\u00e9ments les plus banales de la soci\u00e9t\u00e9 deviennent des outils de propagande. Proche de la mythologie de Barthes, Hunter S. Thompson d\u00e9crit\u00a0tout au long de sa carri\u00e8re litt\u00e9raire une d\u00e9rive \u00e0 la fois individuelle et soci\u00e9tale. Avec Gonzo Promenade, Mr. DVD nous invite \u00e0 d\u00e9couvrir un Hunter S. Thompson oral, composant avec plusieurs interviews une forme de proximit\u00e9 qui nous plonge dans le r\u00f4le de t\u00e9moin ou de compagnon du p\u00e9riple mental\u00a0\u00e9tas-unien.\u00a0<\/p>","desc":"Close Distance : Covidiality Gonzo Promenade, philosophical DJ set by Mr. DVD Cauchemar\u00a0de l'American Dream, Hunter S. Thompson incarne \u00e0 lui tout seul une d\u00e9viance. Cette d\u00e9marche, volontairement choisie pour r\u00e9v\u00e9ler l'envers du d\u00e9cor de la soci\u00e9t\u00e9 \u00e9tats-unienne de l'apr\u00e8s-guerre, se manifeste dans des textes virulents regroup\u00e9s sous le terme de Gonzo. Un journalisme proche du dystopique, parano\u00efaque, o\u00f9 les \u00e9l\u00e9ments les plus banales de la soci\u00e9t\u00e9 deviennent des outils de propagande. Proche de la mythologie de Barthes, Hunter S. Thompson d\u00e9crit\u00a0tout au long de sa carri\u00e8re litt\u00e9raire une d\u00e9rive \u00e0 la fois individuelle et soci\u00e9tale. Avec Gonzo Promenade, Mr. DVD nous invite \u00e0 d\u00e9couvrir un Hunter S. Thompson oral, composant avec plusieurs interviews une forme de proximit\u00e9 qui nous plonge dans le r\u00f4le de t\u00e9moin ou de compagnon du p\u00e9riple mental\u00a0\u00e9tas-unien.\u00a0","date":"31\/08\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1077\/gonzobanner.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1077\/gonzobanner.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1077\/gonzobanner.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1077\/petite_ride.mp3","duration":3074}],"duration":"51:14","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"CLOSE DISTANCE : COVIDIALITY","sub_format_path":"close-distance-covidiality","sub_format_id":1025},{"title":"Go to the Devil","subtitle":"Ernestyna Orlowska & Markus Mezenen","colour":"#006bfa","path":"go-to-the-devil","texte":"

Close Distance : Covidiality
\nGo to the Devil -\u00a0Ernestyna Orlowska & Markus Mezenen\u00a0<\/p>\n\n

A journey from spam calls towards romantic love : Via god, satan, innocent children & karaoke.<\/p>","desc":"Close Distance : Covidiality Go to the Devil -\u00a0Ernestyna Orlowska & Markus Mezenen\u00a0 A journey from spam calls towards romantic love : Via god, satan, innocent children & karaoke.","date":"25\/08\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1073\/k7.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1073\/k7.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1073\/k7.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1073\/lumpenstation_ernestyna_orlowska_and_markus_mezenen.mp3","duration":1581}],"duration":"26:21","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"CLOSE DISTANCE : COVIDIALITY","sub_format_path":"close-distance-covidiality","sub_format_id":1025},{"title":"Fandom","subtitle":"Sara Koller & Matt Mottel","colour":"#006bfa","path":"fandom","texte":"

Close Distance : Covidiality\u00a0
\nFandom - Sara Koller & Matt Mottel<\/p>\n\n

The vorpal membrane of the panopticon ensnares the pop star. The pop star is a medium to infect the population with the desire to be the pop star. Suddenly the pop star is the body that has lost power. The fandom controls the image. The image is the information. The body of the pop star has lost an identity of information. It is never more than just a body of the person, but a shared commodity.

\nMatt Mottel and Sara Koller translated Britney Spears songs into Emoji language, a contemporary image based language, that tries to capture and express an emotion or opinion. By translating back to lyrics the confusion reaches a second step and the interpretation of the original intention of the lyrics is further distorted.<\/p>","desc":"Close Distance : Covidiality\u00a0 Fandom - Sara Koller & Matt Mottel The vorpal membrane of the panopticon ensnares the pop star. The pop star is a medium to infect the population with the desire to be the pop star. Suddenly the pop star is the body that has lost power. The fandom controls the image. The image is the information. The body of the pop star has lost an identity of information. It is never more than just a body of the person, but a shared commodity. Matt Mottel and Sara Koller translated Britney Spears songs into Emoji language, a contemporary image based language, that tries to capture and express an emotion or opinion. By translating back to lyrics the confusion reaches a second step and the interpretation of the original intention of the lyrics is further distorted.","date":"25\/08\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1072\/cb73d7eb-90ad-4d62-ace9-767893b5ae21.2000x2000.jpeg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1072\/cb73d7eb-90ad-4d62-ace9-767893b5ae21.1200x1200.jpeg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1072\/cb73d7eb-90ad-4d62-ace9-767893b5ae21.1200x1200.webp","ratio":98.6,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1072\/fandom.mp3","duration":1338}],"duration":"22:18","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"CLOSE DISTANCE : COVIDIALITY","sub_format_path":"close-distance-covidiality","sub_format_id":1025},{"title":"Tranches de macaque","subtitle":"Eva Zornio","colour":"#006bfa","path":"tranchesdemacaque","texte":"

Close Distance : Covidiality
\nTranche de macaque
\nEva Zornio<\/p>\n\n

\u00abLes primates, et notamment les \u00eatres humains, sont des animaux sociaux dont le d\u00e9veloppement cognitif se nourrit des interactions avec les autres animaux de leur esp\u00e8ce. D\u00e9tecter avec pr\u00e9cision et comprendre la conduite intentionnelle des autres, anticiper leurs actions \u00e0 venir et ajuster de mani\u00e8re corr\u00e9lative notre propre comportement sont des capacit\u00e9s sociales fondamentales.\u00bb\u00a0Vittorio Gallese, \u00abLa simulation incarn\u00e9e et son r\u00f4le dans l\u2019intersubjectivit\u00e9\u00bb,\u00a0Les paradoxes de l\u2019empathie<\/em>, Paris, CNRS Alpha, 2011.<\/p>","desc":"Close Distance : Covidiality Tranche de macaque Eva Zornio \u00abLes primates, et notamment les \u00eatres humains, sont des animaux sociaux dont le d\u00e9veloppement cognitif se nourrit des interactions avec les autres animaux de leur esp\u00e8ce. D\u00e9tecter avec pr\u00e9cision et comprendre la conduite intentionnelle des autres, anticiper leurs actions \u00e0 venir et ajuster de mani\u00e8re corr\u00e9lative notre propre comportement sont des capacit\u00e9s sociales fondamentales.\u00bb\u00a0Vittorio Gallese, \u00abLa simulation incarn\u00e9e et son r\u00f4le dans l\u2019intersubjectivit\u00e9\u00bb,\u00a0Les paradoxes de l\u2019empathie, Paris, CNRS Alpha, 2011.","date":"16\/08\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1063\/layout_tranches_de_macaque.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1063\/layout_tranches_de_macaque.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1063\/layout_tranches_de_macaque.1200x1200.webp","ratio":96.2,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1063\/epopee_labo_master_v1-1644.mp3","duration":1922}],"duration":"32:02","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"CLOSE DISTANCE : COVIDIALITY","sub_format_path":"close-distance-covidiality","sub_format_id":1025},{"title":"Soap Stone Stove","subtitle":"Flurina Casty, Zo\u00eb Binetti, Milena Krstic","colour":"#006bfa","path":"soap-stone-stove","texte":"

Close Distance : Covidiality\u00a0
\nSoap Stone Stove
\nFlurina Casty, Zo\u00eb Binetti, Milena Krstic<\/p>\n\n

Text and narration by Flurina Casty
\nMusic by Zo\u00eb Binetti\u00a0
\nRecording and post-production by Milena Krstic<\/p>\n\n

Playlist :
\n00:00 Stiva
\n05:05 Idol\u00a0
\n08:42 Musical intermission
\n11:54 Fiug
\n14:17 Mort\u00a0
\n16:03 Levada<\/p>\n\n

Soap Stone Stove<\/em>\u00a0(2020) is a poem written and performed by Flurina Casty. Suitable to the format of Lumpen Station, Flurina asked her friend and performance artist Zo\u00eb Binetti to accompany her with the eerie and instrumental sounds from Zo\u00eb\u2019s improvisational repertoire. The live session of the two artists performing simultaneously was recorded on the 4th\u00a0of August in Zo\u00eb\u2019s Studio in Bern. Milena Krstic, sound artist, lyricist and composer, was asked to complete the team, as her technical skills would guarantee a great recording session. Her final mastering promised to give the work the crisp sound quality it deserves to guarantee a great auditive experience for the listener.<\/p>\n\n

Flurina Casty (*1988) lives and works in Zurich and Grisons.
\nShe graduated with a bachelor in fine arts from the Gerrit Rietveld Academy in Amsterdam in 2015 and obtained her Master\u2019s degree in 2020 in performance and writing at the Bern University of the Arts. The past years she has been developing her artistic practice and focused in finding a unique language and perspective to engage her audience through spoken word performances. She investigates the correlation between memory, experience, oral history, symbolism and sensemaking. In her work she frequently blends performance, poetry, video and painting.She has exhibited work and performed in numerous art spaces, been engaged in collaborative art projects, collectives and community-based projects in Switzerland and abroad.<\/p>\n\n

Zo\u00eb Binetti (*1983) lives and works in Bern.
\nShe completed her MA in Contemporary Art Practices at the Bern University of the Arts in summer 2020. She runs the\u00a0Sinnestheaterstudio<\/em>\u00a0in Bern - a research center for sensory theatre and queer-animistic performance art. She develops her dance theatre and music performances there. Her work is influenced by a versatile background in physical comedy, music, installation, dance, anarchism, shamanism and bodywork. She performs live as a solo artist and in various collaborations.\u00a0<\/p>\n\n

Milena Krstic lives and works in Bern CH as a journalist and musician.
\nAs\u00a0Milena Patag\u00f4nia<\/em>\u00a0she produces crude RnB with Swiss German lyrics. She is also the vocalist of the dialect duo\u00a0Cruise Ship Misery<\/em>\u00a0with the author Sarah Elena M\u00fcller (lyrics, keys). In 2018, she was awarded the \"Coup de Coeur\" prize for young musicians by the canton of Bern. She has just completed her Bachelor in Sound Arts at the Bern University of the Arts in 2020 and is now focusing on building her own recording studio.<\/p>","desc":"Close Distance : Covidiality\u00a0 Soap Stone Stove Flurina Casty, Zo\u00eb Binetti, Milena Krstic Text and narration by Flurina Casty Music by Zo\u00eb Binetti\u00a0 Recording and post-production by Milena Krstic Playlist : 00:00 Stiva 05:05 Idol\u00a0 08:42 Musical intermission 11:54 Fiug 14:17 Mort\u00a0 16:03 Levada Soap Stone Stove\u00a0(2020) is a poem written and performed by Flurina Casty. Suitable to the format of Lumpen Station, Flurina asked her friend and performance artist Zo\u00eb Binetti to accompany her with the eerie and instrumental sounds from Zo\u00eb\u2019s improvisational repertoire. The live session of the two artists performing simultaneously was recorded on the 4th\u00a0of August in Zo\u00eb\u2019s Studio in Bern. Milena Krstic, sound artist, lyricist and composer, was asked to complete the team, as her technical skills would guarantee a great recording session. Her final mastering promised to give the work the crisp sound quality it deserves to guarantee a great auditive experience for the listener. Flurina Casty (*1988) lives and works in Zurich and Grisons. She graduated with a bachelor in fine arts from the Gerrit Rietveld Academy in Amsterdam in 2015 and obtained her Master\u2019s degree in 2020 in performance and writing at the Bern University of the Arts. The past years she has been developing her artistic practice and focused in finding a unique language and perspective to engage her audience through spoken word performances. She investigates the correlation between memory, experience, oral history, symbolism and sensemaking. In her work she frequently blends performance, poetry, video and painting.She has exhibited work and performed in numerous art spaces, been engaged in collaborative art projects, collectives and community-based projects in Switzerland and abroad. Zo\u00eb Binetti (*1983) lives and works in Bern. She completed her MA in Contemporary Art Practices at the Bern University of the Arts in summer 2020. She runs the\u00a0Sinnestheaterstudio\u00a0in Bern - a research center for sensory theatre and queer-animistic performance art. She develops her dance theatre and music performances there. Her work is influenced by a versatile background in physical comedy, music, installation, dance, anarchism, shamanism and bodywork. She performs live as a solo artist and in various collaborations.\u00a0 Milena Krstic lives and works in Bern CH as a journalist and musician. As\u00a0Milena Patag\u00f4nia\u00a0she produces crude RnB with Swiss German lyrics. She is also the vocalist of the dialect duo\u00a0Cruise Ship Misery\u00a0with the author Sarah Elena M\u00fcller (lyrics, keys). In 2018, she was awarded the \"Coup de Coeur\" prize for young musicians by the canton of Bern. She has just completed her Bachelor in Sound Arts at the Bern University of the Arts in 2020 and is now focusing on building her own recording studio.","date":"16\/08\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1064\/lumpen_pic3.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1064\/lumpen_pic3.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1064\/lumpen_pic3.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1064\/flurina_casty_radiofeature_soap_stone_stove.mp3","duration":1167}],"duration":"19:27","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"CLOSE DISTANCE : COVIDIALITY","sub_format_path":"close-distance-covidiality","sub_format_id":1025},{"title":"The clay's ground sound","subtitle":"Julie Semoroz, Aline Morvan","colour":"#006bfa","path":"theclaysgroundsound","texte":"

Close Distance : Covidiality\u00a0
The clay ground's sound<\/em><\/p>\n\n

Encounter between sound artist Julie Semoroz and visual artist Aline Morvan in their art studio during the Summer 2020.
\nThe two artists work the physical and sound material together and bring out a new material, the beginning of a collaboration between earth and sound.
www.juliesemoroz.ch<\/a>
www.alinemorvan.com<\/a><\/p>\n\n

Credits<\/em>
\nArtists : Aline Morvan & Julie Semoroz\u00a0
\nRecording session 6-7th July in Usine Parker, Geneva
\nMix and Sound creation in Atelier 4040 in Usine, Geneva in July 2020
\nAdditional mix and mastering : Emma Souharce
\nDuration : 24:32 min<\/p>\n\n

Cover
\nPhoto\u00a0: Elle s\u2019\u00e9pand, Aline Morvan,\u00a02014
\nFa\u00efence brune
\n200x180cm
\n\u00a9 Anne-C\u00e9cile Caillaud<\/p>","desc":"Close Distance : Covidiality\u00a0The clay ground's sound Encounter between sound artist Julie Semoroz and visual artist Aline Morvan in their art studio during the Summer 2020. The two artists work the physical and sound material together and bring out a new material, the beginning of a collaboration between earth and sound.www.juliesemoroz.chwww.alinemorvan.com Credits Artists : Aline Morvan & Julie Semoroz\u00a0 Recording session 6-7th July in Usine Parker, Geneva Mix and Sound creation in Atelier 4040 in Usine, Geneva in July 2020 Additional mix and mastering : Emma Souharce Duration : 24:32 min Cover Photo\u00a0: Elle s\u2019\u00e9pand, Aline Morvan,\u00a02014 Fa\u00efence brune 200x180cm \u00a9 Anne-C\u00e9cile Caillaud","date":"09\/08\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1057\/banners72.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1057\/banners72.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1057\/banners72.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1057\/julie_aline_master_21_7_20.mp3","duration":1473}],"duration":"24:33","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"CLOSE DISTANCE : COVIDIALITY","sub_format_path":"close-distance-covidiality","sub_format_id":1025},{"title":"Hommage \u00e0 Blob","subtitle":"Nicola Genovese","colour":"#006bfa","path":"hommageablob","texte":"

Close distance : Covidiality
\nHommage \u00e0\u00a0Blob, Nicola Genovese.\u00a0<\/p>\n\n

\"When Andrea from Lumpen Station\u00a0suggested me the idea of the mutant, I started to think about Blob. Blob it's a TV cult show that became a byword for Italy's popular culture. It was initiated by Enrico Ghezzi in 1989. Blob is a postmodern collage that has exposed the paradoxes of the Italian society simply using excerpts of television programs.
\nThe first track \"Un galantuomo\" (1974) is by Juri Camisasca. In the lyrics, he talks about rats running in his veins. It's the trigger point of the transformation, but then he needs to break his head with a hammer in order to let the rats running out. In an endless loop, the hybrid becomes the mutant, and then the mutant becomes the abject and then the abject becomes the exotic object and then a hybrid again. The combination of disgust and attraction is the most sophisticated form of marketing.\" Nicola Genovese, august 2020\u00a0<\/em><\/p>","desc":"Close distance : Covidiality Hommage \u00e0\u00a0Blob, Nicola Genovese.\u00a0 \"When Andrea from Lumpen Station\u00a0suggested me the idea of the mutant, I started to think about Blob. Blob it's a TV cult show that became a byword for Italy's popular culture. It was initiated by Enrico Ghezzi in 1989. Blob is a postmodern collage that has exposed the paradoxes of the Italian society simply using excerpts of television programs. The first track \"Un galantuomo\" (1974) is by Juri Camisasca. In the lyrics, he talks about rats running in his veins. It's the trigger point of the transformation, but then he needs to break his head with a hammer in order to let the rats running out. In an endless loop, the hybrid becomes the mutant, and then the mutant becomes the abject and then the abject becomes the exotic object and then a hybrid again. The combination of disgust and attraction is the most sophisticated form of marketing.\" Nicola Genovese, august 2020\u00a0","date":"09\/08\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1060\/nicola_genovese_finale.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1060\/nicola_genovese_finale.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1060\/nicola_genovese_finale.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1060\/nicola_genovese.mp3","duration":1436}],"duration":"23:56","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"CLOSE DISTANCE : COVIDIALITY","sub_format_path":"close-distance-covidiality","sub_format_id":1025},{"title":"Dediche","subtitle":"Anna Allenbach, Mattia Angelini, Stefania Carlotti, Lorenzo Lunghi, Ambra Viviani","colour":"#f0f407","path":"dediche","texte":"

Close Distance : Covidiality\u00a0
\nOpening a collaboration between\u00a0Lumpen Station and art space\u00a0Sonnenstube (Lugano)\u00a0<\/p>\n\n

Dopo una lunga pausa Sonnenstube \u00e8 lieta di presentarvi :
\nAfter a long break Sonnenstube is pleased to introduce you :<\/em><\/p>\n\n

DEDICHE
\nCon\/with\u00a0Anna Allenbach,\u00a0Stefania Carlotti&Federico Capone, Mattia Angelini, Lorenzo Lunghi e\/and Ambra Viviani<\/p>\n\n

Una mostra sonora che inaugura SONO PANORAMA ovvero : la collaborazione fra Lumpen Station e Sonnenstube.
\nA sound exhibition that inaugurates SONO PANORAMA namely : the collaboration between Lumpen Station and Sonnenstube.<\/p>\n\n

Vi ricordate quando si facevano le dediche alla radio ?
\nDEDICHE \u00e8 il primo appuntamento espositivo sonoro interamente incentrato sulla pratica della\u00a0\u201cdedicheria\u201d. Abbiamo chiesto a cinque artisti di lavorare pensando e dedicando un\u2019opera sonora ad un amante, un animale o semplicemente ad un\u00a0destinatario. Le opere nate da questo lavoro corale esprimono pienamente il desiderio da parte degli\u00a0artisti di abitare il nostro nuovo spazio sonoro.\u00a0<\/p>\n\n

\/You remember when they were making dedications on the radio ?
\nDEDICHE is the first sound exhibition entirely focused on the practice of \"dedicheria\". We asked five artists to work thinking and dedicating a sound piece to a lover, to an animal or simply to a\u00a0\u00a0receiver. The works born from this choral work fully express the artists' desire to inhabit our new sound space.\u00a0<\/p>\n\n

Sonnenstube \u00e8 un progetto di Giacomo Galletti, Giada Olivotto, Sandro Pianetti, Gabriel St\u00f6ckli e Gianmaria Zanda.
\n\/Sonnenstube is run by\u00a0Giacomo Galletti, Giada Olivotto, Sandro Pianetti, Gabriel St\u00f6ckli and Gianmaria Zanda.<\/p>","desc":"Close Distance : Covidiality\u00a0 Opening a collaboration between\u00a0Lumpen Station and art space\u00a0Sonnenstube (Lugano)\u00a0 Dopo una lunga pausa Sonnenstube \u00e8 lieta di presentarvi : After a long break Sonnenstube is pleased to introduce you : DEDICHE Con\/with\u00a0Anna Allenbach,\u00a0Stefania Carlotti&Federico Capone, Mattia Angelini, Lorenzo Lunghi e\/and Ambra Viviani Una mostra sonora che inaugura SONO PANORAMA ovvero : la collaborazione fra Lumpen Station e Sonnenstube. A sound exhibition that inaugurates SONO PANORAMA namely : the collaboration between Lumpen Station and Sonnenstube. Vi ricordate quando si facevano le dediche alla radio ? DEDICHE \u00e8 il primo appuntamento espositivo sonoro interamente incentrato sulla pratica della\u00a0\u201cdedicheria\u201d. Abbiamo chiesto a cinque artisti di lavorare pensando e dedicando un\u2019opera sonora ad un amante, un animale o semplicemente ad un\u00a0destinatario. Le opere nate da questo lavoro corale esprimono pienamente il desiderio da parte degli\u00a0artisti di abitare il nostro nuovo spazio sonoro.\u00a0 \/You remember when they were making dedications on the radio ? DEDICHE is the first sound exhibition entirely focused on the practice of \"dedicheria\". We asked five artists to work thinking and dedicating a sound piece to a lover, to an animal or simply to a\u00a0\u00a0receiver. The works born from this choral work fully express the artists' desire to inhabit our new sound space.\u00a0 Sonnenstube \u00e8 un progetto di Giacomo Galletti, Giada Olivotto, Sandro Pianetti, Gabriel St\u00f6ckli e Gianmaria Zanda. \/Sonnenstube is run by\u00a0Giacomo Galletti, Giada Olivotto, Sandro Pianetti, Gabriel St\u00f6ckli and Gianmaria Zanda.","date":"09\/08\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1059\/bannerbuono2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1059\/bannerbuono2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1059\/bannerbuono2.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1059\/sonnededicheria.mp3","duration":2690}],"duration":"44:50","format":"LUMPEN EMBASSY","format_path":"lumpen-embassy","format_id":1114,"sub_format":"Sonnenstube : sono panorama","sub_format_path":"sonnenstubesonopanorama","sub_format_id":1058},{"title":"Self confidence m\u00e9ditation","subtitle":"Emma Souharce","colour":"#006bfa","path":"selfconfidence-meditation","texte":"

Close distance : Covidiality
\nSelf Confidence Meditation
\nEmma Souharce\u00a0<\/p>\n\n

M\u00e9ditation guid\u00e9e sp\u00e9ciale confiance en soi pour personnages r\u00e9els ou fictifs. L'occasion r\u00eav\u00e9e de questionner la l\u00e9gitimit\u00e9 des existences et d'\u00e9tudier la valeur des objets d'\u00e9tudes en traversant des paysages internes, externes, m\u00e9diants, fumeux et po\u00e9tiques.\u00a0<\/p>\n\n

Que ferais-tu si tu n'avais aucune peur ? Un parcours en forme de sieste, de l'apaisement au what-the-fuck.\u00a0<\/p>\n\n

\u00a0<\/p>","desc":"Close distance : Covidiality Self Confidence Meditation Emma Souharce\u00a0 M\u00e9ditation guid\u00e9e sp\u00e9ciale confiance en soi pour personnages r\u00e9els ou fictifs. L'occasion r\u00eav\u00e9e de questionner la l\u00e9gitimit\u00e9 des existences et d'\u00e9tudier la valeur des objets d'\u00e9tudes en traversant des paysages internes, externes, m\u00e9diants, fumeux et po\u00e9tiques.\u00a0 Que ferais-tu si tu n'avais aucune peur ? Un parcours en forme de sieste, de l'apaisement au what-the-fuck.\u00a0 \u00a0","date":"02\/08\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1056\/lumpen-pochette.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1056\/lumpen-pochette.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1056\/lumpen-pochette.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1056\/lumpen-station-master.mp3","duration":1786}],"duration":"29:46","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"CLOSE DISTANCE : COVIDIALITY","sub_format_path":"close-distance-covidiality","sub_format_id":1025},{"title":"0 Propos & CHI","subtitle":"Ga\u00ebl Bandelier, Gilles Furtw\u00e4ngler, Robert Machiri","colour":"#006bfa","path":"0-propos-chi","texte":"

Close Distance : Covidiality\u00a0
\nGa\u00ebl Bandelier,\u00a0Gilles Furtw\u00e4ngler, Robert Machiri<\/p>\n\n

0 Propos & CHI
\nL\u00e8che le sol, tendu ? \/ Tendu ? L\u00e8che le sol.\u00a0Juillet 2020<\/p>\n\n

L\u00e8che le sol, tendu ? \/ Tendu ? L\u00e8che le sol,\u00a0est un podcast con\u00e7u comme un split entre le groupe de po\u00e9sie 0 Propos et le dj CHI. Un split intercontinental entre Lausanne et Johannesburg autour de la parole, de la voix, du message, de la r\u00e9p\u00e9tition et du mot intelligible ou pas. Des perles musicales compl\u00e8tent l'ensemble.<\/p>\n\n

Playlist
\n1. Mix CHI 10:35
\n(1. Akazehe par une jeune fille, Musique du Burundi, A Collection, 2. Anowaa, Wolomei, from the album Kunta Kunte, 3. Tony Allen, from the album Film of Life Tony wood featuring Kuku)
\n2. Secteur des jouets 13:23, 0 Propos
\n3. Mix CHI 8:45
\n(1. Leboko for Mpolokang, Tswana\/Hurutshe, South Africa 2. Afro Super, Aiye-Keta-Third World )
\n4. Alin\u00e9as B3, B4, 5:00, 0 Propos
\n5. Hahaha, 3:16, 0 Propos
\n6. Mix CHI 10:02
\n(1. He Baba Tambo (Tambo Our Father), Radio Freedom, 2. Rumbidzayi mambo, Thomas Mapfumo, Chimurenga for Justice, 3. I am a green Lamp, Okay Temiz\/Johnny Dyani, Witch Doctors\u2019 son, Yesil Fener)
\n7. Pour contre, 8:49, 0 Propos
\n8. Tu es propre d\u00e9sormais, 4:33, 0 Propos
\n9. Mix CHI 15:25
\n(1. Nan, Laura Mvura, The dreaming Room, 2. Boya ye, Boya yeh, Mbilia Bel, 3. Malinga, Kanda Bongo Man, Amour fou\/crazy love)
\n10. Plaie plate, 10:07, 0 Propos<\/p>\n\n

Biographies\u00a0:<\/p>\n\n

0 Propos<\/em>
\nGroupe lausannois de po\u00e9sie hyperjective cr\u00e9e en 2020 par Ga\u00ebl Bandelier & Gilles Furtw\u00e4ngler<\/p>\n\n

MANIFESTE<\/em>
\nUn : Un titre n\u2019est jamais trop long si c\u2019est un bon titre.
\nDeux : Je ne veux pas g\u00e2cher l\u2019ambiance mais j\u2019aimerais partir d\u2019ici. Trois : En cours d\u2019\u00e9criture.<\/p>\n\n

Les titres pr\u00e9sent\u00e9s sur ce podcast sont tir\u00e9s de\u00a0Polyphonie t\u00e9l\u00e9phonique,
\nUne s\u00e9rie d\u2019enregistrements r\u00e9alis\u00e9 \u00e0 Lausanne entre le 24 mars et le 15 avril 2020 par 0 Propos. Mat\u00e9riel : 2 Skype et 2 Zoom Handy Recorder H4n
\nTexte, composition, voix et arrangements : 0 Propos<\/p>\n\n

Ga\u00ebl Bandelier<\/em>
\nAuteur polygraphe curieux et s\u00e9rendipiteux, Ga\u00ebl Bandelier pratique plusieurs disciplines artistiques et scientifiques en autodidacte (po\u00e9sie orale ; performance ; \u00e9criture narrative et th\u00e9\u00e2trale ; sc\u00e9nario ; bande dessin\u00e9e ; livre d\u2019artiste ; physique quantique ; biologie). Fascin\u00e9 par les explorations de langages sonores, textuelles et visuelles et les syst\u00e8mes de repr\u00e9sentations artistiques, scientifiques et philosophiques, il pratique l\u2019exp\u00e9rimentation, comme source de jeux, de d\u00e9couvertes formelles et d\u2019ouvertures cosmiques. Il est l\u2019auteur et le performer de nombreuses performances de po\u00e9sie sonore et buccale, en solo, et en collaboration avec notamment Luc M\u00fcller, Nicolas Carrel, Gilles Furtw\u00e4ngler, Louis Schild, John Menoud, Beno\u00eet Moreau, l\u2019EnsemBle baBel. Il est membre fondateur de l\u2019association Po\u00ef, avec Alain Freudiger, qui organise des soir\u00e9es autour de la po\u00e9sie orale.<\/p>\n\n

Gilles Furtw\u00e4ngler<\/em>
\n(1982) Vit et travaille \u00e0 Lausanne et \u00e0 Johannesburg. Diplom\u00e9 de l'Ecole d'Art de Lausanne (ECAL) en 2006, il poursuit depuis un travail bas\u00e9 sur la communication. Tout est mis en forme pour une communication objective et abstraite, ironique et morale, d\u00e9finitivement po\u00e9tique. Il a particip\u00e9 \u00e0 de nombreuses expositions et pr\u00e9sent\u00e9 de nombreuses lectures et performances dans des institutions et espaces d'art en Suisse et \u00e0 l'\u00e9tranger. Membre de Centre d'art Circuit \u00e0 Lausanne et du collectif Makrout Unit\u00e9, il travaille avec la Galerie Skopia \u00e0 Gen\u00e8ve.\u00a0www.skopia.ch. Une premi\u00e8re monographie sur son travail est parue dans la collection Cahier d'artiste de Pro Helvetia en juin 2017, une deuxi\u00e8me en 2018, dans la collection Minimono des Edizioni Periferia. Lucerne\/Poschiavo. Correspondant de *DUUU Radio, il co-produit et pr\u00e9sente l'\u00e9mission\u00a0Revenir et Dire \u00c7a\u00a0cr\u00e9\u00e9 en 2018. Attraper les spectateurs en leur parlant d'amour, d'abstraction et de paysage, les retenir avec des concepts, de la sexualit\u00e9, de la morale, de la politique, les laisser partir avec des pulsions, des privil\u00e8ges, du quotidien.<\/p>\n\n

Robert Machiri<\/em>
\nChi aka Chimurenga (Robert Machiri), est n\u00e9 en 1978 au Zimbabwe. Il est DJ et accumulateur d'objets, inspir\u00e9 par sa collection de musique et par son int\u00e9r\u00eat pour les objets li\u00e9s au son. Machiri vit \u00e0 Johannesburg en Afrique du Sud. Son travail se situe \u00e0 la crois\u00e9e de deux pratiques : une pratique curatoriale ainsi qu'une production multidisciplinaire d\u2019\u0153uvres d\u2019art qui s\u2019appuient sur des discours d\u00e9coloniaux pr\u00e9sent\u00e9s au travers d'une critique de l'apprentissage et du d\u00e9sapprentissage. Cette production est entrelac\u00e9e de son, de musique et d\u2019images. Son projet curatorial le plus notable, PUNGWE, est un projet interdisciplinaire qui met \u00e0 l'honneur les musiques africaines et les relie \u00e0 des discours et \u00e0 des espaces li\u00e9s au contexte de l\u2019art contemporain.<\/p>\n\n

Pungwe a particip\u00e9 \u00e0 des travaux collaboratifs comme : PUNGWE NIGHTS, Listening to a listening at Pungwe et Sugar free \/\/\/ Pungwe.<\/p>","desc":"Close Distance : Covidiality\u00a0 Ga\u00ebl Bandelier,\u00a0Gilles Furtw\u00e4ngler, Robert Machiri 0 Propos & CHI L\u00e8che le sol, tendu ? \/ Tendu ? L\u00e8che le sol.\u00a0Juillet 2020 L\u00e8che le sol, tendu ? \/ Tendu ? L\u00e8che le sol,\u00a0est un podcast con\u00e7u comme un split entre le groupe de po\u00e9sie 0 Propos et le dj CHI. Un split intercontinental entre Lausanne et Johannesburg autour de la parole, de la voix, du message, de la r\u00e9p\u00e9tition et du mot intelligible ou pas. Des perles musicales compl\u00e8tent l'ensemble. Playlist 1. Mix CHI 10:35 (1. Akazehe par une jeune fille, Musique du Burundi, A Collection, 2. Anowaa, Wolomei, from the album Kunta Kunte, 3. Tony Allen, from the album Film of Life Tony wood featuring Kuku) 2. Secteur des jouets 13:23, 0 Propos 3. Mix CHI 8:45 (1. Leboko for Mpolokang, Tswana\/Hurutshe, South Africa 2. Afro Super, Aiye-Keta-Third World ) 4. Alin\u00e9as B3, B4, 5:00, 0 Propos 5. Hahaha, 3:16, 0 Propos 6. Mix CHI 10:02 (1. He Baba Tambo (Tambo Our Father), Radio Freedom, 2. Rumbidzayi mambo, Thomas Mapfumo, Chimurenga for Justice, 3. I am a green Lamp, Okay Temiz\/Johnny Dyani, Witch Doctors\u2019 son, Yesil Fener) 7. Pour contre, 8:49, 0 Propos 8. Tu es propre d\u00e9sormais, 4:33, 0 Propos 9. Mix CHI 15:25 (1. Nan, Laura Mvura, The dreaming Room, 2. Boya ye, Boya yeh, Mbilia Bel, 3. Malinga, Kanda Bongo Man, Amour fou\/crazy love) 10. Plaie plate, 10:07, 0 Propos Biographies\u00a0: 0 Propos Groupe lausannois de po\u00e9sie hyperjective cr\u00e9e en 2020 par Ga\u00ebl Bandelier & Gilles Furtw\u00e4ngler MANIFESTE Un : Un titre n\u2019est jamais trop long si c\u2019est un bon titre. Deux : Je ne veux pas g\u00e2cher l\u2019ambiance mais j\u2019aimerais partir d\u2019ici. Trois : En cours d\u2019\u00e9criture. Les titres pr\u00e9sent\u00e9s sur ce podcast sont tir\u00e9s de\u00a0Polyphonie t\u00e9l\u00e9phonique, Une s\u00e9rie d\u2019enregistrements r\u00e9alis\u00e9 \u00e0 Lausanne entre le 24 mars et le 15 avril 2020 par 0 Propos. Mat\u00e9riel : 2 Skype et 2 Zoom Handy Recorder H4n Texte, composition, voix et arrangements : 0 Propos Ga\u00ebl Bandelier Auteur polygraphe curieux et s\u00e9rendipiteux, Ga\u00ebl Bandelier pratique plusieurs disciplines artistiques et scientifiques en autodidacte (po\u00e9sie orale ; performance ; \u00e9criture narrative et th\u00e9\u00e2trale ; sc\u00e9nario ; bande dessin\u00e9e ; livre d\u2019artiste ; physique quantique ; biologie). Fascin\u00e9 par les explorations de langages sonores, textuelles et visuelles et les syst\u00e8mes de repr\u00e9sentations artistiques, scientifiques et philosophiques, il pratique l\u2019exp\u00e9rimentation, comme source de jeux, de d\u00e9couvertes formelles et d\u2019ouvertures cosmiques. Il est l\u2019auteur et le performer de nombreuses performances de po\u00e9sie sonore et buccale, en solo, et en collaboration avec notamment Luc M\u00fcller, Nicolas Carrel, Gilles Furtw\u00e4ngler, Louis Schild, John Menoud, Beno\u00eet Moreau, l\u2019EnsemBle baBel. Il est membre fondateur de l\u2019association Po\u00ef, avec Alain Freudiger, qui organise des soir\u00e9es autour de la po\u00e9sie orale. Gilles Furtw\u00e4ngler (1982) Vit et travaille \u00e0 Lausanne et \u00e0 Johannesburg. Diplom\u00e9 de l'Ecole d'Art de Lausanne (ECAL) en 2006, il poursuit depuis un travail bas\u00e9 sur la communication. Tout est mis en forme pour une communication objective et abstraite, ironique et morale, d\u00e9finitivement po\u00e9tique. Il a particip\u00e9 \u00e0 de nombreuses expositions et pr\u00e9sent\u00e9 de nombreuses lectures et performances dans des institutions et espaces d'art en Suisse et \u00e0 l'\u00e9tranger. Membre de Centre d'art Circuit \u00e0 Lausanne et du collectif Makrout Unit\u00e9, il travaille avec la Galerie Skopia \u00e0 Gen\u00e8ve.\u00a0www.skopia.ch. Une premi\u00e8re monographie sur son travail est parue dans la collection Cahier d'artiste de Pro Helvetia en juin 2017, une deuxi\u00e8me en 2018, dans la collection Minimono des Edizioni Periferia. Lucerne\/Poschiavo. Correspondant de *DUUU Radio, il co-produit et pr\u00e9sente l'\u00e9mission\u00a0Revenir et Dire \u00c7a\u00a0cr\u00e9\u00e9 en 2018. Attraper les spectateurs en leur parlant d'amour, d'abstraction et de paysage, les retenir avec des concepts, de la sexualit\u00e9, de la morale, de la politique, les laisser partir avec des pulsions, des privil\u00e8ges, du quotidien. Robert Machiri Chi aka Chimurenga (Robert Machiri), est n\u00e9 en 1978 au Zimbabwe. Il est DJ et accumulateur d'objets, inspir\u00e9 par sa collection de musique et par son int\u00e9r\u00eat pour les objets li\u00e9s au son. Machiri vit \u00e0 Johannesburg en Afrique du Sud. Son travail se situe \u00e0 la crois\u00e9e de deux pratiques : une pratique curatoriale ainsi qu'une production multidisciplinaire d\u2019\u0153uvres d\u2019art qui s\u2019appuient sur des discours d\u00e9coloniaux pr\u00e9sent\u00e9s au travers d'une critique de l'apprentissage et du d\u00e9sapprentissage. Cette production est entrelac\u00e9e de son, de musique et d\u2019images. Son projet curatorial le plus notable, PUNGWE, est un projet interdisciplinaire qui met \u00e0 l'honneur les musiques africaines et les relie \u00e0 des discours et \u00e0 des espaces li\u00e9s au contexte de l\u2019art contemporain. Pungwe a particip\u00e9 \u00e0 des travaux collaboratifs comme : PUNGWE NIGHTS, Listening to a listening at Pungwe et Sugar free \/\/\/ Pungwe.","date":"02\/08\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1055\/format63.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1055\/format63.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1055\/format63.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1055\/tendu.mp3","duration":5349}],"duration":"89:09","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"CLOSE DISTANCE : COVIDIALITY","sub_format_path":"close-distance-covidiality","sub_format_id":1025},{"title":"L'\u00e9tude du pain","subtitle":"Boris G\u00e9taz","colour":"#006bfa","path":"letude-du-pain","texte":"

L'\u00e9tude du pain - Boris G\u00e9taz\u00a0<\/em><\/p>\n\n

Ce travail est le premier d\u2019une s\u00e9rie d\u2019essais sonores en cours de r\u00e9alisation. Le principe de ces essais est d\u2019explorer le lien qui unit musique, son, discours, narration.\u00a0
\nL\u2019id\u00e9e de cet essai a \u00e9merg\u00e9 au d\u00e9but de la crise du coronavirus. Submerg\u00e9 par un torrent d\u2019informations contradictoires et de pol\u00e9miques st\u00e9riles, bloqu\u00e9 dans un pr\u00e9sent perp\u00e9tuel, j\u2019ai souhait\u00e9 prendre de la distance et questionner le rapport qu\u2019entretient l\u2019homme avec les micro-organismes.\u00a0<\/p>\n\n

Cet essai ne vise en aucun cas l\u2019exhaustivit\u00e9. Il propose plut\u00f4t, par la juxtaposition d\u2019\u00e9l\u00e9ments disparates, et parfois d\u00e9connect\u00e9s, de nourrir une r\u00e9flexion, d\u2019introduire de mani\u00e8re sensible une histoire. La musique a pour base de longues improvisations visant \u00e0 l\u2019origine \u00e0 cr\u00e9er trois ambiances diff\u00e9rentes, auxquelles furent ajout\u00e9es des couches visant \u00e0 la rendre d\u2019avantage expressive, \u00e0 la faire v\u00e9ritablement dialoguer avec le texte. La premi\u00e8re partie aborde la maladie et la peur qui en d\u00e9coule, mais aussi la fermentation, technique ayant permis de conserver et d\u2019enrichir les saveurs de notre nourriture avant m\u00eame la d\u00e9couverte de l\u2019agriculture.\u00a0<\/p>\n\n

Le deuxi\u00e8me a pour toile de fond l\u2019hygi\u00e8nisme et ses cons\u00e9quences. De la d\u00e9couverte des bact\u00e9ries, virus, vaccins, \u00e0 l\u2019utilit\u00e9 du lavage des mains, mais aussi de son influence sur l\u2019urbanisme au XIXe\u00a0et XXe\u00a0si\u00e8cle. Enfin, la derni\u00e8re, la plus longue, est un dialogue de sourd, doubl\u00e9e d\u2019une fuite en avant. Pol\u00e9miques scientifiques, discours politiques aux accents guerriers, complotisme\u2026 Est-ce que le rappel du temps long des deux premi\u00e8res parties permet de questionner ces discours\u00a0 ? Ou au contraire, est-ce que l\u2019ivresse induite par le flot continu emp\u00eache toute mise en perspective? Ou peut-\u00eatre est-ce juste la naus\u00e9e\u2026<\/p>\n\n

Sources :
\nJoseph Patrick Byrne,\u00a0Encyclopedia of the Black Death<\/em>
https:\/\/nicrunicuit.com<\/a>
\nWikipedia
\nYoutube
\nlemonde.fr
\nwww.retronews.fr<\/p>","desc":"L'\u00e9tude du pain - Boris G\u00e9taz\u00a0 Ce travail est le premier d\u2019une s\u00e9rie d\u2019essais sonores en cours de r\u00e9alisation. Le principe de ces essais est d\u2019explorer le lien qui unit musique, son, discours, narration.\u00a0 L\u2019id\u00e9e de cet essai a \u00e9merg\u00e9 au d\u00e9but de la crise du coronavirus. Submerg\u00e9 par un torrent d\u2019informations contradictoires et de pol\u00e9miques st\u00e9riles, bloqu\u00e9 dans un pr\u00e9sent perp\u00e9tuel, j\u2019ai souhait\u00e9 prendre de la distance et questionner le rapport qu\u2019entretient l\u2019homme avec les micro-organismes.\u00a0 Cet essai ne vise en aucun cas l\u2019exhaustivit\u00e9. Il propose plut\u00f4t, par la juxtaposition d\u2019\u00e9l\u00e9ments disparates, et parfois d\u00e9connect\u00e9s, de nourrir une r\u00e9flexion, d\u2019introduire de mani\u00e8re sensible une histoire. La musique a pour base de longues improvisations visant \u00e0 l\u2019origine \u00e0 cr\u00e9er trois ambiances diff\u00e9rentes, auxquelles furent ajout\u00e9es des couches visant \u00e0 la rendre d\u2019avantage expressive, \u00e0 la faire v\u00e9ritablement dialoguer avec le texte. La premi\u00e8re partie aborde la maladie et la peur qui en d\u00e9coule, mais aussi la fermentation, technique ayant permis de conserver et d\u2019enrichir les saveurs de notre nourriture avant m\u00eame la d\u00e9couverte de l\u2019agriculture.\u00a0 Le deuxi\u00e8me a pour toile de fond l\u2019hygi\u00e8nisme et ses cons\u00e9quences. De la d\u00e9couverte des bact\u00e9ries, virus, vaccins, \u00e0 l\u2019utilit\u00e9 du lavage des mains, mais aussi de son influence sur l\u2019urbanisme au XIXe\u00a0et XXe\u00a0si\u00e8cle. Enfin, la derni\u00e8re, la plus longue, est un dialogue de sourd, doubl\u00e9e d\u2019une fuite en avant. Pol\u00e9miques scientifiques, discours politiques aux accents guerriers, complotisme\u2026 Est-ce que le rappel du temps long des deux premi\u00e8res parties permet de questionner ces discours\u00a0 ? Ou au contraire, est-ce que l\u2019ivresse induite par le flot continu emp\u00eache toute mise en perspective? Ou peut-\u00eatre est-ce juste la naus\u00e9e\u2026 Sources : Joseph Patrick Byrne,\u00a0Encyclopedia of the Black Deathhttps:\/\/nicrunicuit.com Wikipedia Youtube lemonde.fr www.retronews.fr","date":"26\/07\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1048\/etude-pain-boris-getaz_copie.2000x2000.jpeg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1048\/etude-pain-boris-getaz_copie.1200x1200.jpeg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1048\/etude-pain-boris-getaz_copie.1200x1200.jpeg","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1048\/etude-du-pain-boris-getaz.mp3","duration":2480}],"duration":"41:20","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"CLOSE DISTANCE : COVIDIALITY","sub_format_path":"close-distance-covidiality","sub_format_id":1025},{"title":"SparkSparkSpark","subtitle":"Franziska Baumgartner, Rodrigo Toro Madrid and Sarina Scheidegger","colour":"#006bfa","path":"sparksparkspark","texte":"

SparkSparkSpark
\nFranziska Baumgartner, Rodrigo Toro Madrid\u00a0and Sarina Scheidegger<\/p>\n\n

During various jam sessions the artists Franziska Baumgartner, Rodrigo Toro Madrid and Sarina Scheidegger were experimenting with different forms and mechanisms of looping their material which was based on texts, recordings with a selfmade vinyl recorder and software generated sounds.The sound piece \u00abSparkSparkSpark\u00bb is a composed compilation of several encounters during the last months, where the artists\u00a0 - each with their own device \u2013 were not only trying to explore the disposition of the loop with its variables and mutable character but were also recording and reproducing the sounds at the same time. The audience is invited to listen to this radio piece around sparkling moods and gigantic laughters.<\/p>\n\n

Texts from the book \u00abTiene Palabras, Ella\u00bb by Ana Navas and Sarina Scheidegger<\/p>\n\n

Hyena laughter from the video \u00abRoxy, the hyena \u201claugh\u201d loudly in front of her meal\u00bb, by Maxime Dehaye<\/p>","desc":"SparkSparkSpark Franziska Baumgartner, Rodrigo Toro Madrid\u00a0and Sarina Scheidegger During various jam sessions the artists Franziska Baumgartner, Rodrigo Toro Madrid and Sarina Scheidegger were experimenting with different forms and mechanisms of looping their material which was based on texts, recordings with a selfmade vinyl recorder and software generated sounds.The sound piece \u00abSparkSparkSpark\u00bb is a composed compilation of several encounters during the last months, where the artists\u00a0 - each with their own device \u2013 were not only trying to explore the disposition of the loop with its variables and mutable character but were also recording and reproducing the sounds at the same time. The audience is invited to listen to this radio piece around sparkling moods and gigantic laughters. Texts from the book \u00abTiene Palabras, Ella\u00bb by Ana Navas and Sarina Scheidegger Hyena laughter from the video \u00abRoxy, the hyena \u201claugh\u201d loudly in front of her meal\u00bb, by Maxime Dehaye","date":"24\/07\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1047\/sparksparkspark_2.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1047\/sparksparkspark_2.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1047\/sparksparkspark_2.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1047\/sparksparkspark.mp3","duration":2592}],"duration":"43:12","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"CLOSE DISTANCE : COVIDIALITY","sub_format_path":"close-distance-covidiality","sub_format_id":1025},{"title":"D\u00e9sirs publics discours refrains","subtitle":"Lou Masduraud & Antoine Bellini\u00a0","colour":"#006bfa","path":"desirsrefrains","texte":"

Titre :\u00a0\u00a0D\u00e9sirs publics Discours refrains - avec des textes de Clara Schulmann,\u00a0Edouard Louis, Maggie Nelson,\u00a0Renaldo Arenas,\u00a0Comit\u00e9 Invisible, Audre Lorde<\/em>
\nAuteurs : Lou Masduraud & Antoine Bellini\u00a0
\nDur\u00e9e\u00a0: 36 minutes 11\u00a0secondes<\/p>\n\n

Quels d\u00e9sirs et quelles normes d\u00e9terminent nos luttes et nos engagements ? Ce montage compos\u00e9e de lectures, de conversations fictionnelles et\u00a0d'extraits de film propose une multitude de positions et de\u00a0reflexions\u00a0sur l'adolescence, l'identit\u00e9, la d\u00e9pression, l'impact du politique sur nos corps, la marginalit\u00e9 et la radicalit\u00e9.<\/p>","desc":"Titre :\u00a0\u00a0D\u00e9sirs publics Discours refrains - avec des textes de Clara Schulmann,\u00a0Edouard Louis, Maggie Nelson,\u00a0Renaldo Arenas,\u00a0Comit\u00e9 Invisible, Audre Lorde Auteurs : Lou Masduraud & Antoine Bellini\u00a0 Dur\u00e9e\u00a0: 36 minutes 11\u00a0secondes Quels d\u00e9sirs et quelles normes d\u00e9terminent nos luttes et nos engagements ? Ce montage compos\u00e9e de lectures, de conversations fictionnelles et\u00a0d'extraits de film propose une multitude de positions et de\u00a0reflexions\u00a0sur l'adolescence, l'identit\u00e9, la d\u00e9pression, l'impact du politique sur nos corps, la marginalit\u00e9 et la radicalit\u00e9.","date":"24\/07\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1046\/lumpenstation_masduraud-bellini.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1046\/lumpenstation_masduraud-bellini.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1046\/lumpenstation_masduraud-bellini.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1046\/export_radio_-_masduraud-bellini.mp3","duration":2172}],"duration":"36:12","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"CLOSE DISTANCE : COVIDIALITY","sub_format_path":"close-distance-covidiality","sub_format_id":1025},{"title":"Whispers in a park","subtitle":"Monica German & Brigitta Kobe","colour":"#006bfa","path":"whispers-in-a-park","texte":"

Close Distance : Covidiality\u00a0
\nWHISPERS IN A PARK
\nMonica Germann\u2026electronics \/ loops, voice, lyrics
\nBrigitta Kobe aka Baboon\u2026guitar, voice, lyrics<\/p>\n\n

Within the landscape of a beautiful garden, Brigitta and Monica drift between fantasy, memories and reality. Singing birds, people walking and driving by as well as various noises lead them to question life and how to record it. Output one or two ? Are we in ? Can you hear us ?<\/p>","desc":"Close Distance : Covidiality\u00a0 WHISPERS IN A PARK Monica Germann\u2026electronics \/ loops, voice, lyrics Brigitta Kobe aka Baboon\u2026guitar, voice, lyrics Within the landscape of a beautiful garden, Brigitta and Monica drift between fantasy, memories and reality. Singing birds, people walking and driving by as well as various noises lead them to question life and how to record it. Output one or two ? Are we in ? Can you hear us ?","date":"19\/07\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1043\/lumpencover-1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1043\/lumpencover-1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1043\/lumpencover-1.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1043\/closedistance_monicabrigitta.mp3","duration":4380}],"duration":"73:00","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"CLOSE DISTANCE : COVIDIALITY","sub_format_path":"close-distance-covidiality","sub_format_id":1025},{"title":"Les Duettes","subtitle":"A night journey from voice to voice by San Keller and Tom Huber","colour":"#006bfa","path":"les-duettes","texte":"

Close Distance : Covidiality\u00a0
\nLes Duettes - A night journey from voice to voice<\/p>\n\n

L\u2019artiste San Keller s\u2019associe au musicien\/artiste Tom Huber pour d\u00e9ambuler dans la rue avec l\u2019intention d'interpr\u00e9ter avec des inconnu\u00b7es des duos chant\u00e9s. Le mode de production devient une performance qui se d\u00e9roule pendant la nuit et se construit au fil de rencontres. Les chansons, souvent des grands classiques, sont ici interpr\u00e9t\u00e9es de mani\u00e8re chaotique, sans suivre leur m\u00e9lodie originale. C\u2019est Tom Huber qui construit une bande son tandis que San Keller transporte ses partenaires de chants dans une lib\u00e9ration de la voix.<\/p>\n\n

L'enregistrement comprend\u00a0des extraits de trois nuits de duos\u00a0r\u00e9alis\u00e9s essentiellement \u00e0\u00a0Bienne le 12 juin 2020 avec des extras enregistr\u00e9s \u00e0\u00a0Zurich et Berne.\u00a0<\/p>","desc":"Close Distance : Covidiality\u00a0 Les Duettes - A night journey from voice to voice L\u2019artiste San Keller s\u2019associe au musicien\/artiste Tom Huber pour d\u00e9ambuler dans la rue avec l\u2019intention d'interpr\u00e9ter avec des inconnu\u00b7es des duos chant\u00e9s. Le mode de production devient une performance qui se d\u00e9roule pendant la nuit et se construit au fil de rencontres. Les chansons, souvent des grands classiques, sont ici interpr\u00e9t\u00e9es de mani\u00e8re chaotique, sans suivre leur m\u00e9lodie originale. C\u2019est Tom Huber qui construit une bande son tandis que San Keller transporte ses partenaires de chants dans une lib\u00e9ration de la voix. L'enregistrement comprend\u00a0des extraits de trois nuits de duos\u00a0r\u00e9alis\u00e9s essentiellement \u00e0\u00a0Bienne le 12 juin 2020 avec des extras enregistr\u00e9s \u00e0\u00a0Zurich et Berne.\u00a0","date":"12\/06\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1041\/banner-1.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1041\/banner-1.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1041\/banner-1.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1041\/duettesfinal2.mp3","duration":1722}],"duration":"28:42","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"CLOSE DISTANCE : COVIDIALITY","sub_format_path":"close-distance-covidiality","sub_format_id":1025},{"title":"Vernissage \u00e0 domicile","subtitle":"Ricochet de Rudolf Steiner","colour":"#ffc777","path":"vernissage-a-domicile","texte":"

Alive from Lokal-int \/ Vernissage \u00e0 domicile :\u00a0Interview avec Rudolf Steiner, pr\u00e9sentation de la publication \u00abRicochet\u00bb<\/p>\n\n

Rudolf Steiner accepte l'invitation \u00e0 venir \u00e0 Lokal-int pour pr\u00e9senter sa derni\u00e8re publication, un\u00a0livre de photographies portant le titre de Ricochet. En parall\u00e8le \u00e0 une interview spontan\u00e9e \u00e0 propos du processus cr\u00e9atif du livre avec Chri Frautschi, l'occasion d'avoir Rudolf permet de revenir sur la sc\u00e8ne artistique biennoise, son histoire r\u00e9cente et peut-\u00eatre ses origines.<\/p>","desc":"Alive from Lokal-int \/ Vernissage \u00e0 domicile :\u00a0Interview avec Rudolf Steiner, pr\u00e9sentation de la publication \u00abRicochet\u00bb Rudolf Steiner accepte l'invitation \u00e0 venir \u00e0 Lokal-int pour pr\u00e9senter sa derni\u00e8re publication, un\u00a0livre de photographies portant le titre de Ricochet. En parall\u00e8le \u00e0 une interview spontan\u00e9e \u00e0 propos du processus cr\u00e9atif du livre avec Chri Frautschi, l'occasion d'avoir Rudolf permet de revenir sur la sc\u00e8ne artistique biennoise, son histoire r\u00e9cente et peut-\u00eatre ses origines.","date":"04\/06\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1023\/bannercover13.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1023\/bannercover13.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1023\/bannercover13.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1023\/editpart1rudi.mp3","duration":7472}],"duration":"124:32","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"ALIVE FROM LOKAL-INT","sub_format_path":"alive-from-lokal-int","sub_format_id":1026},{"title":"Alive from Lokal-int : After Party Mix","subtitle":"guest: Elias Aka James Blood","colour":"#ffc777","path":"alivefromlokal-int-after-party-mix","texte":"

Alive from Lokal-int: After Party Mix
\nGuest: Elias aka James Blood\u00a0<\/p>\n\n

SANS AUCUNE GARANTIE DE QUALITE SONORE, CHAOS ASSURE, WORK IN PROGRESS, DILETTANTISME, 100% DOCUMENTATION, PAROLE LIBRE, N'IMPORTE QUOI ET BONNE MUSIQUE<\/p>","desc":"Alive from Lokal-int: After Party Mix Guest: Elias aka James Blood\u00a0 SANS AUCUNE GARANTIE DE QUALITE SONORE, CHAOS ASSURE, WORK IN PROGRESS, DILETTANTISME, 100% DOCUMENTATION, PAROLE LIBRE, N'IMPORTE QUOI ET BONNE MUSIQUE","date":"04\/06\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1052\/banners72.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1052\/banners72.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1052\/banners72.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1052\/editpart2rudi.mp3","duration":7006}],"duration":"116:46","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"ALIVE FROM LOKAL-INT","sub_format_path":"alive-from-lokal-int","sub_format_id":1026},{"title":"Vernissage \u00e0 domicile","subtitle":"Antoine Rubin, Fanny Kr\u00e4henb\u00fchl","colour":"#ffc777","path":"alive-from-lokal-int-vernissage-a-domicile","texte":"

Vernissage \u00e0 domicile : Antoine Rubin, Fanny Kr\u00e4henb\u00fchl<\/p>\n\n

Invit\u00e9s \u00e0 faire partie de la programmation de Lokal-int 2020 et pr\u00e9senter la pi\u00e8ce de th\u00e9\u00e2tre \u00abPetit Gazon\u00bb, Fanny Kr\u00e4henb\u00fchl et Antoine Rubin ont \u00e9t\u00e9 re\u00e7us\u00a0pour un\u00a0vernissage \u00e0 domicile sur lumpenstation.art. Avec Chri\u00a0Frautschi, ils discutent en direct et de mani\u00e8re spontan\u00e9e de leur projet et sur quoi il s'articule, tout en se donnant rendez-vous en 2021 pour une version mise \u00e0 jour de la pi\u00e8ce de th\u00e9\u00e2tre. On d\u00e9couvre que le \u00abPetit Gazon\u00bb est un \u00e9l\u00e9ment urbain\u00a0typiquement suisse\u00a0qu'il faut entretenir, parfois sans m\u00eame l'utiliser, histoire de vivre dans un voisinage propre et beau \u00e0 voir, mais qui manque peut-\u00eatre un peu de vie.\u00a0<\/p>","desc":"Vernissage \u00e0 domicile : Antoine Rubin, Fanny Kr\u00e4henb\u00fchl Invit\u00e9s \u00e0 faire partie de la programmation de Lokal-int 2020 et pr\u00e9senter la pi\u00e8ce de th\u00e9\u00e2tre \u00abPetit Gazon\u00bb, Fanny Kr\u00e4henb\u00fchl et Antoine Rubin ont \u00e9t\u00e9 re\u00e7us\u00a0pour un\u00a0vernissage \u00e0 domicile sur lumpenstation.art. Avec Chri\u00a0Frautschi, ils discutent en direct et de mani\u00e8re spontan\u00e9e de leur projet et sur quoi il s'articule, tout en se donnant rendez-vous en 2021 pour une version mise \u00e0 jour de la pi\u00e8ce de th\u00e9\u00e2tre. On d\u00e9couvre que le \u00abPetit Gazon\u00bb est un \u00e9l\u00e9ment urbain\u00a0typiquement suisse\u00a0qu'il faut entretenir, parfois sans m\u00eame l'utiliser, histoire de vivre dans un voisinage propre et beau \u00e0 voir, mais qui manque peut-\u00eatre un peu de vie.\u00a0","date":"28\/05\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1021\/bannercover27.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1021\/bannercover27.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1021\/bannercover27.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1021\/edit1.mp3","duration":6244}],"duration":"104:04","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"ALIVE FROM LOKAL-INT","sub_format_path":"alive-from-lokal-int","sub_format_id":1026},{"title":"Vernissage \u00e0 domicile","subtitle":"Meet Eva Zornio et Julien Berberat","colour":null,"path":"evazorniojulienberberat","texte":"

Alive from Lokal-int \/ Vernissage \u00e0 domicile : meet Eva Zornio et Julien Berberat\u00a0<\/p>\n\n

En r\u00e9sidence \u00e0 espace libre Visarte BielBienne pendant 2 semaines \u00e0 Bienne, les artistes Eva Zornio et Julien Berberat passent une soir\u00e9e \u00e0 Lokal-int en direct radio sur lumpensation.art. Apr\u00e8s un moment brise glace, un \u00e9change de musiques et quelques confessions font d\u00e9marer la soir\u00e9e jusqu'\u00e0 retourner sur les hits du d\u00e9but des ann\u00e9es 2000.\u00a0<\/p>","desc":"Alive from Lokal-int \/ Vernissage \u00e0 domicile : meet Eva Zornio et Julien Berberat\u00a0 En r\u00e9sidence \u00e0 espace libre Visarte BielBienne pendant 2 semaines \u00e0 Bienne, les artistes Eva Zornio et Julien Berberat passent une soir\u00e9e \u00e0 Lokal-int en direct radio sur lumpensation.art. Apr\u00e8s un moment brise glace, un \u00e9change de musiques et quelques confessions font d\u00e9marer la soir\u00e9e jusqu'\u00e0 retourner sur les hits du d\u00e9but des ann\u00e9es 2000.\u00a0","date":"21\/05\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1036\/bannercover12.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1036\/bannercover12.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1036\/bannercover12.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1036\/edit1.mp3","duration":5535},{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1036\/part2.mp3","duration":7410}],"duration":"215:45","format":null,"format_path":null,"format_id":null,"sub_format":null,"sub_format_path":null,"sub_format_id":null},{"title":"Alive from Lokal-int : After Party Mix","subtitle":"guest: Maxime H\u00e4nsenberger, Zola \"Potter\"","colour":"#ffc777","path":"alive-from-lokalintafter-party-mix","texte":"

Alive from Lokal-int: After Party Mix
\nGuest:\u00a0Maxime H\u00e4nsenberger, Zola \"Potter\"<\/p>\n\n

SANS AUCUNE GARANTIE DE QUALITE SONORE, CHAOS ASSURE, WORK IN PROGRESS, DILETTANTISME, 100% DOCUMENTATION, PAROLE LIBRE, N'IMPORTE QUOI ET BONNE MUSIQUE<\/p>","desc":"Alive from Lokal-int: After Party Mix Guest:\u00a0Maxime H\u00e4nsenberger, Zola \"Potter\" SANS AUCUNE GARANTIE DE QUALITE SONORE, CHAOS ASSURE, WORK IN PROGRESS, DILETTANTISME, 100% DOCUMENTATION, PAROLE LIBRE, N'IMPORTE QUOI ET BONNE MUSIQUE","date":"21\/05\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1054\/banners72.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1054\/banners72.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1054\/banners72.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1054\/part3.mp3","duration":5419},{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1054\/lokaledit2.mp3","duration":7565},{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1054\/lokaledit1.mp3","duration":10118}],"duration":"385:02","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"ALIVE FROM LOKAL-INT","sub_format_path":"alive-from-lokal-int","sub_format_id":1026},{"title":"Vernissage \u00e0 domicile","subtitle":"Effraction vacances : Emma Souharce, Julie Semoroz","colour":"#ffc777","path":"effractionsvacances","texte":"

Alive from Lokal-int \/ Vernissage \u00e0 domicile : Effraction vacances, Emma Souharce, Julie Semoroz\u00a0<\/p>\n\n

En r\u00e9sidence \u00e0 Saint-Imier \u00e0 Drawings for la D\u00e9pendance, les artistes sonores Emma Souharce et Julie Semoroz sont descendues \u00e0 Bienne le temps d'une \u00e9mission radiophonique \u00e0 Lokal-int,\u00a0accompagn\u00e9es de Jan Van Oordt. Sans vouloir pr\u00e9senter un travail pr\u00e9cis, ce vernissage \u00e0 domicile s'articule sur une discussion ouverte et un \u00e9change sur la p\u00e9riode actuelle pour les artistes en g\u00e9n\u00e9ral\u00a0et surtout ceux et celles habitu\u00e9\u00b7es \u00e0 intervenir en public. La premi\u00e8re partie de la soir\u00e9e et les \u00e9changes entre les invit\u00e9\u00b7es, Chri Frautschi et Andrea Marioni pr\u00e9parent l'atmosph\u00e8re pour l'after party totalement r\u00e9alis\u00e9e avec des musiques de vinyls de la collection de Drawings for la D\u00e9pendance.<\/p>","desc":"Alive from Lokal-int \/ Vernissage \u00e0 domicile : Effraction vacances, Emma Souharce, Julie Semoroz\u00a0 En r\u00e9sidence \u00e0 Saint-Imier \u00e0 Drawings for la D\u00e9pendance, les artistes sonores Emma Souharce et Julie Semoroz sont descendues \u00e0 Bienne le temps d'une \u00e9mission radiophonique \u00e0 Lokal-int,\u00a0accompagn\u00e9es de Jan Van Oordt. Sans vouloir pr\u00e9senter un travail pr\u00e9cis, ce vernissage \u00e0 domicile s'articule sur une discussion ouverte et un \u00e9change sur la p\u00e9riode actuelle pour les artistes en g\u00e9n\u00e9ral\u00a0et surtout ceux et celles habitu\u00e9\u00b7es \u00e0 intervenir en public. La premi\u00e8re partie de la soir\u00e9e et les \u00e9changes entre les invit\u00e9\u00b7es, Chri Frautschi et Andrea Marioni pr\u00e9parent l'atmosph\u00e8re pour l'after party totalement r\u00e9alis\u00e9e avec des musiques de vinyls de la collection de Drawings for la D\u00e9pendance.","date":"14\/05\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1040\/bannercover14.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1040\/bannercover14.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1040\/bannercover14.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1040\/lokaledit1.mp3","duration":6811},{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1040\/part3.mp3","duration":4998},{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1040\/part2.mp3","duration":7244}],"duration":"317:33","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"ALIVE FROM LOKAL-INT","sub_format_path":"alive-from-lokal-int","sub_format_id":1026},{"title":"Porno circuit Vol.1","subtitle":"Sara Strasser","colour":"#7b0dd8","path":"porno-circuit-vol.1","texte":"

Porno Circuit Vol. 1<\/span>
une proposition de Sara Strasser<\/em>
\nEmission enregistr\u00e9e en direct depuis le stade de la Gurzelen et r\u00e9alis\u00e9e en marge de la s\u00e9rie de cr\u00e9ations sonores Close Distance Covidiality.\u00a0<\/p>\n\n

Quel rapport entre la d\u00e9ch\u00e9ance humaine, la consommation et le Porno\u00a0?\u00a0Entre d\u00e9g\u00e9n\u00e9rescence, possession, d\u00e9sir et le pouvoir, que devient le plaisir obsc\u00e8ne de la chaire et sa fantaisie\u00a0?
\nSans d\u00e9bat, sans discussion, sans r\u00e9ponses, Porno Radio choisit le Son pour p\u00e9n\u00e9trer l\u2019univers envo\u00fbtant, humide et profond du fantasme.<\/p>","desc":"Porno Circuit Vol. 1une proposition de Sara Strasser Emission enregistr\u00e9e en direct depuis le stade de la Gurzelen et r\u00e9alis\u00e9e en marge de la s\u00e9rie de cr\u00e9ations sonores Close Distance Covidiality.\u00a0 Quel rapport entre la d\u00e9ch\u00e9ance humaine, la consommation et le Porno\u00a0?\u00a0Entre d\u00e9g\u00e9n\u00e9rescence, possession, d\u00e9sir et le pouvoir, que devient le plaisir obsc\u00e8ne de la chaire et sa fantaisie\u00a0? Sans d\u00e9bat, sans discussion, sans r\u00e9ponses, Porno Radio choisit le Son pour p\u00e9n\u00e9trer l\u2019univers envo\u00fbtant, humide et profond du fantasme.","date":"09\/05\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1098\/bannersite.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1098\/bannersite.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1098\/bannersite.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1098\/pornocircuit2.mp3","duration":6019},{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1098\/pornocircuit1.mp3","duration":8567}],"duration":"243:06","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"Whoops room","sub_format_path":"whoops-room","sub_format_id":1096},{"title":"Alive from Lokal-int : After Party Mix","subtitle":"Stude Yeah & Meta Marie Louise","colour":"#ffc777","path":"alive-from-lokalint-after-party-mix","texte":"

Alive from Lokal-int: After Party Mix
\nGuest:\u00a0Stude Yeah & Meta Marie Louise<\/p>\n\n

SANS AUCUNE GARANTIE DE QUALITE SONORE, CHAOS ASSURE, WORK IN PROGRESS, DILETTANTISME, 100% DOCUMENTATION, PAROLE LIBRE, N'IMPORTE QUOI ET BONNE MUSIQUE<\/p>","desc":"Alive from Lokal-int: After Party Mix Guest:\u00a0Stude Yeah & Meta Marie Louise SANS AUCUNE GARANTIE DE QUALITE SONORE, CHAOS ASSURE, WORK IN PROGRESS, DILETTANTISME, 100% DOCUMENTATION, PAROLE LIBRE, N'IMPORTE QUOI ET BONNE MUSIQUE","date":"23\/04\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1053\/banners72.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1053\/banners72.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1053\/banners72.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1053\/lokalafter2edit.mp3","duration":7524},{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1053\/lokalafter1edit.mp3","duration":7592}],"duration":"251:56","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"ALIVE FROM LOKAL-INT","sub_format_path":"alive-from-lokal-int","sub_format_id":1026},{"title":"Vernissage \u00e0 domicile","subtitle":"Nora Lune : Rogue voyage","colour":"#ffc777","path":"roguevoyage","texte":"

Alive from Lokal-int \/ Vernissage \u00e0 domicile : Nora Lune \u00abRogue Voyage\u00bb<\/p>\n\n

Pendant les premi\u00e8res semaines de confinement, Lumpen Station lance Operation Decameron dans la volont\u00e9 de regrouper des compositions d'artistes et d'en faire des compilations. Simultan\u00e9ment, les \u00e9missions \u00e0 Lokal-int deviennent r\u00e9guli\u00e8res car personne ne sait quand les regroupements seront \u00e0 nouveau possibles. Nora Lune propose alors de r\u00e9aliser une pi\u00e8ce sonore qui pourrait faire office de travail artistique. Chri Frautschi et Andrea Marioni d\u00e9cident d'introduire ce travail en premi\u00e8re partie d'\u00e9mission et de pr\u00e9senter \u00e0 la suite une playlist de Jean-Christophe Huguenin, qui devait faire d\u00e9couvrir ce soir-l\u00e0 son travail lors d'une exposition \u00e0 Lokal-int.\u00a0<\/p>","desc":"Alive from Lokal-int \/ Vernissage \u00e0 domicile : Nora Lune \u00abRogue Voyage\u00bb Pendant les premi\u00e8res semaines de confinement, Lumpen Station lance Operation Decameron dans la volont\u00e9 de regrouper des compositions d'artistes et d'en faire des compilations. Simultan\u00e9ment, les \u00e9missions \u00e0 Lokal-int deviennent r\u00e9guli\u00e8res car personne ne sait quand les regroupements seront \u00e0 nouveau possibles. Nora Lune propose alors de r\u00e9aliser une pi\u00e8ce sonore qui pourrait faire office de travail artistique. Chri Frautschi et Andrea Marioni d\u00e9cident d'introduire ce travail en premi\u00e8re partie d'\u00e9mission et de pr\u00e9senter \u00e0 la suite une playlist de Jean-Christophe Huguenin, qui devait faire d\u00e9couvrir ce soir-l\u00e0 son travail lors d'une exposition \u00e0 Lokal-int.\u00a0","date":"16\/04\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1037\/bannercover16.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1037\/bannercover16.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1037\/bannercover16.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1037\/rec_20200423-200016.mp3","duration":5988}],"duration":"99:48","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"ALIVE FROM LOKAL-INT","sub_format_path":"alive-from-lokal-int","sub_format_id":1026},{"title":"Alive from Lokal-int : After Party Mix","subtitle":"guest: Nathalie Imhof","colour":"#ffc777","path":"alive-from-lokal-int-after-partymix","texte":"

Alive from Lokal-int: After Party Mix
\nGuest: Nathalie Imhof\u00a0<\/p>\n\n

SANS AUCUNE GARANTIE DE QUALITE SONORE, CHAOS ASSURE, WORK IN PROGRESS, DILETTANTISME, 100% DOCUMENTATION, PAROLE LIBRE, N'IMPORTE QUOI ET BONNE MUSIQUE<\/p>","desc":"Alive from Lokal-int: After Party Mix Guest: Nathalie Imhof\u00a0 SANS AUCUNE GARANTIE DE QUALITE SONORE, CHAOS ASSURE, WORK IN PROGRESS, DILETTANTISME, 100% DOCUMENTATION, PAROLE LIBRE, N'IMPORTE QUOI ET BONNE MUSIQUE","date":"16\/04\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1051\/banners72.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1051\/banners72.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1051\/banners72.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1051\/lokal_ihmof3.mp3","duration":3522},{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1051\/lokal_ihmof2.mp3","duration":7123},{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1051\/lokal_ihmof1.mp3","duration":7405}],"duration":"300:50","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"ALIVE FROM LOKAL-INT","sub_format_path":"alive-from-lokal-int","sub_format_id":1026},{"title":"Alive from Lokal-int : After Party Mix","subtitle":"guest: Nicolas Raufaste","colour":"#ffc777","path":"alivefrom-lokal-int-afterpartymix","texte":"

Alive from Lokal-int: After Party Mix
\nGuest: Nicolas Raufaste\u00a0<\/p>\n\n

SANS AUCUNE GARANTIE DE QUALITE SONORE, CHAOS ASSURE, WORK IN PROGRESS, DILETTANTISME, 100% DOCUMENTATION, PAROLE LIBRE, N'IMPORTE QUOI ET BONNE MUSIQUE<\/p>","desc":"Alive from Lokal-int: After Party Mix Guest: Nicolas Raufaste\u00a0 SANS AUCUNE GARANTIE DE QUALITE SONORE, CHAOS ASSURE, WORK IN PROGRESS, DILETTANTISME, 100% DOCUMENTATION, PAROLE LIBRE, N'IMPORTE QUOI ET BONNE MUSIQUE","date":"09\/04\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1050\/banners72.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1050\/banners72.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1050\/banners72.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1050\/raufaste1.mp3","duration":7649},{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1050\/lokalafteredit2.mp3","duration":9023}],"duration":"277:52","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"ALIVE FROM LOKAL-INT","sub_format_path":"alive-from-lokal-int","sub_format_id":1026},{"title":"Le syndrome du Bloom","subtitle":"workshop radio avec les \u00e9tudiants de l'option construction de la HEAD Gen\u00e8ve","colour":"#ffc777","path":"le-syndrome-du-bloom","texte":"

Le syndrome du Bloom - workshop radio avec les \u00e9tudiant\u00b7es de l\u2019option construction HEAD Gen\u00e8ve
\nCoordination : Andrea Marioni, Marjorie Kapelusz, Luca Depietri\u00a0
\nDiffusion radio \u00e0 Lokal-int le 2.04.2020 - Dur\u00e9e: 01:11:25
\nParticipant\u00b7es : Antoine B\u00fcrcher, Rafeal Cunha Da Silva, Deniz G\u00fcl, Louis Karim Kagny, Gian Losinger, Laura Matsuzaki, Alex Sobral, Sibylle Volken, Elsa Wagner, Lorenz Wernli, Elisa Wyss
\nco-production : Lumpen Station, Lokal-int\u00a0<\/p>\n\n\n\n

Le syndrome du Bloom
\nAndrea Marioni, Luca Depietri, Marjorie Kapelusz
\nOption Construction, HEAD-Gen\u00e8ve<\/p>\n\n

Les abandonn\u00e9.e.s.x\u00a0(litt. les mis au ban)\u00a0du monde d\u00e9veloppent\u00a0de nouvelles strat\u00e9gies ou dynamiques qui, non seulement r\u00e9pondent \u00e0 leur n\u00e9cessit\u00e9s (\u00e9conomiques, affectives, relationnelles) mais qui g\u00e9n\u00e8rent de nouvelles formes, de nouvelles esth\u00e9tiques par l\u2019usage tout \u00e0 fait diff\u00e9rent des ressources \u00e0 disposition.\u00a0<\/p>\n\n

Dans cette p\u00e9riode de confinement\u00a0face au Covid19, nous sommes tous et toutes devenu\u00b7es, du jour au lendemain, des abandonn\u00e9.e.s.x du monde, nous obligeant \u00e0 rester chez nous, en limitant les relations sociales.<\/p>\n\n

Le workshop pr\u00e9vu avec les \u00e9tudiant\u00b7es de l\u2019option Construction dans l\u2019ancien stade de la Gurzelen occup\u00e9 par des associations, subit une mutation pour devenir une compilation de cr\u00e9ations sonores diffus\u00e9es sur lumpenstation.art dans le cadre de \u00abl\u2019op\u00e9ration Decameron\u00bb lanc\u00e9e par Andrea Marioni actuel artist run space\u00a0d\u2019espace libre Visarte Biel\/Bienne.\u00a0<\/p>\n\n

Le workshop, qui se voulait une exploration de formes d\u2019arts possibles \u00abdans les ruines du capitalisme\u00bb en r\u00e9coltant des th\u00e9ories de mani\u00e8re transversale, c\u2019est \u00e0 dire\u00a0provenant de th\u00e9ories scientifiques, anthropologiques, philosophiques et sociologiques, se propose d\u2019inviter les \u00e9tudiant\u00b7es \u00e0 construire une forme sonore, tout en se pliant aux nouvelles contraintes contemporaines. Le Bloom est consid\u00e9r\u00e9 autant pour son potentiel de manifeste \u00e9crit pas le collectif Tiqqun que pour sens litt\u00e9ral : \u00abfloraison\u00bb qui se manifeste au printemps, m\u00eame dans celui que nous vivons.\u00a0<\/p>\n\n

L\u2019issue de ce workshop \u00abd\u2019urgence\u00bb sera partag\u00e9 lors d\u2019un vernissage radio diffus\u00e9 sur lumpenstation.art en direct jeudi 2 Avril 2020 \u00e0 20h.\u00a0<\/p>","desc":"Le syndrome du Bloom - workshop radio avec les \u00e9tudiant\u00b7es de l\u2019option construction HEAD Gen\u00e8ve Coordination : Andrea Marioni, Marjorie Kapelusz, Luca Depietri\u00a0 Diffusion radio \u00e0 Lokal-int le 2.04.2020 - Dur\u00e9e: 01:11:25 Participant\u00b7es : Antoine B\u00fcrcher, Rafeal Cunha Da Silva, Deniz G\u00fcl, Louis Karim Kagny, Gian Losinger, Laura Matsuzaki, Alex Sobral, Sibylle Volken, Elsa Wagner, Lorenz Wernli, Elisa Wyss co-production : Lumpen Station, Lokal-int\u00a0 Le syndrome du Bloom Andrea Marioni, Luca Depietri, Marjorie Kapelusz Option Construction, HEAD-Gen\u00e8ve Les abandonn\u00e9.e.s.x\u00a0(litt. les mis au ban)\u00a0du monde d\u00e9veloppent\u00a0de nouvelles strat\u00e9gies ou dynamiques qui, non seulement r\u00e9pondent \u00e0 leur n\u00e9cessit\u00e9s (\u00e9conomiques, affectives, relationnelles) mais qui g\u00e9n\u00e8rent de nouvelles formes, de nouvelles esth\u00e9tiques par l\u2019usage tout \u00e0 fait diff\u00e9rent des ressources \u00e0 disposition.\u00a0 Dans cette p\u00e9riode de confinement\u00a0face au Covid19, nous sommes tous et toutes devenu\u00b7es, du jour au lendemain, des abandonn\u00e9.e.s.x du monde, nous obligeant \u00e0 rester chez nous, en limitant les relations sociales. Le workshop pr\u00e9vu avec les \u00e9tudiant\u00b7es de l\u2019option Construction dans l\u2019ancien stade de la Gurzelen occup\u00e9 par des associations, subit une mutation pour devenir une compilation de cr\u00e9ations sonores diffus\u00e9es sur lumpenstation.art dans le cadre de \u00abl\u2019op\u00e9ration Decameron\u00bb lanc\u00e9e par Andrea Marioni actuel artist run space\u00a0d\u2019espace libre Visarte Biel\/Bienne.\u00a0 Le workshop, qui se voulait une exploration de formes d\u2019arts possibles \u00abdans les ruines du capitalisme\u00bb en r\u00e9coltant des th\u00e9ories de mani\u00e8re transversale, c\u2019est \u00e0 dire\u00a0provenant de th\u00e9ories scientifiques, anthropologiques, philosophiques et sociologiques, se propose d\u2019inviter les \u00e9tudiant\u00b7es \u00e0 construire une forme sonore, tout en se pliant aux nouvelles contraintes contemporaines. Le Bloom est consid\u00e9r\u00e9 autant pour son potentiel de manifeste \u00e9crit pas le collectif Tiqqun que pour sens litt\u00e9ral : \u00abfloraison\u00bb qui se manifeste au printemps, m\u00eame dans celui que nous vivons.\u00a0 L\u2019issue de ce workshop \u00abd\u2019urgence\u00bb sera partag\u00e9 lors d\u2019un vernissage radio diffus\u00e9 sur lumpenstation.art en direct jeudi 2 Avril 2020 \u00e0 20h.\u00a0","date":"02\/04\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1044\/banners.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1044\/banners.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1044\/banners.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1044\/bloomhead.mp3","duration":4284}],"duration":"71:24","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"ALIVE FROM LOKAL-INT","sub_format_path":"alive-from-lokal-int","sub_format_id":1026},{"title":"Vernissage \u00e0 domicile","subtitle":"Regina D\u00fcring, Christian M\u00fcller","colour":"#ffc777","path":"reginaduring","texte":"

Alive from Lokal-int \/ Vernissage \u00e0 domicile : Regina D\u00fcring, Christian M\u00fcller<\/p>\n\n

Cette \u00e9mission est la premi\u00e8re de la s\u00e9rie r\u00e9alis\u00e9e en collaboration entre Lokal-Int et espace libre Visarte BielBienne, pendant les premi\u00e8rs jours de confinement en raison du Covid-19. A ce moment-l\u00e0, les \u00e9missions sur lumpenstation.art \u00e0 Lokal-int \u00e9taient compl\u00e8tement spontan\u00e9es et il \u00e9tait impossible de savoir combien de fois un \u00abvernissage \u00e0 domicile\u00bb sous forme radiophonique allait\u00a0\u00eatre propos\u00e9. Regina D\u00fcring devait pr\u00e9senter ce jour-l\u00e0 une exposition dans les locaux de Lokal-int. Pour cette intervention radiophonique, l'artiste \u00e0 d\u00e9cid\u00e9 de pr\u00e9senter sous forme de performance sonore, en collaboration avec le musicien Christian M\u00fcller,\u00a0des textes po\u00e9tiques qui ont \u00e9t\u00e9 lus en direct.\u00a0\u00a0<\/p>","desc":"Alive from Lokal-int \/ Vernissage \u00e0 domicile : Regina D\u00fcring, Christian M\u00fcller Cette \u00e9mission est la premi\u00e8re de la s\u00e9rie r\u00e9alis\u00e9e en collaboration entre Lokal-Int et espace libre Visarte BielBienne, pendant les premi\u00e8rs jours de confinement en raison du Covid-19. A ce moment-l\u00e0, les \u00e9missions sur lumpenstation.art \u00e0 Lokal-int \u00e9taient compl\u00e8tement spontan\u00e9es et il \u00e9tait impossible de savoir combien de fois un \u00abvernissage \u00e0 domicile\u00bb sous forme radiophonique allait\u00a0\u00eatre propos\u00e9. Regina D\u00fcring devait pr\u00e9senter ce jour-l\u00e0 une exposition dans les locaux de Lokal-int. Pour cette intervention radiophonique, l'artiste \u00e0 d\u00e9cid\u00e9 de pr\u00e9senter sous forme de performance sonore, en collaboration avec le musicien Christian M\u00fcller,\u00a0des textes po\u00e9tiques qui ont \u00e9t\u00e9 lus en direct.\u00a0\u00a0","date":"26\/03\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1038\/bannercover15.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1038\/bannercover15.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1038\/bannercover15.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1038\/lokalint_regina.mp3","duration":5952}],"duration":"99:12","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"ALIVE FROM LOKAL-INT","sub_format_path":"alive-from-lokal-int","sub_format_id":1026},{"title":"Alive from Lokal-int : After Party Mix","subtitle":"First time hosted by Chri Frautschi & Andrea Marioni","colour":"#ffc777","path":"alive-from-lokal-int-after-party-mix","texte":"

Alive from Lokal-Int : After Party Mix
\nco-hosted by Chri Frautschi & Andrea Marioni<\/p>\n\n

SANS AUCUNE GARANTIE DE QUALITE SONORE, CHAOS ASSURE, WORK IN PROGRESS, DILETTANTISME, 100% DOCUMENTATION, PAROLE LIBRE, N'IMPORTE QUOI ET BONNE MUSIQUE<\/p>","desc":"Alive from Lokal-Int : After Party Mix co-hosted by Chri Frautschi & Andrea Marioni SANS AUCUNE GARANTIE DE QUALITE SONORE, CHAOS ASSURE, WORK IN PROGRESS, DILETTANTISME, 100% DOCUMENTATION, PAROLE LIBRE, N'IMPORTE QUOI ET BONNE MUSIQUE","date":"26\/03\/2020","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1049\/banners72.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1049\/banners72.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1049\/banners72.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1049\/lokalint_after.mp3","duration":10892}],"duration":"181:32","format":"UMPA LUMPEN","format_path":"umpalumpen","format_id":1166,"sub_format":"ALIVE FROM LOKAL-INT","sub_format_path":"alive-from-lokal-int","sub_format_id":1026},{"title":"Jonathan Frigeri","subtitle":"","colour":"#fef83a","path":"jonathanfrigeri","texte":"

espace libre : residences, inauguration Lumpen Station, summer 2019
\nJonathan Frigeri<\/p>\n\n

Invit\u00e9 pour une semaine de r\u00e9sidence \u00e0 espace libre et en tant que participant au programme estival d'inauguration de Lumpen Station, Jonathan Frigeri d\u00e9cide de pr\u00e9senter un live set au terrain de la Gurzelen, en produisant en temps r\u00e9el une composition in\u00e9dite \u00e0 l'aide de ballons gonfl\u00e9 \u00e0 l'h\u00e9lium.\u00a0<\/p>\n\n

Jonatan Frigeri est engag\u00e9 dans le radio art depuis plus d'une d\u00e9cennie et dirige lui m\u00eame un programme de r\u00e9sidence d'artistes \u00e0 Bruxelles\u00a0Radio Pic-nic<\/a>\u00a0et participe \u00e0 de nombreuses rencontres en lien \u00e0 la cr\u00e9ation sonore radiodiffus\u00e9e.\u00a0<\/p>","desc":"espace libre : residences, inauguration Lumpen Station, summer 2019 Jonathan Frigeri Invit\u00e9 pour une semaine de r\u00e9sidence \u00e0 espace libre et en tant que participant au programme estival d'inauguration de Lumpen Station, Jonathan Frigeri d\u00e9cide de pr\u00e9senter un live set au terrain de la Gurzelen, en produisant en temps r\u00e9el une composition in\u00e9dite \u00e0 l'aide de ballons gonfl\u00e9 \u00e0 l'h\u00e9lium.\u00a0 Jonatan Frigeri est engag\u00e9 dans le radio art depuis plus d'une d\u00e9cennie et dirige lui m\u00eame un programme de r\u00e9sidence d'artistes \u00e0 Bruxelles\u00a0Radio Pic-nic\u00a0et participe \u00e0 de nombreuses rencontres en lien \u00e0 la cr\u00e9ation sonore radiodiffus\u00e9e.\u00a0","date":"08\/08\/2019","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1066\/banner.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1066\/banner.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1066\/banner.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1066\/jonathan-frigeri-lumpen.mp3","duration":3585}],"duration":"59:45","format":"MEET THE RESIDENTS","format_path":"meet-the-residents","format_id":1174,"sub_format":"espace libre : residences","sub_format_path":"espace-libre-residences","sub_format_id":1027},{"title":"Poker Interview #3","subtitle":"Thomas Hirschhorn","colour":"#8b094d","path":"poker-interview-3","texte":"

Poker Interview #3 : Thomas Hirschhorn<\/p>\n\n

Pendant l'\u00e9t\u00e9 2019, Thomas Hirschhorn a r\u00e9alis\u00e9 l'oeuvre polymorphe \u00abRobert Walser Skulptur\u00bb sur la place de la gare de la ville de Bienne. Engag\u00e9 12h par jour pendant presque de 4 mois, l'artiste accueille Lumpen Station lors d'un moment libre pour r\u00e9pondre aux questions et jouer au\u00a0Poker Interview. Au fil des cartes, Thomas Hirschhorn d\u00e9veloppe certains aspects de sa pratique, strat\u00e9gie et compromis ainsi que son approche \u00e0 la pratique de l'art contemporain depuis plusieurs d\u00e9cennies.\u00a0<\/p>","desc":"Poker Interview #3 : Thomas Hirschhorn Pendant l'\u00e9t\u00e9 2019, Thomas Hirschhorn a r\u00e9alis\u00e9 l'oeuvre polymorphe \u00abRobert Walser Skulptur\u00bb sur la place de la gare de la ville de Bienne. Engag\u00e9 12h par jour pendant presque de 4 mois, l'artiste accueille Lumpen Station lors d'un moment libre pour r\u00e9pondre aux questions et jouer au\u00a0Poker Interview. Au fil des cartes, Thomas Hirschhorn d\u00e9veloppe certains aspects de sa pratique, strat\u00e9gie et compromis ainsi que son approche \u00e0 la pratique de l'art contemporain depuis plusieurs d\u00e9cennies.\u00a0","date":"25\/07\/2019","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1071\/lumpenstation_pi_th.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1071\/lumpenstation_pi_th.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1071\/lumpenstation_pi_th.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1071\/thomasedit.mp3","duration":3249}],"duration":"54:09","format":"LUMPEN UNIVERSIT\u00c4T","format_path":"lumpenuniversitat","format_id":1156,"sub_format":"Poker Interviews","sub_format_path":"poker-interviews","sub_format_id":1068},{"title":"Marion Guillet","subtitle":"","colour":"#fef83a","path":"marionguillet","texte":"

espace libre : residences, inauguration Lumpen Station, summer 2019
\nMarion Guillet<\/p>\n\n

Artiste et DJ\u00a0de Paris, Marion Guillet fait partie du programme de r\u00e9sidences de l'\u00e9t\u00e9 2019 qui marque\u00a0l'inauguration de Lumpen station et sa collaboration avec espace libre Visarte Biel\/Bienne. Apr\u00e8s une semaine de recherches sur place, Marion Guillet s'int\u00e9resse au festival d'\u00e9checs de Bienne et se penche sur le joueur mythique\u00a0Bobby Fischer, qui apr\u00e8s une carri\u00e8re brillante dans le milieu des \u00e9checs, sombre dans la parano\u00efa et la folie.\u00a0<\/p>","desc":"espace libre : residences, inauguration Lumpen Station, summer 2019 Marion Guillet Artiste et DJ\u00a0de Paris, Marion Guillet fait partie du programme de r\u00e9sidences de l'\u00e9t\u00e9 2019 qui marque\u00a0l'inauguration de Lumpen station et sa collaboration avec espace libre Visarte Biel\/Bienne. Apr\u00e8s une semaine de recherches sur place, Marion Guillet s'int\u00e9resse au festival d'\u00e9checs de Bienne et se penche sur le joueur mythique\u00a0Bobby Fischer, qui apr\u00e8s une carri\u00e8re brillante dans le milieu des \u00e9checs, sombre dans la parano\u00efa et la folie.\u00a0","date":"23\/07\/2019","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1065\/bannercorr.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1065\/bannercorr.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1065\/bannercorr.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1065\/marionedit.mp3","duration":2720}],"duration":"45:20","format":"MEET THE RESIDENTS","format_path":"meet-the-residents","format_id":1174,"sub_format":"espace libre : residences","sub_format_path":"espace-libre-residences","sub_format_id":1027},{"title":"Poker Interview #2","subtitle":"San Keller","colour":"#8b094d","path":"poker-interview-2","texte":"

Poker Interview #2 : San Keller<\/p>\n\n

Cette interview avec San Keller a \u00e9t\u00e9 r\u00e9alis\u00e9e dans la salle Poma du Centre Pasquart \u00e0 Bienne. L'artiste pioche des cartes pour r\u00e9aliser une s\u00e9rie de Poker, chaque carte correspond \u00e0 une question\u00a0inh\u00e9rente \u00e0 plusieurs aspects de la carri\u00e8re artistique : vie priv\u00e9, strat\u00e9gie, esth\u00e9tique, march\u00e9 de l'art...\u00a0<\/p>","desc":"Poker Interview #2 : San Keller Cette interview avec San Keller a \u00e9t\u00e9 r\u00e9alis\u00e9e dans la salle Poma du Centre Pasquart \u00e0 Bienne. L'artiste pioche des cartes pour r\u00e9aliser une s\u00e9rie de Poker, chaque carte correspond \u00e0 une question\u00a0inh\u00e9rente \u00e0 plusieurs aspects de la carri\u00e8re artistique : vie priv\u00e9, strat\u00e9gie, esth\u00e9tique, march\u00e9 de l'art...\u00a0","date":"17\/07\/2019","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1070\/lumpenstation_pi_sk.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1070\/lumpenstation_pi_sk.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1070\/lumpenstation_pi_sk.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1070\/samkeller.mp3","duration":4440}],"duration":"74:00","format":"LUMPEN UNIVERSIT\u00c4T","format_path":"lumpenuniversitat","format_id":1156,"sub_format":"Poker Interviews","sub_format_path":"poker-interviews","sub_format_id":1068},{"title":"Boris Getaz","subtitle":"","colour":"#fef83a","path":"borisgetaz","texte":"

espace libre : residences, inauguration Lumpen Station, summer 2019
\nBoris Getaz<\/p>\n\n

Actif dans le milieu de la radio associative en tant que technicien, Boris Getaz a contribu\u00e9 pendant des ann\u00e9es \u00e0 la diffusion d'\u00e9missions de webradio au niveau local \u00e0 Lausanne, canton de Vaud. Pour sa r\u00e9sidence \u00e0 espace libre et sa participation au programme de r\u00e9sidences qui inaugure Lumpen Station, Boris Getaz vient en tant que compositeur de musique contemporaine, dont il suit actuellement un\u00a0master \u00e0 Londres. Sa cr\u00e9ation s'est construite in-situ avec des prise de son direct\u00a0\u00e0 Bienne, qui ont ensuite\u00a0\u00e9t\u00e9\u00a0modifi\u00e9s\u00a0et ins\u00e9r\u00e9s dans un montage avec d'autres sources sonores.\u00a0<\/p>","desc":"espace libre : residences, inauguration Lumpen Station, summer 2019 Boris Getaz Actif dans le milieu de la radio associative en tant que technicien, Boris Getaz a contribu\u00e9 pendant des ann\u00e9es \u00e0 la diffusion d'\u00e9missions de webradio au niveau local \u00e0 Lausanne, canton de Vaud. Pour sa r\u00e9sidence \u00e0 espace libre et sa participation au programme de r\u00e9sidences qui inaugure Lumpen Station, Boris Getaz vient en tant que compositeur de musique contemporaine, dont il suit actuellement un\u00a0master \u00e0 Londres. Sa cr\u00e9ation s'est construite in-situ avec des prise de son direct\u00a0\u00e0 Bienne, qui ont ensuite\u00a0\u00e9t\u00e9\u00a0modifi\u00e9s\u00a0et ins\u00e9r\u00e9s dans un montage avec d'autres sources sonores.\u00a0","date":"10\/07\/2019","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1067\/banner.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1067\/banner.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1067\/banner.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1067\/pocastboris.mp3","duration":7203}],"duration":"120:03","format":"MEET THE RESIDENTS","format_path":"meet-the-residents","format_id":1174,"sub_format":"espace libre : residences","sub_format_path":"espace-libre-residences","sub_format_id":1027},{"title":"Poker Interview #1","subtitle":"Yan Duveyndak","colour":"#8b094d","path":"poker-interview-1","texte":"

Poker Interview #1 : Yan Duyvendak<\/p>\n\n

Premier invit\u00e9 de cette s\u00e9rie, Yan Duyvendak r\u00e9pond \u00e0 des questions inh\u00e9rentes \u00e0 son parcours professionnel. Lors de ce entretien pilote, le syst\u00e8me de cartes de Poker n'est pas encore mis en place et il s'agit davantage d'un dialogue ouvert et un \u00e9change o\u00f9 \u00ables cartes sont mises sur la table\u00bb sans filtre.<\/p>","desc":"Poker Interview #1 : Yan Duyvendak Premier invit\u00e9 de cette s\u00e9rie, Yan Duyvendak r\u00e9pond \u00e0 des questions inh\u00e9rentes \u00e0 son parcours professionnel. Lors de ce entretien pilote, le syst\u00e8me de cartes de Poker n'est pas encore mis en place et il s'agit davantage d'un dialogue ouvert et un \u00e9change o\u00f9 \u00ables cartes sont mises sur la table\u00bb sans filtre.","date":"25\/06\/2019","featured":{"src":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1069\/lumpenstation_pi_yd.2000x2000.jpg","src_low":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1069\/lumpenstation_pi_yd.1200x1200.jpg","webp":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1069\/lumpenstation_pi_yd.1200x1200.webp","ratio":98.05,"orientation":"landscape"},"files":[{"url":"https:\/\/cms.lumpenstation.art\/site\/assets\/files\/1069\/yannduveyndak.mp3","duration":4161}],"duration":"69:21","format":"LUMPEN UNIVERSIT\u00c4T","format_path":"lumpenuniversitat","format_id":1156,"sub_format":"Poker Interviews","sub_format_path":"poker-interviews","sub_format_id":1068}]}